Session One ~ Lots 301 to 550

301. Two Sarouk Oriental Scatter Rugs: A - Overall floral design on a red ground, end loss, 56 1/2” x 42”. B - Overall floral design on a red ground, some wear, small stitching repair in center, edges rebound, 57 1/2” x 42”, end loss. Provenance: A New Hampshire collector.
Estimate $400-700

302. A.C Fairbanks Co., “Regent” Mandolin, labeled inside, “A.C. Fairbanks Co. Boston, Mass,” and a nickel name plate, 36 solid rosewood and maple ribs, rosewood fret board with m.o.p. inlay and cream binding with small piece of binding missing on bottom side of first fret. Has a solid spruce top with checkered border, rosette and an ebony bridge with nickled plated bridge cover. Has two one piece tuning mechanisms and is stamped “90” between both sets of tuners. Original tooled leather case, pat. dated 1893, good condition. Provenance: A Milford, NH estate.
Estimate $400-700

303. George De Forest Brush, N.A. (1855-1941) New York, NY, Dublin, NH, red chalk on paper drawing signed lower right, “Geo de Forest Brush,” done as a study for the painting, “In The Garden” 1906, of Mrs. Brush with Mary and Thea, 17 1/2” x 10 3/4” sight, matted under glass. Provenance: The artist’s family, a NH collection, see pg. 38 “George De Forest Brush” by Mary Douglas Bowditch.
Estimate $600-1,000

304. Tiger Maple Queen Ann Tea Table, round tip top over an urn turned shaft set on 3 cabriole legs terminating in snake feet, 28 1/2” diameter top, 29” tall, New England. Top refinished, old finish on base. Provenance: A Peterborough, NH collection.
Estimate $400-700

305. Glass Inkwell On Stand, brass plated swallow form finial lid set on a molded glass body set into a molded brass plated base with 4 paw feet, 10 1/2” tall, 7 1/2” square base, late 19th century English or American, unmarked, chips to glass well.   Provenance: A Temple, NH collection.
Estimate $300-500

306. William Aiken Walker, (1838-1921), Charleston, SC, oil on artist board of a Southern African American family home on wash day, signed lower left, “WA Walker,” 6” x 12” framed, good condition. Provenance: A New Hampshire estate.
Estimate $20,000-30,000

307. Rose Medallion Charger & Serving Dish, charger with surface wear and edge repair, 12” diameter. Scalloped edge dish on raised base with edge chips, 12 1/4” long. Both 19th century Chinese Export. Provenance: A New Hampshire Oriental collection.
Estimate $400-700

308. Chauncey Foster Ryder, NA, (1868-1949), New York/New Hampshire, oil on artist board of a hillside with an old house. Signed lower righ, “Chauncey F. Ryder,” 11 1/2” x 16”, period gilded frame. Provenance: A Southern collection.
Estimate $4,500-6,500

309. Stack Of Three Chinese Pigskin Trunks, all graduated in size, set on a new base, 36” W x 23 1/2” D x 52” stacked height. All are 19th century, some splitting/cracking, lacquer over a red stain. Provenance: A New Hampshire Oriental collection.
Estimate $600-900

310. Chinese Porcelain Temple Jar, with flaring top, 2 open handles with floral and figural decoration, some restoration, 35 1/2” tall, 19th century. Provenance: A New Hampshire Oriental collection.
Estimate $600-1,000

311. Antique Heriz/Goravan Room Size Oriental Rug, overall geometric floral design, a brick red ground, 19/20th century, wear and some losses, 8’ 4” x 11’ 5”. Provenance: A Massachusetts collection.
Estimate $800-1,200

312. Carved Chinese Wardrobe/Kitchen Cabinet, 4 pierced carved doors over a carved raised panel base section set on 4 square legs, old red, gold & green surface, 50”W x 23” D x 72 1/2” T, shelves & interior drawers, 19th century. Provenance: A New Hampshire Oriental collection.
Estimate $800-1,200

313. Chinese Textile Table Frontal, silk embroidered flowers on a woven 2 piece panel, some forbidden stitching applied, silk needlework border & inner tape, 70” x 37”, nicely set in a Plexiglas case for mounting, probably mid 19th century. Provenance: A New Hampshire Oriental collection.
Estimate $700-900

314. Frederick H. McDuff, (1931- ), oil on canvas painting of 2 ladies and a child in a field of flowers, signed lower right, “McDuff,” 30” x 36 1/2”, framed with a “Wally Finlay” label on the reverse. Provenance: A New Hampshire collection, Wally Finlay Gallery.
Estimate $3,000-5,000

315. Cleo Hartwig, (1911-1988) New York, NY, limestone composition molded in the form of a bird, signature carved under the tail, “C. Hartwig,” 9” long x 6 1/2” tall, mounted on square black base. Provenance: A New Hampshire collection.
Estimate $500-800

316. Arthur Burdett Frost, (1851-1928), Pasadena, CA, gouache on paper board, illustration of a horse & bear fighting, signed lower left, “A.B. Frost,” fine condition, 29” x 21” framed & matted under glass. Provenance: A southern collection.
Estimate $10,000-15,000

317. Lugar Pistol 1906 American Eagle, 4” barreled pistol chambered in 9mm, an American eagle crest is impressed over the chamber and the frame is serial #33285 and it is impressed “Germany.” Extractor is marked “Loaded,” no stock lug, portion under the safety is not blued. Pistol is in very good to excellent condition with just slight holster wear. Provenance: A Milford, NH collection.
Estimate $1,500-2,500

318. Colt Single Action Army Revolver, in the rare .38 caliber, with original letter from the “Office of the Historian, Colt Archive Properties, LLC,” authenticating this revolver, serial #163249, as a 4.75” barreled blued revolver in .38 Colt, shipped to Colt‘s Patent Fire-Arms Mfg. Company, San Francisco Agency, on November 12, 1895. Two line patent information on barrel reads “COLT’S PTD F.A. MFG. CO., HARTFORD, CT. USA,” circle rampant colt trade mark stamped on left side of frame and revolver wears circle rampant colt hard rubber pistol grips. Provenance: A Southern sporting collection.
Estimate: $12,000-15,000

