The Cobbs Auctioneers
Important
Antique and Fine Art Auction Saturday January 5th 2008 at 11AM
At Historic Noone Falls Mill, Peterborough NH
Please Note: all
images are thumbnails, therefore clicking on them will bring
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Lot Number and Description |
Images and
Close-ups |
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2. Alexander R. James,
(1890-1946), Dublin, NH, oil on wood panel painting, “Trees Around
Cornish, NH,” (see similar painting we sold Lot #54, July 7, 2007),
signed lower left, “Charlotte Fischer from A.R. James, 1918,” 12" x
8 3/4", framed. Provenance: A Southern collection.
Estimate $1,500-2,500 |
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4. Hermann Max Pechstein, (1881-1955), Germany,
attributed, 2 similar crayon/charcoal sketches on paper set in
modern frames. A - Man seated at a table with bottle, signed in
pencil lower right “Pechstein,” 6 7/8" x 5 1/8" sight. B - Fishing
boat by the dock, signed in pencil lower right, “HM Pechstein,” 7
1/4" x 4 1/2".
Estimate $1,500-2,500 |
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9. Harry Herman Roseland,
(1868-1950), Brooklyn, NY, oil on canvas, signed lower left, “Harry
Roseland,” has been relined therefore this inscription is found on
verso: “The following inscription appears on the reverse of the
original canvas title, ‘Reading The Tea Leaves’ by Harry Roseland,
246 Fulton St. Brooklyn, N.Y. photographed,” 20" x 24", period
frame. Provenance: A Southern collection.
Estimate $10,000-15,000 |
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10. Harry Herman Roseland,
attributed, oil on canvas, “Reading Her Cards,” unsigned, restored
by the “Chicago Conservation Center,” see label on verso, 12 1/4" x
16 1/4", period frame that appears to go with painting. Provenance:
A Dublin, NH collection, Skinners Auctioneers.
Estimate $5,000-8,000 |
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12. Portrait On Ivory,
large size watercolor painting on ivory titled on the reverse,
“Asking For The Young Widow’s Hand by Letter’ by Stothard,” (A
Robert Thomas Stothard worked in England up to 1865, known as a
watercolorist), no apparent signature, not viewed out of the frame,
matted under glass, 9 1/2" x 6 1/2" sight. Provenance: A New
Hampshire collection.
Estimate $4,000-7,000 |
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14. Gayle Blair Tate,
b.1944, Western American, oil on board painting “Luck Guaranteed,”
trompe l'oeil artist signed lower right, “G.B Tate,” 12" x 16",
newly framed, 20th century. Provenance: A Southern collection.
Estimate $3,000-5,000 |
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15. 17th Century Italian Still Life Of Fruit,
oil on canvas, 29 1/4" x 37 1/2" sight, framed for over mantle, hole
& paint loss. Provenance: A New Hampshire/Delaware collection.
Estimate $1,000-2,000 |
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19. Chirahyan Karapet (Chirahov Carpo) Hachaturovich,
(1873-1913), Armenian, oil on canvas, impressionistic painting of a
Parisian Street Scene, titled on label on verso “Tableau NO. 7,
Boulevard Elysee,” probably sold from his gallery in Paris, France,
which he opened in 1903. Canvas, stretcher and frame are ink stamped
with a French stamp which is only partially legible and reads
“---ouan--- (?), Francaise (?).” Signed lower left in Cyrillic "K
YNPAXOB" also appears on title label on reverse. Canvas measures 32"
high x 39 1/2" wide. Painting is in original untouched condition.
Provenance: An Italian Estate.
Estimate $12,000-15,000
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22. Constantine K. Kluge,
(1912-2003), French, oil on canvas painting of a Paris street scene,
“Le Quartier De La Haute Ce---,” see label on verso, signed lower
right, “C. Kluge,” 24" x 35 1/2", appears to be the original frame.
Provenance: A New Hampshire estate.
Estimate $3,000-5,000 |
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24. Edward Hill,
(1843-1923), NH/Hood River, OR, oil on canvas of what appears to be
“Mount Lafayette and Echo Lake, Franconia Notch, NH,” signed lower
left “Edward Hill, 1890,” 31" x 50", old frame (as is), the painting
has been lined and restored. Provenance:
A Virginia collection.
Estimate $8,000-12,000 |
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25. Mount Washington From Conway Valley,
oil on canvas landscape, “View From Sunset Hill, North Conway,” 22
1/2" x 27 1/2", after John Kensett, NA, lined, new gold frame, 19th
century American.
Estimate $5,000-9,000 |
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26. George Loftus Noyes,
(1864-1951), Boston, MA/NH, oil on canvas painting of “Truro Dunes,”
Cape Cod, MA (see label on verso), signed lower right, “G.L. Noyes,”
24 1/2" x 20", newer gilt frame. Provenance: A Peterborough, NH
collection.
Estimate $700-1,200
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28. Joseph Goodhue Chandler,
(1813-1884), Boston, MA, oil on canvas painting of George Washington
signed lower right, “Chandler, Boston, Mass,” labeled on reverse
“Mrs. Mary Ware, presented by 1879;” 30" x 24", framed and relined.
Provenance: A Peterborough, NH collection.
Estimate $2,000-3,000 |
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29. Daniel Webster Portrait,
oil on canvas, signed lower right indistinctly (?Roger Brandt) in
red paint, 26" x 21", newer frame. A Peterborough, NH collection.
Estimate $2,000-4,000 |
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30. Thomas Sully,
(1783-1872), Philadelphia, probably a self portrait in the oval,
unsigned, 18 1/2" x 15 1/2", (see “Poe, Portraits An Autographed
copy of Thomas Sully, The Self Portrait Lot 8, Christies, N.Y.
