1. Heriz Room-Size Oriental Rug, center medallion on a brick field, 9' 6" x 12' 8", 20th century.
Estimate $2,500-3,500

2. Alexander R. James, (1890-1946), Dublin, NH, oil on wood panel painting, “Trees Around Cornish, NH,” (see similar painting we sold Lot #54, July 7, 2007), signed lower left, “Charlotte Fischer from A.R. James, 1918,” 12" x 8 3/4", framed. Provenance: A Southern collection.
Estimate $1,500-2,500

3. Needlework Purse, a fold over fringed top and woven handle, all sides stitched like a sampler showing a colonial house on the back and various geometric designs, signed on the side under the top flap, “M Strong A 1847,” some losses, 8 1/4" x 11" x 2 1/4". Provenance: Descended in a Vermont/New Hampshire family.
Estimate $600-900

5. Three Tier Wire Chandelier, 16 arms ending in tin candle cups, 2 bulbous forms on center shaft, 19th century. Provenance: Roger Bacon collection.
Estimate $800-1,200

6. 1784 American Sampler, a vine and floral border surrounding 6 sayings, other floral and vine work, signed below, “Esther Wayne October the 18, 1784,” 20 1/4" x 16 1/4" sight, framed under glass. Probably from the Pennsylvania area. Provenance: A New Hampshire collection.
Estimate $4,000-7,000

6A. 1834 Pennsylvania Sampler, vine and flower border surrounding birds, deer, chickens, a basket of fruit, and a house, “Mary Stote, age 10, 1834,” 13 1/4" x 17 3/4", sight, framed under glass. Provenance: A New Hampshire/ Delaware collection.
Estimate $500-700

7. Portsmouth, NH, Sheraton Mahogany Card Table, elliptical front with cookie cutter corner conforming top having lunette edge inlays, the front apron divided into 3 panels of tiger maple and the central one with inlaid conch shell all set on 4 reeded legs, 36" wide x 17 1/2" deep x 29 1/2" tall, old refinish, small repairs. Provenance: A mid-Atlantic collection.
Estimate $7,000-12,000

8. Splotch Decorated Redware Pitcher, green and brown on an orange/red ground glaze, 13" x 9 1/2" diameter (at center), good condition, probably northern New England 19th century. Provenance: A New Hampshire estate.
Estimate $800-1,200

9. Harry Herman Roseland, (1868-1950), Brooklyn, NY, oil on canvas, signed lower left, “Harry Roseland,” has been relined therefore this inscription is found on verso: “The following inscription appears on the reverse of the original canvas title, ‘Reading The Tea Leaves’ by Harry Roseland, 246 Fulton St. Brooklyn, N.Y. photographed,” 20" x 24", period frame. Provenance: A Southern collection.
Estimate $10,000-15,000

10. Harry Herman Roseland, attributed, oil on canvas, “Reading Her Cards,” unsigned, restored by the “Chicago Conservation Center,” see label on verso, 12 1/4" x 16 1/4", period frame that appears to go with painting. Provenance: A Dublin, NH collection, Skinners Auctioneers.
Estimate $5,000-8,000

11. Sarouk Room Size Oriental Rug, central medallion on an open brick field, 10' 3" x 17' 5", 20th century.
Estimate $2,000-3,000

12. Portrait On Ivory, large size watercolor painting on ivory titled on the reverse, “Asking For The Young Widow’s Hand by Letter’ by Stothard,” (A Robert Thomas Stothard worked in England up to 1865, known as a watercolorist), no apparent signature, not viewed out of the frame, matted under glass, 9 1/2" x 6 1/2" sight. Provenance: A New Hampshire collection.
Estimate $4,000-7,000

13. “Tammany” Mechanical Bank, gentleman in a yellow vest seated in a chair, his right arm moves towards his belly to deposit the coin and the head nods forward. The paint is original with small chips, marked on both sides “Tammany Bank,” 6" tall. Provenance: A New Ipswich estate.
Estimate $400-700

14. Gayle Blair Tate, b.1944, Western American, oil on board painting “Luck Guaranteed,” trompe l'oeil artist signed lower right, “G.B Tate,” 12" x 16", newly framed, 20th century.  Provenance: A Southern collection.
Estimate $3,000-5,000

15. 17th Century Italian Still Life Of Fruit, oil on canvas, 29 1/4" x 37 1/2" sight, framed for over mantle, hole & paint loss. Provenance: A New Hampshire/Delaware collection.
Estimate $1,000-2,000

16. Coin Silver Five Piece Tea/Coffee Service, made by “Allcock and Allen,” NY City (1847-53), basket weave with applied corn husks, 172.98 troy oz, handled hot water on stand with burner, coffee pot, tea pot, creamer and sugar, “sterling” mark added to the bottom of each piece at a later date. Provenance: A New Hampshire collection.
Estimate $9,000-12,000

17. Levi & Abel Hutchins Tall Clock, maple case scrolled top and carved rosettes, (missing finials), silver brass dial signed in the arched top, “Levi & Abel Hutchins, Concord,” time/strike and calendar, old refinished case with replaced base, 87 1/2" tall, appears to have original weights and pendulum. Provenance: Jaffrey, N.H. collection.
Estimate $7,000-10,000

18. Porcelain Shell Form Wash Stand, pink and gold decoration on an off white ground, sea shell design bowls on a rectangular platform with 2 cups (not matching,) marked on bottom “Vernon’s Patent, Zuccani London,” 18" x 13" x 8 1/2" tall, restoration and crack. Provenance: A Jackson, NH collection.
Estimate $300-500

19. Chirahyan Karapet (Chirahov Carpo) Hachaturovich, (1873-1913), Armenian, oil on canvas, impressionistic painting of a Parisian Street Scene, titled on label on verso “Tableau NO. 7, Boulevard Elysee,” probably sold from his gallery in Paris, France, which he opened in 1903. Canvas, stretcher and frame are ink stamped with a French stamp which is only partially legible and reads “---ouan--- (?), Francaise (?).” Signed lower left in Cyrillic "K YNPAXOB" also appears on title label on reverse. Canvas measures 32" high x 39 1/2" wide. Painting is in original untouched condition. Provenance: An Italian Estate.
Estimate $12,000-15,000

20. 1760 Polychrome Dutch Delft Jar, ovoid handled jar or pitcher depicting a lady and a gentleman in a garden, man on horseback and a woman with a cow, signed under the handle, GEGR 1760 HL (conjoined), Holland, De Porceleyne Fles (The Porcelain Bottle) J. Harlees, small edge restoration, 12 1/2" tall x 10 1/2" diameter (center).
Estimate $4,000-6,000

21. Kazvin Room Size Oriental Rug, a central medallion on a brick field, dark blue border, 20th century, good condition, 10' 8" x 19' 7".
Estimate $1,500-2,000

22. Constantine K. Kluge, (1912-2003), French, oil on canvas painting of a Paris street scene, “Le Quartier De La Haute Ce---,” see label on verso, signed lower right, “C. Kluge,” 24" x 35 1/2", appears to be the original frame. Provenance: A New Hampshire estate.
Estimate $3,000-5,000

23. Japanese Cloisonné Vase, peonies set into a gold fleck ground, 36 1/2" tall, Meji period (1900), 1 small dent. Provenance: A New Hampshire collection.
Estimate $1,000-1,500

24. Edward Hill, (1843-1923), NH/Hood River, OR, oil on canvas of what appears to be “Mount Lafayette and Echo Lake, Franconia Notch, NH,” signed lower left “Edward Hill, 1890,” 31" x 50", old frame (as is), the painting has been lined and restored. Provenance:
A Virginia collection.
Estimate $8,000-12,000

25. Mount Washington From Conway Valley, oil on canvas landscape, “View From Sunset Hill, North Conway,” 22 1/2" x 27 1/2", after John Kensett, NA, lined, new gold frame, 19th century American.
Estimate $5,000-9,000

26. George Loftus Noyes, (1864-1951), Boston, MA/NH, oil on canvas painting of “Truro Dunes,” Cape Cod, MA (see label on verso), signed lower right, “G.L. Noyes,” 24 1/2" x 20", newer gilt frame. Provenance: A Peterborough, NH collection.
Estimate $700-1,200

27. Salem Mahogany Federal Card Table, serpentine case and conforming top with rare cock beaded central drawer, turned reeded legs with star punch and carved corners over leaf carvings, 38" wide x 18 1/4" deep x 29 1/2", old varnish finish, early 19th century, school of Samuel F. McIntyre. Provenance: A New Ipswich, New Hampshire estate.
Estimate $1,000-1,500

28. Joseph Goodhue Chandler, (1813-1884), Boston, MA, oil on canvas painting of George Washington signed lower right, “Chandler, Boston, Mass,” labeled on reverse “Mrs. Mary Ware, presented by 1879;” 30" x 24", framed and relined. Provenance: A Peterborough, NH collection.
Estimate $2,000-3,000

29. Daniel Webster Portrait, oil on canvas, signed lower right indistinctly (?Roger Brandt) in red paint, 26" x 21", newer frame. A Peterborough, NH collection.
Estimate $2,000-4,000

30. Thomas Sully, (1783-1872), Philadelphia, probably a self portrait in the oval, unsigned, 18 1/2" x 15 1/2", (see “Poe, Portraits An Autographed copy of Thomas Sully, The Self Portrait Lot 8, Christies, N.Y. 5/18/2004” and Mathew Brady’s daguerreotype ca. 1851-1860, for other examples), appears to have been painted 1840-1850. See comparison images posted on our website. Provenance: A New Hampshire collection.
Estimate $2,000-3,000

31. Sarouk Oriental Room Size Rug, central medallion with floral design on a navy blue field, 10" x 14", good overall condition, 20th century, Persian. Provenance: A Massachusetts collection.
Estimate $2,500-3,500

32. Lot Of English Soft Paste: A - Sauce boat, green & cream, small chips. B - Flask dated 1799, blue & white, 5 1/2" long. C - Miniature Pratt style flask, crack, 2 1/2" long. Provenance: A New Hampshire & Delaware collection.
Estimate $300-500

33. Lot Of Three Soft Paste Whistles: A - Rare multicolored pipe & whistle, 8 1/2" long. B - Miniature bird in Whieldon colors, 2 1/2" long. C - Peacock, 3 3/4" tall, restored mouth piece. All are 19th century or earlier. Provenance: A New Hampshire & Delaware whistle collection.
Estimate $400-600

34. Pair Of Boston Classical Side Chairs, rosewood, brass inlaid crest rail and medial slat, a continuous cast brass flower petal string inlay set into the stiles, seat rail and saber legs, cane seats, (also modern slip in upholstered seats,) 32 1/2" tall x 18" wide. A single matching side chair was donated to the Boston Museum of Fine Arts and is in their permanent collection. These are pictured in Jonathan Fairbanks’ book, “American Furniture 1620-To Present.” Some repairs, early 19th century. Provenance: A New Hampshire and Delaware collection.
Estimate $4,000-6,000

35. Pair French Figural Bronze Candelabras, three gilt bronze candle arms supported by a classical woman standing on a round swag decorated base with a square marble bottom, 22 1/4" tall, 19th century, old surfaces. Provenance: A New Hampshire and Delaware collection.
Estimate $1,000-1,500

36. School Of Ludolf Bakhuyzen, (1631-1708), Dutch, oil on canvas painting of sailing ships just off the coast, 16 x 26 1/2", framed, restored. (Ref. see Sotheby’s, N.Y., “Old Master Paintings,” May 21, 1998, #317 for a very similar painting.) Provenance: A Peterborough, NH collection.
Estimate $1,500-2,500

37. English Hepplewhite Bow Front Server, a banded edge top over a case with 2 drawers flanking a central drawer over a serpentine inlaid apron. All set on 6 tapered legs ending in spade feet. Each drawer front is banded, the side drawers have an inlaid oval with corner half round leaf inlays on a green ground and the top of each leg has oval inlays on a green ground. Appears to be early 19^th century, 48" wide x 23" diameter, 36" tall. A Jackson, NH collection.
Estimate $3,000-5,000

