Art

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Lot Number and Description	Images and Close-ups
2. Chaim Gross, 1904-1991, New York, NY, 4 ¾” tall bronze marked on the base, “…Gross,” on one side & 4/7 on the other, titled, “Mother And Child.” Provenance: A Springfield, MA collection. Estimate $2,000-3,000
3. Leonard Baskin, 1922-2000, New Jersey, bronze bust of a woman with a head covering, marked on the back, “LB, 1963, 1/10,” foundry mark on the bottom, 6” tall. Provenance: A Springfield, MA collection. Estimate $1,000-2,000
4. Leonard Baskin, bronze head of a man, 4 ½” tall, marked on side, “Baskin ‘67.” Provenance: A Springfield, MA collection. Estimate $1,000-2,000
5. Leonard Baskin, 4 ½” square bronze plaque of a face, signed lower right, “LB.” Provenance: A Springfield, MA collection. Estimate $1,000-2,000
6. Leonard Baskin Block Print, signed lower right, “Baskin,” pencil titled lower left, “Death Among the Thistles,” together with Leonard Baskin’s boxed natural History, first edition. Provenance: A Springfield, MA collection. Estimate $400-700
7. Emile Albert Gruppe, 1896-1978, New York, NY & Gloucester, MA, oil on canvas painting of Naples, Florida train station, signed lower right, “Emile Gruppe,” 24” x 30”, framed. Provenance: A Florida collection, purchased by the consignor’s mother directly from Gruppe. Estimate $15,000-25,000
8. Emile Albert Gruppe, oil on canvas painting of a nude woman standing in the woods, signed lower right, “Emile A Gruppe,” 30” x 25 ¼”, framed. Provenance: A Florida collection, purchased by the consignor’s mother directly from Gruppe. Estimate $8,000-12,000
9. Malcolm Humphries, 1894-1962, American, oil on canvas of a full figured nude woman standing among flowers, signed lower right, “Malcolm Humphries,” 40” x 31 ¾”, good original gold frame. Provenance: A Florida collection. Estimate $800-1,200
10. Charles Frank Arcieri, 1885-1945, American, oil on canvas of a young woman with a red shawl, signed lower right, “Arcieri,” 26” x 20”, gold frame. Provenance: A Florida collection. Estimate $2,000-3,000
18. American School, oil on wood panel portrait of a gentleman holding his glasses, unsigned, 34” x 28”, unframed, ca. 1810. Appears to be on a poplar wood panel. Provenance: Herschel & Adler Galleries, New York. Estimate $600-1,000
19. Primitive Portrait Of A Young Woman with dark curls 19^th century oil on canvas, unsigned, 24” x 19 ¾”, some paint loss, relined, period frame. Provenance: A Milford, NH estate. Estimate $400-600
21. Alexander Robertson James, 1890-1946, Dublin, NH, oil on canvas landscape, signed lower left, and illegibly dated, label on verso, “Woodstock Hills Vermont,” 26 ¼” x 32 ½”, museum stretcher, possibly lined & reframed. Provenance: A Dublin, NH collection. Estimate $4,000-7,000
22. Alexander Robertson James, pastel on paper landscape over looking town of Dublin east towards Pack Monadnock, signed lower right, “A. James,” 17 ¼” x 23 ¼” sight, not examined out of the frame, matted under glass. Provenance: A Dublin, NH collection. Estimate $1,500-2,500
26A. Three Hand Colored Botanical & Bird Prints, Mark Gatesby, 1679-1749, British, book plates #XVI, XXII, XXIV, plate size 11 ¾” X 8 ½”, framed & matted, not examined out of the frame. Provenance: A Cooperstown, NY painting collection. Estimate $1,000-2,000