5/18/2004” and Mathew Brady’s daguerreotype ca. 1851-1860, for other
examples), appears to have been painted 1840-1850. See comparison
images posted on our website. Provenance: A New Hampshire
collection.
Estimate $2,000-3,000
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36. School Of Ludolf Bakhuyzen,
(1631-1708), Dutch, oil on canvas painting of sailing ships just off
the coast, 16 x 26 1/2", framed, restored. (Ref. see Sotheby’s,
N.Y., “Old Master Paintings,” May 21, 1998, #317 for a very similar
painting.) Provenance: A Peterborough, NH collection.
Estimate $1,500-2,500 |
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39. Hal Robinson,
(1875-1933), American, oil on board landscape, “Woodland Stream,”
signed lower right, “H. Robinson,” 30" x 24", old frame, restored
and relined. Provenance: A Southern collection.
Estimate $3,000-5,000 |
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40. James Abbott McNeill Whistler Etching,
“Becquet,” see description on reverse, pencil signed lower right,
“Whistler,” 11 1/4" x 8 1/2" sight, matted and framed under glass,
3rd of 4 states, ca. 1859, not taken out of the frame. Provenance: A
New Hampshire collection, Arthur H Harlow & Co., New York, (label on
reverse) J. Caldwell collection.
Estimate $3,000-4,000 |
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42. Auguste Renoir Lithograph,
(1841-1919), French, “Tude de Femme Nue, Assise” signed in stone,
“Anches” impressed bottom center, ca. 1904 series 42, 13" x 10",
lithograph taped to paper board back. Framed under glass, spots and
frame line. Provenance: A New Hampshire collection, Ferdinand Roten
label on verso, Maryland.
Estimate $3,000-5,000 |
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43. Charles Antoine Clevenbergh,
(1791-1857), Flemish, oil on wooden panel of a dead hare and two
birds, signed lower right, “C. Ant Clevenbergh P.,” old gilded frame
(corner loss,) 16" x 12 1/4", cleaned condition. Provenance: A New
Hampshire collection.
Estimate $2,000-3,000 |
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48. Hermann Edouard Wagner,
(1894 - ?), European, oil on canvas landscape of a French scene,
signed lower left, “H.E. Wagner,” marked on verso, “Wagner, Pont
Neuf,” 19 1/2" x 23", label from “Messrs. Grables Gift & Art
Galleries, Oak Park, IL,” on verso. Provenance: A New Hampshire
collection.
Estimate $1,000-1,500 |
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49. Max Kuehne,
(1880-1968), New York, NY, oil on board of a Continental scene,
signed lower left, “Kuehne,” 7 1/2" x 5 1/2" framed & matted under
glass, some paint loss. Provenance: Hirschl & Adler Galleries, New
York City, from the estate of the artist.
Estimate $1,000-1,500 |
 
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52. English Continental Needlework Picture,
silk needlework depicting a house 2 trees and a lady with animals by
a stream with a blue silk sky, 11" x 14" sight, framed under glass,
19th century, some stains. Provenance: A New Hampshire collection.
Estimate $600-900
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53. Edouard Joseph Dantan,
(1848-1897), Continental, oil on canvas of a hunt scene, “The Deer
Hunt,” signed lower right, “Dantan,” 20" x 24", 2 holes in canvas,
appears to be original
frame. Provenance: A New Hampshire collection.
Estimate $2,000-4,000 |
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54. School Of Moise Kisling,
(1891-1953), Polish/French, oil on canvas painting of woman with red
blouse, signed lower left, “Kisling,” (the signature is a slight
variant from his normal one), 22" x 18" unframed, edge losses. A
larger version of the same painting is in a private Nice, France,
collection. Provenance: A Massachusetts collection.
Estimate $2,500-4,500 |
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58. Charles Melville Dewey,
N.A., A.M., (1849-1937), American, oil on board landscape titled on
frame “Haystack,” signed lower left, “CH. M. Dewey” on verso,
“Charles M. Dewey, NA AM, oil impressionistic rural scene,” 11 1/2"
x 15", old gold frame. Provenance: A Southern collection.
Estimate $1,000-1,200
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60. Lambert Guenther,
(1927 -), American, oil on canvas glued on a wood panel of a horse
drawn carriage with passengers, signed lower right, “Lambert
Guenther,” 16" x 20", nice ornate old gold frame. Provenance: A
Southern collection.
Estimate $400-700
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74. Eurilda Q. Loomis France,
(1865-1931), Pittsburgh, PA, oil on canvas portrait of “My Son
William” identified top left corner, signed top right “Eurilda
Loomis France,” see label on verso, 22" x 27", relined. Provenance:
A New Hampshire collection.
Estimate $1,500-2,500 |
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76. Primitive Land/Seascape Painting,
American, 19th century, oil on canvas of mountains, bay with sailing
ship, palm trees & deer, probably a Caribbean tropical location, 30"
x 45", probably the original frame, small paint losses. Provenance:
A Peterborough, NH collection.
Estimate $400-700 |
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78. Painted Oval Tray On Stand,
early 19th century tray with reticulated edge, later decoration of a
pheasant, 30" long x 23 1/2" wide x 19 " tall, 20th century
mahogany stand with tapered legs. Provenance: A Jackson N.H.
collection.
Estimate $300-500
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81. Sven Birger Sandzen,
(1871-1954), Sweden, Kansas, woodblock print “Kansas Creek,” signed
in the print “B-S-N” in pencil titled and signed lower right “Birger
Sandzen,” 6 1/2" x 9 1/4" sight, framed & matted under glass.
