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The Cobbs Auctioneers
Important Antique Estate Auction Saturday July 11th at 10am
At Historic Noone Falls Mill, 50 Jaffrey Road,  Peterborough NH
 

 

 Description Images and Close-ups

3A        John F. Enser, 20th century, New Ipswich, NH, oil on artist board painting, "The Old Sugar House, Underhill, Vermont , with Mt. Mansfield in the distance," signed lower right, "John F. Enser," and titled and signed on reverse, 12" x 16", probably the original frame. Provenance: A New Ipswich, NH collection. Estimate $1,500-2,500

4          Pair of Needlework Oval Portraits of a nobleman and his wife, set in octagonal frames, 11" x 9 1/2" incuding the frame, silk thread stitched into silk fabric, some losses & discoloration. Appears to be 17/18th c. English or French. Provenance: Peterborough , NH and NJ, Americana collection. Estimate $300-500
5          English Stump work Picture, raised needlework on silk depicting the king & queen in front of their castle surrounded by trees, animals, flowers and a fountain; Framed under glass, 15" x 18 3/4" including the frame, minor splits in silk, stains, appears to be 17th c. England. Provenance: Peterborough , NH and NJ, Americana collection. Estimate $1,500-2,500
17        Needlework Basket of Flowers Still Life, silk needlework on silk cloth depicting a handled basket with a multi colored floral bouquet and a bird on the top branch, American 19th c, 16 1/2" x 14 1/4" wide sight, framed in an old gold frame under glass. Provenance: Peterborough , NH and NJ, Americana collection. Estimate $1,200-1,600
18        Pair of Needlework Still Life Pictures, each on silk depicts a basket of flowers on a table top, 8" x 7 1/2" sight, framed under glass, probably American 19th c., some staining. Provenance: Peterborough , NH and NJ, Americana collection. Estimate $500-900
22        Pair of Primitive Portraits, oil on canvas of a gentleman and his wife, no apparent signature, relined, on the original stretchers, unknown subjects, appear to be American, 24" x 19", mahogany molded frames maybe original or at least of the period, appear to be 18th c., mid-Atlantic area. Provenance: Peterborough , NH and NJ, Americana collection. Estimate $4,000-,7000
33        Benjamin Champney, 1817-1907, Boston, oil on canvas of a New Hampshire White Mountain/river scene, (probably the Saco River), signed lower center, "B. Champney 1860," 14" x 22", new frame. Provenance: N.H White Mountain collection, Michael A. Latragna Fine Art. estimate $8,000-12,000
34        Samuel W. Griggs, 1827-1898, Boston, oil on canvas painting of NH "Presidential Range" scene with a river, cows and a fisherman in the foreground and haying in the distance before the mountains, signed lower right, "SW Griggs 1870," 23 1/4" x 44", unframed. Provenance: A Massachusetts collection. Estimate $5,000-7,000
34A     Charles Wilson Knapp, 1822-1900, PA, NY, oil on canvas painting of New Hampshire landscape with cows grazing by a river, signed lower left, "CW Knapp," 20" x 36", framed. Provenance: Property of Paul & Donna Wagner of Grenwood , Missouri. Estimate $7,000-9,000
35        William Mark Fisher, 1841-1923, Boston, MA, (influenced by George Inness in his early career), oil on board of a farm scene, signed lower left, "W.M. Fisher," 10" x 14", unframed, ca. 1860. Provenance: A Dublin estate collection. Estimate 800-1,200
36        Edmund Darch Lewis, 1835-1910, Pennsylvania, oil on canvas landscape of a mountain scene with a river & a home, signed lower right, "Edmund Darch Lewis ' 87", 20" x 36", of the period gold gessoed frame w/losses & chipping to gold, several repairs to canvas. Provenance: A Massachusetts collector. Estimate $4,000-8,000
37        Edmund Darch Lewis, watercolor on paper of a seascape of a 2-masted sailboat (stained), signed lower left, "Edmund Darch Lewis, 1889," original ornate gilded frame, (small piece of gilding missing), 12 1/2" x 24 1/2" sight.  Provenance: A Dublin , NH and Washington , D.C. estate collection. Estimate $400-700  

40        Alexander Calder, 1898-1976, NY, CT,  bronze "Ellie" sculpture, made for "The American Society of Magazine Editors," by The Segre's Iron Works using Calder's stabile design, this has been conformed  by the Calder Foundation of New York, " 9" tall x 13" wide x 11 1/2" deep. Provenance: Long Island , NY to a Vermont collector, paper work submitted to the Calder Foundation. Estimate $3,000-5,000