36. James McNeil Whistler, 1834-1903, American, etching & dry point on paper of, “Annie Seated,” signed in the plate, “Whistler,” 5 ¼” x 3 ¾” framed & matted under glass. Provenance: A Cooperstown, NY painting collection. Estimate $1,000-2,000
38. William H. Thwaites, NA 1854-1871, New York, NY, London, White Mountain Artist, lot of 3 miniature watercolor on paper landscapes, unsigned in matching matted frames, 2 identified as Westmoreland, NH on mat & all 3 with, “W.H. Thwaites,” identification on mat, 3 ¼” x 5”, 4 ¼” x 6 ¾” & 5 ¾” x 4 ½” sight. Provenance: A Massachusetts collection. Estimate $600-1,000
39. School Of Berthe Morisot, pastel painting of a young woman, (see portrait of Madame Pontillion, 1871, pastel, Musee’ du Louvre, Cabinet des Dessins, Paris), unfinished baby’s head on verso, 14 7/8” x 12” sight, framed & matted under glass. Provenance: A Massachusetts collection. Estimate $2,000-3,000
40. Giovanni Battista Quadrone, 1844-1898, Italian, oil on panel of a tawdry scene, signed upper right, “G.B. Quadrone ’81,” 8’ x 13 ¾” some paint loss, bottom panel appears to have been cut to fit ornate gold gessoed frame. “National Association of Artist, Florence, Italy,” label on verso. Provenance: A Florida collection. Estimate $3,000-5,000
49. Jane Freeman, 1883-1963, Provincetown, MA, oil on canvas, ¾ length portrait of Consuelo Vanderbilt, signed upper right & dated 1931, 40 ½” x 32 ½”, probably the original gilded frame with paint loss along with a biography by Stuart. Provenance: A Florida collection. Estimate $1,000-1,500
55. Franz Joseph Kline, 1910-1962, PA/NY, ink on paper, signed in pencil lower center/right, “KLINE,” New York gallery label on verso with description, dated 1954, 7 1/3” x 9 ½ framed under glass, with mat cutout for label. Provenance: A New York collection. Estimate $8,000-12,000
56. Anthony Thieme Attributed, oil on artist board painting of a WWI biplane in battle, unsigned, 9 ¼” x 12 ¼”, framed. Provenance: A Florida collection, estate of A. Thieme’s sister, written on artist board label on verso in pen. Estimate $200-400
57. Jane Allard-Berte’, 20th C., Springfield, MA, oil on canvas painting of Leonard Bernstein, well known composer, scratch signed lower left, “Allard-Berte’,” 10¼” x 10”, framed by the artist with her inventory tag on the reverse, “JTG 19962C, “Leonard” plaque on frame. Provenance: Springfield, MA collection, with note from artist to consignor on her calling card. Estimate $500-1,000
58. Langdon Quin, 20th Century, American, oil on canvas landscape initialed “LQ” lower right, labeled on verso by Krausharr Galleries, NY, NY, “View Toward Gatti House,” 17½” x 29¼”, framed. Provenance: A Dublin, NH collection. Estimate $400-600
70. John J. Zang, 1859-?, California, oil on canvas painting of a winter scene with a soldier by a canon, “The Lone Sentry, 1863(?),” noted on stretcher, signed lower right, “JJ Zang,” 10” x 15”, ornate gold frame. Provenance: A Temple, NH collection. Estimate $500-1,000
72. Pair Of Primitive Portraits, oil on canvas, probably husband & wife, unsigned with history 31” x 27” & 31” x 25 ¾”, repair, original frame, mid 1800’s. Provenance: A Cape Cod, MA collection, originally purchased from a family there. Estimate 400-700
73. Edmund (Edward) C. Coates, 1816-1917, American, (Hudson River School), oil on canvas painting of Meredith, NH, unsigned on front, but with important canvas stamp on verso, “Prepared by Edward Dechaux, New York,” (ca.1830’s to 80’s). Also noted on back of frame & stretcher, “EC Coates,” in pencil, 26” x 40 ½”. Appears to have the original gilded frame. Provenance: A Massachusetts collection. Estimate $12,000-15,000