319. Jefferson Davis Tintype - New Discovery, 6 7/8” x 5”, tinted photograph, (1861-1865). “Face Explorer” & “Beta Face,” facial recognition software programs have taken the circa 1854 daguerreotype from the Museum of the Confederacy of Virginia & the 1860 daguerreotype collection from the Chicago Historical Society & confirmed this tin type to be the same person. A complete analysis & information package is available at our website, via fax or in person from our office. Provenance: A Massachusetts photo collection.
Estimate $25,000-,40,000

320. Two Blued Smith & Wesson Tip Up Revolvers, with ivory grips in a custom fitted mahogany case. A - Model 1 ½ “Old Model” non fluted cylinder .32 rimfire, single action with a 3 1/2” long octagonal barrel and a square butt. Serial #2547. This is the early production model with only 2 patent dates impressed on the barrel. B - Model 2 “Old Army,” non fluted cylinder in .32 rimfire action with a 6” long octagonal barrel & a square butt serial #43391. Provenance: A Southern sporting collection.
Estimate $4,000-6,000

320A. Ethan Allen Pepperbox Revolver, impressed on barrel, “Allen & Wheelock, Patented April 16, Worcester,” circa 1847-1865, 3 1/8” barrels. Provenance: A Southern sporting collection.
Estimate $1,000-2,000

321. Heriz Room Size Oriental Rug, central geometric medallion on a cut corner red ground, 11’ 1” x 7’ 7”, good overall condition with one end 1” of losses, circa 1935-45. Provenance: A Massachusetts collection. 
Estimate $1,200-1,500

322. Scrimshaw Hippopotamus Tusk, Commemorating The Completion Of The Suez Canal, (1859-1869), with a coin silver necklace, inscribed, “1866 Aout 7, Canal Maritime de Suez 1859-1869,” lettered above the decoration. The tusk was taken on August 7, 1866 by Jules A. Amilie, (a professional hunter, hired to protect the workers from hippos & Nile crocodiles). The central portrait is of Napoleon lll flanked by French flags, the goddess of commerce & a French sailor. In the background are the Pyramids & The Temple at Karnac. The attached silver mount has his name engraved. mounted on a coin silver blocked base, approximately 12 1/2” long, good overall condition. Provenance: A New Hampshire collection.
Estimate $1,500-2,500

323. Pair Of Walrus Tusks, each approximately. 21” long, the large end cross-hatch carved in 2 bands with 2 stacked rings, appear to be 19/20th century, possibly Inuit, some scratches & discoloration. Provenance: A Massachusetts collection.
Estimate $1,700-2,500

324. Benjamin Champney, (1817-1903), Boston, MA, White Mountain School artist, oil on canvas landscape, a flock of sheep grazing before mountains & lake, possibly “Lake In the Clouds,” signed lower left, “B Champney ‘93 (?),” 20” x 36”, damage to lower edge, probably original frame.
Estimate $10,000-15,000

325. New Hampshire Hepplewhite Card Table, bowed front lift top over a conforming case with a single swing leg, central crotch (birch) panel, with smaller panels over the front legs, tapered legs, old finish, circa 1800-1820, 1 veneer chip, 30” T (closed) x 17” D x 36” W. Provenance: A Dublin, NH collection.
Estimate $700-1,200

325A   John Pope ANA (1820-1880) Boston/New York, mountain & lake scene (probably Northern NH), oil on canvas painting signed lower right 'J. Pope" in red, appears to have the original ornate gilded frame, 14" x 24", cleaned & lined by the Fenway Gallery, Boston, MA. Provenance: A Southern collection.
Estimate $6,000-9,000

325B   John Pope, "Ossipee meadows," oil on canvas painting signed lower right "J. Pope" in red, appears to have the original ornate gilded frame, 14" x 24", listed in New Hampshire scenery by Catherine H. Campbell, page 129, as Boston Art Assoc. (1877) #138. Provenance: A Southern NH Collection, the Godwin Gallery, see label on verso & copy of receipt available.
Estimate $8,000-12,000

326. Korean Cabinet On Cabinet, 2 folding mirrored doors in the top section with Nichol silver hinges and corners over a base with 4 drawers over 2 folding cupboard doors set on an applied bracket base, also with Nichol silver hinges & corners, 37 1/2” W x 17 1/2” D x 60” T, appears to be 19th century. Provenance: A New Hampshire Oriental collection.
Estimate $700-1,000

327. Carved Wooden Buddha With Platform, seated form with cone head dress with the left hand set on the top of folded legs, all raised on an oval base. This is displayed on a 2 part stand with scrolled back & bow front base, Buddha 16 1/4” T, 18/19th century, stand 20” T x 15” W, Late 19/20th century, over painted on gold leaf. Provenance: A New Hampshire Oriental collection.
Estimate $700-1,000

328. Japanese Imari Porcelain Lot: A - Set of 6 reticulated border plates, 9” diameter, 19th century. B - Scalloped edge bowl & plate, both 9” diameter, 19/20th century. C - Small covered 6” dish & 8 1/2” diameter plate, both early 19th century. Provenance: A New Hampshire Oriental collection.
Estimate $700-1,000

329. Three Chinese Green & Gold Glazed Pottery: A - Pair of seated Foo dogs on pierced bases, 13” tall, 2 base corner chips, early 20th Century. B - Roof tile in the form of a standing bird, 14” tall, glaze loss on top of comb, mid 20th century. Provenance: A New Hampshire Oriental collection.
Estimate $300-500

330. Japanese Four Panel Lacquered Screen, Two Cabinets & Garden Seat: A - double sided carved decoration of cranes & parakeets, flowers, trees & insects, 5’11” x 5’3 1/2” open. B - Two small double door cabinets, 22 1/2” x 29” x 13 1/2”, losses. C – Barrel form seat, 14” tall. All probably early 20th century, some losses. Provenance: A New Hampshire Oriental collection.
Estimate $400-600