41        Franz Kline, 1910-1962, New York, Ink on paper abstract, signed lower right, "KLINE," 12 3/4" x 9 5/8", gallery label on verso, "Grace Borgenvent Gallery, Madison Ave., NY," framed & matted under glass. Provenance: From a New York collection. Estimate $10,000-15,000
47        Pair of Oval Chinese Export 19th C. Paintings: both oil on board, unsigned, one is "View of Hong Kong Harbor," the other an imaginary scene, "View of Pearl River," circa 1875, 16" x 12" sight, matching Chinese frames of the period. Provenance: Peterborough , NH and NJ, Americana collection. Estimate $10,000-15,000
50       Joshua Reynolds, 1723-1792, England, attributed oil on canvas portrait of likeness of Sir Thomas Mills or likeness of Major John Andre', unsigned, original frame had a plaque reading, "Major Andre', Adj. Genl to HM forces in British North America, commanded by Lt. Gen! Sir Henry Clinton, GCB obit 2nd Oct. 1780- aetat 29." Note on old framed read," Bought at Christie's between 1853 -1860, and is supposed to be the missing picture by Reynolds," (all hand written on verso), relined, varnished, 30" x 25", newer frame. See note from National Portrait Gallery , England . Provenance: A Southern New Hampshire collection. Estimate $4,000-7,000
51        John Hayls , 1600-1679, England, attributed oil on canvas portrait of a young man,  unsigned, written on verso in pen, "Brought from Loxley Hall by J.R. Sneyd-Kynnersley," 29 1/2" x 24 3/8" sight, 17th century, relined, newer frame. Information available from the National Portrait Gallery in England . Provenance: A southern New Hampshire collection. Estimate $4,000-7,000
59         Rufus Porter, 1792-1884, New England, attributed pair of miniature paintings in profile of unknown husband and wife, watercolor on paper, 5 1/8" x 4 1/8", framed under glass with painted ovals of gold leaf flowers inside black grounds, unsigned but attributed to his itinerate portrait painting period, for a similar example see pg. 65 fig. 38, "Rufus Porter Rediscovered by Jean Lipman. Provenance: A Peterborough , NH collection. Estimate 4,000-7,000
64        Thomas Bigelow Craig, ANA, 1849-1924, Pennsylvanian, oil on canvas of a pastoral scene with cows, "Early Autumn Pasture," titled and signed on verso, signed lower left, "Thos B. Craig," 30" x 25", beautiful gilt frame of the period, small fragment of frame missing. Provenance: A southern New Hampshire collection. Estimate $2,500-4,000
76        Margaret Jordan Patterson, 1867-1950, Massachusetts, mixed media on paper landscape, "Summer Clouds," pencil titled and signed, :Margaret J. Patterson," on bottom, 9 1/4" x 11 1/2" sight, framed and matted under glass. Provenance: A Dublin , NH collection. Estimate $500-700
78        Samuel W. Griggs, 1827-1898, Boston, oil on board landscape of a New Hampshire scenery, signed lower left, " Griggs 1870," 12" x 10 1/2", gold painted period frame. Provenance: A Peterborough , NH collection. Estimate $3,000-5,000
79        Clinton Loveridge, 1824-1902, British, oil on canvas paintings of cows grazing , signed lower left, "C Loveridge," "W. Keenan," canvas mark on reverse,  12" x 10", original gilded frame set in a glass covered mahogany case, 20 1/2" x 18 1/2" overall. Provenance: A Peterborough , NH collection, Port Washington , NY estate. Estimate $1,000-1,500
79A      Clinton Loveridge, 1824-1902, British, oil on canvas paintings of cows grazing and drinking, signed lower left, "C Loveridge," "W. Keenan," canvas mark on reverse, 12" x 10", original gilded frame set in a glass covered mahogany case, 20 1/2" x 18 1/2" overall. Provenance: A Peterborough , NH collection, Port Washington , NY estate. Estimate $1,000-1,500
80        James Jeffrey Grant, 1883-1960, Illinois, oil on canvas, "Eviction," titled on verso of a home with furniture being piled on a truck, signed lower right, "J Jeffrey Grant," 29 1/2" x 34" sight. Provenance: A Walpole , NH collection. Estimate $2,000-3,000
81        Alexander Young Jackson, 1882-1974, Canada , oil on canvas laid down on board of a western Canadian landscape of a forest and mountain scene, signed bottom front, "AY Jackson ," also noted on verso, 23 1/2" x 31 1/4". Provenance: A Massachusetts collection. Estimate $10,000-15,000