74. Benjamin Champney, 1817-1907, Boston, MA, oil on canvas painting of White Mountain pasture with cows, chickens etc., a farm house nestled in the trees with probably Mount Washington in the distance, signed lower left, “B. Champney,” 22” x 36”, good period gilded frame. Provenance: A Massachusetts collection. Estimate $12,000-15,000
75. Edward Hill, 1843-1923, Littleton, NH, Hood River, OR, oil on canvas landscape of mountain stream through the woods. Signed lower right, “Edward Hill 71,” 20” by 14”, lined, newer frame. Provenance: A Massachusetts collection. Estimate $2,000-4,000
76. Albert Bierstadt, NA, 1830-1902, New York, NY, oil on canvas study for a larger painting depicting a mountain range with blue sky & clouds, signed lower left, “AB,” conjoined, 7 ½” x 12 ½”, 19th c. gilded frame. Provenance: A Massachusetts collection. Estimate $6,000-8,000
77. Two Old Master Style Portraits, “The Artist,” oil on board, 8 ¾” x 6 ¾”; “The Cavalier,” 9¾” x 7¼” center repair, both unsigned with gold frames, 19/20th century. Provenance: A Florida collection. Estimate $300-500
80. F.G. Grust, 20th c. Dutch, oil on canvas of a kitchen scene, 2 women & children seated by a fire, 27” x 30 ½”, framed & matted. Provenance: a Temple, NH collection. Estimate $800-1,200
81. J. Langerock, E 20th C., European watercolor/gouache painting of small North African village by an oasis, 11 1/2” by 18”, signed lower right “Langerock”. Framed under glass, appears to have the original ornate gesso frame. Provenance: A Cooperstown, NY painting collection. Estimate $400-600
82. Lot of 3 Watercolors: Noel Dieudonne Finart, 1797-1852, watercolor/gouache on paper, signed lower right, “D. Finart,” of the Ottoman army encampment, 9” x 13 ½” sight, framed & matted under glass. Two Watercolors on Paper, illegibly signed lower right, titled lower left,” Tomb Of The Caliph’s,” & “Ravine Of Persepolis,” in matching frames, 17” x 11 ¼”. Provenance: A Cooperstown, NY painting collection. Estimate $600-900
83. George Zion, set of 3 watercolors on paper of furniture, signed lower right, “Geo. Zion,” (signature covered by frame), photo on verso of each reveals placement of signature, Chair 13 ¾” x 10 ½” sight, settee 7 ¾ x 13” sight, ladies desk 10 ½” x 12 ¾” sight, matching frames & matted under glass. Provenance: A Cooperstown, NY painting collection. Estimate $300-500
84. Lot Of Three Pieces Of Art: A) Henri Le Riche, 1867-1937, France, pencil etching on paper, of 3 women talking, 2 with canes, signed lower right in pencil, Henri Le Riche,” numbered 118, 8 ¾” x 12 ¼ ” sight. B) Hippolyte Flandrin Attributed, 1809-1864, charcoal on gray paper of Christ looking back, unsigned 11” x 5 ¼ ”. C) Aquemere (?) charcoal & colored pencil, impressionistic painting of 2 saints hugging, signed lower left "Aquemere, ’47,” in pencil lower right, “Poiriers: Eglise, Saint Hilaire,” 22 ¼” x 14 ½” sight. All framed & matted under glass. Provenance: A Cooperstown, NY painting collection. Estimate $300-600
92. Frank Henry Shapleigh, 1842-1906, New England, watercolor on paper seascape of sailboats, signed lower left, “F.H. Shapleigh,” initial “JC,” on one of the sails, 9½” x 13½” sight, framed & matted under glass. Provenance: A Maine collection. Estimate $600-900