331. Antique Kazak Double End Prayer Rug, large central prayer field with red medallion on a blue surrounded by a red field, overall wear with end losses, 19/20th century Caucasian, approx. 4’ 6 1/2” x 7’. Provenance: A Massachusetts collection.
Estimate $400-600

332. Maxfield Frederick Parrish, NA, (1870-1966) Plainfield NH, attributed, colored chalk on artist board drawing of a Gothic style stone & wood frame home, signed lower left center, “M.P.” some losses to the board edges, unframed, 16” x 22”. Provenance: A New Hampshire collection.
Estimate $2,000-4,000

333. Four Hannah Davis Wallpaper Band Boxes: A - Floral wallpaper, 9 1/2” x 6 1/2” x 5 1/2” tall, tears & losses no label. B - Labeled under lid, 14 1/2” x 11” x 11 1/2” tall, tears & losses. C - Blue floral wall paper, labeled, 16 1/2” x 12 1/2” x 13 1/2”, box rough in parts. D - Rough church scene wallpaper, labeled, 19” x 13 1/2” x 16 1/2” tall, stains, tears & losses. Provenance: Fanny Hillsmith estate, Jaffrey NH.
Estimate $700-1,200

334. William Preston Phelps, (1848-1923), New York, NY & Chesham, NH, oil on wooden board, “View at York Harbor Maine,” signed lower left, “WP Phelps,” titled & Vose Gallery Label on verso, 12” x 21 1/2”, newer gold frame. Provenance: A Massachusetts painting collection.
Estimate $2,500-3,500

335. Black Chinese Export Trunk, floral decorated, leather over camphor wood, with brass nails & trim on the top sides & front, oval label on interior lining which reads “Ahning,” 36” long x 18” deep x 16” tall, minor roughage, 19th century Chinese. Provenance: A New Hampshire collection.
Estimate $1,200-1,800

336. Oxblood Chinese Export Trunk, floral decoration, leather over camphor wood with brass nails and trim on the top, sides & front 28 1/2” long x 15 1/2” wide x 12 1/2” tall, 19th century. Provenance: A New Hampshire collection.
Estimate $1,000-1,500

337. Green Chinese Export Trunk, decorated leather over camphor wood with brass nails & trim on the top, sides & front, 36” long x 18” wide x 16” tall, 19th century. Provenance: A New Hampshire collection.
Estimate $1,200-1500

338. White Chinese Export Trunk, floral decorated, with brass nails & trim on the top sides & front, possibly bridal, 28 3/4” wide x 15 1/2” deep, 12 1/2” tall, cracking to edge at top, 19th century. Provenance: A New Hampshire collection.
Estimate $2000-3000

339. China Trade Painting, Military Junk, oil on canvas, surface crackle, lined, 9” X 11 3/4”, gold frame, 19th century, Chinese. Provenance: A Massachusetts collection.
Estimate $1,700-2,200

340. Chinese Export Reverse Painting On Glass, oval painting of Madonna & Child, 18 1/2” tall x 16 1/2”, including the gessoed frame, 19th century, unsigned, some spotting. Provenance: A New Hampshire collection.
Estimate $300-500

341. Antique Sultanabad Room Size Oriental Rug, central medallion on a cut corner brick red ground, overall good condition, 11’ 3” x 17’ 4”, early 20th century. Provenance: A New York collection.
Estimate $8,000-12,000

342. Early Wooden Carving Of Saint Francis, standing robed figure missing his arms and part of his hood, 28 1/2” tall, old dry surface, probably 17th century Continental, mounted on a newer wooden base. Provenance: A New Hampshire collection.
Estimate $900-1,200

343. Young Jesus Painting On Porcelain, unsigned, Christ child holding a cross with a lamb, 7 1/2” x 5 1/2” oval, old Victorian style frame, good condition, marked on verso, “K1,” & an undecipherable chalk signature upper right. Appears to be a 19th century rendering of an earlier subject. Provenance: A New Hampshire collection.
Estimate $800-1,200

344. George Loftus Noyes, (1864-1951) Boston, MA & Francestown, NH, oil on wood panel of a New England Church, 6” x 7 1/2”, newer gold frame. Signed lower right "G.L. Noyes." Provenance: A New Hampshire collection.
Estimate $900-1,200

345. Red Painted One Drawer Blanket Chest, molded edge lift top with cotter pin hinges over a blanket compartment over a flush fitting drawer. All supported by a boot jack side base, 37” case width x 37 1/2” T x 18” D. Dry old surface repairs, 18th century, N.H. Provenance: The Fanny Hillsmith Estate, Jaffrey, NH.
Estimate $400-600

346. Frederich Carl Frieseke, NA, (1874-1939), New York, Paris, France, watercolor on paper of a tree lined path to a country home in France, signed lower right, “F.C. Frieseke,” 7” x 5” sight, framed under glass, not examined out of the frame. Provenance: A New Hampshire collection.
Estimate $900-1,500

347. Daisy E. Erb, 20th century Palm Beach, Florida, gouache on paper of a country scene with palm trees & other vegetation, signed lower right, “Daisy E. Erb,” 20” x 23 1/2” sight, matted & framed under glass, not examined out of the frame. Provenance: A New Hampshire collection.
Estimate $400-700

348. New Hampshire Federal Four Drawer Chest, rectangular top over 4 drawers with banded Birdseye maple fronts over a scalloped apron with 4 tapered legs inset with Birdseye maple panels, appears to have the original red wash & oval brasses, in as found condition, 36” tall x 40” case width, probably early 19th century.  Provenance: A Massachusetts collection.
Estimate $7,000-9,000

349. Queen Ann Side Chair, spoon back, rush seat, bulbous turned front stretcher supported by front Spanish feet, 18th century, New England, old refinish, 42” tall. Provenance: A Massachusetts collection.
Estimate $600-900