94        Stone carved Bust of an African woman, signed on base, "N. Fombe or Fumbe." Provenance: A Peterborough , NH collection. Estimate $150-300

94A      Sarcophagus Painting of Fayum, painting on gesso on wood panel, 13 1/8" x 7 5/8" with edge losses and upper corners cut. Painting depicts a woman wearing earrings and 2 necklaces over a pull over blouse, some cracks  and paint chipping. Appears to be from the Roman 1st century A.D., period from Egypt . These are known as "Fayum," portraits of a deceased upper class person. Provenance: A Peterborough , NH estate originally purchased in New York in the 1960's. Estimate $30,000-50,000

95        Khmer Soapstone Carving, solid circular piece with leaf carving and 4-facial figures of Buddha wearing lotus flower head dress, 13" x 16" slightly tapered at top, late 19th early 20th century. Provenance: A Peterborough , NH collection. Estimate $200-400
95A      Large Primitive Wooden Figural Grinder/Press, pig form with crank handle and metal plate with holes on the bottom, 13" long x 12 1/2" tall x 5" wide, possibly Pacific rim. Provenance: A Peterborough , NH collection. Estimate $50-100
110      Philip Russell Goodwin, 1882-1935, Mamaroneck, NY, oil on canvas painting of 2 hunters returning to camp by canoe with  moose as they wave to the 2 other hunters, signed lower right, "Philip R. Goodwin,"  25 1/2" x 36 1/2", framed, in estate as found condition. Provenance: Decanter, Illinois estate, a previously unknown painting. Estimate $80,000-120,000
111      Pierre Jules Mene, 1810-1879, France , bronze casting of a wolf attacking a horse, signed on the base, "P.J. Mene, inset mark on base edge under name (unclear), conforming marble base, all with old surface, 15 1/4" tall x 12" long including the base. Provenance: A Massachusetts collector. Estimate $2,500-3,000
115      Oliver Kemp, 1887-1934, New York, oil on canvas painting of a hunter with sled and huskies warming by the fire, signed lower right, "Oliver Kemp,"36" x 24", old frame, painting has been reduced in size by cutting the stretcher down and wrapping the painting around onto the backside of the stretcher and adding tacks. Provenance: A Mid-Western estate collection. Estimate $8,000-12,000

116      Frank Weston Benson, 1862-1951, Massachusetts , etching "Winter Wild Fowling," pencil signed in margin lower left, "Frank W. Benson," 1927 edition of 150, PAFF #265, 11 7/8" x 9 7/8" sight. Archival quality matted & framed under glass.  Provenance: A Claremont , NH collection. Estimate $6,000-,10,000