38. Royal Doulton Twelve Dessert Plates, square shaped edges with various floral groups, a raised gold decoration, artist signed, “E. Percy,” 8" square, early 20th century. Provenance: A New Hampshire collection.
Estimate $1,000-1,500

39. Hal Robinson, (1875-1933), American, oil on board landscape, “Woodland Stream,” signed lower right, “H. Robinson,” 30" x 24", old frame, restored and relined. Provenance: A Southern collection.
Estimate $3,000-5,000

40. James Abbott McNeill Whistler Etching, “Becquet,” see description on reverse, pencil signed lower right, “Whistler,” 11 1/4" x 8 1/2" sight, matted and framed under glass, 3rd of 4 states, ca. 1859, not taken out of the frame. Provenance: A New Hampshire collection, Arthur H Harlow & Co., New York, (label on reverse) J. Caldwell collection.
Estimate $3,000-4,000

41. Caucasian Scatter Oriental Rug, central geometric lozenge with cloud forms on a brown field, brown knotted fringe, 4' 10" x 7' 5", mid 20th century.
Estimate $500-700

42. Auguste Renoir Lithograph, (1841-1919), French, “Tude de Femme Nue, Assise” signed in stone, “Anches” impressed bottom center, ca. 1904 series 42, 13" x 10", lithograph taped to paper board back. Framed under glass, spots and frame line. Provenance: A New Hampshire collection, Ferdinand Roten label on verso, Maryland.
Estimate $3,000-5,000

43. Charles Antoine Clevenbergh, (1791-1857), Flemish, oil on wooden panel of a dead hare and two birds, signed lower right, “C. Ant Clevenbergh P.,” old gilded frame (corner loss,) 16" x 12 1/4", cleaned condition. Provenance: A New Hampshire collection.
Estimate $2,000-3,000

44. Punch Bowl With Imari Style Floral Decoration, 10 1/4" diameter, 18/19th century Chinese. Provenance: A New Hampshire collection.
Estimate $400-700

45. Export Indented Corner Bowl, polychrome bird and butterfly pattern, 9 1/4" square top dimension, 19th century Chinese. Provenance: A New Hampshire collection.
Estimate $400-600

46. Redware Slip Decorated Footed Bowl, yellow ground with green and brown decoration of palm trees and paddles, 11 1/2", 18/19th century. Provenance: A New Hampshire and Delaware collection.
Estimate $400-600

47. English Campaign Chest Of Drawers, mahogany 2 part chest of 2 over 3 drawers, brass corners, side bands and carry handles on each section side, set on a bracket style base, 40" x 20" diameter x 39 1/2" tall. Good overall condition, old refinish, appears to be mid 19th century. Provenance: A Jackson, N.H collection.
Estimate $800-1,200

48. Hermann Edouard Wagner, (1894 - ?), European, oil on canvas landscape of a French scene, signed lower left, “H.E. Wagner,” marked on verso, “Wagner, Pont Neuf,” 19 1/2" x 23", label from “Messrs. Grables Gift & Art Galleries, Oak Park, IL,” on verso. Provenance: A New Hampshire collection.
Estimate $1,000-1,500

49. Max Kuehne, (1880-1968), New York, NY, oil on board of a Continental scene, signed lower left, “Kuehne,” 7 1/2" x 5 1/2" framed & matted under glass, some paint loss. Provenance: Hirschl & Adler Galleries, New York City, from the estate of the artist.
Estimate $1,000-1,500

50. Regency Mahogany Music Stand, rectangular lift top with music stop, with adjustable ratchet lid support over a wallpaper lined and inlaid box, over a turned shaft supported by 3 inlaid out swept legs ending in brass toe castors, 20" x 14 3/4" x 30" tall, early 19th century, English. Provenance: A Jackson, New Hampshire collection.
Estimate $400-700

51. Lavar Kerman Oriental Rug, Lavar Kerman Oriental Rug, an overall floral design on a red background, 10' 8" x 17' 6", ca. 1920, overall wear. 20th century, Persian. Provenance: A New Hampshire collection. Estimate $1,000-1,500

52. English Continental Needlework Picture, silk needlework depicting a house 2 trees and a lady with animals by a stream with a blue silk sky, 11" x 14" sight, framed under glass, 19th century, some stains. Provenance: A New Hampshire collection.
Estimate $600-900

53. Edouard Joseph Dantan, (1848-1897), Continental, oil on canvas of a hunt scene, “The Deer Hunt,” signed lower right, “Dantan,” 20" x 24", 2 holes in canvas, appears to be original frame. Provenance: A New Hampshire collection.
Estimate $2,000-4,000

54. School Of Moise Kisling, (1891-1953), Polish/French, oil on canvas painting of woman with red blouse, signed lower left, “Kisling,” (the signature is a slight variant from his normal one), 22" x 18" unframed, edge losses. A larger version of the same painting is in a private Nice, France, collection. Provenance: A Massachusetts collection.
Estimate $2,500-4,500

55. English Oak Chippendale Slant Front Desk, William and Mary style stepped interior with cubby holes over drawers, 4 cock beaded graduated drawers, case set on an applied bracket base, 35 1/2" wide x 20" deep x 39" tall, brasses are old but not original, restoration, old refinished condition. Provenance: A New Hampshire collection.
Estimate $800-1,200

56. Thirty Five Pieces Of Wedgwood Etruria Creamware, dessert set, minor glaze loss & discoloration to 4 cups, 20th century. Provenance: A New Hampshire and Delaware collection.
Estimate $300-500

57. Marquetry Inlaid English Tea Table, serpentine case with conforming dish top, central cock beaded drawer and opposing candle slides, set on 4 cabriole legs ending in pad feet, top inlaid with central oval of a compote with flowers and birds, vine inlaid case and legs, probably 19th century, old varnish finish, 32 1/2" wide x 22 1/2" deep x 28 3/4" tall. Provenance: A Jackson, NH collection.
Estimate $1,500-2,500

58. Charles Melville Dewey, N.A., A.M., (1849-1937), American, oil on board landscape titled on frame “Haystack,” signed lower left, “CH. M. Dewey” on verso, “Charles M. Dewey, NA AM, oil impressionistic rural scene,” 11 1/2" x 15", old gold frame. Provenance: A Southern collection.
Estimate $1,000-1,200

59. Rookwood Fluid Lamp, originally made as a lamp with a pottery base, front with dogwood floral decoration, each part resting on scrolled wrought iron bases, brass fluid insert, probably the original burner, with a round etched globe, 34" tall including chimney, with Rookwood impressed mark on under side of base. Provenance: A New Hampshire collection.
Estimate $3,000-4,000

60. Lambert Guenther, (1927 -), American, oil on canvas glued on a wood panel of a horse drawn carriage with passengers, signed lower right, “Lambert Guenther,” 16" x 20", nice ornate old gold frame. Provenance: A Southern collection.
Estimate $400-700

61. Sarouk Scatter Oriental Rug, central medallion on a blue ground, good condition, 4' 3" x 7' 5". Provenance: A Massachusetts collection.
Estimate $500-1,000

62. Six Wooden Whistles: 6 have mounted carved and painted song birds; a mounted tin bird; 3 free form, 19/20th century.
Estimate $500-700

63. Eighteen Whieldon/Soft Paste Whistles, a fox; a dog & 16 birds, 17/18th century, some minor damage & roughage. Provenance: A New Hampshire & Delaware whistle collection.
Estimate $800-1,200

63A. Whieldon Animal Form Whistle, recumbent sheep form animal with head turned sideways (front legs broken off), green & brown splotch decoration on a tan/cream ground, 3” long, English 18/19th century. Provenance: A New Hampshire & Delaware whistle collection.
Estimate $200-300  

64. Fourteen Redware Whistles, 3 figural; a stirrup form dog head; a fox; a compote; a bear; 2 dogs; 3 bird forms and an ink pot form, 18/19th century. Provenance: A New Hampshire & Delaware whistle collection.
Estimate $500-900

65. Sixteen Rockingham Glazed Whistles, 5 female figures; 3 birds, (one damaged); 3 monkeys; a squirrel; 2 cats; a poodle (chip) and a frog, 19th century. Provenance: A New Hampshire & Delaware whistle collection.
Estimate $300-500  

66. Twenty One Staffordshire Whistles, 2 dog heads; woman seated on a pig; 2 foxes in a hole; tall dog; tall cat; etc., 19th century England, some damage & glaze loss. Provenance: A New Hampshire & Delaware whistle collection.
Estimate $400-600  

67. English Mahogany Georgian Style Partners’ Desk, double banks of 3 drawers on each side supporting a green tooled leather top with 3 side by side drawers set into each side, applied bracket base, 48" x 72" x 30 1/2" tall, early 20th century. Provenance: A Jackson, NH collection.
Estimate $1,200-1,800

68. Twentieth Century Leather Desk Chair, green leather with tufted back and seat, open shaped wooden arms, 5 legs (castors) swivel base, 41" tall. Provenance: A Jackson, NH collection.
Estimate $150-250  

69. Twentieth Century Leather Desk Chair, green leather with tufted back and seat, rolled arms on a 5 leg (castors) swivel base, 44" tall. Provenance: A Jackson, N.H collection.
Estimate $150-250  

70. Covered Glass Presentation Goblet, intricately carved dinner tavern scene opposing inscription dated 1818, Adam form decoration on foot & lid, hand blown, minor rim chips, 12 3/4" tall, Continental/German. Provenance: A New Hampshire collection.
Estimate $2,000-3,000

71. Set Of Six Footed Dessert Bowls And Tall Compote, hand blown, cut gilded floral and swag decoration, 19th century Continental, 5 3/4" x 4 1/2" tall bowls, 8 3/4" tall x 6 1/4" diameter.  Compote with raised gold decoration. Provenance: A Peterborough, N.H collection.
Estimate $200-400

72. “Moser” Attributed Covered Glass Jar, gilded lid and body, with emerald form overlay panels on body, bronze rim and hinge top, 4 1/2" diameter, 19/20th century, Continental. Provenance: A New Hampshire collection.
Estimate $300-500  

73. “Model” Flat Rimmed Bowl, opalescent, rim cut decorated with scenes of children in varied activities, fishing, cooking, napping etc., embossed on the bottom, “M Model,” 12 3/4" diameter, 2 5/8" rim, early 20th century. Provenance: A New Hampshire collection.
Estimate $400-600  

74. Eurilda Q. Loomis France, (1865-1931), Pittsburgh, PA, oil on canvas portrait of “My Son William” identified top left corner, signed top right “Eurilda Loomis France,” see label on verso, 22" x 27", relined. Provenance: A New Hampshire collection.
Estimate $1,500-2,500

75. Cherry And Mahogany Empire Server, rectangular top over 3 graduated drawers flanked by 4 drawers, 2 are bottle drawers over 4 cupboard doors all set on turned legs. Appears to have the original brass pulls, 49" x 20 3/4" D. x 46" tall, mid-Atlantic area Ca. 1810-20, an old refinished surface. Provenance: A Hollis New Hampshire estate.
Estimate $800-1,200

76. Primitive Land/Seascape Painting, American, 19th century, oil on canvas of mountains, bay with sailing ship, palm trees & deer, probably a Caribbean tropical location, 30" x 45", probably the original frame, small paint losses. Provenance: A Peterborough, NH collection.
Estimate $400-700

77. Labeled Mahogany “Cheval” Mirror, carved, reeded posts and rails form a frame for a swivel mirror set on 4 carved & molded swept out legs ending in brass toe castors, original paper label on back of mirror, “John Mayler, Suffolk Street, London,” England, 70" tall x 31", early 19th century. Provenance: A New Hampshire and Delaware collection.
Estimate $1,000-1,500

