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The Cobbs Auctioneers
1. Oushak Room Size Oriental Rug
central green medallion on a red field with gold accents, Sun fading, wear and
end losses. Early 20th century, 119" by 120". 2. Gilded Girandole Mirror,
spread wing eagle crest with 3 dangling balls over a circular convex mirror
surrounded by a multiple ball frame, a carved leaf base, labeled on reverse,
Thomas Fentham #586, Strand (London), 36 1/2" tall, some losses. 2A. Pair Of Gilded Girandole Eagle
Sconces, Classical spear & axe motif over a spread wing eagle holding a ball on
chain, perched on a leaf. Embellished plinth above 2 candle arms with tassels on
chains, 25 1/2" tall, 19th century, English. 3. Grain Painted Pine Blanket
Chest, 2 real and 2 simulated lipped drawers over a bracket base, Original Queen
Ann brasses, 36 1/4" base width, 46 1/2" tall. Probably N.H., 18th century. 4. Luigi Lucioni, ANA, New York,
N.Y & Vermont, (1900 - 1988), oil on board “A Vermont Landscape”, 6" by 9",
newly framed, signed lower right “L. Lucioni”. 5. “Scottie” Hooked Rug, multiple
color striped border surrounding a dog standing in a garden, Mounted on a frame,
40 1/2" by 23 3/4" overall, early 20th century. 6. Warfield Carved Birds,
Bobwhite and 3 chicks standing on a wooden base. Signed, titled and dated under
base, “Warfield, Jaffrey, N.H.” 16 1/2" wide by 5 1/2" tall. 7. Warfield Osprey Bird Carving,
Carved and painted standing osprey with spread tail feathers, 15" long, set on
an old wooden base, signed under base, “Warfield, Jaffrey, N.H., Osprey”. One
upper tail feather has glued break. 8. Four Transferware Platters,
blue & white, 4 floral, 2 with rope edge. Marked “Copeland & Garrett, Copeland
Spode England”, “Old Navy” Spode 10 incised & 1 indistinct with well, 19th/20th
century, England. 9. Transferware Platter, incised
on verso, “Herculaneum”, 18 1/2" long. Blue & white men on elephants approaching
a city. Minor edge wear, 19th century English. 10. Transferware Well & Tree
Platter, 21" long, blue & white riverside scene with men fishing, Marked in blue
on verso “Spode”, 19th century. England. 11. Kurd-Suj-Bulag Scatter Rug,
overall red & green design on a brown field with double ivory latch hook border.
Some wear especially in the browns, 62" by 95", Caucasian area circa 1880. 12. Transferware Platter, 18"
long, oval with shaped edge, incised “Spode” on verso. Center of Arab city,
border animals & people, 19th century. England. 13. Nine Polychrome Transferware
8 1/4" plates, central genre scenes, classical border, shaped edge. Marked
“Greil et Montereau” Medailles D’or etc…, 19th century French. 14. Richard Edward Miller,
California American, (1875 - 1943), oil on canvas landscape probably Giverny,
France area; signed lower left “Miller”, apparently from the early 20th century,
26" by 28", relined, recently framed. Provenance: Marblehead, MA collection.
15. Polychrome Decorated
Ironstone, Imari pattern, 19" oval platter, six 10 1/2" plates with chips and 2
similar rimmed soups. All with incised & printed, “Ashworth Real Ironstone”,
19th century England. 16. Coalport Porcelain Plates,
shaped rim, 10 1/2" diameter, apple green & gold decoration. Minor gold loss,
retailed by “Tiffany & Co.” 17. Mahogany & Tiger Maple
Hepplewhite Tambour Secretary, top section with tambour enclosing drawers &
cubbies, all flanking a central prospect door set on a 3 drawer base with fold
down writing surface, supported by 4 flaring French feet & shaped apron,
refinished, N.E. circa 1800. 18. Theorem Painting On Velvet,
of a striped basket of fruit, signed lower right, “R.D. Leidy”, 15 1/4" by 19
1/4" sight. New grain painted frame, slight staining in the top. Provenance:
Jackson, N.H. collection. 19. Edmund Henry Osthaus, (1858 -
1928), Jackson County, FL., watercolor of a “Setter”, signed lower right, 5 7/8"
by 8" sight. Framed & matted, not examined out of the frame. 20. Paint Decorated Miniature
Blanket Box, overall paint decoration on pine, tulip flowers & vines on a green
base, applied half spindles on the front side, interior till all set on 4 ball
feet. Early 19th century, probably Pennsylvania, 9 3/4" wide. Provenance: An old
Mass. collection. 21. Shirvan Scatter Rug, overall
design on a blue field with a triple border. Some slight wear, 47" by 60", early
20th century. 22. Miniature Painting On Ivory
Of A Man, 2 5/8" tall oval, 19th century. 23. Two Miniature Paintings on
Ivory, 1- J. Victoria Hayward, American early 20th century, of Margaret A.P.
Campbell 1894 in a Tiffany & Co. gold plated frame. Some staining, 5 3/4" oval
sight.2- T.D. Tallmadge (09), American early 20th century, 3 1/4" oval, cracked
glass, original (as is) case. 24. Henry Leonidas Rolfe,
British, (1824-1881), oil on canvas. One of the greatest painters of fishing
subjects of the Victorian era, the best known member of a family of sporting
artists exhibited widely in Britain during the mid 19th century, 29" by 41",
relined. Provenance: Massachusetts private collection. 25. Bow-back Windsor Armchair,
saddle seat, shaped arms, turned arm supports, legs, and stretcher, 35 1/2"
tall, 19th century American, refinished. 26. Smoke Decorated Blanket
Chest, yellow & black paint, shaped foot, boot jack sides, applied molding,
poplar wood, 22" case width, 15 1/2" tall, 11 1/4"deep, 19th century,
Pennsylvania. 27. Mahogany Chippendale Drop
Leaf Dining Table, rectangular top above a case with arched cutout aprons set on
4 cabriole legs ending in ball & claw feet, old varnish finish, 48" by 50" open,
21 1/2" tall. Philadelphia area, late 18th century Provenance: Descended through
an old Philadelphia family to a Boston family member. 28. Rose Medallion Oval Platter,
16 3/8" long, 13 1/4" wide, minor glaze loss. Scene alternating with panels of
people, 19th century Chinese. 29. Rose Medallion Covered
Vegetable Dish, indented corners, 9 1/2" wide, 19th century Chinese. 30. Nanking Deep Serving Bowl And
Platter, bowl indented with cut corners, 14 1/4" long, 11" wide, 2 3/4" deep and
an oval 12" platter, 19th century Chinese. 31. Bijar Room Size Oriental Rug,
blue central medallion on a red field. Overall good condition, minor moth
damage, 12' 15" by 8' 11', circa 1930. 32. Three Pieces Of Canton, 15
1/2" platter with cut corners, good blue, minor edge chip and two 9" open
vegetable dishes, light blue, one has edge roughage. 34. Arthur Fitzwilliam Tait, NA.,
Yonkers, N.Y. (1919-1905). A premier sporting animal artist. Oil on canvas of
hen and cock grouse with 8 chicks, 17" wide oval painting on a 13 1/2" by 17"
rectangular canvas set in an oak frame. Signed lower left, “A.F. Tait ‘57”.