117      Churchill Ettinger, 1903-?, New York, watercolor painting of a Fall woodcock hunting with a pointer by the stream, signed lower right, "Churchill Ettinger," 14" x 20 1/4" sight, matted and framed under glass. Provenance: A Mid-Western estate collection. Estimate $2,000-3,000
118      David Hagerbaumer, 20th century, American, watercolor on paper of grouse flying in the trees by a stream, signed lower left, "David Hagerbaumer," 22" x 29", matted and framed under glass. Provenance: A Mid Western collection. Estimate $2,500-3,500
119      Sporting Art Lot: A - Churchill Ettinger limited edition etching, "Freeze Up," pencil signed lower right, 9" x 13" framed under glass. B - Etchings of "Ducks in Flight," signed lower left, "H", 5 1/2" x 7 1/2", framed under glass. C - Two A.B Frost prints, signed in the plate and titled in pencil, "A Long Shot," and " A Tempting Shot," both 8 1/2" x 12" sight, matted and framed under glass. Provenance: A Wilton Center, NH collection. Estimate $200-300   
120      Alexander Pope, Jr., 1845-1924, Hingham , MA , chromolithograph, "The Red-Head #10," copyright 1878, 18" x 24", shrink wrapped. Provenance; A New York State collection. Estimate $100-200
120A        Oil On Canvas Painting of Mallards Flying onto a pond, signed lower right “Clyde May 34”,    Provenance: A southern New Hampshire collection. Estimate $600-900
121      Two Sporting Etchings: A: Charles Lacque, French 19th century, etching of a stag fighting a wolf after Antoine L. Barye, 9 1/2" x 11 1/2" sight, framed under glass. B - Roland Clark, 1874-1957, NY, titled, dry point "Still Waters," 3 1/2" x 6 1/2", framed under glass. Provenance: A Salem , NH collector. Estimate $150-250 
121A    President Abraham Lincoln Commissioning Document, for "James B. Turner, as Assistant Adjutant General of Volunteers with the Rank of Captain, December 23rd, 1862," clearly signed, "Abraham Lincoln," lower right, "Edwin M. Stanton," Secretary of War, lower center with blue seal lower left, 17 1/2" x 13 1/2" sight, framed and matted under glass, authenticated by, "Daniel W. Stowell & John of "The Papers of Abraham Lincoln, Springfield, IL". Provenance: A Peterborough , NH collection. Estimate $7,000-10,000
123      Nehemy Jean, 1931- ?, Limbe', Haiti, Jean worked as a graphic artist and studied portraiture. He painted murals at the Port-au-Prince International Airport.. He joined the Centre d'Art in 1947 and was active in the founding of the Foyer des Arts Plastique. In 1956, with J. Gabriel, Roland Dorcely, Cedor and Luckner Lazare, he co-founded "Galerie Brochette". He won a scholarship from "UNESCO" and moved to Brazil in 1958 where he worked with Portineau. Nehemy has also taught art at "L'atelier", owned and operated his own art Gallery on his return to Haiti. Nehemy has exhibited in the USA, Haiti and Europe. His paintings are very rare. Original oil on canvas painting of a sleeping shoe shine man in its original hand carved frame.  Signed “N. Jean”.  Small tear in canvas in upper right corner, easy repair. 30" x 22", wooden frame. Provenance: A Peterborough , NH collection.
Estimate $1,800-2,200
127      Bronze Statue of a Hunter Goddess, flowing robes, hands in front, a silver dot on her forehead, 21" tall, 19/20th century India . Provenance: A Peterborough , NH collection. Estimate $150-250

136      Oil On Board Painting of Spanish Partisans in an execution scene, label on version in German, "Prof. Schopf Darm…" with address, "Am Erlenberg 26," 14" x 18", 19th century copy of Francisco Goya's painting now in the Prado Museum. Provenance: A Massachusetts collection. Estimate $400-700

139      AP Bellows, 1894, 13 watercolor on paper travel journals from various European scenes, some dated and identified, name and date on verso, all various sizes in 2 larger frames. Provenance: A Peterborough, NH collection. Estimate $200-400

141         Stained Glass believed to be made by Donald MacDonald.  MacDonald was born in 1841 in Glasgow,  trained in London during the 1860’s and immigrated to the US to join the William McPherson & Co Studios in Boston which he later took over and changed into his name. During the 1870’s he was a leading exponent of the British Design Reform Movement. MacDonald's work was well known throughout New England. The McPherson/MacDonald studio had done most of the windows for Harvard's Memorial Chapel "The William Ellery Channing Memorial Window" in the Newton, MA, and the Presbyterian Church. The window in the National Arts Club (the former Samuel J. Tilden Mansion at 15 Gramercy Park South) may be seen in James L. Sturm's STAINED GLASS FROM MEDIEVAL TIMES TO THE PRESENT: Treasures to Be Seen in New York.  Glass has been crated and all 11 pieces are shown photographed individually and then combined together for a sense of what the window would like installed.  Please note: many of the painted detials in the glass cannot be seen in the photos. In excellent condition.  Estimate $7000-$10,000

146      Watercolor On Fabric Full Body Portrait of an Indian Nobleman kneeling, 45" x 33 1/4" sight, framed under glass, minor foxing, 20th century. Provenance: A Peterborough , NH collection. Estimate $200-300

147      Middle Eastern Vestment, flat woven geometric design, signed lower right by artist, Lucite framed for wall decoration, overall 38" x 30", 20th century. Provenance: A Peterborough , NH collection. Estimate $150-250

157      Bronzed Silhouette Of A Woman, attributed to Alfred Herve, 19th century, French,  gold accents, 4" x 2 5/8" sight, black framed under glass.   Provenance: A New York   collection. Estimate $550-650