78. Painted Oval Tray On Stand, early 19th century tray with reticulated edge, later decoration of a pheasant, 30" long x 23 1/2" wide x 19 " tall, 20th century mahogany stand with tapered legs. Provenance: A Jackson N.H. collection.
Estimate $300-500  

79. English Sterling Silver Desk Set, rectangular rounded corner tray with 2 attached lift top ink boxes engraved with 2 crests “Che Sara Sara” & “Cognosce Tiersum Et Disce Pati” (dent), 2 attached pen rests, hallmarked on bottom “1902 Birmingham Silver, Heath & Middleton,” 11 1/2" x 8 3/8" x 2" tall with ball feet. Provenance: A New Hampshire collection.
Estimate $600-900

80. Alfred Dunhill Humidor, mahogany rectangular case with copper, felt & wood liner with tag “Alfred Dunhill of London, New York, Paris,” with key, 13 1/2" x 9 3/4" x 7 3/4" tall, old finish, probably early 20th century.
Estimate $150-250  

81. Sven Birger Sandzen, (1871-1954), Sweden, Kansas, woodblock print “Kansas Creek,” signed in the print “B-S-N” in pencil titled and signed lower right “Birger Sandzen,” 6 1/2" x 9 1/4" sight, framed & matted under glass. Provenance: A Southern collection.
Estimate $700-1,200

82. New York Mahogany Federal Work Table Attributed To George W. Miller of New York City, cabinet maker 1821-1831, (see reference material available for virtually identical one shown in the magazine Antiques, May 1973 pg. 964). Rectangular banded top over 3 flush fitting drawers (the top fitted for inks etc.). Carved and turned pedestal supported by 4 carved legs with paw feet (castors replaced), 18" x 22" x 30" tall. Provenance: A Southern collection.
Estimate $1,000-1,500

83. Set Of Five New York Classical Side Chairs, mahogany paneled veneered crest, molded stiles and rails with pierced & carved splat, upholstered slip seats (poplar secondary wood), front saber legs, 18" x 20" x 33" tall, some restoration, early 19th century. Provenance: A Peterborough, N.H collection.
Estimate $1,000-1,500

84. Pair Of Primitive Watercolor/Gouache Victorian Scenes, possibly Pennsylvania, unsigned, both 3 1/4" x 5 3/4" sight, matted & framed under glass. Provenance: A Massachusetts collection.
Estimate $400-600

85. Bow Back Windsor Arm Chair, high arched bow with 7 spindles, splay arms with turned arm supports, a saddle seat supported by 4 turned legs with an “H” stretcher, old worn varnish finish, 36" tall x 26 1/2" wide x 15" seat height, 18/19th century, New England. Provenance: A Peterborough, NH collection.
Estimate $400-600

86. Curly Maple Federal Candle Stand, cloverleaf shaped tip top, urn turned shaft set on 3 out swept legs with curled up toes, early 19th century New England, 17" x 21 1/2" x 29 1/4" tall, old refinish. Provenance: A Southern collection.
Estimate $400-600

87. Federal Mahogany Breakfast Table, rectangular drop leaf top with rounded corners, top supported by a case with double swing out supports and set on a turned pedestal base. Four molded out swept legs with brass paw castored feet, 44" x 53" open x 29" tall, Boston/New England, early 19th century, old finish with some stains on the top. Provenance: A Jackson NH collection.
Estimate $400-700

87A. Mahogany Federal Candle Stand - Rounded corner mahogany tip top, acanthus carved shaft set on 3 carved paw feet, old varnish finish, 24" x 18 3/4", 27" tall, N.E. 19th century. Prov. A Mass collection.
Estimate $800-1,200

88. Walnut Veneered English Chippendale Mirror, gilded pierced and carved phoenix bird crest over a mold edge with gilded liner, scalloped base, a rare size, 26" tall x 28" wide, the back has an early 19th century newspaper “The Antigallican Monitor” pages attached to the back boards, old refinish & re gilding.  Provenance: A Jackson NH. collection.
Estimate $700-1,000

89. Frank Henry Shapleigh, (1842-1906), Jackson, N.H., oil on canvas “Mill at Jackson, N.H.,” signed lower left, “F.H. Shapleigh,” titled on verso, 20" x 14", framed & lined. Provenance: A New Hampshire collection.
Estimate $2,500-3,500

90. Red And Black Painted Blanket Chest, rectangular top enclosing a till over 2 flush fitting drawers over a French footed base, 40" wide x 18" deep x 38" tall. Appears to have the original brasses, some wear & scratches. Provenance: A New Hampshire and Delaware collection.
Estimate $700-1,000

91. Caucasian Oriental Scatter Rug, triple cross design on a red ground, good overall condition, 4' 10" x 7' 5", mid 20th century. Provenance: A Connecticut collection.
Estimate $600-900

91A. Chippendale Bow Front Chest with writing slide, mahogany molded edge single board top over a rare beaded edge pull out writing slide over 4 graduated cock beaded drawers set on an applied bracket base with flaring feet, replaced brasses, old refinish, Massachusetts late 18th century, 40" case 24" deep x 35 1/4" tall. Prov. a Mass collection.
Estimate $3,500-4,500

92. Bror Julius Olsson Nordfeldt, (1878-1955), Santa Fe, New Mexico, etching “The Brooklyn Bridge, New York City,” signed in pencil lower center right, apparently done in the Fall of 1914, 10 3/4" x 13" sight, framed & matted under glass. Provenance: A Southern collection, Mildred Stienbeck estate (see card attached to back).
Estimate $1,000-1,500

93. Laura Coombs Hills, (1859-1952), Massachusetts, pastel on paper landscape, “House by a Flowering Tree,” signed lower left “Laura Hills,” 11 1/4" x 9" sight, nicely framed & matted under glass. Provenance: A New Hampshire collection.
Estimate $1,000-2,000

94. Henry Webster Rice, (1853-1934), Watertown, MA, watercolor landscape, “Mt. Chocorua from Stevenson’s Hill, Tamworth, N.H.,” signed lower right “Henry W. Rice,” 13 1/2" x 18" sight, framed & matted under glass. Provenance: Charles Vogel, Townsend, MA.
Estimate $400-600

95. Anthony Thieme, (1888-1954), Massachusetts /California, oil on board landscape of a woodland scene with a home, unsigned, estate stamp on verso, “Anthony Thieme, Boston, Mass,” 12" x 16" framed. provenance: A Massachusetts collection.
Estimate $1,500-2,500

96. Anthony Thieme, oil on canvas landscape of a fall woodland scene, unsigned, estate stamp on verso, “Anthony Thieme, Boston, Mass,” 12" x 16" framed. Provenance: A Massachusetts collection.
Estimate $1,200-1,500

97. Boston Mahogany Chippendale Slant Front Desk, a divided interior with drawers over cubby holes, 4 graduated drawers with a cock beaded case, all set on 4 large ball & claw feet with a center drop, dirty old color, old replaced brasses, 41" wide x 20 1/2" deep x 33" tall, writing surface, Massachusetts ca. 1780-90. Provenance: Descended from the Col. Edward L. Bailey (Civil War veteran,) Estate. Bailey resided in the original farm house of Theodore Goffe & his family, South River Rd. in Bedford, NH.
Estimate $2,000-3,000

98. William James Glackens, (1870-1928), Pennsylvania/New York, attributed pastel on paper of a European City River scene w/canal, signed lower right, “WAG,” framed & matted under glass, 10 3/4" x 8 7/8". Provenance: A Massachusetts collection.
Estimate $1,000-1,500

99. Maurice Brazil Prendergast, (1859-1924), New York, NY, attributed watercolor over pencil on paper of woman and children walking the rocky coast with sailboats in the harbor, signed lower right, “Prendergast,” 10" x 12" unframed, inscription on verso in pen, “M. Prendergast, member of the New York Watercolor Club and the Copley Society, J.J.” At the time of this printing, contact has been made with Nancy Mowll Mathews, who has done his catalog raisonne. Provenance: A Massachusetts collection, Dennis DeVine, Lakewood County, NJ, gift from Donald Van Der Hayden, heir to a mining & construction fortune in MN and founder of Breeze Ski Rental in Vail, CO. Van Der Hayden acquired the piece from his mother. We do not know where she got it from.
Estimate $5,000-10,000

100. Lucca Sacco, (1858-1912), American, oil on canvas, “The Fortune Teller,” signed lower right, “L. Sacco,” 18" x 28", nice newer frame. Provenance: A Southern collection.
Estimate $1,500-2,500

101. Baksheesh Room Size Rug, overall design with trees on a cream ground, heavily repaired with glued on backing, 19/20^th century Persian, 12' 3" x 14' 9". Provenance: A Wilton center estate.
Estimate $600-900

102. Chalkware Recumbent Stag, brown body, green & black base, 10 1/2" tall, 8 1/4" long, overall flaking, repair to one antler, 19th century Pennsylvania. Provenance: A New Hampshire collection.
Estimate $300-500

103. Hepplewhite Tavern Table, rectangular breadboard end 2 board top set on a beaded edge 4 tapered leg base with a shaped apron in the old red paint, 40 1/2" x 27 1/2" x 26 3/4" tall, New England, 18/19th  Century. Provenance: A New Hampshire collection.
Estimate $600-1,000

104. Blue Painted Scalloped Wall Box, sawtooth edge back board with scooped front edge over a drawer, probably used to hold a mortar & pestle, Continental, 19/20th century, 13" tall x 7" wide. Provenance: A Peterborough, NH collection.
Estimate $200-400

105. Scalloped Back Sheraton Dressing Stand, double deck top (1 over 2 drawers,) with strong scalloped backsplash over wide drawer set on 4 turned legs, 26 1/4" wide x 15" deep x 36 1/2" tall, Vermont or New Hampshire, early 19th century, birch and pine in old refinished condition. Provenance: A Vermont collection.
Estimate $500-1,000

106. Whirligig, “Home Sweet Home,” painted tin and wood, African American woman hitting her husband with a rolling pin as the wind blows the fan paddles (missing) around, 19/20th century American, 22" wide x 15" tall, the title is stenciled on the back and front. Provenance: A New Hampshire collection.
Estimate $250-350  

107. Blue And White Canton Punch Bowl, 10" diameter, 19^th century Chinese. Provenance: A New Ipswich, NH collection.
Estimate $300-500  

108. Blue And White Canton Platter And Two Plates, 11 5/8" wide platter & 5 3/4" diameter plates, both 19th century Chinese Export. Provenance: A New Ipswich, NH collection.
Estimate $200-400  

108A. Canton Shell Form Serving Dish, scalloped body, medium blue decoration, 10 1/2" long, 9 3/4" wide, 19th century Chinese. Provenance: A New Hampshire collection.
Estimate $200-300  

109. Three Pieces Of Hawthorne Pattern Chinese Porcelain, a pair of 12" tall gourd shape vases and a covered 13" baluster form jar with foo dog finial, 19th century. Provenance: A New Hampshire and Delaware collection.
Estimate $500-700

110. Set Of Eight Canton Dessert Plates, reticulated edges, 2 are perfect, 6 with rim chips & roughage, 19th century Chinese, 8" diameter. Provenance: A New Hampshire collection.
Estimate $300-500  

111. Kilim/Sumac Large Scatter Rug, horizontal woven Kilim stripes in between Sumac woven diamonds, 20th century, 5' 9" x 6' 11". Provenance: A Connecticut collection.
Estimate $200-400  

112. Mongol Ceremonial Chain Mail And Horn Vest, made from a combination of chain mail links and chase decorated brass and silver mounts on animal horn panels. Some horn panels have split, 27" high x 19 1/2" wide under the arms, northern Chinese, early 19th century or earlier. Provenance: A New Hampshire collection.
Estimate $2,500-3,500

113. Two Pen Calligraphies: A - “Prof’ Barnaby’s Business School,” 22 1/2" x 17 1/2" sight, framed under glass. B - “Taught By Prof’r Barnaby,” 22 1/2" x 17 1/2" sight, framed under glass as a pair to “A,” both 19th century English. Provenance: A Jackson, NH collection.
Estimate $500-900