Provenance: Ms. Mildred Steinbeck head librarian at the Frick Museum Reference
Library purchased the painting from Phillip Vassar (Vassar College) in 1934. 35. Two Pieces Of Canton, 8 1/2"
square, shaped edge open vegetable and an 11 1/2" indented corner platter with
edge chips. 36. Brass Thai Figure, hollow
cast, standing on lotus flowered base, 26 1/2" tall, 19th/20th century. 37. Cherry 2 Part Corner
Cupboard, top section, a crown molding with mahogany inlaid band over 12 pane
door. The bottom section has 2 mahogany veneered drawers over 2 mahogany flat
paneled doors, all set on front French feet. Pennsylvania, circa 1810, 89 3/4"
tall, refinished with newer glass knobs. Provenance: descended in the same
family now living in N.H. 38. Gorham Fairfax Pattern
Sterling Silver Flatware, 162 pieces, 20th century. 39. French Silver Flatware, 73
pieces, 20th century. 40. Pair Of Sterling Footed
Serving Tazas, with pierced ruffled rims. Decorated with Chrysanthemums, 9 1/2"
round, marked, “Tiffany & Co., 8742 Makers 7805, Sterling Silver” engraved
“October 21st, 1889”. 41. Mahal Room Size Oriental Rug,
overall floral design, (small center medallion), on a red field. Some wear and
edge damages, circa 1930, 17" by 2" by 12' by 6". 42. Two N. Currier Colored
Prints, 1- “The Life & Age Of Woman”, small folio, edges trimmed, stains. 2-
“The Life & Age of Man”, small folio. 1st print 9" by 12 5/8" 2nd print 9 5/8"
by 14" 43. Chippendale Mirror, mahogany
veneer on pine, 47 1/2" tall, 27 1/2" wide, 18th century, repairs, American or
English. 44. John White Allen Scott,
Cambridge, MA., (1815-1907). Oil on canvas White Mountain scene with a river,
cows and locomotive, signed, “JWA Scott”, lower left above rock in red. Probably
the original gilded frame, 20 1/2" by 30". 45. Two Painted Pantry Boxes, 1-
3/4" round, old red paint, some edge damage on lid.2 - 7" round, old green
paint, stamped “S.B.” on bottom and under lid. 46. Two Shaker Fingered Boxes, 1
- 5 1/2" oval, old black paint, “Harvard” style construction. 2 - 7 3/4", old
black paint, traditional 3 finger construction, some edge wear, edge chip. 47. Queen Ann Tall Chest, 5 drawers tall with split top drawer. Red wash, lipped drawers, applied base molding, scalloped apron, 18th century Connecticut, replaced brass, 36 1/2" case wide, 49 1/2" tall, 19 1/2" deep. Estimate $3,000 - 5,000 48. Two Grain Painted Boxes, 1 -
13 1/4" wide rectangular box with red paint, wear & scratches.. 2- 18" wide
rectangular dove tailed box, with mustard and red decoration, Empire brass pull
on lid. Both are first half 19th century. 49. Reginald Marsh (school
of), (1898 -
1954), New York, N.Y., pencil drawing, “Railroad Yards”, signed lower center in
ink & dated,"'32", 6" by 8 3/4" sight. New frame & matted. 50. #7 Mt. Lebanon Shaker Rocker,
classic 19th century armed rocker with old woven back, (1 slat at top) and seat,
marked #7 on rear of slat and decaled Mt. Lebanon on inside of 1 rocker, old
finish. Provenance: Midwestern collection. 51. Northwest Persian Runner, 3
medallions floating on a light brown field. Overall good condition, circa 1930 -
40, 9' 2" by 3' 1 1/2". 52. Early Map Of Somerset Shire
England, Hand colored 2-part map as part of an early atlas. Inset corner with
layout of Bathe and the associated family crests, 14 3/4" by 20", matted &
framed to show both sides. 53. Early Map Of Devon Shire
England, Hand colored 2-part map as part of an early atlas, in set corner with
layout of Exeter and associated family crests, 15" by 20" sight, matted & framed
to see both sides. 53A. Early Map Of Surrey, (Surria)
England. Hand colored 2-part map. Also includes the associated family crests, 19
3/8" by 23 1/8", stains & small tear. Framed so that both sides are visible. 54. William Charles Frerichs,
Staten Island, N.Y., (1829-1905), oil on canvas painting of “Fishing In The Blue
Ridge Mountains” signed lower left, “W Frerichs”, 30 1/4" by 46 1/4", original
gilded frame, a few small repairs. Provenance: Ohio & N. Carolina private
collection. 55. Two Painted Handled Melon
Baskets, 1 - Mustard painted, 11 1/2" oval, minor break on edge. 2 - Green
painted, 7 1/2" oval minor break at one end. 13" high. Both 19th century
American. 56. Tin Onion Lantern, a tin
punch decorated top holding a large glass chimney, flared tin base, 19th
century, American, no burner. 13" high. 57. Maple Chippendale Chest on
Chest, molded top over 5 cock beaded drawers set on a 3 drawer base with waist
molding, supported by a shaped bracket base, 36" wide lower case, 71 1/2" tall,
20 1/2 deep, 18th century, N.H. Replaced brass, refinished. 58. Warfield Canada Goose & Two
Goslings, mounted on a piece of driftwood, named & signed under base, “Warfield,
Jaffrey, N.H.”, 14" wide by 8 1/2" tall. 59. Louis Maurer, (1832-1932),
New York, school of , oil on canvas winter hunting scene similar to, “Winter
Sports” by “Currier & Ives”, 18" by 26", probably the original gold frame.
Provenance: See letter from Wardner H. Cadbury, benefactor of New Adirondack
Museum. 60. Warfield Great Horned Owl,
perched on a stump, titled & signed, “Warfield, Jaffrey, N.H.” on bottom 12 1/2"
tall. 61. Shirvan Scatter Rug, 2
Kabistan stars on an ivory field with multiple borders. Some wear, 5' 5" by 4'
1", circa 1930 or earlier. 62. Gerard Rutgers Hardenbergh,
(1855 - 1915), Bay Head N.J. Oil on canvas painting of 2 grouse in the woods.
Signed lower left, “Gerard R. Hardenbergh, 1885”, 30 1/2" by 22". Good gilded
frame, relined & cleaned. 63. Diorama Of Sporting Birds,
older taxidermy specimens mounted in rustic background. Owl, whimbrel etc., 34"
tall by 33" wide. 64. Frank Henry Shapleigh, (1842
- 1906), Jackson, N.H., oil on canvas landscape , “Bridge Over The River”,
(Ellis?), scratch signed lower right, “FH Shapleigh” 12" by 20", original frame,
crackle. 65. Pair Of Bow Back Windsor Side
Chairs, old green paint, 7 spindle backs, (1 spindle missing from each chair),
saddle seats and turned legs. Late 18th century, probably Connecticut area, 38"
tall. 66. Two Oval Red Painted Boxes,
in red paint, both with finger lapped tops and some rose head nails. One, 13"
wide with fingered bottom, the other 17" wide with straight lap and square
nails. 67. Cherry Tall Case Clock,
arched bonnet with pierced frets between brass ball & spire finials resting on
wooden plinths, an arched door, flanked by fluted columns, painted iron face,
brass 8 day time & strike works, tombstone arched door, flanked by fluted
columns, all set on ogee feet, 89 1/4" tall, 18th century New England. 68. Lilla Cabot Perry, (1848 -
1933), Hancock, N.H. & Boston, MA, the granddaughter of Admiral Oliver Hazard
Perry, who opened Japan to the West. Oil on canvas portrait of a Japanese man in
traditional dress, "39 3/4" by 29 3/4" unframed, unsigned, from the artist's
estate. Provenance: Hirschl & Adler. 69. Lilla Cabot Perry, oil on canvas portrait, “Missionary in Japan”, signed dated & inscribed top center, “L.C. Perry, Karuizara, Sept. ‘99” (1899), 32" by 25 1/2", unframed. Provenance: Artist's estate to Hirschl & Adler. Estimate $4,000 - 6,000 70.
Ebenezer B. Tracy, Continuous Arm Windsor Chair, Brace back with 7 spindles,
bamboo turned arm supports & legs, branded under seat, “E.B. Tracy”, Lisbon CT.
(1744 - 1803), refinished. Provenance: A Midwestern collection. 71. Sultanabad Room Size Oriental
Rug, overall flower blossom & vine design on a navy blue ground with a brick red
border, 11' 4" by 13' 10", some wear and pile repair. Late 19th/20th century.
72. Max Kuehne, (1880-1968), New
York, N.Y., oil on wood panel, “View Of Spanish Town”, signed lower right, “Kuehne”,
8" by 6", not examined out of the frame. Provenance: Hirschl & Adler, N.Y. 73. Max Kuehne, oil on wood
panel, “Ship In Harbor”, signed lower right, “Kuehne”, 7 1/2" by 9 3/8", not
examined out of the frame. Provenance: Hirschl & Adler, N.Y. 74. Max Kuehne, watercolor on
paper, “Rockport Street”, signed lower right, “Kuehne”, 15 1/4" by 19", not
examined out of the frame. Provenance: Hirschl & Adler, N.Y. 75. Max Kuehne, oil on wood
panel, “Houses On A Pier”, signed lower right, “Kuehne”, 7 1/2" by 9 3/8", not
examined out of the frame. Provenance: Hirschl & Adler, N.Y. 76. Two Round Pantry Boxes, Blue
11 1/2" with squared nailed laps; #76 the red 8" diameter with single fingered
laps & damage to top, 19th century American. 77. Two Part Step Back Cupboard,
top section with 2 flat paneled doors over an arched opening, set on a cupboard
base containing 2 drawers over 2 flat panel doors. Early 19th century
Pennsylvania area, over painted in a red paint, 45 1/2" wide by 81 1/2" tall.
78. Print: “American Autumn
Fruit”, litho. Currier & Ives, N.Y., FF Palmer, Del, Entered---AD 1865, N.Y.
Published y Currier & Ives, 52 Nassau St. Image size, 19 7/8" by 27 7/8", 23
1/2" by 31 3/4" sight. 79. “Flank Company A 106th
Regiment, Denominated The Light Guard”, color lithograph baked on linen by BW
Thayer, Boston, (1841-1844). Presented to “Edward Guerin”, by J.L. Hewitt, (see
1839 Light Guard N.Y.), in 1841. Framed under glass, 21" by 25 1/2" sight, some
staining. Provenance: A Vermont Collection. 80. Print: “Summer Shades”, litho
Currier & Ives, entered AD 1859—152 Nassau St., 21 1/2" by 26 1/2" sight.