94. Max Kuehne, 1880-1968, New York, NY, oil on wood panel, “Houses & Trees,” 6” x 8”framed under glass. Provenance: Hirschl & Adler Galleries, NY, from the artist’s estate. Estimate $800-1,200
94A. Max Kuehne, pencil on paper, signed lower right & titled, “Toledo, January 1915,” 5¼” x 6¾”, not examined out of the frame, matted under glass. Provenance: Hirschl & Adler Galleries NY. Estimate $100-200
96. William Unger etching of a painting done by William Merritt Chase, which appeared in, “American Art, Vol. 2, 1887.” Signed in the plate, “Wm M Chase, 1875,” 9” x 5”, matted & framed under glass. Provenance: A Cooperstown, NY painting collection. Estimate $200-400
97. John Sloan, NA, 1871-1951, Hanover, NH, charcoal sketch of an old man playing the harp, signed in pencil lower center, “John Sloan 1963, To My friend (EE James?), 21” by 14”, framed under glass. Provenance: A Cooperstown NY painting collection. Estimate $500-1,000
103. Chinese Reverse Painting On Glass, depicting a still life of vases with flowers, 18” x 14” including the frame, 19^th century Chinese export. Provenance: A New Hampshire and Delaware collection. Estimate $100-200
104. Dr. John Robert Thornton, 1768-1833, British, hand colored etching, “The Dragon Arum,” “London Published Dec. 1801, Henderson Print, Ward Sculpt,” 18 ¾” x 13 ¾” plate size, not examined out of the frame, matted under glass. Provenance: A Cooperstown, NY painting collection. Estimate $800-1,200
105. School Of Thomas C. Eakins, 1844-1916, PA, pencil drawing on paper of Walt Whitman (see plate 165 in American Master drawings & watercolors, A Thomas Eakins Oil Canvas, 1887-88), unsigned, 8 ¼” x 9”, framed & matted under glass. Provenance: A Massachusetts collection. Estimate $800-1,200
107. Thomas Hill, 1829-1908, California/Massachusetts, oil on board landscape, “A New England Farm,” 12¼” x 18½”, signed lower right, “T Hill,” in red, framed. Provenance: A Peterborough, NH collection. Estimate $6,000-9,000
109. Edward Seager, 1809-1886, Maryland, 3 pencil drawings, “View Of The Notch, White Mountains,” inscribed lower left, 10¼” x 14½”; “Tree,” 8 7/8” x 8 1/8”; “Waterfall,” signed lower left, “Seager 1848,” 8 ¼” x 10 ¼”. Provenance: Hirschl & Adler Galleries, NY from the artist’s estate. Estimate $300-600
111. Harrison Bird Brown, 1831-1915, Portland, Maine, oil on canvas landscape,” Picnicking Beside The River, “New Hampshire Or Maine scene, signed lower left, “HBB,” 13” x 24”, old gold frame. Provenance: A Peterborough, NH collection. Estimate: 6,500-8,500
112. John Joseph Enneking, 1841-1916, Massachusetts, oil on board, landscape, ”The Old Barn,” signed lower left, “Enneking,” 12¼” x 22”, gold frame with cloth liner. Provenance: A Peterborough, NH collection. Estimate $7,000-10,000
113. William Jurian Kaula, 1871-1952, Boston, MA & New Ipswich, NH, oil on canvas landscape, signed lower right, “W.J. Kaula,” 11” x 15¾” sight, not examined out of newer frame. Provenance: A Vermont collection. Estimate $2,000-3,000
113A. William Jurian Kaula, oil on canvas landscape, “Below Mt. Monadnock,” identified in pencil on verso, signed lower right, “W.J. Kaula,” 19¼” x 16½”, possibly original frame. Provenance: A southern, New Hampshire collection. Estimate $2,000-3,000
115. Two Landscapes: A - White Mountain School, oil on canvas landscape of White Mountain lake scene with sailboats & hills in the background, a shoreline with trees, illegibly signed lower right, “..BB? 1877,” 6½” x 10½” sight, period frame. B – Arthur W. Oakman, B. 1910, Boston, mountain landscape, 10½” x 13¾”. Provenance: A Florida collection. Estimate $300-500