114. Franklin Myers Boggs, (1855-1926), American/French, oil on canvas painting of a clipper ship at sea, signed lower left, “Boggs,” on the bias, poplar stretcher indicates this is an early work, probably when he lived in the U.S., oak frame, 24" x 20".  Provenance: A New York State collection.
Estimate $3,000-5,000

115. Japanese Woven Bronze Basket, oval shaped with plaque inside the bottom of insects and on top of a bird in flight, double handled, 5 1/2" long, 4" wide, 19th/20th century. Provenance: A New Hampshire collection.
Estimate $400-600

116. Chinese Jade Carving, celadon colored, a pavilion, mountain, waterfall, deer and birds; trees tipped with brown jade flowers, carved from single piece, 9" long x 4 1/4" tall, circa 1900. Provenance: A New Hampshire collection.
Estimate $1,500-2,500

117. Chinese Carved Ivory Puzzle Ball & Stand, dragon motif, outer ball on a carved stand with another dragon carved puzzle ball above a woman holding floral boughs standing on a dragon carved base, 15 1/2" overall height, some damage to interior carved balls, circa 1900. Provenance: A New Hampshire collection.
Estimate $600-900

118. Sheraton Mahogany Banquet Table, 2 part “D” shaped with center drop leaves, each section set on 4 rope turned legs ending in cup castors, 90" open, 48" wide, 29" tall, banding added, early 19th century. Provenance: A New Hampshire collection.
Estimate $1,800-2,500

119. Portrait Of Princess de Bourlon, unsigned watercolor on paper, label on verso, “Ledridge De Les Princess de Bourlon….? Peinte en 1768,” framed in oval gold frame. Provenance: A New Hampshire collection.
Estimate $300-500  

120. Thomas B. Craig, N.A. (1849-1924), Woodland, NY, watercolor landscape with village, 14" x 21 3/4" sight, matted, not examined out of the frame. Provenance: A New Hampshire collection.
Estimate $400-600

121. Sumac Room Size Oriental Rug, overall red diamond designs on a blue ground, 19/20th century, 7' x 12' 2". Provenance:  A New Hampshire collection.
Estimate $400-700

122. Twenty Eight Staffordshire Bird Form Whistles: a parrot, a turkey, swans, owls, chickens etc., 19th century, chips & glaze loss. Provenance: A New Hampshire and Delaware collection.
Estimate $400-600  

123. Seven Nesting Bird Form Whistles, plus one with eggs, minor chips & decoration loss, 19th century. Provenance: A New Hampshire and Delaware collection.
Estimate $200-400  

124. Three Bird Form Whistles: a blue and gray stoneware with chip; a red and white spatterware and a red, white & blue spatterware with chips to base, 18/19th century. Provenance: A New Hampshire and Delaware collection.
Estimate $200-400  

125. Twelve Miscellaneous Whistles: 3 cups, 2 white porcelain with bird handle; a carved antler; 8 misc. bird and animal forms, 19th century. Provenance: A New Hampshire and Delaware collection.
Estimate $300-500  

126. Continental School Landscape, oil on canvas of a cottage with ducks, unsigned, 21 1/2" x 17 1/2", 19/20th century, beautiful period frame. Provenance: A Southern collection.
Estimate $1,000-1,500

127. Sheraton Mahogany Bow Front Chest, 4 drawers, mahogany top above a conforming case, turret tops to fluted & turned legs, cock beaded drawers, 38 1/2" case x 17 3/4" top depth x 36 3/4" tall, damage to beading, 19th century New England. Provenance: A New Hampshire and Delaware collection.
Estimate $600-1,200  

128. Robert W. Milliken, (1920-?), English, watercolor "Woodcock In Flight," signed lower right, “R.W. Milliken,” 10 1/2" x 14 1/2" sight, nicely framed & matted under glass. Provenance: A Southern collection.
Estimate $900-1,100

129. John F. Norton, 20th century Australian, oil on artist board landscape of a lazy river with a cowboy on a horse by a farm, signed lower right, “JF Norton.” 12 1/2" x 24", label on verso," Prepared Students Academy Board, Windsor & Newton Ltd, 38 Rathbone Place, London, W.", framed. Provenance: A New Hampshire collection.
Estimate $1,000-1,500

130. Florentine Style Italian “Cofanetto,” dome top wooden cask, carved and painted with Florentine Renaissance scenes and crests, top & front side open, inside top leather intricately decorated in gold with dragons & vines in the “Florentine” style, 20 1/4" long x 13" tall x 11 1/2" deep, 19th century. Provenance: A Southern collection.
Estimate $500-700

131. Heriz Room Size Oriental Rug, central medallion on a red ground, some sun fading, 8' 1" x 11' 2". Provenance: A Jackson, NH collection.
Estimate $1,000-1,500

132. Mahogany Sheraton Campaign Day Bed, a wooden folding frame with a carved back, seat, leg rest, set on 4 Sheraton legs resting on wooden & brass castors, adjustable back rest, 73 1/2" long x 23 3/4" wide, 19th century English. Provenance: A New Hampshire and Delaware collection.
Estimate $700-1,000

133. Pair Of Rose Medallion Vases, alternating panels of domestic scenes, 9" tall, drilled as lamps, 19th century Chinese. Provenance: A New Hampshire collection.
Estimate $200-400

134. Jean Baptiste Auguste Clesinger, (1814-1883), France, bronze statue of a “Gypsy Dancer,” signed, “J. Clesinger, Rome 1858,” foundry mark “F. Bardediene, Fonduer,” mark of a circle with a head, “Reduction Neganiote,” 22" tall, brass base.  Provenance: A New Hampshire collection.
Estimate $3,000-5,000

135. Jean Gautherin, (1840-1890), France, bronze statue, “The Sower,” signed on base, “Jean Gautherin, E. Colin & Cie, Paris,” 13" x tall , old patina. Provenance: A New Hampshire collection.
Estimate $1,500-2,500

136. Blue And White Delft Rum Barrel, cream background alternating blue stripes with central scrolled decoration, signed on the bottom, “Soi, Ddon Jr.NDL, Bidall,” 7 1/2" tall, chips to top rim & bung hole, probably 17th century Dutch. Provenance: A New Hampshire collection.
Estimate $1,000-1,500

137. Delft Plaque, blue & white motif with polychrome windmill scene, initialed on verso, 19th century, 22" tall x 18" wide, some edge glaze losses. Provenance: A New Hampshire collection.
Estimate $400-600  

138. Delft Blue And White Charger, willow tree & floral decoration, 13 1/2" diameter, repair to edge,  minor glaze loss, 17/18^th century Dutch. Provenance: A New Hampshire collection.
Estimate $300-500

139. “The Gust Of Wind” Dutch Landscape, oil on board of a young woman on a windy hill, titled on verso and illegibly signed lower right, “RM Ste..?,” 9 1/2" x 11 3/4", not original frame. Provenance: A Massachusetts collection.
Estimate $500-700  

140. Jules Moigniez, (1835-1894), France, bronze casting of attacking falcon/eagle, signed in the casting, “J. Moigniez,” appears to be an early 20th century casting, 21" wide x 26" including the round marble base, old finish. Provenance: A New Hampshire collection.
Estimate $1,000-1,500

141. Two Oriental Scatter Rugs: A - Sarouk - center medallion on an ivory field, 2' 2" x 3' 9 1/2", good condition, circa 1930-40. B - Sarouk - center medallion on a blue field, 3' 6 1/2" x 5' 2", good condition, circa 1960-80. Provenance: A Jackson, NH collection.
Estimate $400-700

142. Stanley Wingate Woodward, (1890-1970), Rockport, MA, oil on artist board of a country home before a mountain, (appears to be Mt Monadnock), signed lower left, “Stanley Woodward,” in red paint, 12" x 16", original gilded and molded frame, originally sold by, “A.H. Davenport Co., Boston,” (remains of old label on verso). Provenance: A Massachusetts collection.
Estimate $1,200-1,800

143. D. Styles, 19th Century, American, tonealist landscape painting which appears to be lake and Mount Chocorua, White Mountains, NH, oil on board, signed lower left, “D. Styles,” 11 1/4" x 20", appears to be the original frame. Provenance: A New York State collection, Burchard Galleries, Florida.
Estimate $500-800

144. Frank Henry Shapleigh, (1842-1906), New England /Florida, watercolor on paper of a home with chickens in the yard, possibly a southern scene, signed lower left, “F.H. Shapleigh 1902,” 13 3/4" x 9 3/4", framed under glass. Provenance: A Massachusetts collection.
Estimate $800-1,200

145. Nunzio Vayana, (1878-1960), Florida/Maine, oil on board landscape of a southern scene, estate stamp on rear, unsigned, 12" x 16", possibly the original frame. Provenance: A Massachusetts collection.
Estimate $800-1,200

146. Stoneware Crock, blue floral decorated, marked, “HW Weston, Jonesdale, PA #4,” 11 1/2" tall, 12" diameter, good condition, 19th century. Provenance: A Massachusetts collection.
Estimate $300-500

147. Stoneware Jug, blue paddle tail bird and floral decoration, marked, “NA White & Son Utica N.Y. #5,” crack top to base, 18" tall, 19th century. Provenance: A New Hampshire collection.
Estimate $900-1,200

148. Ovoid Stoneware Jug, with blue floral decoration marked, “Lyman & Clark Gardiner,” 12 1/2" tall, 19th century. Provenance: A Massachusetts collection.
Estimate $800-1,200

149. Brace Back Fan Back Windsor Side Chair, 7 spindle back with turned posts, saddle seat (crack) over turned leg “H” stretcher base, red and blue paint over black, 38" tall, New England circa 1790. Provenance: A New Hampshire collection.
Estimate $400-700

150. King William IV Creamware Platter, oval platter with blue border and the king’s coat of arms, (Duke Of Cleriva?) in the center, reticulated strainer with history attached, #118 as part of his dinner service  recorded in the Wedgwood Museum, 20 1/2" long x 15 3/4" wide, early 19th century. Provenance: A New Hampshire collection, Wedgwood Museum.
Estimate $3,000-5,000

151. Kashan Oriental Rug, central medallion with floral surround on a red ground, good condition, probably mid 20th century Persian, 6'1" x 9'4". Provenance: A Jackson, NH collection.
Estimate $500-900

152. Warren Brandt, (1918-?), North Carolina, oil on canvas painting of an interior view to a flower garden, signed lower right, “Warren Brandt,” newer metal frame, titled in pencil on the stretcher, “Fall Hydrangeas, 1986,” 31" x 44 ". Provenance: A Maine collection.
Estimate $1,000-2,000

153. Rowland Proctor Elzea, (1931-?), Columbia, MO, oil on canvas board, label on verso, “Anemones, Carspicken-Scott Gallery,” 34" x 30", framed, originally purchased at the Delaware Museum of Art Exhibition, Mr. Elzea was assistant director there. Provenance: A New Hampshire and Delaware collection.
Estimate $600-1,000

153A. Erwin Kettemann, (1897-1971), German, oil on canvas of a snowy alpine & lodge scene bathed in the afternoon light, signed lower left, “E. Kettemann, Mehn,” 24" x 31 1/2", probably the original frame, pencil inscription on the stretcher on verso in German, as to location, 3 small patches. Provenance: A New Hampshire collection.
Estimate $700-1,000

153B. Johann Barthold Jongkind, (1819-1891), Dutch, oil on wooden panel of an evening canal scene with a man pulling his boat along, signed lower left, “Jongkind,” 9 1/2" x 14 3/4", set in old gilded frame liner. Provenance: A Hancock, NH estate.
Estimate $2,000-5,000