Provenance: A Southern collection.
Estimate $700-1,200 |
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84. Pair Of Primitive Watercolor/Gouache Victorian Scenes,
possibly Pennsylvania, unsigned, both 3 1/4" x 5 3/4" sight, matted
& framed under glass. Provenance: A Massachusetts collection.
Estimate $400-600 |
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89. Frank Henry Shapleigh,
(1842-1906), Jackson, N.H., oil on canvas “Mill at Jackson, N.H.,”
signed lower left, “F.H. Shapleigh,” titled on verso, 20" x 14",
framed & lined. Provenance: A New Hampshire collection.
Estimate $2,500-3,500 |
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92. Bror Julius Olsson Nordfeldt,
(1878-1955), Santa Fe, New Mexico, etching “The Brooklyn Bridge, New
York City,” signed in pencil lower center right, apparently done in
the Fall of 1914, 10 3/4" x 13" sight, framed & matted under glass.
Provenance: A Southern collection, Mildred Stienbeck estate (see
card attached to back).
Estimate $1,000-1,500
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93. Laura Coombs Hills,
(1859-1952), Massachusetts, pastel on paper landscape, “House by a
Flowering Tree,” signed lower left “Laura Hills,” 11 1/4" x 9"
sight, nicely framed & matted under glass. Provenance: A New
Hampshire collection.
Estimate $1,000-2,000 |
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94. Henry Webster Rice,
(1853-1934), Watertown, MA, watercolor landscape, “Mt. Chocorua from
Stevenson’s Hill, Tamworth, N.H.,” signed lower right “Henry W.
Rice,” 13 1/2" x 18" sight, framed & matted under glass. Provenance:
Charles Vogel, Townsend, MA.
Estimate $400-600 |
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95. Anthony Thieme,
(1888-1954), Massachusetts /California, oil on board landscape of a
woodland scene with a home, unsigned, estate stamp on verso,
“Anthony Thieme, Boston, Mass,” 12" x 16" framed. provenance: A
Massachusetts collection.
Estimate $1,500-2,500
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96. Anthony Thieme,
oil on board landscape of a fall woodland scene, unsigned, estate
stamp on verso, “Anthony Thieme, Boston, Mass,” 12" x 16" framed.
Provenance: A Massachusetts collection.
Estimate $1,200-1,500 |
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98. William James Glackens,
(1870-1928), Pennsylvania/New York, attributed pastel on paper of a
European City River scene w/canal, signed lower right, “WAG,” framed
& matted under glass, 10 3/4" x 8 7/8". Provenance: A Massachusetts
collection.
Estimate $1,000-1,500
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99. Maurice Brazil Prendergast,
(1859-1924), New York, NY, attributed watercolor over pencil on
paper of woman and children walking the rocky coast with sailboats
in the harbor, signed lower right, “Prendergast,” 10" x 12"
unframed, inscription on verso in pen, “M. Prendergast, member of
the New York Watercolor Club and the Copley Society, J.J.” At the
time of this printing, contact has been made with Nancy Mowll
Mathews, who has done his
catalog raisonne.
Provenance: A Massachusetts collection, Dennis DeVine, Lakewood
County, NJ, gift from Donald Van Der Hayden, heir to a mining &
construction fortune in MN and founder of Breeze Ski Rental in Vail,
CO. Van Der Hayden acquired the piece from his mother. We do not
know where she got it from.
Estimate $5,000-10,000
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100. Lucca Sacco,
(1858-1912), American, oil on canvas, “The Fortune Teller,” signed
lower right, “L. Sacco,” 18" x 28", nice newer frame. Provenance: A
Southern collection.
Estimate $1,500-2,500 |
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114. Franklin Myers Boggs,
(1855-1926), American/French, oil on canvas painting of a clipper
ship at sea, signed lower left, “Boggs,” on the bias, poplar
stretcher indicates this is an early work, probably when he lived in
the U.S., oak frame, 24" x 20". Provenance: A New York State
collection.
Estimate $3,000-5,000 |
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119. Portrait Of Princess de Bourlon,
unsigned watercolor on paper, label on verso, “Ledridge De Les
Princess de Bourlon….? Peinte en 1768,” framed in oval gold frame.
Provenance: A New Hampshire collection.
Estimate $300-500
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120. Thomas B. Craig,
N.A. (1849-1924), Woodland, NY, watercolor landscape with village,
14" x 21 3/4" sight, matted, not examined out of the frame.
Provenance: A New Hampshire collection.
Estimate $400-600 |
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126. Continental School Landscape,
oil on canvas of a cottage with ducks, unsigned, 21 1/2" x 17 1/2",
19/20th century, beautiful period frame. Provenance: A Southern
collection.
Estimate $1,000-1,500 |
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128. Robert W. Milliken,
(1920-?), English, watercolor "Woodcock In Flight," signed lower
right, “R.W. Milliken,” 10 1/2" x 14 1/2" sight, nicely framed &
matted under glass. Provenance: A Southern collection.
Estimate $900-1,100 |
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129. John F. Norton,
20th century Australian, oil on artist board landscape of a lazy
river with a cowboy on a horse by a farm, signed lower right, “JF
Norton.” 12 1/2" x 24", label on verso," Prepared Students Academy
Board, Windsor & Newton Ltd, 38 Rathbone Place, London, W.", framed.
Provenance: A New Hampshire collection.
Estimate $1,000-1,500 |
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134. Jean Baptiste Auguste Clesinger,
(1814-1883), France, bronze statue of a “Gypsy Dancer,” signed, “J.
