Art

The Cobbs Auctioneers
Important Antique and Fine Art Auction Saturday April 12th 2008
First Session Begins at 10AM
Second Session of Antique Toy Blocks & Games begins at 2:30PM
At Historic Noone Falls Mill, Peterborough NH

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Lot Number and Description	Images and Close-ups
303. George De Forest Brush, N.A. (1855-1941) New York, NY, Dublin, NH, red chalk on paper drawing signed lower right, “Geo de Forest Brush,” done as a study for the painting, “In The Garden” 1906, of Mrs. Brush with Mary and Thea, 17 1/2” x 10 3/4” sight, matted under glass. Provenance: The artist’s family, a NH collection, see pg. 38 “George De Forest Brush” by Mary Douglas Bowditch. Estimate $600-1,000
306. William Aiken Walker, (1838-1921), Charleston, SC, oil on artist board of a Southern African American family home on wash day, signed lower left, “WA Walker,” 6” x 12” framed, good condition. Provenance: A New Hampshire estate. Estimate $20,000-30,000
308. Chauncey Foster Ryder, NA, (1868-1949), New York/New Hampshire, oil on artist board of a hillside with an old house. Signed lower right, “Chauncey F. Ryder,” 11 1/2” x 16”, period gilded frame. Provenance: A Southern collection. Estimate $4,500-6,500
314. Frederick H. McDuff, (1931- ), oil on canvas painting of 2 ladies and a child in a field of flowers, signed lower right, “McDuff,” 30” x 36 1/2”, framed with a “Wally Finlay” label on the reverse. Provenance: A New Hampshire collection, Wally Finlay Gallery. Estimate $3,000-5,000
315. Cleo Hartwig, (1911-1988) New York, NY, limestone composition molded in the form of a bird, signature carved under the tail, “C. Hartwig,” 9” long x 6 1/2” tall, mounted on square black base. Provenance: A New Hampshire collection. Estimate $500-800
316. Arthur Burdett Frost, (1851-1928), Pasadena, CA, gouache on paper board, illustration of a horse & bear fighting, signed lower left, “A.B. Frost,” fine condition, 29” x 21” framed & matted under glass. Provenance: A southern collection. Estimate $10,000-15,000
324. Benjamin Champney, (1817-1903), Boston, MA, White Mountain School artist, oil on canvas landscape, a flock of sheep grazing before mountains & lake, possibly “Lake In the Clouds,” signed lower left, “B Champney ‘93 (?),” 20” x 36”, damage to lower edge, probably original frame. Estimate $10,000-15,000
325A John Pope ANA (1820-1880) Boston/New York, mountain & lake scene (probably Northern NH), oil on canvas painting signed lower right 'J. Pope" in red, appears to have the original ornate gilded frame, 14" x 24", cleaned & lined by the Fenway Gallery, Boston, MA. Provenance: A Southern collection. Estimate $6,000-9,000
325B John Pope, "Ossipee meadows," oil on canvas painting signed lower right "J. Pope" in red, appears to have the original ornate gilded frame, 14" x 24", listed in New Hampshire scenery by Catherine H. Campbell, page 129, as Boston Art Assoc. (1877) #138. Provenance: A Southern NH Collection, the Godwin Gallery, see label on verso & copy of receipt available. Estimate $8,000-12,000
332. Maxfield Frederick Parrish, NA, (1870-1966) Plainfield NH, attributed, colored chalk on artist board drawing of a Gothic style stone & wood frame home, signed lower left center, “M.P.” some losses to the board edges, unframed, 16” x 22”. Provenance: A New Hampshire collection. Estimate $2,000-4,000
334. William Preston Phelps, (1848-1923), New York, NY & Chesham, NH, oil on wooden board, “View at York Harbor Maine,” signed lower left, “WP Phelps,” titled & Vose Gallery Label on verso, 12” x 21 1/2”, newer gold frame. Provenance: A Massachusetts painting collection. Estimate $2,500-3,500
339. China Trade Painting, Military Junk, oil on canvas, surface crackle, lined, 9” X 11 3/4”, gold frame, 19th century, Chinese. Provenance: A Massachusetts collection. Estimate $1,700-2,200
340. Chinese Export Reverse Painting On Glass, oval painting of Madonna & Child, 18 1/2” tall x 16 1/2”, including the gessoed frame, 19th century, unsigned, some spotting. Provenance: A New Hampshire collection. Estimate $300-500