154. Maud Mary Mason, (1867-1956), Connecticut, oil on canvas still life of a saint with plants, signed lower right, “Maud Mason,” 40" x 30" restored, gilded frame. Provenance: A New Hampshire collection, Skinners.
Estimate $500-750  

155. Carl Milles, (1875-1955), Bloomfield Hills, Michigan/Sweden, plaster casting of a head, possibly in preparation for a bronze casting, signed on the side of his neck, “C. Milles,” 5 3/4" tall x 5" wide. Provenance: A New Hampshire collection.
Estimate $500-700

156. Crown Milano Biscuit/Cracker Jar, silver plated lid with butterfly handle on a round glass body with raised gold oak leaf design, marked on the bottom with a crown over CM conjoined, “Mt. Washington Glass Works,” circa 1900, 8 1/2" tall (handle up), 7" diameter body. Provenance: A Milford, NH collection.
Estimate $600-1,000

157. Pineapple Carved Empire Chest Of Drawers, deck top with 2 drawers over 4 drawers with cookie corner and carved column corners, all set on 4 turned legs, New England early 19th century, 39 3/4" case width x 20" deep x 44" tall, old Chippendale brasses are replacing a center knob pull. Provenance: A Jackson, NH collection.
Estimate $300-500  

158. Arita Blue And White (Sometsuke) Bowl/Charger, bold decoration of 2 game birds by a river and foliage, 22" diameter x 4 3/4" deep, edge chips, Japanese, probably 17th century. Provenance: A New Hampshire collection.
Estimate $1,500-2,500

159. Three Piece Bronze Clock Garniture Set, a center ball form clock with Roman numerals, upheld by 3 putti set on a plum color marble base, embellished with applied bronze swags flanked by a pair of floral form candelabra and upheld by a single putti set on a similar base, probably early 20th century French. Provenance: A New Hampshire collection.
Estimate $1,500-2,500

160. English Hepplewhite Chest Of Drawers/Server, rectangular banded edge top over 2 over 3 graduated banded drawers, set on a bracket base, 47 1/2" wide x 20 1/2" deep x 43 1/2” tall, Chippendale brasses replace a center pull knob, 19th century, England. Provenance: A Jackson, NH collection.
Estimate $500-1,000

161. Caucasian Oriental Scatter Rug, 6 central lozenges, brown & brick on ivory field, circa 1930, 4' 2" x 9' 8”. Provenance: A New Hampshire estate.
Estimate $400-700

162. English Hepplewhite Card Table, “D” form, line inlaid, molded edge top set on a conforming line inlaid case with a central panel with inlaid rooster, green wood background, supported by 4 square tapering inlaid cuffed legs, (2 swing) ending in brass cup castors, 35 1/2" wide x 17 1/2" deep x 29" tall, 18/19th century, English. Provenance: A Jackson, NH collection.
Estimate $600-1,000

163. Chippendale Style Mirror, a mahogany veneered frame, embellished with gold molded plaster decoration, an eagle finial, 37" tall x 18" wide, 20th century. Provenance: A Jackson, NH collection.
Estimate $200-300  

164. Mahogany Hepplewhite Card Table, a fold over cut corner top with rope inlaid edge resting on a conforming rope inlaid case upheld by 4 square tapering legs, one swing, 37" wide x 20 1/2" deep x 29" tall, probably 19th century English. Provenance: A New Ipswich, NH collection.
Estimate $400-600  

164A. Quarter Plate Ambrotype Of Civil War Confederate, “Capt. Julius Mills” of Chester, South Carolina. The un-tinted ambrotype image is clear and clean, mounted in its original leather trimmed case, 4 1/4" x 3 1/4" wide, missing its cover. A later albumin photograph by “Tennies, Columbia, S.C.,” is included and is inscribed in pencil on verso, with some of Capt. Mills’ service history with the “Company F. 23 S.C.V., Oct. 8th, 1864.” Lot also includes a typed “Extract From My Life In the Civil War,” by Lyman A. Baker and assorted family lineage notes. Provenance: A New Hampshire collection.
Estimate $300-400

164B. “Union Volunteer Refreshment Saloon Of Philadelphia Being The First Institution Of It’s Kind In The U.S.”….lithograph by “J. Queen, Del Lith, T. Sinclair’s Lith., 311 Chestnut St. Phila.,” color image, 16 1/4" x 27", some foxing throughout and water staining across bottom and up left side, only partially in the image, framed under glass. Provenance: A New Hampshire collection.
Estimate $300-500  

165. World War II Era Japanese Samurai Sword, with period mounts and scabbard. Blade measures 27 1/2" long to the hilt, good condition. Provenance: A New Hampshire collection.
Estimate $200-300  

166. Chinese Polychrome Pottery Horse And Rider, biscuit colored ground with orange, green & black decoration, chip to rider sleeve, 10 1/4" tall, probably 18th century or earlier. Provenance: A New Hampshire collection.
Estimate $800-1200

167. Pair Of Blue & White Chinese Covered Jars, baluster form, dragon motif, 18" tall, probably 19th century Chinese. Provenance: A New Hampshire collection.
Estimate $1,500-2,500

168. Chinese Wine Cooler, Asian hardwood, contained by 2 bronze bamboo form bands, 2 handles on opposing sides, 2 part lid, one side has carved decoration, 22" square, 14 1/2" tall, 19/20^th century, Chinese. Provenance: A New Hampshire and Delaware collection.
Estimate $200-400  

169. Four Japanese Block Prints, 3 are “Toyokuni III” the other “Hiroshige,” depicting Japanese scenes, all are approx. 13 1/2" x 8 1/2" and taped down & matted, 20th century. Provenance: A New Hampshire collection.
Estimate $450-900

170. Chinese Pottery Horse, biscuit colored clay, monochrome, 10 1/4" tall, damage to base & legs, probably 18th century. Provenance: A New Hampshire and Delaware collection.
Estimate $500-700

171. Tibetan Oriental Runner, cream ground & salmon border, some wear, staining, 6' 4" x 25' 5", 20th century. Provenance: A New Hampshire collection.
Estimate $500-1,000  

172 Japanese Ivory Netsuke, a highly detailed carving of an old Samurai standing holding a folded fan behind his back, a Katana and a matching Wakizashi sword tucked beneath his ornate silken robes. Signed on an inset piece, red ivory, 2 1/4" tall, excellent original condition. Provenance: A Peterborough, NH collection.
Estimate $500-600

173. Japanese Ivory Miniature Carving, highly detailed of a male rat with his front legs resting on a piece of bamboo (?). Signed in it’s under side, 2" tall, 19/20th century, in excellent original condition. Provenance: A Peterborough, NH collection.
Estimate $300-400

173A. John Varley, (1778-1842), British, landscape, “Borrowdale Langdale Pike,” see label attached to verso, signed lower left, “J. Varley” (plus a date? under the signature), 12 1/8" x 18 1/4" sight, matted and framed under glass, not taken out of the frame. Provenance: A New Jersey collection, New York Gallery.
Estimate $10,000-15,000

174. Seventeenth Century Continental Bed Valance/Hanging, metal thread woven into applied decoration on a red brocade, some tassels missing and age damage, along with extra fabric & braiding, 2 side pieces and 2 end pieces, 7' 2" long. Provenance: A New Hampshire and Delaware collection.
Estimate $500-1,000

175. Silhouette Of Family Group, 9 members, labeled on the verso, “Field Marshall and General Von Schladen 1730-1806, wife mother & his 6 children,” 8 1/4" x 13 1/2", under glass, veneered frame, 19th century Continental. Provenance: A New Hampshire collection.
Estimate $500-700

176. Porcelain Covered Tureen And Under Plate, white ground, blue & red floral decoration, gilt accents, 10" tall, 10" diameter, mated crossed swords, “R-n, Rauenstein, Germany,” circa 1783, staple repaired handle. Provenance: A New Hampshire collection.
Estimate $300-500

177. Icon, “Saint George Slaying The Dragon,” multi metal, brass, silver, pewter, painted face & arms, 1 7/8" x 1 5/8", backed with velvet, gold frame, Continental 18/19th century. Provenance: A Vermont estate.
Estimate $300-500

178. Mathew Deroche, 19th century, French oval enamel portrait of a woman in white, signed left edge and on the verso, “73617, Mathew Deroche 39B Sa Capucines, Paris Ys Prix 1900,” 4 1/2" long, 3 1/2" wide. Provenance: A New Hampshire collection.
Estimate $600-900

179. Mortar Cast Iron, “1725” and “DD” in casting, cylindrical handles, possibly for mounting in a stand, a flaring rim tapering to rounded bottom in interior, 6 3/4" tall, 7" top diameter. Provenance: A New Hampshire and Delaware collection.
Estimate $300-500

180. Three Wooden Garnitures, all hand carved, pair of wall hung floral leaf and fruit pieces, 29 1/2" long, a walnut fruit & leaf carving tied bow missing part of the lower circle, 11" long, 8" wide, 19th century. Provenance: A New Hampshire collection.
Estimate $300-500

181. Lillihan Oriental Rug, an overall floral design on a camel field & red border, 7' x 10' 5", 20th century. Provenance: A New Hampshire collection.
Estimate $700-900  

182. Irene D. Fowler, (1884-1967), Colorado, watercolor on paper landscape of a western mountain scene, signed lower left, “Irene D. Fowler,” 17 1/4" x 11 1/2" sight, framed & matted under glass. Provenance: A Massachusetts collection.
Estimate $400-600

183. Robert Philipp, N.A. (1895-1981), New York, oil on board portrait of a young girl, signed lower right, “Philipp” and on verso “R. Philipp,” 9 1/2" x 6 1/2", newer frame. Provenance: A Massachusetts collection.
Estimate $750-1,000

184. Portrait Of A Young Woman, pastel on paper, wearing a hat with a rose, unsigned, 18 3/4" x 14 3/4" sight, 1920’s, nicely framed & matted under glass. Provenance: A Massachusetts collection.
Estimate $300-500  

185. Irene Hodes Newman, (1939-1962), Cameron, MO, watercolor, “French Sailors on the Boulevard of Dreams,” 20 1/4" x 26 1/4" framed under glass. Provenance: Hirschl & Adler Galleries, New York City, from Artist’s estate.
Estimate $300-500

186. George Kenneth Hartwell, (1891-1949), New York, limited edition lithograph, 7/30, titled “And Far Into The Night,” pencil signed lower right, “Kenneth Hartwell, IMP, 1932,” 11 1/4" x 15 1/2", unframed. Provenance: A Southern collection.
Estimate $400-600

187. “Stroud” Baby Grand Player Piano, mahogany case with center roller action, electric driven, plays but needs some tuning and servicing, 55" wide case x 61" long. Has numerous paper rolls in the box. Provenance: A New Hampshire collection.
Estimate $500-1,000

188. Irene Sutcliffe, (1873-?), England, attributed oil on canvas landscape, monogrammed lower right, (I & S conjoined), 40" x 53", framed. Provenance: A New Hampshire collection.
Estimate $300-500  

189. Karabaugh Scatter Rug, three lozenges on a red field, 5' x 7' 9", 20th century. Provenance: A New Hampshire collection.
Estimate $500-700

190. Blue And White Delft Charger With Floral Motif, shaped edge, 13 3/4" diameter, large chip to edge, probably 17th century. Provenance: A New Hampshire collection.
Estimate $200-400  

191. Ruth Payne Burgess, (1865-1934), Vermont/New York, watercolor on paper portrait of a young woman with a hat and a violin, signed lower left, “Ruth Payne Burgess,” 18 1/4" x 11" sight, nicely framed under glass. Provenance: A Massachusetts collection.
Estimate $300-500  

192. Tom Blackwell, New Hampshire, contemporary oil stick on canvas painting of a “Blue Heron Flying,” 40 1/2" x 60", newly framed under Plexiglas. Provenance: A Hancock, N.H. estate.
Estimate $3,000-5,000