Clesinger, Rome 1858,” foundry mark “F. Bardediene, Fonduer,” mark
of a circle with a head, “Reduction Neganiote,” 22" tall, brass
base. Provenance: A New Hampshire collection.
Estimate $3,000-5,000
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135. Jean Gautherin,
(1840-1890), France, bronze statue, “The Sower,” signed on base,
“Jean Gautherin, E. Colin & Cie, Paris,” 13" x tall , old patina.
Provenance: A New Hampshire collection.
Estimate $1,500-2,500 |
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139. “The Gust Of Wind” Dutch Landscape,
oil on board of a young woman on a windy hill, titled on verso and
illegibly signed lower right, “RM Ste..?,” 9 1/2" x 11 3/4", not
original frame. Provenance: A Massachusetts collection.
Estimate $500-700
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140. Jules Moigniez,
(1835-1894), France, bronze casting of attacking falcon/eagle,
signed in the casting, “J. Moigniez,” appears to be an early 20th
century casting, 21" wide x 26" including the round marble base, old
finish. Provenance: A New Hampshire collection.
Estimate $1,000-1,500
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142. Stanley Wingate Woodward,
(1890-1970), Rockport, MA, oil on artist board of a country home
before a mountain, (appears to be Mt Monadnock), signed lower left,
“Stanley Woodward,” in red paint, 12" x 16", original gilded and
molded frame, originally sold by, “A.H. Davenport Co., Boston,”
(remains of old label on verso). Provenance: A Massachusetts
collection.
Estimate $1,200-1,800 |
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143. D. Styles,
19th Century, American, tonealist landscape painting which appears
to be lake and Mount Chocorua, White Mountains, NH, oil on board,
signed lower left, “D. Styles,” 11 1/4" x 20", appears to be the
original frame. Provenance: A New York State collection, Burchard
Galleries, Florida.
Estimate $500-800 |
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144. Frank Henry Shapleigh,
(1842-1906), New England /Florida, watercolor on paper of a home
with chickens in the yard, possibly a southern scene, signed lower
left, “F.H. Shapleigh 1902,” 13 3/4" x 9 3/4", framed under glass.
Provenance: A Massachusetts collection.
Estimate $800-1,200 |
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145. Nunzio Vayana,
(1878-1960), Florida/Maine, oil on board landscape of a southern
scene, estate stamp on rear, unsigned, 12" x 16", possibly the
original frame. Provenance: A Massachusetts collection.
Estimate $800-1,200 |
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152. Warren Brandt,
(1918-?), North Carolina, oil on canvas painting of an interior view
to a flower garden, signed lower right, “Warren Brandt,” newer metal
frame, titled in pencil on the stretcher, “Fall Hydrangeas, 1986,”
31" x 44 ". Provenance: A Maine collection.
Estimate $1,000-2,000 |
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153. Rowland Proctor Elzea,
(1931-?), Columbia, MO, oil on canvas board, label on verso,
“Anemones, Carspicken-Scott Gallery,” 34" x 30", framed, originally
purchased at the Delaware Museum of Art Exhibition, Mr. Elzea was
assistant director there. Provenance: A New Hampshire and Delaware
collection.
Estimate $600-1,000 |
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153A. Erwin Kettemann,
(1897-1971), German, oil on canvas of a snowy alpine & lodge scene
bathed in the afternoon light, signed lower left, “E. Kettemann,
Mehn,” 24" x 31 1/2", probably the original frame, pencil
inscription on the stretcher on verso in German, as to location, 3
small patches. Provenance: A New Hampshire collection.
Estimate $700-1,000 |
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153B. Johann Barthold Jongkind,
(1819-1891), Dutch, oil on wooden panel of an evening canal scene
with a man pulling his boat along, signed lower left, “Jongkind,” 9
1/2" x 14 3/4", set in old gilded frame liner. Provenance: A
Hancock, NH estate.
Estimate $2,000-5,000 |
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154. Maud Mary Mason,
(1867-1956), Connecticut, oil on canvas still life of a saint with
plants, signed lower right, “Maud Mason,” 40" x 30" restored, gilded
frame. Provenance: A New Hampshire collection, Skinners.
Estimate $500-750 |
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155. Carl Milles,
(1875-1955), Bloomfield Hills, Michigan/Sweden, plaster casting of a
head, possibly in preparation for a bronze casting, signed on the
side of his neck, “C. Milles,” 5 3/4" tall x 5" wide. Provenance: A
New Hampshire collection.
Estimate $500-700 |
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164B. “Union Volunteer Refreshment Saloon Of Philadelphia Being The
First Institution Of It’s Kind In The U.S.”….lithograph by “J.
Queen, Del Lith, T. Sinclair’s Lith., 311 Chestnut St. Phila.,”
color image, 16 1/4" x 27", some foxing throughout and water
staining across bottom and up left side, only partially in the
image, framed under glass. Provenance: A New Hampshire collection.
Estimate $300-500 |
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169. Four Japanese Block Prints,
3 are “Toyokuni III” the other “Hiroshige,” depicting Japanese
scenes, all are approx. 13 1/2" x 8 1/2" and taped down & matted,
20th century. Provenance: A New Hampshire collection.
Estimate $450-900 |
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173A. John Varley,
(1778-1842), British, landscape, “Borrowdale Langdale Pike,” see
label attached to verso, signed lower left, “J. Varley” (plus a
date? under the signature), 12 1/8" x 18 1/4" sight, matted and
framed under glass, not taken out of the frame. Provenance: A New
Jersey collection, New York Gallery.