342. Early Wooden Carving Of Saint Francis, standing robed figure missing his arms and part of his hood, 28 1/2” tall, old dry surface, probably 17th century Continental, mounted on a newer wooden base. Provenance: A New Hampshire collection. Estimate $900-1,200
343. Young Jesus Painting On Porcelain, unsigned, Christ child holding a cross with a lamb, 7 1/2” x 5 1/2” oval, old Victorian style frame, good condition, marked on verso, “K1,” & an undecipherable chalk signature upper right. Appears to be a 19th century rendering of an earlier subject. Provenance: A New Hampshire collection. Estimate $800-1,200
344. George Loftus Noyes, (1864-1951) Boston, MA & Francestown, NH, oil on wood panel of a New England Church, 6” x 7 1/2”, newer gold frame signed lower right "G.L. Noyes.". Provenance: A New Hampshire collection. Estimate $900-1,200
346. Frederich Carl Frieseke, NA, (1874-1939), New York, Paris, France, watercolor on paper of a tree lined path to a country home in France, signed lower right, “F.C. Frieseke,” 7” x 5” sight, framed under glass, not examined out of the frame. Provenance: A New Hampshire collection. Estimate $900-1,500
347. Daisy E. Erb, 20th century Palm Beach, Florida, gouache on paper of a country scene with palm trees & other vegetation, signed lower right, “Daisy E. Erb,” 20” x 23 1/2” sight, matted & framed under glass, not examined out of the frame. Provenance: A New Hampshire collection. Estimate $400-700
350. William Coates, 18/19th century English, the schooner’s “Guard” and the “Snow Chase,” off Elsinore Castle, England, oil on mahogany panel, signed on back, “Coates Pinxt 1820,” 23” x 33”, set in old gessoed frame, small horizontal crack on right side. Provenance: A Massachusetts collection. Estimate $16,000 - 25,000
353. A. Lucas, 19th century, American/ English, oil on canvas painting of sailing ships off the coastline, signed lower right, “A. Lucas 91”, 8 1/2” x 19”, original gilded frame, good overall condition. Provenance: A Dublin, NH collection. Estimate $1,000-1,500
354. Frederick Louis Thompson, b. 1868, New York, NY, oil on canvas of a fall landscape, signed lower right, 16” x 20”, original gray frame. Provenance: A New Hampshire collection. Estimate $500-900
368. Continental Still Life Painting, oil on canvas, a selection of fruit set on a table, 13” x 17 1/2”, good gilded carved frame, (some losses), unsigned. Appears to be 17/18th century, gray background has been added at a later date, old lining, cracks & chip. Provenance: A New Hampshire collection. Estimate $1,000 - 1,500
369. Old Master Portrait Painting, oil on board of a regally dressed woman with pearls in her hair & hat, 16th century Continental, school of or a follower of Frans Pourbus The Younger (1569-1622), 24” x 18”, old black & gold frame. Provenance: A New Hampshire collection. Estimate $3,000-5,000
370. English King Charles l Portrait, reign, 1625-1649, oil on oak panel, bust in the oval form, showing lower right-+ an oval emblem of “The Order Of The Garter,” & wearing an oval medallion, probably a period country version of his painting by VanDyke, unsigned, 25” tall x 20 1/2” wide, set in a 19th century gold leaf frame, vertical crack going through his right shoulder (old repair). Provenance: A Massachusetts collection. Estimate $6,000-9,000
374. Roland Clark, (1874-1957), American, etching, “Broadbill in Flight,” 1926 edition of 65, pencil signed lower right & in plate, 13” x 16”, unframed. Provenance: A New Hampshire collection. Estimate $300-600
375. Two Reinhold H. Palenske Etchings, (1884-1954), Woodstock, IL: A - “Two Deer With Sleigh,” pencil signed lower right, 6 1/2” x 9 3/4”, unframed. B - “Ladies First,” pencil signed lower right & titled lower left, 9 3/4” x 9 3/4”, unframed. Provenance: A New Hampshire collection. Estimate $400-700