116. Edward Loyal Field, 1856-1914, New York, NY, oil on canvas landscape, signed lower right, “Edward L. Field,” 12” x 10”, framed. Provenance: A Florida collection, from the artist’s estate, (see history on verso). Estimate $200-500
118. Nevison Arthur Lorain, d.1908, British, oil on canvas genre painting of, ”The Card Players,” signed lower left, “N. Arthur Lorain,” 18” x 28”, original gold frame. Provenance: A Vermont collection. Estimate $1,000-1,500
119. Samuel Johnson Woolf, 1880-1948, New York, NY, charcoal drawing, highlighted with white chalk, signed at center, “S.J. Woolf,” inscribed lower right, “The Rt.. Rev. Henry Temple, Archbishop of York, Newsweek, 12-14-35,” typed & in pencil, estate stamp on verso, 25 5/8” x 19¾”, matted. Provenance: Hirschl & Adler Galleries, New York, from the artist’s estate. Estimate $200-400
120. Samuel Johnson Woolf, 3 original lithographs: A –Portrait of a Rabbi, 22 5/8” x 17 ½”, estate stamp on back. B – Seated man, 22¾” x 18”. C – Portrait of Enrico Caruso, signed lower right in pencil, “S.J. Woolf,” inscribed lower left, “M-39,” all framed & matted. Provenance: Hirschl & Adler Galleries, New York, from the artist’s estate. Estimate $600-1,000
121. William S. Schwarts, 1896-1977, Midwest, 3 original lithographs: A – “Distressed Face,” signed lower left in the stone, inscribed in pencil by the artist lith #28, 18½” x 13¾”. B – “Figures with Sunset,” signed & dated lower left in the stone, inscribed in pencil by the artist #33, impression # 5, 9¼” x 12¾”. C – “Back of Nude,” signed in the stone lower right & in pencil lower left, lith. #45, 15½” x 7 15/16.” Provenance: Hirschl & Adler Galleries, NY, from the artist’s estate. Estimate $400-700
123. Two Portraits: A - Oil on canvas of Dr. J. Adams, of Acton, MA, holding a thermometer, 31 1/8” x 25”, unsigned, unframed, crackle, several repairs. B – Oil on canvas of unknown gentleman, unsigned, 20” x 16”, framed. Provenance: A Massachusetts collection. Estimate $400-700
129. Needlework, silk of a child in a red dress, full body, classical setting, 11 ½” x 9 ¼”, oval sight, matted under glass, not examined out of the frame, cracks to silk background, 19^th century England. Provenance: A Hopkinton, NH collection. Estimate $300-500
146. Frederick Mortimer Lamb, 1861-1936, MA, watercolor study of “Two Pigs,” signed lower left, “F.M. Lamb,” 13¾” x 19¾” sight, matted & framed under glass, not examined out of the frame. Provenance: A Dublin, NH collection. Estimate $800-1,200
150. Horace Bundy Attributed, 1814-1883, American, New England, oil on linen primitive painting of an infant in white dress holding a rose bud, 22” x 18”, old gilded frame, as found condition. Provenance: A Southern Monadnock region collection. Estimate $2,500-4,000
157. Joe Beeler, born 1931, Arizona,. Polychrome crayon drawing of Native American young woman wearing necklaces. 19” by 13” sight, matted and not examined out of the frame. Provenance: A Hancock NH collection. Estimate $400-700
158. Henry John Sumpkins, b.1906, American illustrator, watercolor on paper, “Wild Horses,” signed lower right, “Sumpkins, 1959,” 7½” x 9 3/8” sight, not examined out of the frame. Provenance: A Cooperstown, NY painting collection. Estimate $400-600