Estimate $10,000-15,000 |
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175. Silhouette Of Family Group,
9 members, labeled on the verso, “Field Marshall and General Von
Schladen 1730-1806, wife mother & his 6 children,” 8 1/4" x 13 1/2",
under glass, veneered frame, 19th century Continental. Provenance: A
New Hampshire collection.
Estimate $500-700
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177. Icon, “Saint George Slaying The Dragon,”
multi metal, brass, silver, pewter, painted face & arms, 1 7/8" x 1
5/8", backed with velvet, gold frame, Continental 18/19th century.
Provenance: A Vermont estate.
Estimate $300-500
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178. Mathew Deroche,
19th century, French oval enamel portrait of a woman in white,
signed left edge and on the verso, “73617, Mathew Deroche 39B Sa
Capucines, Paris Ys Prix 1900,” 4 1/2" long, 3 1/2" wide.
Provenance: A New Hampshire collection.
Estimate $600-900 |
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182. Irene D. Fowler,
(1884-1967), Colorado, watercolor on paper landscape of a western
mountain scene, signed lower left, “Irene D. Fowler,” 17 1/4" x 11
1/2" sight, framed & matted under glass. Provenance: A Massachusetts
collection.
Estimate $400-600 |
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183. Robert Philipp,
N.A. (1895-1981), New York, oil on board portrait of a young girl,
signed lower right, “Philipp” and on verso “R. Philipp,” 9 1/2" x 6
1/2", newer frame. Provenance: A Massachusetts collection.
Estimate $750-1,000 |
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184. Portrait Of A Young Woman,
pastel on paper, wearing a hat with a rose, unsigned, 18 3/4" x 14
3/4" sight, 1920’s, nicely framed & matted under glass. Provenance:
A Massachusetts collection.
Estimate $300-500
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185. Irene Hodes Newman,
(1939-1962), Cameron, MO, watercolor, “French Sailors on the
Boulevard of Dreams,” 20 1/4" x 26 1/4" framed under glass.
Provenance: Hirschl & Adler Galleries, New York City, from Artist’s
estate.
Estimate $300-500 |
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186. George Kenneth Hartwell,
(1891-1949), New York, limited edition lithograph, 7/30, titled “And
Far Into The Night,” pencil signed lower right, “Kenneth Hartwell,
IMP, 1932,” 11 1/4" x 15 1/2", unframed. Provenance: A Southern
collection.
Estimate $400-600 |
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188. Irene Sutcliffe,
(1873-?), England, attributed oil on canvas landscape, monogrammed
lower right, (I & S conjoined), 40" x 53", framed. Provenance: A New
Hampshire collection.
Estimate $300-500
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191. Ruth Payne Burgess,
(1865-1934), Vermont/New York, watercolor on paper portrait of a
young woman with a hat and a violin, signed lower left, “Ruth Payne
Burgess,” 18 1/4" x 11" sight, nicely framed under glass.
Provenance: A Massachusetts collection.
Estimate $300-500
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192. Tom
Blackwell,
New Hampshire, contemporary oil stick on canvas painting of a “Blue
Heron Flying,” 40 1/2" x 60", newly framed under Plexiglas.
Provenance: A Hancock, N.H. estate.
Estimate $3,000-5,000 |
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194. Stuyvesant Van Veen,
(1875-1961), New York/California, charcoal on paper of an old woman,
signed lower left, “Stuyvesant Van Veen 47,” 9 1/2" x 7 1/2" sight,
framed & matted under glass. Provenance: A Massachusetts collection.
Estimate $500-700
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198. Mountain And River Landscape,
oil on canvas, signed on verso, “Marrik? Allen, 1865,” 15" x 24".
Provenance: A Massachusetts collection.
Estimate $500-900 |
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199. Charles B. Russ,
(1825-1920), Massachusetts, watercolor on paper landscape of a
woodland scene with 2 people, signed lower right, “C.B. Russ, 1886,”
19 1/4" x 13 1/2" sight, nicely framed & matted under glass.
Provenance: A Massachusetts collection.
Estimate $300-500
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203. M. Hoppins,
oil on canvas still life of roses, illegibly signed lower right, “ME
Hoppins? 1901,” 15" x 12", nice ornate period frame. Provenance: A
Massachusetts collection.
Estimate $150-300
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204. Herbert Jacob Gute,(1908-1977),
Connecticut, watercolor/acrylic on artist board of a ship, signed
lower right & written on verso, “Prow -The Whaler, locale Mystic,
CT, Ship the Morgan,” 22" x 29 7/8", framed. Studied at Pratt Inst.,
assoc. prof. at Yale School of Design. Provenance: A Massachusetts
collection.
Estimate $300-500 |
 |
207. Arthur Wesley Dow,
(1857-1922), American, color woodcut, “River Reflection,” about
1910, 2 1/4" x 3 7/8", framed under glass. Provenance: Hirschl &
Adler Galleries, NYC, from the artist’s estate.
Estimate $450-650 |
 |
207A. Arthur Wesley Dow, 2 Prints:
A - color relief, “Lilly,” from “Ipswich Prints, Series F, 1901,” 5
1/2" x 4 1/8", framed under glass, from the artist’s estate. B -
“Village Roofs,” ink on paper, “Ipswich prints series, K print #1,”
4 1/4” x 5 1/2”. Provenance: Hirschl & Adler Galleries, NYC.