376. Roland Clark, “Manitoba Marshes,” pencil signed lower right & monogram “R” in plate 16 3/4” x 13 1/4” sight, matted & framed under glass, not examined out of the frame. Provenance: A New Hampshire collection. Estimate $400-700
380. 1878 Painting Of A California Doctor, oil on canvas of Dr. Rosen, seated in his office with a globe, microscope & other scientific items, written on the open book to his left, “Oakland, Calif, June 1878, G. Rosen, MD,” unframed, newer stretcher & small repairs. Provenance: A New Hampshire collection. Estimate $800-1,200
383. Portrait Of Honorable James N. Buffam, oil on canvas painting, unsigned, with written note attached to the stretcher of who the sitter is, lined with a photo of the Boston canvas mark attached to verso, 31” x 35”, appears to have the original yellow gold frame, early 19th century, New England. Provenance: A New Hampshire collection. Estimate $400-600
384. English 18th Century Portrait Painting, oil on canvas of a gentleman leaning on a table, (note on verso reads, “Mr. Richards by Romney,” George Romney 1734-1802, an important artist), unsigned, possibly by a provincial artist in the school of Romney, 35” x 28 1/4”, lined, in an old gold & black frame. Provenance: A Massachusetts collection. Estimate $8,000-10,000
386. Robert Edge Pine, (1733-1788), London & Philadelphia, attributed, oil on canvas portrait of what appears to be Dr. Samuel Johnson, (see British National Portrait Gallery for similar images of him), half length gray coat with white lace edge chemise, dated top left, “1759,” lined with newer stretcher, 27 1/4” x 21 1/2”, gilded & carved frame, includes a 10 volume set of The Life Of Samuel Johnson, LLD by James Boswell. Provenance: A Massachusetts collection. Estimate $20,000-30,000
388. N. Artz, 20th century Dutch, oil on canvas of a Dutch interior meal scene with children & mother eating, signed lower left, “Artz,” 1 hole & small tear in center, 17” x 12”, molded gilt frame. Provenance: A NH collection. Estimate: $400-600
389. Hugh Bolton Jones, NA (1848-1927) New York, NY, oil on canvas of cows & sheep in a field & stream with a home in the distance, signed lower right, “H.B. Jones New York,” 19 1/4” x 30”, cleaned & relined, new stretcher & molded frame. Provenance: A West Coast collection. Estimate $7,000-12,000
390. Bronze Christ Figure, signed “Rodin’” on base, school of, full body, 7 3/4” tall, 19/20th century. Provenance: A New Hampshire collection. Estimate $500-700
397. Melbourne Havelock Hardwick, (1857-1916) MA, watercolor on paper seascape, surf casting on shore, signed lower left, “M.H. Hardwick,” 20 1/2” x 33 3/4” sight, matted & framed under glass, not examined out of the frame. Provenance: A New Hampshire collection. Estimate $600-900
399. English Rural Landscape, oil on canvas of a country road by a church & home, illegibly signed lower right, “P. Sh?,” 24” x 39 1/2”, framed, 19th century. Provenance: A New Hampshire collection. Estimate $300-500
400. School Of Eastman Jonathan Johnson, NA (1824-1906) New York, oil on canvas of an interior scene with a seated woman in profile, canvas mark on verso, “Meade, Dodge and Co, Boston,” 9” x 12”, newly framed. Provenance: A Massachusetts collection. Estimate $6,000-8,000
419. Charles Leduc, (1831-1911) French, oil on canvas of a French ironclad steam/sail double turret ship, (2 rotating double gun turrets), signed lower right, “Ch Leduc, anchor,” 31” x 59”, original gilded frame, lined & restored. Provenance: An English estate, a Massachusetts collection. Estimate $10,000-15,000
432 Oil On Canvas Landscape, signed lower right, “WB 52,” unidentified artist, consignors history indicates the scene is from Farmington, CT, 9” x 13”, appears to have the original gilded frame. Provenance: A Massachusetts collection. Estimate $900-1,200
434. Joseph Pennell, NA, (1860-1926) Brooklyn, NY, etching of NY skyline from Brooklyn, pencil signed lower center, “J. Pennell, NY,” 9” x 11” sight, matted & framed under glass, not examined out of the frame. Provenance: A New Hampshire collection. Estimate $200-300