159. Taos School Of Art, early 20th century, oil on artist board painting of a Native American riding a white horse, illegibly signed lower left, Chicago artist board label on verso, 13¾” x 17 5/8”, original frame. Provenance: A Massachusetts collection. Estimate $600-900
177. Primitive Painting Of A Young Boy, oil on canvas of a child in a white dress sitting in an Empire settee holding a coral & silver rattle with a blue sash unsigned, 26” x 21”. Appears to have the original gold gilt frame, early 19th c., New England, 2 small repairs. Provenance: A Peterborough, NH estate. Estimate $6,000-9,000
180. Two Works Of Art: Robert Bakewell, 1790-1875, Connecticut, pencil drawing of,” Inwook at the convergence of the Hudson & Harlem Rivers,” signed lower right, “R. Bakewell, 1838,” 7½ ” x 10½” sight, framed & matted under glass, not examined out of the frame, with an unsigned watercolor landscape of a bridge, mountains & river, 6½” x 9½” sight, framed & matted under glass. Provenance: A Cooperstown, NY collection. Estimate $400-600
180A. Two Works Of Art: Warren B. Davis, 1865-1928, Brooklyn, NY watercolor of seated young woman, signed & dated lower left, 14” x 10 13/4”, matted under glass, not examined out of the frame. A gouache of “The Guide,” illegibly signed lower right, 13” x 9 ¾”, framed under glass. Provenance: A Cooperstown, NY painting collection. Estimate $300-600
194. Abstract Painting, oil on canvas, signed lower right, (possibly Campuzzano), 36” square, stretcher frame from Glendale, NY, 20th century, with a narrow silver colored frame. Provenance: A Dublin, NH collection. Estimate $700-900
195A. John Cuthbert Hare, 1908-1978, Cape Cod, MA, watercolor painting of fishing boats tied up at the dock, signed lower right, “John hare,”, 14 ½” x 17”, matted & framed under glass, not taken out of the frame. Provenance: A Massachusetts collection. Estimate $800-1,200
196. Print Of New York, after “J.W. Hill,” painting, 28 ½” x 50”, framed under glass. Provenance: Weston, MA & Jaffrey, NH, estate. Estimate $100-200
197. Needlework Flocked Beaded Picture, of a cockatoo & flowers on a beaded background, 17” x 20 ½” sight, under glass, not examined out of the frame. Provenance: An Amherst, NH collection. Estimate $300-500
205. Set of Eight Currier and Ives Prints, all small folio size: “Single,” “The Marriage,” “The Declaration,” “The Lovers Quarrel,” “The Bride and Bridegroom,” “Mothers Joy,” “Married,” “Father’s Pride,” all framed under glass. Provenance: A Dublin, NH estate. Estimate $400-600
206. R. P. Bye Folk Art, of 2 watercolor/Pencil & Fabric drawings of a man & a woman, Pennsylvania style figures, 7¼” x 5” sight, framed & matted under glass. Provenance: A Washington State collection. Estimate $100-200
211. Mahogany Queen Ann Style Wing Chair, green Damask upholstery. Provenance: A Nashua, NH collection. Estimate $200-300
212. “Washington & His Generals,” engraving, 23 ½” x 34 ½” sight, old gold frame, matted under glass, 19th century. Provenance: Weston, MA & Jaffrey, NH, estate. Estimate $100-200
213. Large Folio Print Of Boston Harbor, plate size 28 ¼” x 41 ¼”, 1969 re-strike of 1857 Mottram engraving, framed under glass. Provenance: Weston, MA & Jaffrey, NH, estate. Estimate $100-200
214. Mahogany Dumbwaiter, 2 tier, rat feet, 35” tall, 20th century. Provenance: A Nashua, NH collection. Estimate $200-300
215. A Shield Back Mahogany Arm Chair, painted & paint decorated, cabriole legs ending in cone feet, 19/20th century Europe. Provenance: A Dublin, NH collection. Estimate $100-200