Estimate $400-600 |
 |
208. After John James Audubon,
(1785-1851), New York, Lith Print & Colored by J.T. Bowen, PA, 7
octavio size hand colored prints (7" x 11"), some corner damage: A -
Green Heron, male & young. B - Green Blue Heron, male. C - Canada
Goose, male & female. D - American Swan, male. E - Wild Turkey,
female & young. F - American Coot. G - Belted Kingfisher, male &
female. Provenance: A New Jersey estate.
Estimate $1,000-1,500 |
 |
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209. After John James Audubon,
(1785-1851), New York, Lith Print & Colored by J.T. Bowen, PA, 4
octavio size, hand colored prints (7" x 11"), some corner damage &
edge discoloration: A - Broad Wing Buzzard. B -Red Tailed Buzzard. C
- Caracara Eagle. D - California Turkey Vulture. Provenance: A New
Jersey estate.
Estimate $500-800
|
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210. After John James Audubon,
(1785-1851), New York, Lith Print & Colored by J.T. Bowen, PA, 4
octavio size hand colored prints (7" x 11"), some corner damage: A
-Jengmalm’s Night Owl. B - Snowy Owl. C - Barn Owl. D - Great Horned
Owl. Provenance: A New Jersey estate.
Estimate $500-800
|
 |
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211. After John James Audubon,
(1785-1851), New York, Lith Print & Colored by J.T. Bowen, PA, 4
octavio size hand colored prints (7" x 11"), some corner damage: A -
Mink, male & female, drawn in stone by R. Trembly. B - American Red
Fox, drawn on stone by Wm. E. Hitchcock. C - Black Rat, drawn in
stone by R. Trembly. D - Hudson Bay Squirrel, Chicara Red Squirrel,
drawn on stone by R. Trembly, printed by Nagell & Wiengartner, NY &
colored by J. Lawrence. Provenance: A New Jersey estate.
Estimate $500-800 |
 |
212. After John James Audubon,
(1785-1851), New York, Lith Print & Colored by J.T. Bowen, PA, 7
octavio size hand colored prints (7" x 11"), some corner damage: A -
American Golden Plover. B - Kildeer Plover. C - Bartramian
Sandpiper. D – Pectoral Sandpiper. E - Yellow Shanks Snipe. F -
Semipalmated Snipe, Willet or Stone Curlew. G - Wilson’s Snipe,
Common Snipe. Provenance: A New Jersey estate.
Estimate $1,000-1,500 |
 |
|
222. Danish School Seascape,
oil on canvas of people at a rocky shore, illegibly signed lower
left and on verso, “Margrile?,” also painted on the reverse, 11 1/2"
x 19 1/2", late 19/20th century, old wooden frame. Provenance: A
Massachusetts collection.
Estimate $300-500
|
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222A. J. Stoll, Continental School,
oil on canvas of 2 men in a kitchen, signed lower left, “J. Stoll,”
16 1/2" x 21 1/2", hole, nice ornate frame, not original, late
19/20th century. Provenance: A Southern collection .
Estimate $1,500-2,000
|
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222B. J. Stoll,
Continental School, oil on canvas of 2 men playing cards, signed
lower right, “J. Stoll,” 16 1/2" x 21 1/2", 2 tears, repairs, nice
ornate frame, not original, late 19/20th century. Provenance: A
Southern collection.
Estimate $1,500-2,000 |
 |
222C. A. Pucci,
Continental School, oil on canvas of a young woman burning a letter,
signed lower right, “A. Pucci,” 18 3/4" x 12 1/4", 19/20th century.
Provenance: A Southern collection.
Estimate $1,500-2,000 |
 |
222D. Continental School,
oil on canvas, impressionistic painting of a Spanish peasant lady,
signed upper right, “R.B…?” remains of exhibition label & 2 gallery
stamp labels , “the Artist Gallery, N.Y.C., AC,” in circle on verso,
37" x 29", original frame, untouched. Provenance: A Winchester, MA
collection.
Estimate $2,000-3,000 |
 |
|
234. Primitive Portrait Of A Boy,
oil on board holding a ball in white dress, 16" x 10", gold frame,
19/20th century. Provenance: A New Hampshire collection.
Estimate $400-700
|
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242. “Lady Eden,”
School Of John Singer Sargent, oil on canvas study or copy of the
1906 painting by “John S. Sargent,” now in the Philadelphia, Museum
Of Art, #513, S. Sargent Abroad.” A double sided painting, 18" x
15", no stretcher or frame. Provenance: A Massachusetts collection.
Estimate $400-800 |
 |
243. Oil On Canvas Landscape,
figures in a golden field in front of a village, illegibly signed
lower right, possibly Kooning?, 19 1/2" x 28 5/8", original wooden
frame. Provenance: A Massachusetts collection.
Estimate $200-400
|
 |
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244. John Edmund Califano,
(1862-1946), Illinois/California, oil on canvas full length portrait
of a young woman playing a mandolin, signed lower left, “J.
Califano,” 26 3/4" x 16", crackle throughout, minor paint loss near
signature, old gold frame. Provenance: A Florida collection.
Estimate $900-1,200
|
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246. Robert Henri,
(1865-1929), New York/ Pennsylvania, “Head of a Man in a Beret,”
pencil, brush and India ink drawing, signed lower right, “RH”
(embossed estate stamp), 4 1/4" x 2 5/8". Provenance: Hirschl &
Adler Galleries, NYC.
Estimate $450-650 |
 |
246A. Michael Lyne,
(1912-1989), British/USA, attributed watercolor/gouache on paper
landscape, unsigned, “#504” on front, titled on verso, “The
Goldensbridge Hunt: Carlo Paterno’s Home,” (see label on verso on
our website), 8" x 13 1/4" sight, framed & matted under glass.