350. William Coates, 18/19th century English, the schooner’s “Guard” and the “Snow Chase,” off Elsinore Castle, England, oil on mahogany panel, signed on back, “Coates Pinxt 1820,” 23” x 33”, set in old gessoed frame, small horizontal crack on right side. Provenance: A Massachusetts collection.
Estimate $16,000 - 25,000

351. Antique Shiraz Scatter Rug, 3 central connected ivory medallions on a red ground with design, overall wear & edge losses, 6’ 4” x 5’ 1”, early 20th century. Provenance: A Massachusetts collection.
Estimate $600-900

352. New England Mahogany Queen Ann Kettle Stand, dish turned round top with 3 leaf carved & scrolled spills, under the top is a pull slide for a spirit lamp (this appears to have been added at a slightly later date), the turned pillar is very columnar, similar to some Newport examples (see New England furniture by Jobe and Kaye page 300 #74). The cabriole leg is a classical New England form with padded snake feet, leg repairs, crack in top, 18th century, 23 1/2” tall. Provenance: A Massachusetts collection.
Estimate $3,000-5,000

353. A. Lucas, 19th century, American/ English, oil on canvas painting of sailing ships off the coastline, signed lower right, “A. Lucas 91”, 8 1/2” x 19”, original gilded frame, good overall condition. Provenance: A Dublin, NH collection.
Estimate $1,000-1,500

354. Frederick Louis Thompson, b. 1868, New York, NY, oil on canvas of a fall landscape, signed lower right, 16” x 20”, original gray frame. Provenance: A New Hampshire collection.
Estimate $500-900

355. Nanking Oval Platter, blue & white, 12” long, 19th century Chinese. Provenance: A New Hampshire collection.
Estimate $100-200

356. Canton Covered Vegetable Serving Dish, blue & white decoration with shaped indented corners, 10” long x 9” wide, 19th century Chinese. Provenance: A New Hampshire collection.
Estimate $250-350

357. Canton Tea Caddy, blue & white, 6 sided body with round cover, set on small bracket feet, 6 3/4” tall, 19th century Chinese. Provenance: A New Hampshire collection.
Estimate $500-700

358. Canton Shell Form Serving Dish, blue & white, 10 1/2” long x 9 3/4” wide, 19th century Chinese. Provenance: A New Hampshire collection. Estimate $250-350

359. Deep Dish, blue & white, similar village scene to Canton, 11” wide x 14 1/4” long, minor edge roughage, 18th century Chinese. Provenance: A New Hampshire collection.
Estimate $300-500

360. Serpentine Top Queen Ann Tea Table, molded edge 3 board cherry top over an urn shaped shaft, set on 3 snake feet, 18th century RI/CT, old refinish, 31 1/2” x 32 1/2” top x 27 1/4” tall, late 18th century. Provenance: A Massachusetts collection.
Estimate $2,500-3,500

361. Antique Heriz Room Size Oriental Rug, central medallion on a brick red field, good overall condition, 9’ x 11’ 9”, circa 1920-1935. Provenance: A New York collection.
Estimate $3,000-4,000

362. Chinese Carved Low Coffee Table And Marble Top Stand: A - Rectangular mitered corner hardwood top over a pierced & carved apron connecting 4 cabriole legs with paw feet, 28” x 48” x 15” T, some sun bleaching to top. B - Rectangular top with marble insert. Both probably early 20th century. Provenance: A New Hampshire Oriental collection.
Estimate $400-700

363. Four Chinese Export Canton Items: A - 9 3/4” diameter plate, 1 chip. B - 11” wide cut corner platter, repaired. C - 8” tall coffee pot, restored. D - 10 1/4” covered vegetable dish, small hairline. Provenance: A New Hampshire Oriental collection.
Estimate $250-450

364. Korean Rice Storage Box And Cabinet: A - Pine & zelkova paneled wood box with lift off lid secured by an iron lock, 35” T x 22 1/2” D x 36” W, 19th century, old oiled finish. B - Two door cabinet. Provenance: A New Hampshire Oriental collection.
Estimate $300-500

365. Seven Chinese Carved Ivory Figures, each well carved, signed on underside of base, all approximately. 4 1/2” tall, appears to be early 20th century, color stain added to each carving to highlight dress designs, some discoloration & cracking. Comes with a carved & pierced stepped display platform. Provenance: A New Hampshire Oriental collection.
Estimate $700-1,000

366. Lot Of Two Chinese Monochrome Glaze Porcelain: A – a café au lait bottle vase, 10” tall, 19th century. B - Flambé’ vase jar, with replaced wooden lid, 11” tall, 19th century. Provenance: A New Hampshire Oriental collection.
Estimate $400-600

367. Five Chinese 19th Century Porcelain Pieces: A – Rose Canton bowl, 8 3/4” diameter, bird butterfly with floral decoration. B - Blue & White Hawthorne vase, (chip on rim) with cover, 12” tall. C - Celadon vase, 16 1/4” tall, people in garden decoration & sayings. D - Yellow with green/orange decoration ginger jar, cracked lid, 10” tall. E - Orange decorated ginger jar, 7 1/4” tall, glaze chip on side. Provenance: A New Hampshire Oriental collection.
|Estimate $400-700

368. Continental Still Life Painting, oil on canvas, a selection of fruit set on a table, 13” x 17 1/2”, good gilded carved frame, (some losses), unsigned. Appears to be 17/18th century, gray background has been added at a later date, old lining, cracks & chip. Provenance: A New Hampshire collection.
Estimate $1,000 - 1,500

369. Old Master Portrait Painting, oil on board of a regally dressed woman with pearls in her hair & hat, 16th century Continental, school of or a follower of Frans Pourbus The Younger (1569-1622), 24” x 18”, old black & gold frame. Provenance: A New Hampshire collection.
Estimate $3,000-5,000