216. Moses Soyer, 1899-1974, Russian, New York, limited edition print of 2 women in a studio, signed in pencil lower right, “M Soyer,” & numbered 24/100, 16” x 18 5/8” sight, framed & matted under glass. With a Dutch engraving of a country town scene, signed lower right with initials, “JJDB, 1774,” 10” x 14” sight, framed & matted under glass. Provenance: A Cooperstown, NY, painting collection. Estimate $200-400
217. Lot Of Five French Adult Comic Paintings, watercolor/gouache/pencil on paper, each signed lower left, ‘Schoem ’45, Paris” with captions, 11 ½” x 9” sight, all framed & matted under glass. Provenance: A Cooperstown, NY painting collection. Estimate $350-450
218. Three Drawings & A Pastel: A – Oscar F Blumner, 1867- 1938, MA, “View At Watsessing, Bloomfield, NJ, Dec. 15th, 1930,” 5” x 4”, framed under glass. B – “View At Huntington, Long Island, NY,” 5 3/8” x 7”, signed lower left with monogram, “OFB,” dated April 28th, 1910. C- William Hunt Diederich, 1884-1953, NY, NY, “Horse Fountain sketch #3,”5½” x 4”, framed under glass. Provenance: Hirschl & Adler Galleries, NY. Estimate $200-400
219. Sewing Table, oak & oak veneers, a fold over felt lined swivel top, above 2 drawers, one divided, over a turned leg trestle William & Mary style base, 20th century, German. Provenance: A Milford, NH collection. Estimate $100-200
220. Arthur Wesley Dow, 1857-1922, New York, NY, “Gay Head”, circa 1895, woodcut, 6½” x 5”, framed under glass. Provenance: Hirschl & Adler Galleries, NY, from the artist’s estate. Estimate $200-300
221. John Wesley Cotton, 1868-1931, California, watercolor on paper of Venice scene, signed lower left, “John Cotton, Venice,” 11½” x 14”, sight, framed & matted under glass. Provenance: A Florida collection. Estimate $200-300
222. Oil On Board Of “An Arch,” indistinctly signed lower right, 8 ¾” x 6 ½”, framed. Provenance: A Florida collection. Estimate $100-200
223. Group Of Two Sketch Books Of Charles Hoffbauer, 1875- 1957, Boston & a sketch book cover signed on inside cover, F. Luis Mora, 1874-1940, New York, & a study of hands on the back cover. Provenance: Hirschl & Adler galleries, NY from the artist’s estate. Estimate $100-200
224. Two Drawings Of Men: Sepia Of Nude, 21½” x 11¼” sight, framed under glass. Charcoal/Crayon of a scholar, 6” x 10” framed, matted under glass, not examined out of the frames. Provenance: A Cooperstown, NY painting collection. Estimate $200-400
225. Continental School Landscape, oil on canvas, “Villa Beside Lake,” 27¼” x 35¼”, flaking & paint loss, small tear. Provenance: A Temple, NH collection. Estimate $100-200
225A. Julian Oliver Davidson, 1853-1894, New York, NY, watercolor & gouache painting, of sailing ships at sea, signed lower left, “J.O. Davidson ’81,” 10½” x 8½ sight, framed under glass. Provenance: An Amherst, NH estate. Estimate $600-1,000
226. Schoelm Watercolor On Paper, of Continental house, possibly St. Valerie, Normandy, signed lower left & dated, ’52, 13½” x 18”, framed & matted under glass, not examined out of the frame. Provenance: A Cooperstown, NY painting collection. Estimate $100-200
227. Three Framed Works Of Art. A – Bezanere, 19th century Europe, watercolor, “after The Battle,” signed lower left, 13 ½” x 9”. B – Sisley, watercolor of a town, signed lower left, 8½” x 12”, 19/20th century Europe. C – Franz Von Stuck, 1863-1928, “The Dance Of Four Winds,” colored lithograph, 11¼” x 12 1/8” signed. All are framed & matted under glass, not examined out of the frames. Provenance: A Cooperstown, NY painting collection. Estimate $300-500