436. Painting Of Pair Of Hanging Fish , oil on panel, unknown monogram lower right, 15” x 6”, oak frame, 19/20th century American. Provenance: A Massachusetts collection. Estimate $800-1,200
436A. T. Bailey, (William Paskell), (1866-1961), American, pastel on paper still-life, “Spring Bouquet,” signed lower right, 20 1/2” x 15 1/2” sight, framed under glass. Provenance: A New Hampshire collection. Estimate $200-400
436B. T. Bailey, (William Paskell), pastel on paper of, “Mountain Quail,” signed lower right, 19 1/2” x 16” sight, framed under glass, stain upper left corner. Provenance: A New Hampshire collection. Estimate $200-400
436C Wally Ames, Vermont, contemporary oil on artist board of a sunset over the marsh & lake, signed lower left “WA’ conjoined and on reverse ‘Wally Ames,” 17 ¾” x 22 ½”, old gold molded frame. Provenance: Directly from the artist. Estimate $1,000-2,000
437. School Of Alexander Pope, (1849-1924) American, watercolor/gouache, “Woodcock Undercover,” 11” circle, oak frame, matted under glass. Provenance: A New Hampshire collection. Estimate $700-1,000
448.Samuel Nelson Abbott, (1874-1953), Kingston, NY, oil on artist board painting/illustration of French soldiers in battle, one wounded. Signed lower left, “S.N. Abbott, Paris, 1897,” 28 1/2” x 22”, old frame with a liner. Provenance: A New Hampshire collection. Estimate $800-1,200
449. Primitive Landscape And Door Yard Scene, oil on canvas, unsigned, 17” x 26”, varnish crackle & minor flaking, original gold fine gilt frame. Provenance: A New Hampshire collection. Estimate $200-400
450. English Watercolor, of a man & a woman conversing on a stone bridge, signed lower center “PS,” possibly by Paul Sandby (1725-1809) matted & framed under glass, 5 1/2” x 9 1/4” sight, not examined out of the frame. Appears to be 18/19th century, English. Provenance: A Massachusetts collection. Estimate $150-250
451. Winfield Scott Clime, (1881-1958) Old Lyme, CT, oil on canvas impressionistic landscape with a country road, signed on the stretcher, “W.S. Clime, Cragsmoor, NY,” also part of “National Arts Club,” exhibition label on the reverse of the stretcher as well, 16” x 20”, probably has the original molded gold frame. Provenance: A New Hampshire collection. Estimate $1,000-1,500
453. Irene D Fowler, (1884-1967) Colorado, watercolor on paper landscape, a western mountain, signed lower left, 17 1/4” x 11 1/2”, framed, matted under glass. Provenance: A Massachusetts collection. Estimate $200-400
454. Stanley Wingate Woodward, (1890-1970) Rockport, MA, oil on masonite, White Mountain Scene with snow, 19 1/2” x 28 1/2”, probably original frame. Provenance: A New Hampshire collection. Estimate $1,000-1,500
455. Miniature Portrait, classical form in winged tiara, 2” diameter, 19th century Continental, brass frame, under glass. Provenance: A Southern collection. Estimate $100-200
456. Cesare Ricciardi, (1892-1973), Italian American, oil on canvas, landscape of a European coastal scene, signed lower right, “C. Ricciardi,” 24” x 36”, framed. Provenance: A Southern collection. Estimate $1,000-1,500
459. A. Bennett, 19th century, English, oil on canvas of puti beside a pool, signed lower right, “Bennett ‘ 89,” and on the verso, “A. Bennett,” scratched on frame, 9” x 17” original frame. Provenance: A New Hampshire collection. Estimate $500-700
474. Hal Robinson, (1875-1933), American, oil on canvas landscape, “Woodland Stream,” signed lower right, “H. Robinson,” 30” x 24”, old frame, restored & relined. Provenance: A Southern collection. Estimate $1000-2000
474A. Hudson River School Wedding Procession, oil on canvas painting of a bride with an armful of roses and her two bridesmaids. One bridesmaid appears to be Native American and is dressed in a Native American costume. Back of stretcher inscribed in pencil “By J. John and Louis F. Jones, 1887,” 34” high x 27” wide, unframed. Provenance: A New Hampshire estate. Estimate $600-800.