Framed & matted. 81. Tekke Bohkara Prayer Rug,
zigzag design surrounding the rectangular center with the prayer head, some wear
& fading, 62" by 48", circa 1930 - 1940.Provenance: Alstead N.H. collection. 82. Pair Of Sheffield
Candlesticks, classical form, stop fluted pillar, wreath & garland decorated
base, silver on copper, 11" tall, weighted, blush, 19th century England. 83. Silver Plated Tray, 18"
diameter, silver on brass border with faces & figures, shell form feet with
dolphins, silver on copper, hallmarked. 84. Victor Coleman Anderson,
(1882 - 1937), White Plains, N.Y., oil on board of circus performers leading
white horses into the tent. Signed lower left, “Victor C. Anderson”, 25" by 30
1/2", old white frame. Provenance: New Ipswich, N.H. estate. 85. Twelve Copeland’s China 9"
plates, gold border overlaid by painted garland hung baskets of flowers, 20th
century, England. 86. Withdrawn 87. Carved Chinese Rosewood
Settee, Pierced and carved dragon crest over 2 flower panels, dragon arms, lift
top seat set on a box base with corner cabriole legs. Late 19th/20th century,
58" wide by 49" tall by 23 1/2" deep. Provenance: N.H. private collection. 88. Two Tiffany & Co. Silver
Plated Pieces, 1 - 14 1/2" diameter reticulated bowl set on 5 paw feet. 2 - 8
1/4" wide lift top box with wooden liner dated 1901 & initialed. 89. Native American Vase Form
Basket, 14" tall, dark brown horizontal zigzags on a straw colored body,
19th/20th century. 90. Native American Tray Form
Basket, dark brown concentric rows of squares on a straw background, 14 1/2"
diameter. 91. Navajo Scatter Rug, eye
dazzler design of alternating diagonal stripes, 40 1/2" by 64". Light stain,
early 20th century. 92. Native American Gathering
Basket, dark brown maze form design on a cone shaped body, 17" diameter. 93. Native American Pipe, red
stone with concentric circles on pipe & stem, 8" long, 4 3/4" tall. Chip on bowl
attached to wooden pipe, stem decorated with polychrome died woven straw. 94. John White Allen Scott,
Cambridge, MA., (1815-1907). Oil on canvas landscape of a farm & country road.
Signed lower right, “JWA Scott”, 20" by 30" framed. 95. Harvard Shaker Style Fingered
Box, in green paint, 6 1/4" long. 96. Two Round Pantry Boxes in old
paint, 6 1/8" diameter dark blue & 9 1/4" diameter red with bail handle, 19th
century American. 97. Queen Ann Bonnet Top
High-boy, 5 drawer top, split top drawers, center shell carved over a base with
3 horizontal drawers. The center shell carved center drawer, set on 4 cabriole
legs ending in pad feet, 37" lower case width, 80" tall, married 18th century,
New England. 98. Withdrawn. 99. Samuel Lancaster Gerry, (1813
- 1891), pencil drawing of Cape Cod house with cow. Signed lower right, S.L.
Gerry, 11 1/2" by 18 1/2" sight. Framed under glass. 100. Three Pieces of Wallpaper Or
Fabric Covered Folk Art, 1 - A lobed fabric bowl, 8 1/2" diameter. 2 - An
octagonal wallpaper paneled sewing compote with velvet pin cushions, 11 1/2"
diameter. 3 - A multicolored paper covered hat box, seaweed design. All 19th
century. 101. Shahseeman Kilim Oriental
Rug, all over geometric lozenges on a black ground, 9' 2" by 5' 4", good
condition. Early 20th century. 102. Oil On Canvas Snow Scene,
signed on back, Wm. Mathew Prior Studios, New York & possibly the location, 10"
by 14", framed. 103. Book, Roland Clark’s
Etchings, 71 plates, 2 original pencil signed etchings. Copyright 1938 by
Derrydale Press, #25 of 50 copies printed. Dedicated to Martin Quinn, signed,
“Roland Clark”. 104. Print: The Golfers, “A Grand
Match Played Over St. Andrew’s Links”, by “Sir David Baird of Newblyth, Bart &
Sir Ralph Anstruther of Babaskie, Bart, against Major Playfair & John Campbell,
Esq. of Laddell, Edinburgh, 20 December 1850. Published by Alexander Hill,
Printseller...,” Engraved by Chas Wagstaffe, painted by Charles Lees, RSA, 12"
by 20". Not examined out of frame. 105. Nine Sporting Scenes,
reverse painted on glass in black & gold backed with paper, dated 1828: Angling,
Coursing, Trotting, Fighting, Racing, Cock Fighting, Shooting, Tandem, &
Hunting. Maple frame, 13 1/2" by 17 1/2", not examined out of the
frame. 106. Detailed Model Of The U.S.
Coast Guard Tug Boat, “Raritan” at sea. Boat measures 14" long, case measures,
13 1/4" high by 19 1/2" long by 9 1/2" deep. 107. Set Of Six Painted Plank
Seat Chairs, A rectangular crest, faux bamboo backs and legs, black & yellow
paint. Pennsylvania, 19th century, surface wear. 108. Rectangular Top Hutch table,
two board pine top, 34 1/2" by 45 1/2", box stretcher birch base, remains of red
paint, 27 1/2" tall (including top), N.H., late 18th century. 109. William Aiken Walker, (1838
- 1921), South Carolina, oil on canvas depicting a cabin with a family & animals
in the door yard. Signed lower left, “W.A. Walker”, 8" by 12", framed. 110. Benedict Franz Hess, B.
1817, Swiss, oil on canvas landscape, labeled on verso, “B. Hess, Little Ferry,
N.J.”, signed lower right, “B Hess”, 12 1/4" by 18 1/4" framed & relined. 111. Kurd Caucasian Runner, 5
geometric medallions set on a camel ground, 10' 9" by 32" wide, some minor wear,
circa 1925 - 35. 112. Rose medallion Vase,
baluster form, panels of figures alternating with birds, 15 1/2" tall. 19th
century. Chinese export. 113. Export Bowl, with floral
decoration, 10 1/2" diameter, late 19th century, Chinese. 114. Reginald Marsh, (1898 -
1954), New York, N.Y. Gouache/pastel/ Watercolor of a woman at the bus stop.
Signed lower right R Marsh, 12 1/2" by 9 1/2" sight. Framed & matted. 115. Early Icon, watercolor on
paper of Mary & Christ, ripple molded frame, 2 3/8" square. Not examined out of
frame plus a birdseye maple frame containing a colored print. 115A. U.S. Moses Kimball, Marine
Painting, 3 masted schooner sailing the American flag, oil on canvas laid down
on board. Unsigned, small repairs, 22" by 28". Old gold frame. Probably
primitive American, 19th century. Provenance: Massachusetts private collection,
Nina Fletcher Little collection. 116. John H. Cocks, (1850 -
1938), American oil on canvas, “Pedaling His Wares”, signed lower left, “JH
Cocks”, titled & labeled on verso. Size is 14 1/4" by 24 1/4", relined, framed.
Provenance: Kennedy Gallery, N.Y. 117. Mahogany Serpentine Front
Card Table, Molded edge top, crotch veneer case, supported by 4 swirl turned
legs with rosette carved top sections. Salem, MA, E.19th century, 37" wide by
28" tall. 118. Pair Of Country
Chippendale/Hepplewhite transistional Chairs, arched crest over a pierced splat, rush seats and molded front
legs, circa 1800, probably Connecticut area, 39 1/2" tall, refinished. 119. William James Glackens
(attributed),
(1870 - 1938), New York, N.Y., pastel still life, “A Pitcher Of Flowers”, Signed
lower right, “W Glackens”, 17" by 20" sight, framed & matted. 120. Gold Frame, with wide
foliate border, exterior 26" by 20 1/2", interior 16" by 13", mirror inset,
19th/20th century, Continental. 121. Heriz Room Size Rug, overall
geometric design on a brick red ground. Overall wear, circa 1930, 104" by 135".
122. Berenice Abbott Photograph,
(1898 - 1991), large gelatin silver print, signed lower right, “Berenice
Abbott”. Image measures 26 7/8" high by 21 7/8" wide. 123. Fire Club Membership Symbol,
a gilded spread wing eagle holding a miniature leather red & black paint
decorated fire bucket numbered #2, 14 1/2" tall overall. 19th century American.
124. JM Cook, 20th century
American(?). oil on canvas, “Pilot Boat #5”, with a steamship in the far ground,
signed lower right JM Cook & numbered 178. Old gold frame, 16" by 26", 2 minor
patches. 125. Ross Sterling Turner, (1847
- 1915), Westport, N.Y., watercolor, signed lower left, “Ross Turner, Venice
‘79”, 6 1/2" by 10 1/4" sight, framed & matted. 126. John La Farge, N.A., (1835 -
1910) Providence, R.I., watercolor & gouache on paper, “A Bacchante”, (study for
stained glass) titled & described on verso, signed lower left, “JLF. 1901” and
under mat near corner lower left “La Farge1901”. Size 10 1/4" by 9 1/2".
Provenance: Vance Jordan Fine Arts, Inc., see original gallery label on verso.