370. English King Charles l Portrait, reign, 1625-1649, oil on oak panel, bust in the oval form, showing lower right-+ an oval emblem of “The Order Of The Garter,” & wearing an oval medallion, probably a period country version of his painting by VanDyke, unsigned, 25” tall x 20 1/2” wide, set in a 19th century gold leaf frame, vertical crack going through his right shoulder (old repair). Provenance: A Massachusetts collection.
Estimate $6,000-9,000

371. Antique Kazak Prayer Rug, central prayer ended medallion on a brick red ground, overall wear & edge losses, 19/20th century, Caucasian, 4’ 2” x 3’. Provenance: A Massachusetts collection.
Estimate $600-800

372. New York Yankees Autographed Baseball, (1941-1942), 26 signatures on a Spalding ball. This ball has been submitted to PSA/DNA Authentication Services, New Port Beach, CA. We expect results by end of March & they will be available on line or at our offices. Names include: Spud Chandler, Hank Borowy, Charlie Keller, Rollie Hemsley, John Lindell, Phil Rizzuto, Atley Donald, Red Ruffing, Joe McCarthy, Buddy Rosar, Lefty Gomez, Paul Schruben, Joe Gordon, George Silkirk, Johnny Murphy, Fred Crosetti, Joe DiMaggio, B?, Red Rolfe, Marius Russo, Gerry Priddy, Paul Russett, Marv Breuer, Bill Dickey, Tom Henrich, (Norm) Red Branch. Provenance: A New Ipswich, NH estate.
Estimate $1,800-2,000

373. New York Giants Autographed Baseball, (1951-1955), 22 signatures on a Spalding ball. This ball has been submitted to PSA/DNA Authentication Services, New Port Beach, CA. We expect results by end of March & they will be available on line or at our offices. Names include: Willie Mays, Leo Durocher. Provenance: A Brookline, NH estate.
Estimate $500-1,000

374. Roland Clark, (1874-1957), American, etching, “Broadbill in Flight,” 1926 edition of 65, pencil signed lower right & in plate, 13” x 16”, unframed. Provenance: A New Hampshire collection.
Estimate $300-600

375. Two Reinhold H. Palenske Etchings, (1884-1954), Woodstock, IL: A - “Two Deer With Sleigh,” pencil signed lower right, 6 1/2” x 9 3/4”, unframed. B - “Ladies First,” pencil signed lower right & titled lower left, 9 3/4” x 9 3/4”, unframed. Provenance: A New Hampshire collection.
Estimate $400-700

376. Roland Clark, “Manitoba Marshes,” pencil signed lower right & monogram “R” in plate 16 3/4” x 13 1/4” sight, matted & framed under glass, not examined out of the frame. Provenance: A New Hampshire collection.
Estimate $400-700

377. Three Pieces Of Wedgwood Pottery, blue & white reticulated 10” oval basket, with woven form center set on a corresponding 10 1/2” oval under plate & a 9” round plate, 18th century England, small chip on basket wrapping, impressed “Wedgwood” mark on the bottom. Provenance: A New Hampshire collection.
Estimate 600-900

378. Four Pieces Of English China, a creamware ribbed teapot with green striped decoration & reticulated top rim, 5” tall, spout chip, 18th century; a blue transfer 7 3/4” plate, shaped edge, Italian scenery with 2 silver luster 4 & 4 1/2” pitchers, 1 with birds, 19th century. Provenance: A New Hampshire collection.
Estimate $300-500

379. Red Painted Two Door Cupboard/Shrank, heavy molded crown section, 2 flat paneled doors (crab lock), exposing a shelved interior. All set on a molded base, early red paint on yellow pine, 18/19th century, probably Pennsylvania/Virginia, area, 72 1/2” tall x 25” deep x 50 1/2” wide top molding, disassembled. Provenance: A Connecticut collection.
Estimate $1,200-1,800

380. 1878 Painting Of A California Doctor, oil on canvas of Dr. Rosen, seated in his office with a globe, microscope & other scientific items, written on the open book to his left, “Oakland, Calif, June 1878, G. Rosen, MD,” unframed, newer stretcher & small repairs. Provenance: A New Hampshire collection.
Estimate $800-1,200

381. Hamadan Room Size Oriental Rug, central medallion surrounded by smaller floral designs set on light red/rose cut corner field, good condition, 8’ 7” x 11’ 4” circa 1930-1940. Provenance: A New York collection.
Estimate $3,000-4,000

382. American 17th Century Four Drawer Chest, stile & rail construction with 4 side hung drawers with paneled fronts, maple, pine & oak, old refinish, restored feet, 36” wide x 22” diameter x 38 1/2” tall. Provenance: A Massachusetts collection.
Estimate $3,500-5,000

383. Portrait Of Honorable James N. Buffam, oil on canvas painting, unsigned, with written note attached to the stretcher of who the sitter is, lined with a photo of the Boston canvas mark attached to verso, 31” x 35”, appears to have the original yellow gold frame, early 19th century, New England. Provenance: A New Hampshire collection.
Estimate $400-600

384. English 18th Century Portrait Painting, oil on canvas of a gentleman leaning on a table, (note on verso reads, “Mr. Richards by Romney,” George Romney 1734-1802, an important artist), unsigned, possibly by a provincial artist in the school of Romney, 35” x 28 1/4”, lined, in an old gold & black frame. Provenance: A Massachusetts collection.
Estimate $8,000-10,000

385. 17th Century New England Blanket Chest, thumbnail molded 3 board top with wrought iron strap hinges (originally had cotter pins), over a molded stile & rail construction case with the original partial red & black paint decoration, some restored panels on side & back, 24” D. x 50” wide x 25 1/2” tall. Provenance: Fanny Hillsmith Estate, Jaffrey NH.
Estimate $800-1,200

386. Robert Edge Pine, (1733-1788), London & Philadelphia, attributed, oil on canvas portrait of what appears to be Dr. Samuel Johnson, (see British National Portrait Gallery for similar images of him), half length gray coat with white lace edge chemise, dated top left, “1759,” lined with newer stretcher, 27 1/4” x 21 1/2”, gilded & carved frame, includes a 10 volume set of The Life Of Samuel Johnson, LLD by James Boswell. Provenance: A Massachusetts collection.
Estimate $20,000-30,000