479. Charles Melville Dewey, NA AM, (1849-1937), American, oil on board, titled on the frame, “Haystacks,” signed lower left, “CH M. Dewey,” 11 1/2” x 15”, gold frame. Provenance: A Southern collection. Estimate $500-700
483. ”Rocky Seascape” , oil on artist board of the sea breaking on the rocky shore, unsigned, 6” x 11 1/2”, 20th century oak frame. Similar to Homer’s later Prout’s Neck work. Provenance: A Massachusetts collection. Estimate $1000-2000
483A Arthur William Heintzelman, NA (1890-1965), New York, NY, etching of Charles Munch (conductor of the Boston Symphony Orchestra,) pencil signed lower right, "Arthur Wm Heintzelman," 14" tall x 11 1/8" wide, sight, matted & framed under glass. Along with the book, "American Etchers Vol VI after Wm Heintzelman, the crafted collection, Inc. NY , first printing 75 copies. Provenance; A Massachusetts collection. Estimate $200-400
483B Woman In A yellow Hat painting, oil on artist board, signed lower left, …M?, appears to be Continental, 19/20th century, 10 1/2" x 7 1/4" unframed. Provenance: A Massachusetts collection. Estimate $400-700
483C North African Woman Portrait, oil on artist board painting, unsigned, 19" x 16 1/2", framed, appears to be Continental/ French, early 20th century. Provenance: A Massachusetts collection, label on verso indicates ex collection of Gilbert Hodge. Estimate $400-700
489B. Louis Pierre Verwee, 1807- 1877, Belgium, oil on canvas painting of a courtyard scene, signed lower left, “L. Verwee '74,” 38 1/2” tall x 28 1/2”, old wide molded frame, lined with some repairs. Provenance: A New Hampshire and New Jersey collection. Estimate $1,500-2,500
490. Three Watercolor On Silk, Floral Still Lifes, with butterflies, deterioration to silk background, 7” x 9” sight, framed & matted, 19th century, Chinese. Provenance: A New Hampshire collection. Estimate $300-400
511. Frederick A. MacNeal, 20th century American, watercolor of a harbor scene, signed lower left, 14 1/4” x 10 1/4”, framed & matted. Provenance: A Massachusetts collection. Estimate $100-200
514. A Hale Johnson, 20th century American, oil on wood panel, winter scene,“ Study Of Two Rocks,” 11 3/4” x 22”, framed. Provenance: A Keene NH collection. Estimate $2,000-3,000
515. Gene Szafran, (1941-?), Detroit, MI, oil on canvas painting of impressionistic figure, signed right side, “Szafran 61,” 27” x 22”, thin wooden frame, titled on rear stretcher, “White Skirt #352.” Provenance: A Massachusetts collection. Estimate $150-250
516. Thomas B. Craig, NA, (1849-1924) Woodland, NY, watercolor of a village landscape, 14” x 21 3/4”, sight, matted, not examined out of the frame. Provenance: A New Hampshire collection. Estimate $200-400
517. Ross Barbera, New York, Contemporary artist, airbrush oil on canvas painting of a stream, signed on rear stretcher, 48” x 70.” Estimate $1,500-2,500
517A Jay Gresham cartoon, last in a series “the seven ages of Man,” based on Shakespeare’s “As you like It”. Pastel & charcoal on paper of a green man in a cave. Provenance: William D. Eppes, this was created for Cole Porter, the composer, 1893-1964, on his birthday celebration, June 9, 1944. Estimate $400-700
518. Albert Blaetter, B. 1878, American, oil on canvas seascape, signed lower right, “A Blaetter,” 24” x 36”, framed. Provenance; A Peterborough NH collection. Estimate $600-1,200
519. TE Pencke, B. 1929, French, oil on canvas of a lake scene, 12” x 16”, wide gold frame. Provenance: A New Ipswich NH collection. Estimate $700-900
521. Sydney Lee, (1866-1949) English, woodblock print, “Isak Walton’s Fishing Lodge,” 15 1/4” x 8 3/4”, pencil signed lower right, unframed. Provenance: A New Hampshire collection. Estimate $100-150
522. Jane E. Goldman, B.1951, American/NH, watercolor titled, “MB Cleaning Cherries I,” titled & signed on the verso, 22 1/2” x 30 1/4”, matted & framed under Plexiglas, not examined out of the frame. Provenance: A New Hampshire collection. Estimate 300-600