127. Queen Ann Mahogany Lowboy,
compass star inlaid veneered top set on a case with 2 over 3 drawers. Shaped
arched apron set on 4 cabriole legs ending in pad feet. Boston, 18th century,
30" wide case, 31 1/4" tall & 20 1/2" deep, restored. 128. Red Painted Pine Dolls
Settle, stepped high-back, curved arm support sides ending in half moon cutout
base, 26"w by 17 1/2" tall, 19th century New England. 129. William Hart, 19th/20th
century American, 2 oil on panel Hudson River style scenes of sailboats on
water, 8 3/4" by 9 3/4" each, gold frames. 130. Native American Wrought Iron
Pipe/Hatchet, mounted on a carved wooden handle, with a fish & snake motif. 26"
long. 131. Allen Duke Lovell, (1893 -
1957), San Diego, CA, pastel on paper of a Native American with a rifle walking
along the shore of a lake while a campfire burns beside his teepee. Signed lower
left, “Lovell”, 18" by 30" wide. Probably the original frame. 132. Native American Lot, 5
small, probably all Native American hand made baskets. One is a sweet grass
covered hanging basket, 8 1/2" high with a string holder. The others are 7 1/4"
to 5" in diameter, early 20th century. 132A. Native American, Early
Navajo Hand Woven Floor Covering with lazy lines. Two colors of brown in a
geometric zigzag diamond pattern, on a natural white ground. Some very light
staining, 36 1/2" wide by 70" long. 132B. Native American, Navajo
Hand Woven Wool Floor Covering with lazy lines. Natural white diamonds and
triangles surrounding geometric designs outlined in dark brown on a light brown
field. Early 20th century, 33 1/2" by 59" long. 133. Native American Group Of Two
Man Made Work Tools, The largest having an intricately shaped wooden handle with
a partially steel wrapped shaft just below it's large curving blade with hooked
protrusion opposite its large cutting edge. Shaft measures, 18 1/2" long and
blade measures 11 1/2" long by 3 1/2" high. 134. William Jurian Kaula, Boston
and New Ipswich, N.H., (1871-1952), oil on panel painting of a home, presumably
in Bank Village New Ipswich, see dedication on reverse. Signed lower right,
“W.J. Kaula”, 12" by 15", newer frame. Provenance: Bedford, N.H. private
collection. 135. Lot Of Three Native American
Made War Clubs, One with a fringed leather & bead wrapped shaft with a stone
head tapered on both ends. Another with a beaded and sinew wrapped shaft with a
large shaped stone head and the third with a heavy wooden shaft with a spined
end and animal shaped stone axe head. Tallest is 26" tall. 136. Lot Of Four Native American
Made Items, 1 - A War club with a sinew & glass bead wrapped shaft (as is) with
pointed stone head. 2 - A wood & leather short whip with brass stud decorated
handle. 3 - Two dapple head dolls with cloth covered wood bodies, 8" high. 137. Danish 2-Part Oak Court Cupboard, Top section with a carved crown molding over 2 carved paneled doors (Christ & Saints), flanked by applied figural pilasters set on a bottom section of 2 figural front columns, 3 carved panel back sections all resting on platform ball footed base, 49 1/2" wide by 48 1/2" tall. Part of the top section appears earlier than the 19th century remainder. Provenance: Ruth Merrill Estate, Greenfield, N.H., Estimate $3,000 - 4,000 138. Lot Of Two Early Native
American Made Covered Baskets, with woven geometric decoration. One measures 3
3/4" high by 8 1/4" wide, the other, 6" high by 9 3/4" wide with a domed lid.
Both have small breaks throughout. 139. Four Chippendale Mahogany
Ribbon Back Side Chairs, serpentine crest over 3 conforming pierced & carved
slats over a needle point upholstered saddle seat, set on molded straight legs
with “H” stretchers. Salem, Mass, late 18th century, 39" high by 22" wide.
Provenance: An old Dublin, N.H., family. 140. Native American Glass Bead
Worked Horse “Crupper”, decorative sash with bead worked floral designs and
leather fringe. Early 20th century, 26" long by 17" high. 141. Heriz Room Size Oriental
Rug, 5 central geometric medallions surrounded by more geometric designs set on
a birch red ground, 8' 6" by 11' 6", minor wear and imperfections. Early 20th
century, Persian. 142. John Ford Clymer, (1907 -
1989), Wyoming, “4 Roses”, whiskey advertisement, (1955) tear sheet included.
Oil on Bainbridge artist’s board of a 2 fisherman in full gear unloading their
fishing equipment from the back of their car on a one way street in Colorado
Springs, CO. Pikes Peak rises in the background, swathed in the colors of the
sunset, signed lower right “J. Clymer”, 25" by 28", framed. Provenance: A
Nebraska collection. 143. Rolf Armstrong, (1881 -
1960), Los Angeles, CA. attributed, oil on canvas illustration of a calendar
girl, “How Am I Doing”, signed lower left, 21" by 16", framed. 144. William Henry Titcomb,
(1824-1888), Boston, oil on canvas landscape of cows labeled on verso, Glen Road
(?P) Studio at 630 Washington St., Boston), JH Titcomb 1888, 15" by 12".
Initialed lower right “WHT”, framed. 144A. William Henry Titcomb,
attributed oil on canvas landscape possibly the White Mountain area of N.H.
Unsigned, 14 1/4" by 20", relined, old gilded frame. 145. Clinton Loveridge, (1824 -
1902), Brooklyn, N.Y., oil on canvas painting of 2 cows standing in a stream,
signed lower left, “C. Loveridge”, appears to have the original gilded & carved
frame, 16" by 24". Provenance: Massachusetts private collection. 146. Pair of Irish Crystal Vases,
with brass mounts & bases. Snake form handles, 12" tall, 19th/20th century, with
rim chips. 147. Continental Trestle Base
Table, with arched shoe feet & central turned stretcher, fruitwood, 65" long, 27
3/4" wide, 29" tall, 18th Century Continental. 148. Four Fruitwood Side Chairs,
flared Empire back over split spindles, over upholstered leather seats, saber
legs, 19th century Continental. 149. Dey De Ribcowsky, (1880 -
1936), American oil on canvas landscape, “A Stormy River”, signed lower right,
20 1/2" by 30 1/4", framed. 150. Four Russian Lacquer Boxes,
Three depicting fairy tales, sizes 6 7/8" by 5 1/2" to 5 1/4 by 3 1/4". The
fourth one is of a seascape, circular shape, 3" in diameter. 151. Heriz Room Size Oriental
Rug, all over geometric designs on a brick red field. Overall minor wear, circa
1910, 9 ' 2" by 11'. 152. Large Oil On Canvas Portrait
Of A Nun, holding a red book. Unsigned, 39" by 28 1/4" sight in an old ornate
gold frame, 19th century, crackle throughout. 153. Baptistin Martin, (1818 -
1901) attributed, oil on board of a 19th century hunter. Signed lower left "B
Martin, 1860", unframed, 12 3/4" by 9 1/2" sight, some crackle & board split on
bottom. Continental, 19th century. 154. “Woman With Flowers In Her
Hair” Painting, Oil on canvas, 35 1/2" by 31 1/2", ornate gold frame, with
damage & minor flaking, unsigned, 18th century Continental. 155. Indoor Scene Painting, Oil
on board of 2 woman and a seated man. Illegibly signed lower right. Unframed, 12
3/4" by 9 1/2". Continental, 19th century.
After Ter Borch (1617-1681), 17th C Dutch, copy of larger painting in
Berlin Museum. 155A. Alfred W. Sangster,
19th/20th century, English, oil on canvas painting of Mrs. Ethel Wilson,
prominent English socialite, daughter of the late John Wilson Cooper, Esq.
Signed upper right, “AW Sangster, 1903”, London canvas mark on reverse, “London
Royal Academy, 1904, no 563”, 35 7/8" by 28". 156. Two Italian 800 Silver
Serving Dishes, both ornately decorated with scrolled feet. One has “M”
monogram, 10" diameter, the other 8 1/4" diameter, marked “G.A. Calderon, Milano”,
19.7 troy oz. 157. Continental Oak
Armoire/Bookcase, 2 molded paneled (replaced with wire) doors flanked by fluted
acanthus top carved pilasters, a dental molded top & pediment base, 83" tall,
55" wide, 19th century Continental. 158. Vintage Loon Decoy, circa 1910. Branded, “J. Brayton” on bottom for Jack Brayton of Westport, MA. Making this a rare Massachusetts loon decoy in an old working repaint of a loon with winter plumage, 18" long. Estimate $800 - 1,200 159. Russ Burr, Hingham, MA, life
size chickadee carving circa 1940. Stamped twice on verso, “Russ Burr, Hingham,
Mass”, 5 3/4" high overall. 160. Circa 1960 Carved Bufflehead
Drake Decoy, by Ernie Fox (1925 - 1988) and painted by Clarence Miller, both of
Brookville Ontario. Signed on bottom, “Clarence Miller”, circa 1960, 10" long.
161. Shirvan Scatter Rug, 3
panels with geometric designs set on a blue ground. Some overall wear, early
20th century, Caucasian, 44 1/2" by 58". Provenance: Alstead, N.H., estate. 162. Life Size Woodcock Carving
By Paul C. Bowden, 20th century Maine, signed and dated on bottom, Paul C.