161      George W. Drew, American,(1875-?), oil on canvas painting of a home by a pond, signed lower right "George W. Drew", 20 1/4 x 30", appears to have the original gessoed frame, chips. Provenance: A Massachusetts collection. Estimate $1000-1500

162      M.A. Frick, European, 19th C., oil on canvas of a seascape with boats and men on a dock, signed L.L."M.A. Frick 1878," 12" x 20", in nice gold and wood and gesso frame, two repairs.  A Massachusetts collection.  Estimate $200-400

163      Robert Spear Dunning, 1829-1905, MA, oil on board landscape of a river scene from a bridge with robins on a rail looking at a stone bridge in the distance; 4 1/2 " x 7", framed, signed on verso "R.S. Dunning"; Provenance: A NH collection, bought at auction.  Estimate $500-750.
165      Charles Frank Arcieri, 1885-1945, American, oil on canvas of a young woman with a red shawl, signed lower right, "Arcieri," 25" x 20", gold frame. Provenance: A Florida collection. Estimate $2,000-3,000
166      Two Engravings of Captain Cook's Voyages, (1773-1785): A) "A Night Dance by Men Hapaee", laid paper 15 3/4" x 21 3/4", hard to see water mark, J. Weber, del, Wm sharp, sculp. B)"An Island View of Atooi", laid paper 15 3/4" x 21 3/4", bird on a roof water mark, J. Weber, del. and S. Middiman, sculp, both with some losses. Provenance: A temple, NH collection. Estimate $400-800  
167      Two Colored Engravings of New York City: A - Broadway from the Bowling Green, 1828', "Painted by J. Bennett," engraved by "J.B Hutchinson," 10 1/4" x 16" sight black glass matted under  glass. B - "Park Theatre," District of New York, 13 3/4" x 19 1/2" sight, black glass matted under glass, no visible title. Provenance: A Dublin , NH estate. Estimate $200-400

168      John Kelly, Contemporary, Canada, limited edition lithograph, signed, pencil titled and numbered on bottom, "163/200, Light and Shadow, John Kelly," old gallery label on verso, "Painting of the World," 14 1/2" x 19 1/2" sight, framed and matted under glass. Provenance: A Peterborough , NH collection. Estimate $250-400


 
169      Fritz Muller, 1913-1972, Munich, Germany, oil on board of a Bavarian man with a feather in his hat, smoking a pipe, signed upper right, "Fritz Muller, Munchen (Munich), 10 1/2" x 8", nicely framed and matted. Provenance: A Peterborough , NH collection. Estimate $200-300
182      Thai Bronze Statue Of Shiva standing on Nandi the bull, all on a bronze base, 12 1/2" tall by 8" wide, point missing from Shiva's hat, 19th c. Provenance: A  Massachusetts collection. Estimate $350-450

183A    Four Chinese Framed Pictures: A - Two Prints, 19" x 15" overall, framed under glass. B - Two enamel and gold leaf domestic scenes, 13 1/2" x 19 1/4", framed under glass. Provenance: A Southborough, MA collect estate. Estimate $150-250

186      R. Lorenz, 20th century, oil on canvas landscape of a wooded scene with lake, signed lower left, "R. Lorenz," 23" x 31 1/2", 2 repairs, in a carved frame, some losses. Provenance: A Northern, NH collection. Estimate $250-300
187      Vivian Springford, 1914-2003. American, acrylic on paper abstract landscape of a sea town, 10 1/2" x 14 1/2" sight, framed and matted under glass. Provenance: A Dublin , NH collection. Estimate $300-500
188      Redmond Stephens Wright, 1903-1991, CA, oil on board, "On the Golf Course," signed lower right, "R. Stephens Wright," 10" x 12". Provenance: A northern New Hampshire collection. Estimate $600-800

189      Pen and Ink on paper of a man getting ready to hit a golf ball, signed lower right, "L.F." 13 3/4 x 9 3/4" sight, framed and matted under glass, some foxing and staining, probably early 20th century. Provenance: A northern New Hampshire collection. Estimate $100-200

190      New Hampshire Landscape, oil on canvas of a road through the woods, snow capped mountains in the distance, unsigned, pencil description on verso, old gilded frame. Provenance: A northern New Hampshire collection. Estimate $200-400

191      Erwin Aichele, 1887-1974, Germany , oil on canvas landscape of a lazy river in the Fall with mountains in the back ground, signed and dated lower right, "ER. Aichele, ' 67," 14" x 20" sight. Provenance: A Peterborough collection. Estimate $400-600