Provenance: A Southern collection.
Estimate $800-$1,000 |
 |
248. Frank Joseph Reilly,
(1906-1967), American, oil on canvas seascape of a stormy inlet with
2 boats, signed lower left, “F.J. Reilly, 1900,” 16" x 26", nice
gold frame. Provenance: A Massachusetts collection.
Estimate $300-500
|
 |
252. Wilhelm Hunt Diederich,
(1884-1953), New York, 2 original drawings, both framed under glass.
A - Man and Animals,” sketch for ASPCA no.4, 1953, pencil on paper,
8" x 10 1/2". B - “Horse Sketch” about 1925, pencil on paper, 6" x
4". Provenance: Hirschl & Adler Galleries, NYC.
Estimate $250-450 |
 |
254. Smith Egbert,
b. 1879, American, pastel on paper of 3 hanging woodcocks, signed
lower tight, “S. Egbert,” 26" x 11", framed under glass. Provenance:
A Massachusetts collection.
Estimate $200-300
|
 |
256. Bronze Whippet,
miniature casting, 2 1/2" tall set on double wooden base, unsigned.
Provenance: A New Hampshire collection.
Estimate $200-300
|
 |
257. Louis Charles Hippolyte,
(1815-1865) French, bronze full body figure of poet, “J.P
DeBeranger,” designated on base, scratch signed, “Buhot’” on top of
base & stamped, “Susse….,” on side, 11 3/4" tall. Provenance: A New
Hampshire collection.
Estimate $500-700 |
 |
258A. Bronze Nude,
classical form, illegibly signed on base, “….and,” set on a marble
base, 10" overall height. Provenance: A New Hampshire collection.
Estimate $200-300
|
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259. Harry Shokler,
(1896-1978) Cincinnati, OH, screen-print in colors of a still life
of flower in a vase, signed lower left, “Harry Shokler,” nicely
framed & matted under glass. Member of the National Serigraph
Society, author of
The Artist’s Manual for Silkscreen Printmaking,
1946, 14 1/2" x 12" sight. Provenance: A Massachusetts collection.
Estimate $400-700
|
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263. John Wood Dodge,
(1807-1893), New York, watercolor and gouache painting on a print of
a young woman reclining, vase of flowers with a snake, signed lower
right, “J.W. Dodge 1887,” 14" x 20" gold molded & gessoed frame 5
3/4" wide. Provenance: A New Hampshire collection.
Estimate $600-900 |
 |
|
264. Oil On Canvas Landscape,
with a young woman in a blue dress in a boat, signed, “Gulley,”
lower right, 16" x 20", not original frame. Provenance: A
Massachusetts collection.
Estimate $300-500
|
 |
266. Thomas Bailey,
20th century American, oil on canvas of a clipper ship at sea,
signed lower right, “T. Bailey,” 23" x 31", “Parker” labeled cherry
frame is original. Provenance: A Hancock, NH estate.
Estimate $400-600
|
 |
|
274. D. DePaolo,
oil on canvas landscape of a farm scene with haystacks, signed lower
right twice, “D.DePaolo,” 23" x 29 1/2", gold frame. Provenance: A
New Hampshire collection.
Estimate $300-500
|
 |
275. American School Trout Painting,
oil on artist board of 2 trout still life, New York artist board
label, 14" x 17", unsigned, oak frame, late 19th century.
Provenance: A Florida collection.
Estimate $150-250
|
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276. Primitive Landscape Winter House Scene,
American, oil on canvas, 24" x 36", 3 tears and a repaired hole,
probably 19th century, “Boston Artist Supply,” label on
stretcher, old gilded frame. Provenance: A Massachusetts
collection.
Estimate $400-700
|
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278A. “Milking The Jersey” pencil on paper,
inscribed on front, “#4” with an artist mark, 5" x 6 1/2" sight.
Provenance: A Southern collection.
Estimate $400-500
|
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279. Charles Franklin Pierce,
(1844-1920), Sharon, NH/MA, pencil on paper landscape of a mountain,
signed lower right, “CFP,” 11 1/2" x 9", sight, (artist bio on
verso), nicely framed & matted under glass. Provenance: A
Massachusetts collection.
Estimate $150-250
|
 |
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280. George Burroughs Torrey,
(1863-1942), NYC/Hawaii, oil on board of beach scene, signed
indistinctly on the front, signed & titled on verso, “Point Wood,
Long Island, August 6, 1922,” 8" x 10", gold frame. Provenance: A
New Hampshire collection.
Estimate $300-500
|
 |
281. Nelson C. White,
b. 1900, CT, oil on board landscape, signed lower left, “Nelson C.
White,” titled, dedicated & signed on the verso, “Summer Landscape
Near the Strand, Waterford, Connecticut,” dated 1965, 10" x 13 3/4",
original wooden frame. Provenance: A New Hampshire collection.
Estimate $800-1,200 |
 |
282. Ethel Lomasney,
20th century, Minneapolis, MN, “Floating Clouds,” oil on artist
board, signed lower right, “Ethel Lomasney,” 14" x 18", original
frame, titled in pencil on verso. Provenance: A New Hampshire
collection.
Estimate $400-600 |
 |
284. Edmund Quincy,
(1903-1997), Boston, MA, lot of 2 charcoal on paper drawings: A -
Half length figure of a woman, 25" x 19", signed with estate stamp
on verso. B - “Academy,” male nude & lower leg, 25" x 19", signed
with estate stamp on verso. Provenance: Hirsch & Adler Galleries,
NYC.