387. Faïence Inkwell/Standish, rectangular box set on 4 ball feet with seated figure on the top, 9 1/2” wide x 4” deep x 6 1/2” tall (including figure), restored drawer & inkwell insert, probably 18/19th century, Continental. Provenance: A New Hampshire collection.
Estimate $200-300

388. N. Artz, 20th century Dutch, oil on canvas of a Dutch interior meal scene with children & mother eating, signed lower left, “Artz,” 1 hole & small tear in center, 17” x 12”, molded gilt frame. Provenance: A NH collection.
Estimate: $400-600

389. Hugh Bolton Jones, NA (1848-1927) New York, NY, oil on canvas of cows & sheep in a field & stream with a home in the distance, signed lower right, “H.B. Jones New York,” 19 1/4” x 30”, cleaned & relined, new stretcher & molded frame. Provenance: A West Coast collection.
Estimate $7,000-12,000

390. Bronze Christ Figure, signed “Rodin’” on base, school of, full body, 7 3/4” tall, 19/20th century. Provenance: A New Hampshire collection.
Estimate $500-700

391. Antique Malayer Scatter Rug, overall small geometric designs on a cut corner red ground, some wear & end losses, 4’ 3” x 5’ 7”, 19/20th century, Persian. Provenance: A New Hampshire collection.
Estimate $400-600

392. Chinese Animal Decorated Vase, body of the vase is decorated with multiple scenes, snake, dragon & rat, flaring top, 14” tall, probably 19th century. Provenance: The Fanny Hillsmith estate, Jaffrey, NH.
Estimate $400-700

393. Chinese Carved Two Drawer Cabinet, picture frame molded top over 2 carved drawers over storage compartment, stile & rail construction, 41 1/2” wide x 28” deep x 33 1/2” tall, 19/20th century, refinished. Provenance: A New Hampshire Oriental collection.
Estimate $200-300

394. Chinese Carved Woodenware Lot: A - Bull elephant fighting 2 leopards, ivory tusks, eyes, teeth & toes, 11” tall x 17 1/2” long, 19/20th century. B - Carved & hollowed out round flask, 4” diameter with bone stopper & monkey Netsuke corded together. C - Round 3 1/4” diameter bowl with string tied cover & scoop, early 20th century. Provenance: A New Hampshire Oriental collection.
Estimate $300-500

395. Chinese Carved Dressing Cabinet, Panel & Clothes Hanger: A - Carved crest over a mirrored & carved panel back, with slide cupboard, set back over a 1 drawer stretcher base, 66” tall x 24” wide x 27 1/2” tall’’ at midsection, 19/20th century. B - Red painted & gilded carved panels, 52 1/2” tall, architectural element, 19^th century. C - Hanger - four horizontal bars supporting carved panels supported by a shoe foot base, some newer carved elements added later, 66”tall x 80” wide x 21” deep base. Provenance: A New Hampshire Oriental collection.
Estimate $400-700

396. Chinese Stone & Soapstone Lot, 5 pieces: A - Carved figure of a scholar seated at a table raised on a rock style plinth, 16” tall x 14” wide x 7” deep, 19/20th century. B - Red & green decorated figure of a Foo dog, removable head, some damage, 19th century, 8” wide x 7 1/2” tall. C - Leaf carved dish, edge chip, with wooden base, 19th century, 4 1/2” wide. D - Two stone chops, Foo dog figure on top, 8” tall jade oval with 2 opposing panthers carved on top, 3 1/4” tall, 19th century. Provenance: A New Hampshire Oriental collection.
Estimate $600-900

397. Melbourne Havelock Hardwick, (1857-1916) MA, watercolor on paper seascape, surf casting on shore, signed lower left, “M.H. Hardwick,” 20 1/2” x 33 3/4” sight, matted & framed under glass, not examined out of the frame. Provenance: A New Hampshire collection.
Estimate $600-900

398. Calligraphy Family History, circa 1789, multicolored calligraphy history/memoriam of the “Hawke Cushing Family,” of Pembroke, NH or MA, record of the ages of the family, with a brief character description of the wife of “Hawke Cushing.” He was born February 24th, 1745 & married to Ruth Cushing of Pembroke, Sept. 28th, 1769. Calligraphy on early paper measures 10 1/4” high x 7 3/4” wide. In an old frame & behind antique glass. Provenance: A Peterborough collector.
Estimate $200-300

399. English Rural Landscape, oil on canvas of a country road by a church & home, illegibly signed lower right, “P. Sh?,” 24” x 39 1/2”, framed, 19th century. Provenance: A New Hampshire collection.
Estimate $300-500

400. School Of Eastman Jonathan Johnson, NA (1824-1906) New York, oil on canvas of an interior scene with a seated woman in profile, canvas mark on verso, “Meade, Dodge and Co, Boston,” 9” x 12”, newly framed. Provenance: A Massachusetts collection.
Estimate $6,000-8,000

401. Mahal Room Size Oriental Rug, small central medallion & other floral designs set on a light blue cut corner field, overall good condition, 9’ 3” x 11’ 11”, circa 1925-35. Provenance: A New York collection.
Estimate $3,500-4,500

402. Louis Vuitton Wardrobe Trunk, vertical leather & wood strap exterior allows the trunk to open revealing one side with drawers (vertical metal locks) and other for hanging clothes, 44” x 22” x 22”, interior good shape, outside with labels, scratches & minor losses, probably early 20th century French. Provenance: A Dublin, NH collection.
Estimate $1,500-2,500

403. Louis Vuitton Wardrobe Trunk, vertical leather & wood strap exterior allows the trunk to open revealing one side with drawers and other for hanging clothes, 44” x 22” x 22”, interior good shape, outside with labels, scratches & minor losses, probably early 20th century French. Provenance: A Dublin, NH collection.
Estimate $1,000-1,500