228. Primitive Oil On Board, of a woman warming herself by a fireplace, signed lower right, “REX, 1906,” possibly German, 15 ¼” x 12 3/8”, original frame with losses. Provenance: A Massachusetts, collection. Estimate $200-400
229. Albert Urban, 1909-1959, German/American,” Leda,” colored screen print, 13¼” x 10”, framed under glass, signed lower left in print & dated ’45. Provenance: Hirschl & Adler Galleries NY, from the artist’s estate. Estimate $100-200
230. Edmund Quincy, 1903-1997, Boston, 4 framed original pencil drawings; “Seated Figure,” 11” x 8½”; “Boston House,” 6” x 8½”; “Full Length Man,” 11” x 8½”, “Lion,” 8 5/8” x 11”, all signed on verso with estate stamp, “Estate Of Edmund Quincy, 1903-1997,” under glass. Provenance: Hirschl & Adler Galleries NY, from the artist’s estate. Estimate $200-400
231. “The Meeting Of Her Majesty’s Stagg On Ascott Heath,” printed by, “Hodgson & Graves Jan. 1, 1839,” colored engraving after F. Grant, 23” x 33¼”, framed under glass, possibly 20th century, strike. Provenance: A Cooperstown, NY painting collection. Estimate $100-200
231A “Hard On His Track,” Colored Print after EAS Douglas 1909, published in 1909 by Moss & Fores, London , 15” x 32” sight, matted & framed under glass. Provenance: A New Hampshire collection. Estimate $100-200
232. Mark Kostabi, b.1960, American, pencil signed, “Kostabi, 1989,” lower right, & ‘D.S.P. 6/6, lower left, 4½” x 3 3/8” image size, framed under glass. Provenance: A New Hampshire collection. Estimate $200-300
233. Irene Hodes Newman, 1939-1962, New York, 2 watercolors on paper, “Seated nude,” signed lower left, “Newman,” 19” x 13”. “Veterans’ Day parade,” watercolor/pencil, 19” x 13”, unsigned. Provenance: Hirschl & Adler Galleries NY, from the artist’s estate. Estimate $200-400
234. Genre Engraving, “Enraged Musician” from original Hogarth Plates, 1835-1837, England, 14 ½” x 16 ¾” sight. Provenance: A Florida collection. Estimate $200-400
235. Jose Maria Jardines, B1862, Spanish oil on wood panel landscape, “Harvest” as noted on the verso, signed lower right “Jardines”, 10 ½ x 13 ¾”, unframed. Provenance: A Cooperstown, NY collection. Estimate: $500-700.
235A. Country Landscape, oil on board of a barn on a hill, illegibly signed lower right, “R—igh?,” 12 ½” x 15 ¾”, old period frame. Provenance: A Massachusetts collection. Estimate $200-400
257. Kate Greenaway Attributed, 1846-1904, British maple book cover with colored drawings of babies holding hands & vine embellishments, 19th century. Provenance: A Florida collection. Estimate $200-400
258. Kate Greenaway Attributed, oil on canvas landscape with a nude child & his play things in a pond, 14½” x 50”, wear to canvas edges, tear upper left, probably 19th century. Provenance: A Southern NH collection. Estimate $200-300
259. Painting Of Two Nymphs, beside a pond, 3½” x 5” sight, matted & framed under glass, not examined out of the frame. Provenance: A Florida collection. Estimate $200-400
260. Two Oval Paintings Of Continental Women, in a double ivory frame, each oval is 3½” long x 2¾” wide, 20th century Europe. Provenance: A Florida collection. Estimate $200-400
261. Oil on Board Still Life Of Flowers in a Sevres Vase, 24” x 18¼”, oval form, unframed, probably 19th century. Provenance: A New York state collection. Estimate $200-400