192      Wassily Kandinsky School, 1866-1944, Russian, 2 pieces of  water/gouache on paper, abstract art, one signed lower right, "K ' 29," monogram, and on the verso, a pencil drawing of a man rowing, signed on upper right side, "B? Kandinskai?," The other has an abstract drawing on one side and anatomical figures on verso, unsigned. Both are unframed in cellophane sleeves, some water or juice staining on one. Provenance: A Massachusetts collection. Estimate $1,000-1,500

211      Primitive Painting of A Young Boy, oil on canvas of a young child in a white dress sitting in an Empire settee holding a coral & silver rattle, unsigned, 26" x 21", appears to have the original gold gilt frame, early 19th century , New England , 2 small repairs. Provenance: A Peterborough , NH estate. Estimate $4,500-,6,500

215A    David J. Blossom, 1927-1995, New York, Connecticut, oil on artist paper board of an ancient Inca scene with step pyramid in the background, commissioned for "National Geographic,"  see verso, "Historical Atlas 8/82 DB-9 pg. 40-41," 13 3/4" x 27" sight, unframed. Provenance: Estate of David Blossom. Estimate $800-1,200

218      Jean Jules Salmonson, 1823-1902, French, bronze figure, "The Shepherd," signed, "Salmonson," on side, 11" tall, cleaned surface. Provenance: A Concord , NH estate. Estimate $300-700

219      Sevres Terra Cotta Statue, late 19th c., classical style of maidens and putti with a putto eating grapes, "Sevres" mark on bottom with makers mark, "M", 19" tall x 9" wide, some losses with crack on putto leg & repair to the other one. Provenance: A Massachusetts collection. Estimate $1,000-1,500
226      Four Colored Engravings, "Arnold Melchthal," "Demetrius," "Edward," and Beaumarchais," 6" x 4 1/2" sight, matted under glass, oak and gilded frames, probably 18th century English. Provenance: A Peterborough , NH and NJ Americana collection. Estimate $200-300
228      Still Life of Flowers, after Odilan Redon, oil on canvas, 16 1/2" x 13 1/2" sight, canvas has been cut down, back is painted black, matted and framed under glass. Provenance: A Massachsuetts collection. Estimate $400-700
229      George Elbert Burr, 1859-1939, American, 2 etchings, "Storm in the Painted Desert, Arizona ," plate size 4 1/2" x 5 3/4", and "New England Road-Evening," plate 5" x 8 1/4", both framed under glass. Provenance: A Vermont estate. Estimate $100-200
231      Frank A Brown, 1876 - 1962, American, watercolor of a "Flemish Woman," signed lower right, 10 1/4" x 7" sight, framed and matted under glass. Provenance: A Vermont estate. Estimate $100-200
233      H. Raymond, 19th century American, oil on oak panel, primitive still life of fruit, signed lower right, H. Raymond," 23" x 19 1/2", some cracks in wood, original oak frame. Provenance: An Amherst , NH collection. Estimate $200-300
242      Primitive Oil on Canvas, 18th century farm scene, 17 3/4" x 26", unsigned, unframed, 20th century. Provenance: A New York State collection. Estimate $400-600
243      Edgar R. Hambly, 20th century, NY , NY , 2 watercolor paintings of rural country scenes, 1 signed lower right, "Edgar R. Hambly," in pencil, 11" x 15" sight, both matted and framed under glass. Provenance; A Dublin, NH collection. Estimate $200-400
244      Hand Colored Print of " A Whippoorwill, Female," drawn from nature, by A Wilson," probably 19th century. Provenance: A New York State collection. Estimate $100-200  
245      David Maitland Mackenzie, 19th century, British, oil on canvas painting of a rural stream with a bridge, 14 1/4" x 12 1/4", appears to have the original frame, restored. Provenance: A Massachusetts collection. Estimate $500-800
246      Joan Daton Bond, 20th century, Los Angeles , CA , watercolor on paper landscape of a home on a hilltop in Winter, signed lower right, "Joan Bond,", 7 1/2" x 11 1/2" sight, framed and matted under glass. Provenance; A Dublin, NH collection. Estimate $200-300

248      Nicholas Comito, 1906 - Brooklyn , NY , pencil on charcoal drawing of a man's head, 15" x 9 1/2" sight, framed under glass. Provenance: Peterborough , NH and NJ, Americana collection. Estimate 100-200


 

 


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