403A. Hermes Paris Ostrich Skin Ladies Handbag, body 11” x 14” circa 1970, stamped on interior in gold, “Hermes, Made In France.” Provenance: A New Hampshire collection.
Estimate $700-900

404. Brown Alligator/Crocodile Satchel, heavily figured, 16” wide x 12” tall, silk interior, minor wear, 20th century. Provenance: A New Hampshire collection.
Estimate $600-900

405. Three Brown Alligator Hand Bags: A - a 2 handled bag made in France. B - a cloche marked “Lasco,” with horses head. C - a cloche type with chain handle, unmarked, minor wear, 20th century. Provenance: A New Hampshire collection.
Estimate $200-300

406. Black Alligator Handbag, 2 handled, 16” long, 9” tall, “Made in France for Alexander’s,” minor wear, 20th century. Provenance: A New Hampshire collection.
Estimate $500-700

407. Evening Bag, polychrome medieval heraldic scenes in petit point, gold filled clasp in black enamel with seed pearl border, an enameled drop inset with moonstone, minor wear to silk welting, 19/20th century. Provenance: A New Hampshire collection.
Estimate $700-900

408. Evening Bag, peach silk floral embroidered in metallic & blue thread with rhinestone centers. Labeled “Made In France for L.P. Hollander, Co. Inc.,” 20th century. Provenance: A New Hampshire collection.
Estimate $100-200

409. Evening Bag, silver clasp handle marked “Lasell,” with putti and a black velvet body, labeled “Art Bag Creations, New York,” 20th century. Provenance: A New Hampshire collection.
Estimate $100-200

410. 18th Century English Decanter Set with Box, oak decanter box with compartments with 6 large bottles & 4 small ones. Adhesive tag inside reads, “Belonged to Bennett Bush Loomis (b.1818), father of George W. Loomis father of Florence Ellsworth,” 16” x 10 1/2“ x 10” tall, old color, missing some glasses. Provenance: A Massachusetts collection, Hartford CT family of Loomis/Ellsworth.
Estimate $900-1,200

411. Heriz Room Size Oriental Rug, overall floral design on an ivory field, Maker (?) signed in a block at one end, good overall condition, circa 1930-40, 8’ x 10’ 7”. Provenance: A New York collection.
Estimate $4,000 -5,000

412. Lot Of Five Chinese Snuff Bottles: A - Amber to white, raised panther design on each edge, 2 3/4” tall. B - Cut warrior design, 2 7/8” tall. C - Fruit form, cut floral design, 2 1/2” tall. D - Double bottle, raised people designs, 2 3/8” tall. E - Raised long neck bird design, 2 1/2” tall. Provenance: A New Hampshire Oriental collection.
Estimate $300-500

413. Lot Of Six Chinese Snuff Bottles: A - Light green jade with small dark green spots, 2 3/8” tall. B - Cased Peking glass, carved horse & riders white to ruby to frosted glass, character panels on background 3 1/4” tall. C - Cased Peking glass carved blue floral with birds on white ground, 3 1/2” tall. D - Cased Peking Glass, carved blue trees & birds on frosted white ground, 2 3/4” tall. E - Cased Peking glass, carved blue figures with orange flowers on white ground, 3 1/2” tall. F - Pecking glass with reverse painted scenes, seen when back lit, 2 5/8” tall. Provenance: A New Hampshire Oriental collection.
Estimate $800-1,200

414. Lot Of Four Agate Carved Snuff Bottles: A 2” tall, horse decoration. B - 2 1/4” tall, 2 frogs on a lily pad decoration. C – 2 3/4” tall bird decoration. D - 3” tall, reverse painted duck decoration. Provenance: A New Hampshire Oriental collection.
Estimate $300-400

415. Lot Of Seven Chinese Snuff Bottles: A - Five reverse painted scenes on clear/opaque glass, 2 1/2” - 3 1/2” tall. B – Figural decoration on white porcelain, 2” tall. C - Reverse painted on amber glass with raised designs on edge. Provenance: A New Hampshire Oriental collection.
Estimate $400-600

416. Lot Of Nine Miscellaneous Snuff Bottles, 2 cinnabar, (missing 1 top), 1 blue & white porcelain, 2 carved stone, 1 jade (no top), 1 carved ivory, 1 turquoise stone, 1 eight sided speckled wood, all 19/20th century, 1 1/2” - 3 1/2” tall. Provenance: A New Hampshire Oriental collection.
Estimate $500-900

417. Three Chinese Snuff Bottles & a Stopper: A - 2 3/4” carved glass overlay, red to clear; 4” carved glass overlay yellow flowers to clear. B - 3” opaque glass with scene & signature, all missing stoppers. Provenance: A Dublin NH collection.
Estimate $300-500

418. Lot Of Two Chinese Glass Snuff Bottles: A - 3 1/4” tall including dark green glass carved carp motif, marked ‘China.’ B - 2 1/2” tall cinnabar. Provenance: A Dublin NH collection.
Estimate $250-500

418A. Lot Of Four Glass Snuff Bottles, 2 1/2” & 3” tall, 2 with stoppers; 1- decorated with butterfly & flowers; 2 - mountains; 3 - people, 4 - hummingbird w/flowers, 20th century Chinese. Provenance: A Connecticut collection.
Estimate $200-300

418B. Lot Of Five Ivory & Bone Pieces: 2 3/4” ivory snuff w/line carved plant, a bone decorated book mark, an ivory bookmark w/elephant, an ivory furled umbrella snuff bottle & an ivory sail makers tool, 19th century, Asian & American. Provenance: A Connecticut collection.
Estimate $300-400

419. Charles Leduc, (1831-1911) French, oil on canvas of a French ironclad steam/sail double turret ship, (2 rotating double gun turrets), signed lower right, “Ch Leduc, anchor,” 31” x 59”, original gilded frame, lined & restored. Provenance: An English estate, a Massachusetts collection.
Estimate $10,000-15,000