Bowden, 84", 8 1/2" long. 163. Robert Gilbert, 20th century
American, student of Thomas hart Benton, oil on canvas painting of a ruffed
Grouse. Signed lower right, “Robert Gilbert’ 75”, 16" by 20", nicely framed. 164. Silhouette, August Edouart,
(1769 - 1861) French, of 3 children: Robert, Jessie & George Tinval of
Edinburgh, 16th of June, 1830. Edouart stamp on the verso. 165. Two Tier Loom Basket, white
paint accented with gold, probably Native American, 30" tall, 14 1/2" wide,
damage to upper support, 19th century, American. 166. Miniature Four Drawer Chest,
red paint, scalloped sides, 11 1/2"high, mid 19th century, American. 167. Queen Ann Highboy Base, a
molded edge top set on a 2 drawer base, the bottom drawer divided into 3
drawers, veneered drawer fronts all set on 4 cabriole legs ending in pad feet,
37 1/2", case width. 168. Julian Alden Weir, NA, (1852
- 1919), New York, N.Y., attributed oil on artist board, pencil notation on
verso, “J. Alden Weir, 51 W. 10th, Dorothy Weir”, 20" by 15" sight, framed. 169. Daniel Santry, (1859 -1922),
American possibly, N.H., oil on canvas landscape with a hunter, signed lower
right, “Santry”, 17 3/4" by 24", framed. 170. Bronze Casting Of A Whippet,
Recumbent position with his head down and his front paws crossed. Old patina
with remains of a gold gilt finish, unmarked, probably 18th/19th Continental,
14" long by 6" tall. Provenance: N.H. collection, Richard Withington Auction,
Deering, N.H. 171. Shirvan Scatter Rug, overall
geometric design on a blue field with multiple borders, some wear, early 20th
century, 60" by 40". Provenance: Alstead, N.H., estate. 172. Petrus Paulus Schiedges,
(1813 - 1876), Dutch oil on board of American packet ships entering a Dutch
harbor, signed lower right, 9 1/2" by 13 3/4". Nice old frame. 173. Pair Of Paint Decorated
Leather Screens, consisting of 5 vertical sections, each decorated with an oval
of children playing, surrounded by other panels of flowers, birds etc., cotter
pin hinges, some holes & repairs, 19th century Continental. Each 78 1/2" tall by
76" wide. Provenance: An old Dublin, N.H. home. 174. Pair Of New England River
Landscapes, oil on board. One shows men in a canoe the other cows, 11" by 18",
probably original frames, 19th century. 175. Blue & White Soft Paste
Bowl, Nanking Pattern 8" diameter. Probably 18th century, English. Minor glaze
loss, scratches. 176. Zinc & Bronze Garden
Planter, top round section separates & is decorated with applied garlands &
steer heads. The bottom section has a round supporting platform set on 3 griffin
form legs with pierced cross stretchers. All set on a platform base, 36 1/2"
tall by 23" diameter. Probably Continental, 19th century. Old weathered color.
Provenance: An old Dublin, N.H., family. 177. William & Mary Upholstered
Armchair, Walnut armchair with leather upholstered arched back and seat, carved
scrolled arms, block & vase turned front legs and “H” stretcher, pierced &
carved front stretcher and Spanish feet, 50 1/2" tall, old finish. Provenance:
Mass. Private collection, (note under seat) “Bought In Palermo 1910”. 178. Oak Slant front Desk, 18th
century desk that was carved in the 19th century, with dogs, serpents and
flowers. The gallery was also probably added at that time, 40 1/4"wide, old
varnish finish. 179. Frederick Andrew Bosley, NA,
(1881 - 1941), Concord, MA, oil on canvas portrait of a blond man, signed lower
right, “Bosley”, 1910, 32" by 26" unframed. 180. Thomas H. Watson, Drawing
Book, circa 1908, used while attending art class at the M.F.A. Many students did
examples of their work in his book and signed them: Erwin Smith, Dan Steele, R.E.
Logan, Stan Knowlton, T. Cove, Beatrice Whitney, W. Bosworth, Jack Farren,
Howard Smith, etc. 181. Karabaugh Scatter Rug,
overall diamond design on a brown ground, ivory geometric border, end and edge
losses. Early 20th century, 51" by 86". Provenance: Alstead, N.H. estate. 182. American Folkart Carved Fox
Head Humidor, with a birch log base. Well carved fox head with hair and bared
teeth and inset glass eyes. Humidor base is made from a hollowed birch tree
trunk with carved details. Hinge has broken off of foxes head and is missing, 9
1/2" high overall. 183. Warfield Cedar Waxwing
Carved Bird, perched on a branch. Signed on base in ballpoint pen, “Warfield,
1970 Cedar Waxwing”, 6" high. 184. Warfield Carved Canada
Goose, signed on base in ball point pen, “Warfield, Jaffrey, N.H., Canada
Goose”, 11 1/2" high. 185. Warfield Carved Saw-Whet
Owl, signed on base in ball point pen, “Warfield, Jaffrey, N.H., Saw-whet Owl”,
5 1/2" high. 186. Warfield Carved Blue Jay, signed on the base in ball point pen, “Warfield, 1970, Blue Jay”, 10 1/2" long. Estimate $300 - 400 187. Mahogany Empire Secretary, 2
parts, the top section having a broken arch crest with doors over 2 drawers.
Bottom section with a fold over writing lid over 3 drawers flanked by rope
turned columns on turned feet. N.H. or MA, circa 1820, 38 1/2" wide by 65 3/4"
tall. 188. Hand colored Lithograph,
“The Army Of The Potomac”, The wagon trains of the army of the Potomac en route
from Chickahominy to James River, VA., during the 7 days fight, June 1862. From
Nature B JNO. B. Batchelder, litho. Of J.H. Bufford, Boston. Sheet measures 26
1/2" by 31 1/2' wide. 189. The Ship, “Thunderhead”,
19th century, American oil on canvas, 20 3/4" by 27 1/2", original gold frame,
surface crackle. 190. Jose Pineda, (1837 - 1898),
Spanish watercolor & gouache painting of “Bergantin Goleta Soberano 3”, by Capt.
D. Jose Morla. Framed under glass, 21 1/4" by 30 1/2" sight. Not taken out of
the frame, signed lower left and titled in the margin underneath, “Barcelona,
Enero 1898”. Provenance: A Mass private collection. 191. Bohkara Scatter Rug, overall
design of lozenges on a tan/rose ground. Sun fading, 43" by 63". Provenance:
Alstead, N.H. estate. 192.
Bronze Trunk, applied foliate decoration & a central face, animal form handles,
32 1/4" wide, 19th/20th century. 193. Mahogany Ogee Clock, “Silas
Hoadley”, label on interior, 26 1/4" tall. Reverse painted glass panel, swag,
tassel & vase of flower decoration. 194. Annie Hlasko, Philadelphia,
PA, second half of the 19th century. Oil on canvas painting of a French officer
in profile. Signed upper right “Annie Hlasko”, 1881", when she was studying in
Paris. Original frame with pseudo ormolu, Size, 16" by 13". 195. Modeled Pottery Buddha, (Bizen?) Seated laughing figure holding a ball with 5 boy figures climbing on him, 22 1/2" tall,. Japanese/Chinese, 18th/19th century, 2 small chips on base, old weathered brown finish. Estimate $1,000 - 2,000 196. Pair Of Penny Foot Wrought
Iron Andirons, with brass ball finials & circular brass plate on iron shaft, 17"
tall. 197. Cherry Chest On Chest, five graduated drawer top with a central upper oval fan inlaid drawer flanked by 2 smaller drawers, the base section has 3 graduated drawers and an applied bracket base, replaced oval brass pulls, 37" wide base by 76" tall, 18th/19th century. New England. Provenance: A Massachusetts collection. Estimate $3,500 - 5,500 198. Pair Of Oval Genre Scenes,
oil on board, Hudson River School, 8 3/4" by 12" wide. Surface crackle, framed.
199. School Of George Caleb
Bingham, oil on canvas, “A Sunday Outing”, 21" by 35 1/2", laid down on particle
board. Minor surface loss. Provenance: Kennedy Galleries, N.Y. 200. Hepplewhite Mahogany Arm
Chair, pierced splat, “H” stretchers, molded straight front legs, 18th/19th
century English. 201. Karaja Oriental Scatter Rug,
circa 1910 overall lattice form with geometric centers on a dark blue field, 6'
8" by 5' 4". 202. Hand Colored Lithograph,
“Mexican News”, hand colored lithograph, cut down on at least 3 sides. Left
height margin is 3/4" wide. Right height margin is 3/4" wide. Top margin is 1
3/4" wide, top left center is torn just outside frame. Crease 3.1/2" in top
center of image straight down. 203. Mason's Ironstone Bowl & Pitcher Set, “Imari” pattern green, orange & blue, 19th/20th century England. Estimate $300 - 500 204. Henry Harlow Howe, (known as
Wm. Paskell), Boston, MA (1866 - 1951) oil on canvas painting of Crawford Notch,
N.H., (see pencil note on reverse), signed lower right, “H. Howe”, 22" by 28",
probably the original frame. 205. Dr Wall Soft-Paste Bowl,
Blue & white floral and rim decoration on an off white 6 1/4" diameter bowl.
Marked under base with the blue crescent moon under glaze mark. 206. Jules Moigniez, French (1835
- 1894), bronze casting of a running bird amongst the grass. Signed “J. Moigniez”,
12" long, set on a newer marble base. Provenance: Private Connecticut
collection. 207. After Edward Kemeys,
American, (1843 - 1907) bronze casting of a fox chasing a rabbit into a hole.
Made circa 1970, set on a marble base, 7" tall. 208. Pierre-Jules Mene, (1810 -
1879) bronze statue of a pointing hound. Signed on lower left corner of base, "P.J.