193. Chinese Oxblood Vase, 22 1/4" tall vase with flaring gray rim, 7 3/8" diameter, body has some gray flecks, 2 hair line cracks on rim, 19th century Chinese. Provenance: A New Hampshire collection.
Estimate $600-800

194. Stuyvesant Van Veen, (1875-1961), New York/California, charcoal on paper of an old woman, signed lower left, “Stuyvesant Van Veen 47,” 9 1/2" x 7 1/2" sight, framed & matted under glass. Provenance: A Massachusetts collection.
Estimate $500-700  

195. Paint Decorated Blue Blanket Chest, with linked red ovals, a central heart & corner spandrels, shaped bootjack ends, applied molding at the lower case, 39 1/2" long x 15 3/4" deep, 20 1/2" tall, paint loss to top, red decoration possibly later, 18/19th century, New England. Provenance: A Massachusetts collection.
Estimate $600-1,000

196. Red Paint Blanket Chest, shaped bootjack ends, applied molding to the bottom of the case, interior till, butt hinges, 37 1/2" long, 15 1/4" deep, 20" tall, 19th century American. Provenance: A Massachusetts collection.
Estimate $300-500  

197. Gray Painted Sea Chest, applied beckets for old rope handles, canted front, 2 interior tills & shelf, molded lid, 3 strap hinges, 50" long, 18" deep, 17" tall, paint loss to top, 18th century American. Provenance: A New Ipswich, NH collection.
Estimate $300-500  

198. Mountain And River Landscape, oil on canvas, signed on verso, “Marrik? Allen, 1865,” 15" x 24". Provenance: A Massachusetts collection.
Estimate $500-900

198A. Chinese Bone Table Screen, heavily carved double sided circle and plinth, set on a rectangular footed base, 21" tall x 14" wide, gallery on base and one piece missing, circa 1900 Chinese, multi piece carving is highlighted with green & red paint.  Provenance: A New Hampshire collection.
Estimate $600-800

198B. Imari Pitcher, floral garden decoration on one side a poem on the other, 8" tall, signed on bottom, 19th century Japanese, small edge chips on bottom. Provenance: A New Hampshire collection.
Estimate $300-500  

199. Charles B. Russ, (1825-1920), Massachusetts, watercolor on paper landscape of a woodland scene with 2 people, signed lower right, “C.B. Russ, 1886,” 19 1/4" x 13 1/2" sight, nicely framed & matted under glass. Provenance: A Massachusetts collection.
Estimate $300-500  

200. Covered Satsuma Sensor, domed cover with a gilded foo dog finial set on a double foo dog handled body decorated with Samurai figures all set on 3 figural paw feet, 18" tall, some wear to gold, 19th century Japanese. Provenance: A New Hampshire collection.
Estimate $400-600

201. Tekke Bokhara Oriental Scatter Rug, red, black & cream lozenges, 3' 5" x 4' 2", early 20th century. Provenance: A Peterborough, NH collection.
Estimate $250-350  

202. New Hampshire Maple Chest On Chest, top section has 5 graduated lipped drawers, a bottom section with 4 graduated lipped drawers, set on an applied bracket base, married, refinished, restored and replaced brasses, 18th century. Provenance: A Hancock, NH estate.
Estimate $1,500-2,500

203. M. Hoppins, oil on canvas still life of roses, illegibly signed lower right, “ME Hoppins? 1901,” 15" x 12", nice ornate period frame. Provenance: A Massachusetts collection.
Estimate $150-300  

204. Herbert Jacob Gute,(1908-1977), Connecticut, watercolor/acrylic on artist board of a ship, signed lower right & written on verso, “Prow -The Whaler, locale Mystic, CT, Ship the Morgan,” 22" x 29 7/8", framed. Studied at Pratt Inst., assoc. prof. at Yale School of Design. Provenance: A Massachusetts collection.
Estimate $300-500

205. Mahogany Empire Card Table, serpentine molded edge top, conforming case with 4 reed turned legs, the front legs with spool & leaf carving, 37 1/4" wide x 17" deep x 30" tall (closed), old refinished condition, MA or NH, circa 1810. Provenance: A Hancock, NH estate.
Estimate $400-700

206. Pine Chippendale Chest Of Four Drawers, 4 drawers tall with split drawer top. 3 lower drawers flanked by fluted pilasters, replaced brass, restored bracket base, refinished, 38 1/2" wide x 20" deep x 33 3/4" tall, 18/19th century American. Provenance: A California collection.
Estimate $400-600

207. Arthur Wesley Dow, (1857-1922), American, color woodcut, “River Reflection,” about 1910, 2 1/4" x 3 7/8", framed under glass. Provenance: Hirschl & Adler Galleries, NYC, from the artist’s estate.
Estimate $450-650

207A. Arthur Wesley Dow, 2 Prints: A - color relief, “Lilly,” from “Ipswich Prints, Series F, 1901,” 5 1/2" x 4 1/8", framed under glass, from the artist’s estate. B - “Village Roofs,” ink on paper, “Ipswich prints series, K print #1,” 4 1/4” x 5 1/2”. Provenance: Hirschl & Adler Galleries, NYC.
Estimate $400-600

208. After John James Audubon, (1785-1851), New York, Lith Print & Colored by J.T. Bowen, PA, 7 octavio size hand colored prints (7" x 11"), some corner damage: A - Green Heron, male & young. B - Green Blue Heron, male. C - Canada Goose, male & female. D - American Swan, male. E - Wild Turkey, female & young. F - American Coot. G - Belted Kingfisher, male & female. Provenance: A New Jersey estate.
Estimate $1,000-1,500

209. After John James Audubon, (1785-1851), New York, Lith Print & Colored by J.T. Bowen, PA, 4 octavio size, hand colored prints (7" x 11"), some corner damage & edge discoloration: A - Broad Wing Buzzard. B -Red Tailed Buzzard. C - Caracara Eagle. D - California Turkey Vulture. Provenance: A New Jersey estate.
Estimate $500-800  

210. After John James Audubon, (1785-1851), New York, Lith Print & Colored by J.T. Bowen, PA, 4 octavio size hand colored prints (7" x 11"), some corner damage: A -Jengmalm’s Night Owl. B - Snowy Owl. C - Barn Owl. D - Great Horned Owl. Provenance: A New Jersey estate.
Estimate $500-800  

211. After John James Audubon, (1785-1851), New York, Lith Print & Colored by J.T. Bowen, PA, 4 octavio size hand colored prints (7" x 11"), some corner damage: A - Mink, male & female, drawn in stone by R. Trembly. B - American Red Fox, drawn on stone by Wm. E. Hitchcock. C - Black Rat, drawn in stone by R. Trembly. D - Hudson Bay Squirrel, Chicara Red Squirrel, drawn on stone by R. Trembly, printed by Nagell & Wiengartner, NY & colored by J. Lawrence. Provenance: A New Jersey estate.
Estimate $500-800

212. After John James Audubon, (1785-1851), New York, Lith Print & Colored by J.T. Bowen, PA, 7 octavio size hand colored prints (7" x 11"), some corner damage: A - American Golden Plover. B - Kildeer Plover. C - Bartramian Sandpiper. D – Pectoral Sandpiper. E - Yellow Shanks Snipe. F - Semipalmated Snipe, Willet or Stone Curlew. G - Wilson’s Snipe, Common Snipe. Provenance: A New Jersey estate.
Estimate $1,000-1,500

213. Southern Cheyenne Young Woman’s Buckskin Dress, cowry shells and bead decoration. Top blouse stained yellow ochre along with a German silver Concho belt, 48" long, circa 1890, see Art of the American Indian Frontier, page 178 by Chandler & Pohrt. Provenance: A New Hampshire Native American collection.
Estimate $2,000-5,000

214. Native American Pair Of Blackfoot Moccasins, rawhide soles, trade cloth cuff and floral and geometric bead decoration, circa 1930-40, 11 1/2" long. Provenance: A New Hampshire Native American collection.
Estimate $800-1,500

215. Native American “Cree” Tobacco Bag, buckskin bag with floral bead work decoration on 2 sides, 26 1/2" long including fringe, circa 1900. Provenance: A New Hampshire Native American collection.
Estimate $800-1,200

216. Native American “Sioux” Tobacco Bag, buckskin bag with geometric bead decoration on both sides and replaced porcupine quill wrapping on the slats, 34" long including the fringe. Provenance: A New Hampshire Native American collection.
Estimate $1,500-2,500

217. Native American “Chippewa” Shoulder Bag, overall geometric bead decoration on trade cloth, 30" long x 9" wide, circa 1880-90. Provenance: A New Hampshire Native American collection.
Estimate $1,000-2,000

218. Native American “Yute” Doll Cradle Board, buckskin covered board and pouch with a twig visor, some bead decoration accents, 27 1/2" long x 13 1/2" wide, circa 1970’s. Provenance: A New Hampshire Native American collection.
Estimate $300-500

219. Native American Stone/Beaded War Club, rawhide binding stone heated, white green & red beading in 3 places on stitched rawhide covered wooden shaft, 26 1/2" long a beaded & rawhide decoration dangles from the shaft, probably Sioux, 19/20th century. Provenance: A New Ipswich, NH estate.
Estimate $200-300

219A. Native American Basket & Paddle: A - Woven oval basket (losses) with a dark zigzag decoration, 5 1/2" tall, 19th century. B - Carved wooden paddle with diamond handle & tapered blade, 19/20th century, 56 1/2" long. Provenance: A New Ipswich, NH collection.
Estimate $200-300  

220. Native American Basket With Lid, finely woven with horizontal designs of flowers on the body and geometric designs on the lid, 10 1/4" w x 7 1/2" tall, early 20th century, some sun fading. Similar in design to some North West designs but with a different weave. Provenance: A Southern collection, Skinners Native American Auction.
Estimate $600-800

221. Karabaugh Scatter Rug, blue and green geometric design on a red field, 5' x 7' 9", good condition, circa 1925. Provenance: A New Hampshire collection.
Estimate $900-1,200

222. Danish School Seascape, oil on canvas of people at a rocky shore, illegibly signed lower left and on verso, “Margrile?,” also painted on the reverse, 11 1/2" x 19 1/2", late 19/20th century, old wooden frame. Provenance: A Massachusetts collection.
Estimate $300-500

222A. J. Stoll, Continental School, oil on canvas of 2 men in a kitchen, signed lower left, “J. Stoll,” 16 1/2" x 21 1/2", hole, nice ornate frame, not original, late 19/20th century. Provenance: A Southern collection .
Estimate $1,500-2,000

222B. J. Stoll, Continental School, oil on canvas of 2 men playing cards, signed lower right, “J. Stoll,” 16 1/2" x 21 1/2", 2 tears, repairs, nice ornate frame, not original, late 19/20th century. Provenance: A Southern collection.
Estimate $1,500-2,000

222C. A. Pucci, Continental School, oil on canvas of a young woman burning a letter, signed lower right, “A. Pucci,” 18 3/4" x 12 1/4", 19/20th century. Provenance: A Southern collection.
Estimate $1,500-2,000

222D. Continental School, oil on canvas, impressionistic painting of a Spanish peasant lady, signed upper right, “R.B…?” remains of exhibition label & 2 gallery stamp labels , “the Artist Gallery, N.Y.C., AC,” in circle on verso, 37" x 29", original frame, untouched. Provenance: A Winchester, MA collection.
Estimate $2,000-3,000

223. Ten Pieces Of Clear Glass: Hand blown Pittsburgh type vase; cut decanter with sterling silver sherry collar; 4 Irish cut master salts (1 chipped); 4 pressed cordial glasses, 19th century. Provenance: A New Hampshire and Delaware collection.
Estimate $200-300

224. Cut Glass Cruet Set, a pair cut stopper bottles set in a cut glass holder, 9 1/2" tall, 19th century. Provenance: A New Hampshire and Delaware collection.
Estimate $100-200