Estimate $400-600 |
 |
285. Three French Prints,
hand colored, 2 framed as a pair, “Secunda Fontana Labyrinthis,” 12"
x 16" sight & “Vue De LaVille Naeple,” 13" x 17" sight, “A View Of
the Great Canal Of Fontainebleau,” 9" x 17" sight. Provenance: A New
Hampshire collection.
Estimate $200-300 |
 |
286. Gabrielle DeVeux Clements,
(1858-1948), Gloucester, MA, etching, “John’s Hopkins Hospital,”
described & labeled on verso, pencil signed lower right, 13" x 15
3/4" image size, copyright signature in print & dated 1929, framed &
matted under glass. Provenance: A Southern collection.
Estimate $300-500
|
 |
288. Edmund Quincy,
(1903-1997), Boston, MA., 4 drawings: A - A Woman,” in pencil, 10" x
7", signed lower right, “Ed Quincy.” B - “Dog,” in pencil, 6" x 8
1/2", estate stamp on verso. C - “Lions,” crayon on graph paper, 8
3/8" x 10 5/8", signed on verso with estate stamp. D - “Hats,” black
crayon, signed on verso, “?,” 11 3/4" x 8 3/4", all framed under
glass, from artist’s estate. Provenance: Hirschl & Adler Galleries,
NYC.
Estimate $200-300 |
 |
288A. Jane Wilcox, aka George Thompson Pritchard,
(1878-1962), California, oil on canvas of a church, signed lower
left, “Jane Wilcox,” 18" x 20", a carved white painted frame.
Provenance: A Florida collection.
Estimate $200-300 |
 |
289. Samuel J. Woolf,
(1880-1948), New York, lot of 2 portrait lithographs: A - Herbert
Clark Hoover, (1874-1964), 15 7/8" x 11 1/2" sight, signed lower
right in pencil, “S.J. Woolfe,” estate stamp on back. B - Portrait
of Edgar Allan Poe, (1809-1849), 22 7/7" x 17 3/4", estate stamp on
verso. Provenance: Hirschl & Adler Galleries, NYC.
Estimate $200-500 |
 |
290. Albert Urban,
(1909-1959), German/American, 2 screen prints: A - “Dance, 1946,” 11
3/4" x 7 1/4", estate stamp on verso. B - “Leda, 45,” 13 1/4" x
10", signed and dated lower left, “Albert Urban, 45,” framed under
glass, from the artists’ estate. Provenance: Hirschl & Adler
Galleries, NYC.
Estimate $200-500 |
 |
291. Max Kuehne,
(1880-1968), 2 etchings: “Streets of Toledo,” pencil inscribed lower
left, “Back Yards,” signed, estate stamp on verso, 7 15/16" x 5
7/8", one is inscribed lower left by artist in pencil, “San
Ildefonso,” framed under glass. Provenance: Hirschl & Adler
Galleries, NYC.
Estimate $200-300
|
 |
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292. William Samuel Schwartz,
(1896-1977), Midwestern America, lot of 4 images: A - “Seated Man
Facing Right,” drawing in black crayon, 10 7/8" x 12 1/4", signed
lower right, “W.S.S.” B - “Women In the Veils,” #36 lithograph, 9" x
6 11/16", signed lower right in plate. C - “Nude,” # 45 lithograph,
15 1/2" x 7 15/16", signed lower left. D - #33, Impression #17,
“Figures With Sunset,” 9 1/4" x 12 3/4", signed lower left in plate,
from the artist’s estate, framed under glass. Provenance: Hirschl &
Adler Galleries, NYC.
Estimate $300-500
|
 |
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293. South American Parrot,
oil on canvas, signed lower right, Manuel, BA,”1938 noted on
stretcher, 16" x 14 1/2", some paint loss, gold frame. Provenance: A
Southern collection.
Estimate $200-300
|
 |
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294. Roger Holt,
(1907-1979), Connecticut/Arizona, oil on board abstract of a city,
signed lower left, “Holt” titled on verso, “Cityscape 45,” 20" x
11", small crack left top, old frame. Provenance: A Massachusetts
collection.
Estimate $300-500
|
 |
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296. Edward Seager,
(1809-1886), American, pencil drawing, “Connecticut River, Vermont,”
signed lower left next to the title, “Seager,” 10 1/2" x 14 3/4",
Seager was the first drawing master at the United States Naval
Academy in Annapolis, Maryland. Provenance: Hirschl & Adler
Galleries, NYC.
Estimate $300-500
|
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297. Samuel J. Woolf,
(1880-1948), New York, limited edition lithograph, 17/150, “First
Aid Station at Seicheprey,” dedicated lower left, “For Ned Cooper
with remembrances,” after a painting he did in WWI. Estate stamp on
verso, 17 7/8" x 22 1/2", framed under Plexiglas. Provenance:
Hirschl & Adler Galleries, NYC.
Estimate $200-300
|
 |
299. Frank Weston Benson,
print, “Canada Geese,” pencil signed lower left, “Frank W. Benson,”
initialed & dated, “F.W.B., 1921,” in lower right of image, 11 1/4"
x 15 7/8". Print has foxing throughout, framed under glass.
Provenance: A Southern NH collection.
Estimate $150-200 |
 |
301. S. Schwalenberg,
d.1922, German, bronze statue of an Amazon warrior, signed on base,
set on marble, 10 1/8" tall. Provenance: A New Hampshire collection.
Estimate $500-700 |
 |
|
303. M. Beitl,
19th century, American, landscape, “Tappensea On The Hudson, painted
by M. Beitl,” written on the verso, 8" x 14", wooden frame.
Provenance: A Florida collection.
Estimate $200-500
|
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