Mene", 5 1/4" by 7 1/2" long. 209. Pierre-Jules Mene, bronze
statue of a horse eating from a basket on the ground. Signed on lower right
corner of base, “P.J. Mene”, 2 3/4" by 6 3/4" long. 210. Pair Of Hand Colored
Lithographs Of Waterfowl, Printed by “J. Gould and H.C. Richter del et lith”. 1
- Casarca Tadornoides: Eyton, 13 7/8" high by 21 “sight, framed. 2 - "Dendrocygna
Arcuata”, 13 7/8" high by 21" sight, framed. 211. Kazak Scatter Rug, small
narrow medallion with multiple border. Appears to have Turkish colors indicating
a western Caucasian origin, 20th century, good condition, 6' 9" by 10' 5". 212. Hepplewhite Cherry Chest of
4 Drawers, rectangular top over 4 graduated drawers, shaped apron and tapered
legs, Connecticut or Rhode Island circa1800, 37 1/4" case width by 38 3/4"
tall. 213.
Two Similar Yoke-Back Side Chairs, vase form splats, rush seats and turned front
stretchers, N.E., 18th century, 40" tall, refinished. 214. Bernard Neville, 20th
century European, oil on canvas, 17th century, tavern scene, signed lower right,
13" by 16", framed. 215. Marble Top Stand, with brass
gallery above 2 inlaid and veneered shelves supported by tapering flared legs,
20th century, Continental. 216. Eduardo Forlenza, 19th/20th
century., European, “Smiling Woman In a Red Scarf”, signed lower right, “E.
Forlenza”, size, 10" by 8 1/2" in a nice gold frame. 217. Mahogany Demi-lune Card
Table, Lift top revealing a felt lined playing surface set on 4 tapered legs.
English circa 1800, 37 1/2" by 28 1/2" (closed). 218. Mahogany Baby Grand Piano By
Chickering & Sons, Boston, Pat. 1921, 63 1/2" long. Old varnish finish, needs
work, recently tuned, condition report available. 219. Mahogany Baby Grand Piano By
“Hardman”, 62" long, old refinished case. Probably needs some work. A condition
report will be available. 220. Kate Greenaway, Catherine,
(1846 - 1901), British, attributed, pencil drawing, “Two Young Girls”, unsigned,
13 1/4" by 9 1/4" sight, framed & matted. 221. John Ford Clymer, (1907
-1989), Wyoming charcoal on paper drawing of a “Korean Man”, pencil signed lower
right John Clymer, 24" by 19", laid down, not examined out of frame. 222. John Ford Clymer, charcoal
on paper, "Korean Woman & Child", pencil signed lower left, “"John Clymer”, 24"
by 19", laid down, not examined out of the frame. 223. Warren Eliphalet Rollins,
(1861-1962), New Mexico, signed lower right, “W. E. Rollins”, “Gold Mining In Idaho”,
40" by 32" sight Framed under glass, not examined out of the frame. 224. J. Dreyfuss, American
19th/20th century, oil on board of an early farm scene, African American
children eating watermelon. 13" by 16 1/2" sight. 225. Samuel Finley Breese Morse,
(1791 - 1890), New York, N.Y., oil on canvas painting of Samuel Morse' mother,
Elizabeth Finley Breese, affirmed by members of the S.F.B. Morse Museum, N.Y.,
noted on back, “Samuel F.B. Morse 1791 - 1890”, New York canvas mark Edward
Dechaux (?). Damage, as is, 34 1/2" by 27 1/2" wide. Provenance: N.H. private
collection, Skinner Auctions - Beacon Hill Estate. 226. Three Punch Bowls, two 10";
one with polychrome American ship and one 9 3/4" with orange American ship. All
marked “Spode Copeland, England”, two have histories. 227. Walnut William & Mary 2-part
China Cabinet, top section has an arched crest with a carved shell pediment over
2 arched 12 pane doors. Bottom section has 2 drawers over a wide drawer in a
shaped case set on a 5 leg flat stretcher base set on a ball feet, 71" wide by
93 1/2" tall. Continental, 18th/19th century. 228. Gilded Over Mantle Mirror,
carved & multiple ball adorned crest over 3 beveled glass panels flanked by
fluted columns. Flaking & some balls missing. Late 19th century, 85" by 49"
tall. 229. Pair Of Japanese/Chinese
Watercolor Paintings, Depicting landscape with scholar & coastal scene with a
scholar. Both signed by the same artist upper left and lower right, 16 1/2" by
19 1/2". Framed and matted under glass, 19th/20th century. 230. Edmund Quincy, (1903 -
1997), charcoal study of a pair of 4 hands. Signed with estate stamp on verso:
Estate Of/Edmund Quincy/1903 - 1997, 19' by 25". 231. Bohkara Scatter Rug,
multiple lozenges on a red ground with multiple red borders, 56" by 82". Good
overall condition, 20th century. Provenance: Alstead, N.H. estate. 232. Early 20th C Watercolor on
paper, of a buckskin clad white trader walking amongst a tribe of Native
Americans with teepees and full Native American regalia, unsigned, 7.5” square,
sight, mounted ina frame. 233. William Charles Stevens,
(1854 - 1917), New York. Oil on canvas painting of 3 trees in Autumn foliage.
Quarter inch long tear left side center, 19 3/4" by 14". 234. Two Oil On Canvas Portraits,
1 - American school portrait of a young girl monogrammed lower right, “A.J.,
1868”, relined, 27" by 22". 2- Genre painting, as is, “N. Hartnell”, written on
verso, 28" by 36", relined in 1910. 235. Large Northwest Coast Native
American Ceremonial Basket, geometric designs created with red & black tree bark
woven into all sides of the basket. Basket measures 26" wide by 12 1/2" high by
11 1/2" deep. Light damage throughout. 236. Pair Of Cast Brass Steeple
Top Andirons, Shovel & Tongs, steeple finial set on a turned & faceted body set
on cabriole legs with spurs ending in pad feet, resting on balls, stepped cast
dogs. Andirons 22" tall, 18" deep, tools 34" tall. 237. Walnut Slant Front Desk,
mahogany & multiple inlay banded slant lid, with 4 drawer fronts. Divided
interior with 4 cubby holes over 4 drawers, fluted 1/4 column case set on an
applied bracket base. Old finish appears to have the original oval brasses, 38
3/4" wide by 44" tall. Provenance: descended in the same family now from N.H.
238. Cast Iron Shell, large cast
iron water basin in the form of a giant shell with a separated tang expanding
from it's back for mounting in a cemented wall, 19" wide by 17 1/4" deep
overall. 239. Bronze Over Mantle Mirror, a
pierced foliate frame with shell corners, beveled mirror, 44" tall by 54" wide.
240. French Decorative Metal
Garden Barrel, galvanized barrel measures 20" high by 18 1/2" diameter. 241. Two Tekke Bohkara Rugs, 1 -
Single zigzag end border matt, with overall lozenge design on a red ground.
Appears to be 19th century, 28" by 46", some overall wear. 2 - Double end border
with overall lozenge design on a red ground 36 1/2" by 47", some overall wear,
19th/20th century. Provenance: Alstead N.H., estate. 242. Arthur Burdett Frost, (1851
- 1928), lot of 2 chromolithographs by A.B. Frost, both copyright 1903 by
Charles Scribners Sons, N.Y. : “Ordered Off” & “Gun Sky”, both measure 11 1/4"
by 16". 243. Inlaid Serpentine Front
Chest Of Four Drawers, Banded molded top over 4 drawers, inlaid with vines,
flowers, fans etc., set on 4 tapered legs. A quality piece of furniture made
circa 1900. 41" wide by 39" high by 21 1/2" deep. 243A. Thomas Sydney Cooper, R.A.
(1803 - 1902) British, watercolor painting of 4 cows in a pasture, signed lower
left under bush, “TS Cooper, 1841”, 11 1/2" by 15 1/2", matted under glass.
Provenance: Maine private collection, original label on reverse. 243B. DA Fisher, (1867 - 1940),
San Francisco, CA., watercolor painting of the sea coast with hay stacks,
signed, lower left, “DA Fisher 1917”, 8" by 12 1/4", matted & framed.
Provenance: N.H. collection. 243C. Ferdinand Schuyer Mathews,
(1854 - 1938), Cambridge, Mass, watercolor painting of the “Franconia Mountains
and the valley of the Pemigewasset River”, signed lower left, “F. Schuyler
Mathews, 1907”, 10" by 14" matted & framed under glass. 244. Seymour Milais Stone, (1877
-?), New York, born in Poland, oil on canvas portrait of Mary Ford Wallick of
Providence Rhode Island and New York. Her husband Louis built the Providence
Biltmore Hotel, 40" by 30 1/2", original gilded frame, chips. 245. Max Kuehne, (1880 - 1968).