225. Manchester Sterling Silver Table Service, 1937, “Duke Of Windsor,” partial set for 8: 8 dinner knives, 8 forks, 13 tea spoons, 5 luncheon forks, 5 soup spoons & 2 butter knives. Provenance: A Peterborough, NH collection.
Estimate $400-700

226. Six Coin Silver Serving Pieces: A - Ladle -shell handle and gold wash oval bowl, patent 1862. B - Pair, “A.C. Benedict & Bower,” spoons (1 shell bowl) and chased pie/cake server (bent) serving wedge. C - Swedish table spoon dated 1779, “FR” makers mark. D - Shell bowl serving spoon, “Mary & Lewis” mark. Provenance: A Peterborough, NH collection.
Estimate $400-700

227. Miscellaneous Sterling Silver Flatware: A - one “Tiffany & Co.” serving spoon, mask decoration. B - “Gorham” table spoon, initialed, “G.” C - “Gorham” pickle fork, initiated, “PH.” D – Five “Gorham” silver plated forks & spoons. Provenance: A Peterborough, NH collection.
Estimate $300-500

228. “800” German Silver Table Service - 66 pieces, “Gebr. Muller, Stuttgart, Germany,” initialed, “L”: 10 dinner knives, 8 table spoons, 13 tea spoons, 7 small spoons, 7 butter knives, 7 dessert spoon/fork, 3 fruit knives, 5 luncheon forks, 5 dinner forks and 1 serving spoon. Provenance: A Peterborough, NH collection.
Estimate $300-500  

229. Lot Of Sheffield Silver Plate: A - Three piece tea set, tea pot, sugar, & creamer, chase design on each body with the initial, “D”. B - Two pair of candlesticks, 1 bobeche is replaced & 2 are missing. Provenance: A Massachusetts collection.
Estimate $200-400

230. French Louis XVI style Desk & Side Chair, mahogany & rosewood, top with 5 herringbone veneered drawers flanked by carved pilasters, lower section with fold over tooled leather writing surface, over a single wide central drawer set on a turned medial stretcher base, 36" wide x 23" x 38" tall. Both English/French 19/20th century. Provenance: A Boston collection.
Estimate $600-1,000

231. Five Pieces Of Lighting: A - Two cut & frost globes, 10" tall x 3 1/4" at brass neck and 6 1/4" x 3 1/4" at neck. B - Cut glass peg lamp with, “Stern Bros., N.Y. Kero burner.” C - French 4 arm brass & glass wall sconce, 10 1/4" tall x 10 3/4" wide. Provenance: A New Hampshire and Delaware collection.
Estimate $200-300  

232. Philadelphia “Busy Body” Reflecting Mirror, a triangular tin frame inset with mirrored glass, fitted to seat on a post outside a window, 13 1/4" wide, 18/19th century. Provenance: A New Hampshire and Delaware collection.
Estimate $400-600

233. Two Tin Lighting Devices, an electrified barn lantern side light with glass doors & sides. A make-do epergne/candelabra on a milk glass base, 19th century. Provenance: A New Hampshire Delaware collection.
Estimate $200-300   

234. Primitive Portrait Of A Boy, oil on board holding a ball in white dress, 16" x 10", gold frame, 19/20th century. Provenance: A New Hampshire collection.
Estimate $400-700

235. Polychrome Patchwork Quilt, hand stitched, 3,000 pieces, “Tulip Around The World, Grandmother’s Dream,” washed, circa 1920, 74" x 90". Provenance: A Midwestern collection.
Estimate $300-500

236. Patchwork Quilt, “Double Wedding Ring,” yellow background, shaped edges, 90" x 68", hand quilted, washed, circa 1930.  Provenance: A Midwestern collection.
Estimate $200-300  

237. Patchwork Quilt, “Grandmother’s Flower Garden,” pastel colors, hand quilted, 84" x 72", washed, circa 1930. Provenance: A Midwestern collection.
Estimate $200-300  

238. Patchwork Quilt, “Daisy Appliqué,” pastel colors, hand quilted, 83" x 70", washed, circa 1930. Provenance: A Midwestern collection.
Estimate $200-300  

239. Patchwork Quilt, “Dresden Plate,” polychrome, cream background, 74" x 72", patchwork border, good condition, circa 1930. Provenance: A Midwestern collection.
Estimate $200-300  

240. Patchwork Quilt, “Dresden Plate,” medium green background, border, reverse chintz floral pattern, 78" x 84", circa 1930. Provenance: A Midwestern collection.
Estimate $200-300  

241. Patchwork Quilt, a sampler of varying designs with some chintz pieces, browns, creams, red, blue, 96" square, hand quilted, mid 19th century, some losses. Provenance: A Midwestern collection.
Estimate $400-500

242. “Lady Eden,” School Of John Singer Sargent, oil on canvas study or copy of the 1906 painting by “John S. Sargent,” now in the Philadelphia, Museum Of Art, #513, S. Sargent Abroad.” A double sided painting, 18" x 15", no stretcher or frame. Provenance: A Massachusetts collection.
Estimate $400-800

243. Oil On Canvas Landscape, figures in a golden field in front of a village, illegibly signed lower right, possibly Kooning?, 19 1/2" x 28 5/8", original wooden frame. Provenance: A Massachusetts collection.
Estimate $200-400  

244. John Edmund Califano, (1862-1946), Illinois/California, oil on canvas full length portrait of a young woman playing a mandolin, signed lower left, “J. Califano,” 26 3/4" x 16", crackle throughout, minor paint loss near signature, old gold frame. Provenance: A Florida collection.
Estimate $900-1,200

245. Hepplewhite New Hampshire Card Table, rectangular fold over top and case with a wide lipped drawer, all set on 4 tapered legs, 36" wide x 17 1/4" deep x 28 1/2" tall (closed), refinished, water stain on top, maple & pine, late 19th century. Provenance: A Hancock NH collection.
Estimate $400-700

246. Robert Henri, (1865-1929), New York/ Pennsylvania, “Head of a Man in a Beret,” pencil, brush and India ink drawing, signed lower right, “RH” (embossed estate stamp), 4 1/4" x 2 5/8".  Provenance: Hirschl & Adler Galleries, NYC.
Estimate $450-650

246A. Michael Lyne, (1912-1989), British/USA, attributed watercolor/gouache on paper landscape, unsigned, “#504” on front, titled on verso, “The Goldensbridge Hunt: Carlo Paterno’s Home,” (see label on verso on our website), 8" x 13 1/4" sight, framed & matted under glass. Provenance: A Southern collection.
Estimate $800-$1,000

247. Patchwork Quilt, fan design, 74" x 78", washed, 20^th century.
Estimate $200 - 300  

248. Frank Joseph Reilly, (1906-1967), American, oil on canvas seascape of a stormy inlet with 2 boats, signed lower left, “F.J. Reilly, 1900,” 16" x 26", nice gold frame. Provenance: A Massachusetts collection.
Estimate $300-500  

249. Pewter Coffee Pot, marked on bottom “HH Graves,” Henry Graves, Middletown, CT, pewter handle, 8 1/2" tall, minor denting & base repairs, mid 19th century. Provenance: A New Ipswich, NH collection.
Estimate $200-300

250. Two Fire Buckets: one marked, “Wm C. NYE, 1823,” good condition, the other is rough, both missing handles, 19th century, American. Provenance: A New Hampshire and Delaware collection.
Estimate $200-300  

251. Chinese Ivory Open Work Box, the top with birds & flowers, side with bamboo, set on carved feet, 4 1/2" wide x 3" deep, 2" tall, 19th century Chinese. Provenance: A Massachusetts collection.
Estimate $200-300  

252. Wilhelm Hunt Diederich, (1884-1953), New York, 2 original drawings, both framed under glass. A - Man and Animals,” sketch for ASPCA no.4, 1953, pencil on paper, 8" x 10 1/2". B - “Horse Sketch” about 1925, pencil on paper, 6" x 4". Provenance: Hirschl & Adler Galleries, NYC.
Estimate $250-450  

253. Chinese Umbrella Stand, bamboo form with dragon motif, brown mottled decoration, umber accents, bottom replaced with concrete, 24 3/4" tall, probably 19th century. Provenance: A New Hampshire collection.
Estimate $250-350  

254. Smith Egbert, b. 1879, American, pastel on paper of 3 hanging woodcocks, signed lower tight, “S. Egbert,” 26" x 11", framed under glass. Provenance: A Massachusetts collection.
Estimate $200-300  

255. Margaret R.C. Warren, SC, 20th century bronze boot scraper, a horse jumping a fence, signed on the base, 11 1/2" long, 5 1/2" tall. Provenance: A New Hampshire collection.
Estimate $200-300  

256. Bronze Whippet, miniature casting, 2 1/2" tall set on double wooden base, unsigned. Provenance: A New Hampshire collection.
Estimate $200-300  

257. Louis Charles Hippolyte, (1815-1865) French, bronze full body figure of poet, “J.P DeBeranger,” designated on base, scratch signed, “Buhot’” on top of base & stamped, “Susse….,” on side, 11 3/4" tall. Provenance: A New Hampshire collection.
Estimate $500-700

258. Wooden Compote And Drafting Set: A - “McAllister & Co. Philadelphia,” labeled, “Mathematical Instruments,” shagreen case fold over lid, as is, bottom missing, 7" tall. B - 18/19th century turned wooden compote, 12 1/2" diameter, 2 early cracks with old metal staples, old color probably French. Provenance: A New Hampshire and Delaware collection.
Estimate $300-500  

258A. Bronze Nude, classical form, illegibly signed on base, “….and,” set on a marble base, 10" overall height. Provenance: A New Hampshire collection.
Estimate $200-300  

258B. French Bronze Plaque/Dish, fire gilt bronze crinkled basket border with 2 figural handles surrounding a bronze plaque depicting women working with game in the kitchen, 5 1/2" wide including handles, 19th century. Provenance: A Jaffrey, NH collection.
Estimate $200-300  

259. Harry Shokler, (1896-1978) Cincinnati, OH, screen-print in colors of a still life of flower in a vase, signed lower left, “Harry Shokler,” nicely framed & matted under glass. Member of the National Serigraph Society, author of The Artist’s Manual for Silkscreen Printmaking, 1946, 14 1/2" x 12" sight. Provenance: A Massachusetts collection.
 Estimate $400-700  

260. Chinese/Korean Pottery Jar, barrel form, panels with incised decoration of people surrounding body, green decoration, 18" tall, early 20th century. Provenance: A New Hampshire collection.
Estimate $250-350  

261. Oriental Stone Buddha, carved full body, mottled green granite, 28" tall, 20th century. Provenance: A New Hampshire collection.
Estimate $200-300  

262. Chinese Bronze Planter, Barrel form, lion/foo dog heads as handles, carved wooden base, hand hammered, 24" diameter including handles, 17 1/2" tall, 17/18th century. Provenance: A New Hampshire collection.
Estimate $600-900

263. John Wood Dodge, (1807-1893), New York, watercolor and gouache painting on a print of a young woman reclining, vase of flowers with a snake, signed lower right, “J.W. Dodge 1887,” 14" x 20" gold molded & gessoed frame 5 3/4" wide. Provenance: A New Hampshire collection.
Estimate $600-900

264. Oil On Canvas Landscape, with a young woman in a blue dress in a boat, signed, “Gulley,” lower right, 16" x 20", not original frame. Provenance: A Massachusetts collection.
Estimate $300-500  

265. Bronze Floating Candle Center Piece, a hand blown glass bowl, with Greek key design set in a gilded bronze holder embellished with bird finials & chain swags, 13 1/4" tall x 10 7/8" bowl diameter, 19/20th century French. Provenance: A New Hampshire collection.
Estimate $600-900

266. Thomas Bailey, 20th century American, oil on canvas of a clipper ship at sea, signed lower right, “T. Bailey,” 23" x 31", “Parker” labeled cherry frame is original. Provenance: A Hancock, NH estate.
Estimate $400-600  