523. Arthur Wesley Dow, (1857-1922) American, “Colored Print, Lilly,” from “Ipswich Prints, Series F, 1901,” initialed lower left, “AWD,” framed under glass, 5 1/2” x 4 1/8” image size. Provenance: Hirschl & Adler Gallery, from the artist’s estate. Estimate $250-350
523A. Arthur Wesley Dow, “Village Roofs,” color relief, “Ipswich prints series K #1,” 4 1/4” x 5 1/2” image size, framed under glass. Provenance: Hirschl & Adler Gallery, from artist’s estate. Estimate $200-300
523B. Albert Urban, (1909-1959), German/American, 2 screen prints: A - “Dance,” 12946, 11 3/4” x 7 1/4” estate stamp, “B. Leda, 45,” 13 1/4” x 10”, framed under glass. Provenance: Hirschl & Adler Gallery from the artist’s estate. Estimate $100-200
524. N Hart, NA, 19th century, oil on canvas still life, “Grapes and Peaches,” 6 1/2” x 10”, signed lower right, oak frame. Provenance: A New Hampshire collection. Estimate $300-500
524A. Watercolor On Silk, birds & floral bushes, 9 1/2” x 11” sight, framed & matted under glass, 20th century Chinese. Provenance: A Milford, NH collection. Estimate $100-200
525. Joseph Jeswald, (1927- ), Massachusetts, oil on canvas painting of an unusual musical instrument, signed lower right, “Jeswald,” 40” x 24”, thin wooden frame. Provenance: An Amherst, NH estate. Estimate $200-300
526. Joseph Jeswald, oil on canvas titled, “Birds,” and “(19) 57,” on “Gallery G,” label, on verso titled, “7 Gulls,” , signed lower right, “Jeswald 57,” 36” x 28”, thinly framed. Provenance: An Amherst, NH collection. Estimate $200-300
527. “Back Alley” Modernist Painting, oil on canvas non objective painting done in 1969 signed lower right "SR Marie Messina", 20” x 24”, slight water damage on lower edge. Provenance: A Massachusetts collection. Estimate $100-250
528. Continental School, oil on canvas impressionistic portrait of a peasant woman, signed upper right, “RB…?,” remains of an exhibition label & 2 gallery stamps labels, 37” x 29,” original frame. Provenance” A Winchester, MA collection. Estimate $300-500
529. George Kenneth Hartwell, (1891-1949), lithograph 7/30, “And Far Into The Night,” titled lower right, signed,” Kenneth Hartwell,” IMP 1932 lower left, 11 1/4” x 15 1/2” unframed. Provenance: A Southern collection. Estimate $200-400
Audubon Octavio Folio Prints Lots 530 to 550 These prints were recently removed from the book, Birds Of America, Vol. IV, by John James Audubon, New York, Philadelphia J.B. Chevalier 1842. They were removed in such a way that the binding edge is intact. The prints are in virtually mint condition and measure 10 1/4” tall x 6 3/4” wide. From a local New Hampshire collection. The entire collection has always been in the same family.
530. Plate No. 251, “Mango Hummingbird.” Estimate $800-1,800
531. Plate No. 252, “Anna’s Hummingbird.” Estimate $900-1,800
532. Plate No. 253, “Ruby Throated Hummingbird.” Estimate $1,200-1,800
533. Plate No. 254, “Ruff Necked Hummingbird.” Estimate $800-1,500
534. Plate No. 258, “Canadian Woodpecker.” Estimate $150-350
535. Plate No. 259, “Philip’s Woodpecker.” Estimate $125-325
536. Plate No. 260, “Maria’s Woodpecker.” Estimate $150-325
537. Plate No. 261, “Harris Woodpecker.” Estimate $125-225
538. Plate No. 262, “Hairy Woodpecker.” Estimate $150-350
539. Plate No. 263, “Downy Woodpecker.” Estimate $750-1,200
540. Plate No. 264, “Red Cockaded Woodpecker.” Estimate $200-600
541. Plate No. 265, “Audubon’s Woodpecker.” Estimate $150-325
542. Plate No. 266, “Red Breasted Woodpecker.” Estimate $125-325
543. Plate No. 267, “Yellow Bellied Woodpecker.” Estimate $400-900
544. Plate No. 268, “Arctic Three Toed Woodpecker.” Estimate $150-350
545. Plate No. 269, “Banded Three Toed Woodpecker.” Estimate $125-300
546. Plate No. 270, “Red Bellied Woodpecker.” Estimate $375-800
547. Plate No. 271, “Red Hooded Woodpecker.” Estimate $950-1,800
548. Plate No. 272, “Lewis Woodpecker.” Estimate $175-500
549. Plate No. 273, “Golden Winged Woodpecker.” Estimate $550-1,200
550. Plate No. 274, “Red Shafted Woodpecker.” Estimate $175-400