Two etchings from the estate of Max Kuehne, both bearing his estate stamp on the
verso. One is inscribed by the artist lower left, “Montrico Spain”, 8 1/4" by 5
7/8", image. The other, “First Universalist Church, Gloucester”, 12" by 8 7/8",
image. 246. Small Chippendale Pier
Mirror, 14" by 11 1/4", old color 18th century, missing back board. 247. Empire Mahogany Armchair,
scrolled arms, slip seats, front saber legs, 19th century. 248. Robert Winter Fraser, (1872
- 1930), English. Watercolor on paper of a river winding through a wooded
landscape with a church steeple and town in the distance. Signed lower right,
“R.W. Fraser, ‘88”, 10 1/4" by 16 1/2" sight, matted & framed. 249. Fritz Scholder, 20th century
American block print titled, “Self Portrait”. Numbered in pencil, “30/120” and
pencil signed illegibly lower right, “F. Scholder”. Image is 21 1/4" by
16". 250. Harrison Fisher, (1875 -
1934), New York, N.Y. Watercolor on paper, inscribed & signed lower center,
“Hazelle Fisher from Harrison Fisher”, 13 3/4" by 11 3/4", sight. Minor
staining, not examined out of the frame. 251. Harrison Fisher, watercolor
on paper, “Woman In Umbrella”, signed lower left, “Harrison NRS”, 9 1/2" by 7 3/4"
sight. Minor staining, not examined out of the frame. 252. Harrison Fisher, attributed,
7 gouache, pen & ink images, approximately 2" by 3" each. 253. Harrison Fisher, “Lady With
Dog”, watercolor, 11 1/4" by 9 1/2" sight, signed lower left, not examined out
of the frame. 254. Thomas Hart Benton, (1889 -
1975), Kansas City, attributed, “Supplication”, pencil signed print of African
American, pencil signed lower right, “Benton”, 10" by 6 3/4" sight, not examined
out of the frame. 255. Granville Perkins, (1830 -
1895), New York, N.Y., watercolor & gouache on paper, titled on front with month
designation, “Making Of The Sleigh” “Dec” & on the verso, "Granville Perkins,
gouache on paper", in pencil, 14 3/4" by 8 1/2". 256. Pair Of Hudson River
Landscapes, New York canvas mark, 12 1/2" by 15 1/4", unframed. 257. Carved Continental Walnut
Cupboard, this cupboard is in pieces and needs work to be assembled. No base,
probably 18th century, approximated measurements are 86" tall by 46" wide by 21"
deep. 258. Quilt, Tulip Appliqué, red &
yellow flowers, green leaves & stems on a white background, discolored, 72" by
92", 19th century American. 259. Quilt, Blue Squares, on
white background, 80" by 82", some wear, 19th century American. 260. Quilt, Red On White
Background, “Garden Maze”, 72" by 72", washed, 19th century, American. 261. Quilt, Log Cabin Pattern,
with multicolored red border, 88' by 82", 19th century, American. 262. Quilt, Bow Tie Pattern, multicolored, gray black & white backing, 76" by 69", 19th century, American. Estimate $200 - 400 263. Set Of Four Mahogany
Biedermiere Chairs, heart shaped back with carved crest, over upholstered seat,
cabriole front legs. 264. Wally Ames, B. 1942, American, oil on board full length portrait of a woman, signed on verso, 14" by 12". Estimate $200 - 300 265. Henry Oliver Walker, (1843 -
1929), MA & Cornish, N.H., oil on canvas portrait of a bearded gentleman holding
a pair of leather gloves. Signed lower left, “H.O. Walker 1886”, 36" by 29".
Relined on a rigid panel and mounted in frames inner liner. 266. SF Dubois, Samuel F., (1805
- 1889), American attributed oil on canvas portrait of a man. Noted on verso,
“SF Dubois 1831 after Ram Peale”, 28" by 24", relined. 267. Pair Of Reproduction
Mahogany Queen Ann Chairs, shell carved crests, vase form splats, balloon seats,
shell carved cabriole front legs with ball & claw feet, 39 1/2" tall, English
circa 1900. 268. William & Mary Tavern Table,
pine I board top, side lipped drawer, turned vase and ball legs with a box
stretcher, old refinish, newer feet and top imperfections. American, 18th
century, 31 1/2" wide by 19" deep by 26" tall. 268A. Henry John Williams
Boddington, (1811 - 1865) British. Pair of oil on canvas paintings, each 10" by
18". Both river scenes, one signed lower right, “H.J. Boddington”, the other
unsigned, (possibly reduced in size), newer frames. Provenance: A Dublin, N.H.
collection. 269. Dean Cornwell, (1892 -
1960), California, oil on canvas painting titled, “Roughnecks”, signed lower
right, “Dean Cornwell”. Three patched & in painted small punctures on canvas.
25" by 21". 269A. Henry Clarence Pitz,
Plymouth Meeting, PA, (1895-1976), pen and ink illustration on paper board
“Dangerous Caravans” signed lower right “Henry C. Pitz” 11” by 14”, pencil
inscription underneath “The Conquest of the Rub Al khali”. Provenance: Nebraska
Collection. 270. Philip Russell Goodwin,
(1882 - 1935), New York, chromolithograph titled, “Who’s Coming?” by “Philip R.
Goodwin, 1906”, “Copyright 1907 by Charles Scribner’s sons”, 10' by 14 3/4". 271. Bohkara Scatter Rug, overall
lozenge design on a red ground, some wear, 67" by 40", early 20th century.
Provenance: Alstead, N.H., estate. 272. Signed Enfield, N.H. Covered
Bucket, original red varnish paint surface, 8" tall. Signed imprinted name on
bottom. Staved construction with metal bands. 273. Covered Firkin, button hole
loops, blue gray paint, 12 1/4" tall, 19th/20th century. 273A. Child's Wheel Barrow,
stenciled yellow horse on green background, black hand holds, 19th/20th century,
American. 273B. Two Calligraphies, one
“Flourished by Anna Hill for Kings Commercial Compendium”, 3 3/4" by 8 3/4"
sight, framed and a painted by DH Farley. 274. Oil On Canvas Of A Wedding,
including a Native American woman, possibly 19th century, American, 34" by 27",
surface damage. 275. Gordon Hope Grant, (1875 -
1962), New York, N.Y., two etchings; 1 - “Deep Water Man”, 16/100. 2 - “Laughing
Seaman”, 125/150. Both pencil signed lower right, “Gordon Grant”, 10" by 7",
image size. Matted & framed under glass. 276. Needle-Work, Urn Of Flower,
on silk panel, 15 1/8" by 11 3/4" gold frame, 19th century. 277. Continental Carved Oak
Blanket Chest, Top & 3 sides are heavily carved with foliage. Corners have
applied griffins all set on 4 paw feet, date 1902 on the front panel, 54" wide
by 29 1/2" tall. 278. Paint Decorated Checker
Board, white, dark green & black, 17 3/4" square, 19th century. 279. Pair Of Hepplewhite
Mahogany Side Chairs, sheaf of wheat carving on arched crest & pierced splat,
slip seat, stretcher base, square tapering leg, 18th/19th century, English. 280. Albert Urban, (1909 - 1959),
Germany, N.Y., lot of 2 color serigraphs, both with estate stamps on verso,
“Estate of Albert Urban, 1909 - 1959”. 1- “Nude” is signed lower right in pen &
ink, "Albert Urban, 48". 2 - “Spring Time” unsigned on front. Both serigraphs
measure, 14" high by 9 3/4" wide. 281. Quilt Log Cabin Pattern,
multicolored with red border, 19th century, American. 282. Quilt Red & White Patch
Work, titled, “Young Man’s Fancy”, 78" by 65", staining. 283. Friendship Album Quilt, red & white embroidered signatures dated, “1896”, 78" by 87", shows wear. Estimate $200 - 300 284. Arthur S. Allis, (1904 -
1973), Boston, MA, oil on board of an old cape, signed lower bright, “AS Allis”,
14" by 18", noted on verso & dated. 285. Pair Of Oil On Canvas Landscapes, signed “w” in a circle, 4 1/8" by 6 1/4". Sight cut off stretcher. Estimate $600 - 900 286. Pierre-Jules Mene, bronze
Statue of an Irish Setter at point. Signed on lower right hand corner of base,
“J.P. Mene”, possibly a later casting. 2 3/4" tall by 5 1/2" long. 287. Percival Rousseau Print, of
a 1932 etching titled, “Cooling Off”, 13 1/2" by 10 1/2". 288. Indian Carved Wooden Screen,
4 hinged sections with multiple pierced and carved panels, 76" tall by 92" wide
(open), probably early 20th century. 289. George G. Johns, 20th
century American, oil on canvas signed lower left & on verso, “Geo G. Johns”, 7
1/2" by 11", framed. 290. Stow Wengenroth, (1906 - 1978), New York, lot of 2 crayon lithographs each signed in pencil lower right, “Stow Wengenroth”. 1- A fisherman’s shanty on the coast replete with fishing nets, etc. In the mid & far ground can be seen a house and a lighthouse on a rocky bluff. Image is 7 7/8" by 12 1/4", matted & framed. 2 - Large trees at the waterline of a rocky bluff. Numbered in pencil 12 1/8" by 17 7/8". Numbered “ED/75” in pencil. Estimate $300 - 500 291. Mahogany Tea Caddy, inlaid
circular fan on top, 4 1/2" wide, 19th century, English. 292. Embossed Leather Covered
Dome Top Box, with iron lock, 18th/19th Century. 293. Mahogany Tea Caddy, banded
inlay, 2 compartments, 9" wide. 294. Chromolithograph, Fishing
Scene depicting fish with rod & reel. Framed & matted, 13 3/4" by 23 1/2". Not
examined out of the frame. 295. Hand Made Navajo Woven Rug,
by Katie Weunka Crystal, 20th century. Originally purchased in Durango, Colorado
at, “Jackson David Co.” for $2,400.00, 49 1/2" wide by 76" long. 296. Native American Made Birch
Bark & Carved Wood Picture Frame, Halifax, Nova Scotia. Inscribed, “Bear River,
N.S.”, with miniature hand made Native American objects attached as decoration.