267. Bow Back Windsor Side Chair, bamboo turned, 17 1/2" tall, leather upholstered seat, chipping to black paint, 19th century American. Provenance: A New Hampshire collection.
Estimate $300-500  

268. Mahogany Late Chippendale Side Chair, arched back, carved splat, stretcher base, over upholstered seat, back repair, 38" tall x 22" wide (seat), 18th century American. Provenance: A New Hampshire estate, Melbourne House, Newport, RI.
Estimate $200-300  

269. Hepplewhite Style Mirror, mahogany veneered inlaid accents, gold painted urn & side embellishments, 48" tall x 19 1/2" wide. Provenance: A Jackson, NH collection.
Estimate $200-300  

270. Chinese Storage Box, rectangular, covered, with cut corners, divided top, wooden interior, brass banding, handles & escutcheon, 19" long x 14" wide x 13" tall, 19/20th century. Provenance: A New Hampshire collection.
Estimate $100-200

271. Six Oriental Lamps and Shades, 2 cloisonné, 4 porcelain 12" to 16" tall without shades, all come with quality modern shades, 20th century. Provenance: A Jackson, NH collection.
Estimate $200-300  

272. Chinese MOP Inlaid Panel, intricately inlaid mother of pearl, abalone etc., basket of flowers set in an a lacquered covered panel, appears to be 19th century, cracks & inlay restorations, 23" x 17", matted & framed under glass. Provenance: A Jackson, NH collection, Herrod’s England.
Estimate $300-500

273. Two Chinese Trays, hardwood, carved top surface, handles & rims, 7 3/4" and 12" diameter, black color, larger is warped, 19/20th century. Provenance: A New Hampshire collection.
Estimate $100-200  

273A. Korean Porcelain: A - Water Buffalo style water dropper, blue & white porcelain, 3 3/4" long, 19th century or earlier. B – Rice Cake dish, white glazed porcelain, 18/19th century, 5 3/8" diameter x 2 3/4" tall. Provenance: A New Hampshire collection.
Estimate $200 -300  

274.    D. DePaolo, oil on canvas landscape of a farm scene with haystacks, signed lower right twice, “D.DePaolo,” 23" x 29 1/2", gold frame. Provenance: A New Hampshire collection.
Estimate $300-500  

275. American School Trout Painting, oil on artist board of 2 trout still life, New York artist board label, 14" x 17", unsigned, oak frame, late 19th century. Provenance: A Florida collection.
Estimate $150-250  

276. Primitive Landscape Winter House Scene, American, oil on canvas, 24" x 36", 3 tears and a repaired hole, probably 19^th century, “Boston Artist Supply,” label on stretcher, old gilded frame.  Provenance: A Massachusetts collection.
Estimate $400-700  

277. Set of 4 Mahogany Ribbon Back Side Chairs, Chippendale style, stretcher base, beaded legs, 37 1/2" tall, 20th century. Provenance: A Jackson, NH collection.
Estimate $300-500  

278. Map “New Hampshire In New England,” 17/18th century English map, which shows the area that later became Vermont, New Hampshire and Maine, uncolored, 12 3/4" x 11 1/4" matted & framed under glass, not taken out of the frame. Provenance: A New Hampshire collection.
Estimate $200-500

278A. “Milking The Jersey” pencil on paper, inscribed on front, “#4” with an artist mark, 5" x 6 1/2" sight. Provenance: A Southern collection.
Estimate $400-500  

279. Charles Franklin Pierce, (1844-1920), Sharon, NH/MA, pencil on paper landscape of a mountain, signed lower right, “CFP,” 11 1/2" x 9", sight, (artist bio on verso), nicely framed & matted under glass. Provenance: A Massachusetts collection.
Estimate $150-250  

280. George Burroughs Torrey, (1863-1942), NYC/Hawaii, oil on board of beach scene, signed indistinctly on the front, signed & titled on verso, “Point Wood, Long Island, August 6, 1922,” 8" x 10", gold frame. Provenance: A New Hampshire collection.
Estimate $300-500  

281. Nelson C. White, b. 1900, CT, oil on board landscape, signed lower left, “Nelson C. White,” titled, dedicated & signed on the verso, “Summer Landscape Near the Strand, Waterford, Connecticut,” dated 1965, 10" x 13 3/4", original wooden frame. Provenance: A New Hampshire collection.
Estimate $800-1,200

282. Ethel Lomasney, 20th century, Minneapolis, MN, “Floating Clouds,” oil on artist board, signed lower right, “Ethel Lomasney,” 14" x 18", original frame, titled in pencil on verso. Provenance: A New Hampshire collection.
Estimate $400-600  

283. Creamware And Cane Lot: A - English Creamware pair of candlesticks, 10 1/2" tall, restored, 18/19th century. B – Bristol glass head cane, broken & missing a section, 37" tall, 18/19th century, English. Provenance: A New Hampshire and Delaware collection.
Estimate $200-300  

284. Edmund Quincy, (1903-1997), Boston, MA, lot of 2 charcoal on paper drawings: A - Half length figure of a woman, 25" x 19", signed with estate stamp on verso. B - “Academy,” male nude & lower leg, 25" x 19", signed with estate stamp on verso. Provenance: Hirsch & Adler Galleries, NYC.
Estimate $400-600

285. Three French Prints, hand colored, 2 framed as a pair, “Secunda Fontana Labyrinthis,” 12" x 16" sight & “Vue De LaVille Naeple,” 13" x 17" sight, “A View Of the Great Canal Of Fontainebleau,” 9" x 17" sight. Provenance: A New Hampshire collection.
Estimate $200-300  

286. Gabrielle DeVeux Clements, (1858-1948), Gloucester, MA, etching, “John’s Hopkins Hospital,” described & labeled on verso, pencil signed lower right, 13" x 15 3/4" image size, copyright signature in print & dated 1929, framed & matted under glass.  Provenance: A Southern collection.
Estimate $300-500  

287. Walnut Queen Ann Style Wing Chair, pink damask upholstery, front and rear cabriole legs ending in platform pad feet, 45" tall, 20th century English/American. Provenance: A Jackson, NH estate.
Estimate $200-300  

288. Edmund Quincy, (1903-1997), Boston, MA., 4 drawings: A - A Woman,” in pencil, 10" x 7", signed lower right, “Ed Quincy.” B - “Dog,” in pencil, 6" x 8 1/2", estate stamp on verso. C - “Lions,” crayon on graph paper, 8 3/8" x 10 5/8", signed on verso with estate stamp. D - “Hats,” black crayon, signed on verso, “?,” 11 3/4" x 8 3/4", all framed under glass, from artist’s estate. Provenance: Hirschl & Adler Galleries, NYC.
Estimate $200-300  

288A. Jane Wilcox, aka George Thompson Pritchard, (1878-1962), California, oil on canvas of a church, signed lower left, “Jane Wilcox,” 18" x 20", a carved white painted frame. Provenance: A Florida collection.
Estimate $200-300  

289. Samuel J. Woolf, (1880-1948), New York, lot of 2 portrait lithographs: A - Herbert Clark Hoover, (1874-1964), 15 7/8" x 11 1/2" sight, signed lower right in pencil, “S.J. Woolfe,” estate stamp on back. B - Portrait of Edgar Allan Poe, (1809-1849), 22 7/7" x 17 3/4", estate stamp on verso. Provenance: Hirschl & Adler Galleries, NYC.
Estimate $200-500  

290. Albert Urban, (1909-1959), German/American, 2 screen prints: A - “Dance, 1946,” 11 3/4" x 7 1/4", estate stamp on verso.  B - “Leda, 45,” 13 1/4" x 10", signed and dated lower left, “Albert Urban, 45,” framed under glass, from the artists’ estate.  Provenance: Hirschl & Adler Galleries, NYC.
Estimate $200-500  

291. Max Kuehne, (1880-1968), 2 etchings: “Streets of Toledo,” pencil inscribed lower left, “Back Yards,” signed, estate stamp on verso, 7 15/16" x 5 7/8", one is inscribed lower left by artist in pencil, “San Ildefonso,” framed under glass. Provenance: Hirschl & Adler Galleries, NYC.
Estimate $200-300  

292. William Samuel Schwartz, (1896-1977), Midwestern America, lot of 4 images: A - “Seated Man Facing Right,” drawing in black crayon, 10 7/8" x 12 1/4", signed lower right, “W.S.S.” B - “Women In the Veils,” #36 lithograph, 9" x 6 11/16", signed lower right in plate. C - “Nude,” # 45 lithograph, 15 1/2" x 7 15/16", signed lower left. D - #33, Impression #17, “Figures With Sunset,” 9 1/4" x 12 3/4", signed lower left in plate, from the artist’s estate, framed under glass. Provenance: Hirschl & Adler Galleries, NYC.
Estimate $300-500

293. South American Parrot, oil on canvas, signed lower right, Manuel, BA,”1938 noted on stretcher, 16" x 14 1/2", some paint loss, gold frame. Provenance: A Southern collection.
Estimate $200-300  

294. Roger Holt, (1907-1979), Connecticut/Arizona, oil on board abstract of a city, signed lower left, “Holt” titled on verso, “Cityscape 45,” 20" x 11", small crack left top, old frame. Provenance: A Massachusetts collection.
Estimate $300-500  

295. William And Mary Butterfly Table, oval drop leaf top supported by 2 swing out butterfly wings over an end drawer, splay leg, base block stretchers and vase ring turnings, old refinish maple & pine, restored, 25 2/4" tall x 12 1/4" wide, top opens to 33 1/3" long x 23 1/2" wide, 18th century, New Hampshire or Massachusetts. Provenance: A Southern collection.
Estimate $400-700  

296. Edward Seager, (1809-1886), American, pencil drawing, “Connecticut River, Vermont,” signed lower left next to the title, “Seager,” 10 1/2" x 14 3/4", Seager was the first drawing master at the United States Naval Academy in Annapolis, Maryland. Provenance: Hirschl & Adler Galleries, NYC.
Estimate $300-500  

297. Samuel J. Woolf, (1880-1948), New York, limited edition lithograph, 17/150, “First Aid Station at Seicheprey,” dedicated lower left, “For Ned Cooper with remembrances,” after a painting he did in WWI. Estate stamp on verso, 17 7/8" x 22 1/2", framed under Plexiglas. Provenance: Hirschl & Adler Galleries, NYC.
Estimate $200-300  

298. Continental Pottery & Porcelain Lot: A - Wedgwood luncheon plate from Princess Diana Spencer’s family service, repaired (staples). B - Wedgwood vase, classical design, repaired. C – Early green glaze Redware flute player, (as is), possibly Swiss, 19th century. Provenance: A New Hampshire collection.
Estimate $300-500  

299. Frank Weston Benson, print, “Canada Geese,” pencil signed lower left, “Frank W. Benson,” initialed & dated, “F.W.B., 1921,” in lower right of image, 11 1/4" x 15 7/8". Print has foxing throughout, framed under glass. Provenance: A Southern NH collection.
Estimate $150-200  

300. Mahogany Chippendale Style Tea Table, pierced galley & legs ending in blocks, a mid shelf, 27 3/4" long x 14 1/4" wide x 27 3/4" tall, 20th century. Provenance: A New Hampshire collection.
Estimate $200-300  

301. S. Schwalenberg, d.1922, German, bronze statue of an Amazon warrior, signed on base, set on marble, 10 1/8" tall. Provenance: A New Hampshire collection.
Estimate $500-700

302. Lot Of Bisque/Staffordshire Porcelain: hand holding a flower; covered mustard, (handle repaired), 3 tree trunk style flower holder, pair of floral flower cases (as is), ram sheep, miniature, all are 19/20th century. Provenance: A New Hampshire and Delaware collection.
Estimate $100-200  

303. M. Beitl, 19th century, American, landscape, “Tappensea On The Hudson, painted by M. Beitl,” written on the verso, 8" x 14", wooden frame. Provenance: A Florida collection.
Estimate $200-500