Halifax, N.S. postcard of Native Americans, postmarked, 1909 in frame, 18 1/2"
high. 297. Three Early Photos Of Native
Americans, taken in Isleta & Albuquerque, New Mexico, together with a 20th
century. Native American basket. Largest photo measures 3 1/4" by 5 14" wide.
Basket measures 4 1/4" high by 10 1/2" wide. 298. Three Native American Hand
Woven Rugs, two have some blue accents, while the third is of a heavier weave in
two tones. Smallest rug measures 24 1/2" wide by 48 1/2" long, largest measures
37" wide by 51" long. 299. Blue & White Porcelain
Tureen, with boar’s head handles. Hairline & chip, 18th century Chinese. 300. Porcelain Vase, dark blue,
animal head handles, 12 1/2" tall. Early 19th century Chinese, chip. 301. Two Antique Scatter Rugs, 1-
Persian Kilim, central diamond pattern on a red ground, some wear & damage, 50"
by 74". Appears to be 19th century. 2 - Shirvan, overall star design on a blue
ground, some wear & damage, 43" by 60". Appears to be L. 19th/E. 20th century.
Provenance: Alstead, N.H. estate. 302. Etching Titled,
“Devastation”, illegibly signed in pencil, “Decari?”, numbered 6/100, 13" by 9
3/4". Matted & framed. 303. Hand Colored Etching, “Cleveland, Ohio, From The Court House Looking West”. “Thomas Whelply Del 1833, M. Osborne sculpt.” Published N. York 1834, by Thomas Whelply of Cleveland, 12 1/4" by 16", framed. Estimate $300 - 400 304. Lot Of Two Dutch
Watercolors, of sailboats on the ocean at sunset. One is signed lower right, “J.A.R.”.
The largest is 8" by 13" sight, both matted & framed as a pair. 305. Lot Of Two Watercolors,
William Adams titled with location of scene on verso, Willows, Cor Bay View
Ave., & Neptune St., Beverly Cove. Signed lower left, “Wm Adams”, 14" by 20
1/2". Framed & matted. The other of a castle, signed lower right, “A Sarniguly
(?)”, 16' by 11 1/2". Matted & framed. 306. Sterling Silver Water
Pitcher, 4 1/2 pints, initialed on side, “J.S.D.”, small dent, 8" tall. 307. Sterling Tray & Vegetable
Dish, 1- Silver handled tray, reticulated raised edge and 4 corner feet, marked
on bottom, “PB.”, (Brazil circa 1930 -40), 19" long. 2 - Silver on copper
covered vegetable with twist on handle. Engraved Pegasus on side, circa 1800.
308. Lot Of Sterling & Coin
Silver, 1 - Sterling: carving set, 2 spoons and a small handled urn. 2 -
Sheffield wine coaster & a silver shaker. 3 - Silver plated dish - steer finial
(as is), sugar tongs & napkin ring. 309. Samuel Johnson Woolf, (1880
- 1948), New York, (see biographical note on verso). Lot of 4 charcoal on paper
portraits. Two bear the stamped estate signature facsimile portraits of Anna
Marie Rosenberg and Father Robert Cannon, Fordham University. The other two
portraits of John F. Curry & Charles M. Parkhurst are signed lower right, “S.J.
Woolf”. Additionally each portrait is signed by the sitter. 310. Lot Of Two Paintings, 1-
Watercolor on paper of a man in a boat on a river with rolling hills and trees.
Oval format, 3" by 4 3/4", 19th century, probably original frame. 2 - Oil on
paper board panel portrait of a woman. Stamped on verso, “Estate Of George
Lawrence Nelson”, 8 1/4" by 5 1/4". 311. George Frank Higgins, (1850
- 1885), Massachusetts. Oil on canvas painting of cows in a barn yard with barn
in background. Signed lower right, “G.F. Higgins”, 15" by 27". 312. Chinese Miniature Carved
Ivory Statue, 20th century, signed on base, 2" high. 313. Francis Drexel Smith, (1874
- 1956), Colorado. Oil on canvas of 2 men on horseback riding along a river
flowing from a stony canyon at sunset. Signed lower left, “F. Smith, 1920”, 20"
by 30" framed. 313A. Edward Pritchard, (1809 -
1905), oil on canvas painting of Autumn woods with a stony brook, signed lower
left “E. Pritchard”, 24" by 36', 20th century, frame. 314. Lot Of Two Oriental
Porcelain Pieces, 1 - Chinese Export covered sugar, 19th century, chip on lid
and a re-glued handle, 5 1/2" high. 2 - Chinese dome top teapot, 19th century,
decorated with male & female figures and Chinese characters. Chip off of spout,
6 1/2" high. 315. Chinese Export Tea Service,
Lot of 8 matching pieces, set includes: teapot, 5" high, waste 2 3/8", double
handled cups 2 1/2" high. A shallow bowl, 5 3/4" diameter and 3 repaired pieces,
including a handless tea cup a tea caddy and a shaped edge dish. 316. Giuseppe Fagnani, (1819 -
1873), Italy. Pair of oval pastel portraits of Bishop Jonathan Mayhem Wainwright
and his wife, 12" by 10". Probably in original frame. Frames have some damage.
317. Lot Of Two Framed Artworks,
1 - Pen & ink, “Blow Yourself A Liberty Bond!”, inscribed, “To Herbert B. Fuller
with best wishes and everything - Briggs/18”, 10 1/2" by 6 1/4". 2 - Small
etchings inscribed, “To Lillian Christmas - 1932” illegibly signed, 3 6/8" by 2
7/8" sight, matted & framed. 318. Lot Of Five Books, “The
History Of American Sailing Ships” by “Howard I. Chapelle”, copyright 1935. “The
American Sailing Navy” by “Howard I. Chapelle”, copyright 1949. “The George
Catlin Book Of American Indians” by “Royal B. Hassrick”, printed 1988 in Italy.
“The Art Of Fine Tools” by Sandor Magyszalanczy, copyright 1998. “The Elements
Of Style. A Practical Encyclopedia Of Interior Architectural Details from 1485
To The Present”, by “Stephen Calloway & Elizabeth Cromley”, copyright 1991. 318A. Lot Of Three Boxes Of
Books, Including: Auction Catalogs. “Arts Of Asia” magazines, several copies of
“American Antique Toys” by Bernard Barenholtz & Inez McClintock, “The Golden Age
Of Toys” in it’s original case, “Furniture Treasury” by “Wallace Nutting”, “The
Oxford Companion To Art” by Harold Osborne, and many more. 319. Three Soft Paste Platters, 1 -16 1/2" cut corner, blue & white, staple repaired crack. 2 - 20 1/2" cut corner, blue & white, crack & roughage, house/cow/man. 3 - 20" cut corner blue & white, chips, Nanking Pattern. Estimate $250 - 450 320. English Queen Ann Style Wing
Chair, barrel shaped back with hand holds, cushion seat, 4 cabriole legs with
pad feet and cross stretchers, circa 1890. 320A. Two Staffordshire Platters,
1 - 20" scalloped edge, blue & white floral pattern, “Tuscan Rose”, stains. 2 -
16 1/2" shaped edge, red & white floral, “Florette”. 321. Lot Of Four Copeland Spode
Pieces, set includes: teapot, 5" high, waste 2 3/8",
double handled cups 2 1/2" high. A shallow bowl, 5 3/4" diameter and 3 repaired
pieces, including a handless tea cup a tea caddy and a shaped edge dish. 322. Spode Copeland China Tea
Set, “Spode’s Camilla”, blue & white teapot, creamer, sugar, waste bowl, 2 other
pitchers, 2 plates, 10 cups & saucers & 12 small plates, 20th century. 323. Copeland Spode, “Fitzhugh”,
partial set, 2 platters, 2 serving plates, lg. Bowl, 6 soups, 2 pitchers,
cups/saucers, 10 luncheon plates, 2 dinners, misc. some as is. 324. Western Landscape Painting,
oil on artist board, mountain scene with log cabin & animals, 13" by 18 1/2",
unidentified artist. Signed lower left, “TK”, in red, framed, as is. 325. F.L. Boughton, 20th century
American (?), oil on artist board painting of a woman with long flowing vale,
signed lower right, “F.L. Boughton, 04”, 9" by 8", framed as is. 326. 1774 English Engraving,
brown tone port scene. The original collection of the Duke of Devonshire, no 5,
“Claude Le Lorrain”, published by “John Boydell”. Not taken out of the frame, 8
1/2" by 10 1/2", double matted under glass. Newer frame. 327. American Marine Soft Paste
Bowl, 7 1/8" diameter bowl with interior transfer of an American Clipper ship
under sail, the exterior with a saying, flowers & house by a river,
discoloration, small edge chip.
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