420. Contemporary Sarouk Oriental Scatter Rug, double central medallion on a blue ground, near mint condition, soft colors & a fine weave, 46” x 66”. Provenance: A Dublin, NH collection.
Estimate $500-1,000

421. Coin Silver German Presentation Chalice & Cover, dated in the German inscription 1843, “Presented to Raphael Rosenthal for his service to the German community in Posin by his co-workers. Life is like a chalice, we all mix our own drink & what you have mixed yourself you drink out of this cup to our health and with the greatest of thanks,” 15 1/4” tall with the cover, hallmarked on outside of base, “blau, sla, Posin”, mark (not decipherable), split where cup meets shaft, slight tilt to base. Provenance: A Dublin NH collection.
Estimate $600-1,000

422. Hester Bateman Cruet Set Holder, coin silver base with scrolled handles & round holders for 5 castor jars (missing), 12 1/4” long, hallmarked on the bottom, “HB,” circa 1781, one side is armorial engraved with a raised arm & sword. Provenance: A New Hampshire collection.
Estimate $500-900

423. Nine Pieces Of Sterling Silver: A - Erickson hand hammered serving spoon. B - Pair of Gorham serving fork & spoon, initials. C - Strawberry decorated handle serving spoon. D - Lincoln & Foss pier server, “Ahlborn”. E - G? A Crosby, serving spoon, initial “A”. F - Chamberlain & Son table spoon, as is. G - Two miscellaneous serving spoons. Provenance: A New Hampshire collection.
Estimate $300-500

424. Sterling Silver Flatware, Bigelow & Kennard, 22 dinner forks & 2 pudding spoons, 2 teaspoons, 2 different initial groups, same pattern, early 20th century England. Provenance: A New Hampshire collection.
Estimate $500-700

424A. Gorham Imperial Chrysanthemum Sterling Silver Flatware, 12 dinner forks & knives, pudding spoons & teaspoons, 48 pieces total, initialed, 19/20th century, American. Provenance: A New Hampshire collection.
Estimate $800-1,200

425. Antique Carved Marble Corbels, with modern glass console top, 19th century corbels have modern bolts inset in their backs for mounting purposes, old weathered surface, 24” T x 17 1/2” D x 5 1/2” W, glass 1/2” x 28” x 57” (chip in one corner.) Provenance: A Peterborough NH collection.
Estimate $1,200-1,800

426. Fruitwood Bench, an over upholstered seat over a base of 6 fluted legs with carved flowers at the top, 50” long x 14” tall x 17” deep, 18/19th century Continental. Provenance: A New Hampshire collection.
Estimate $900-1,200

427. White Painted Mahogany Bedroom Set, in the French manor with caned head & foot boards, stepped dressing table & 2 chairs with caning. Beds 45 1/2” W x 81” L x 55” tall, dressing table, 45” W x 44” T, 20th century white paint on an early 20^th century set. Provenance: An Amherst NH collection.
Estimate $900-1,200

428. French Style Shaped Bench, a carved back above a caned seat over a carved conforming skirt, set on 4 cabriole legs ending in raised scrolled feet, early 20th century. Provenance: An Amherst NH collection.
Estimate $500-700

429. Cast Brass Door Stop, cupid with bow & arrows, surprised by a snake, iron weighted, 16” tall, 19th century. Provenance: A New Hampshire collection.
Estimate $300-500

430. Mahogany Federal Work Table, attributed to George W. Miller, NYC, a rectangular banded top over 3 flush drawers, the top drawer fitted for inks etc., carved round pedestal supported by 4 carved legs ending in paw feet, replaced castors, 18” x 22” x 30” tall. Provenance: A Southern collection.
Estimate $300-500

431. Antique Baluchistan Scatter Rug, diagonal stripes of red geometric blocks on a blue ground, 4’ 8” x 2’ 5”, overall wear & minor edge losses. Provenance: A Massachusetts collection.
Estimate $300-400

432 Oil On Canvas Landscape, signed lower right, “WB 52,” unidentified artist, consignors history indicates the scene is from Farmington, CT, 9” x 13”, appears to have the original gilded frame. Provenance: A Massachusetts collection.
Estimate $900-1,200

433. Louis XVl Style Desk & Arm Chair, mahogany & rosewood; top section has 5 herringbone veneer drawers flanked by carved pilasters; lower section has fold over & tooled leather writing surface over a single wide drawer set on a turned medial stretcher base, 36” wide x 23” x 38” tall, 19/20th century Europe. Provenance: A Boston collection.
Estimate $600-900

434. Joseph Pennell, NA, (1860-1926) Brooklyn, NY, etching of NY skyline from Brooklyn, pencil signed lower center, “J. Pennell, NY,” 9” x 11” sight, matted & framed under glass, not examined out of the frame. Provenance: A New Hampshire collection.
Estimate $200-300

435. Pair Of Painted French Style Settees, each with a scrolled back over a shaped seat supported by cabriole legs ending with scrolled feet, green painted with like new floral upholstery, each 38” W x 32”T x 31” D, appears to be early 20th century. Provenance: A Connecticut collection.
Estimate $600-1,000

436. Painting Of Pair Of Hanging Fish , oil on panel, unknown monogram lower right, 15” x 6”, oak frame, 19/20th century American. Provenance: A Massachusetts collection.
Estimate $800-1,200

436A. T. Bailey, (William Paskell), (1866-1961), American, pastel on paper still-life, “Spring Bouquet,” signed lower right, 20 1/2” x 15 1/2” sight, framed under glass. Provenance: A New Hampshire collection.
Estimate $200-400

436B. T. Bailey, (William Paskell), pastel on paper of, “Mountain Quail,” signed lower right, 19 1/2” x 16” sight, framed under glass, stain upper left corner. Provenance: A New Hampshire collection.
Estimate $200-400

436C     Wally Ames, Vermont, contemporary oil on artist board of a sunset over the marsh & lake, signed lower left “WA’ conjoined and on reverse ‘Wally Ames,” 17 ¾” x 22 ½”, old gold molded frame. Provenance: Directly from the artist.
Estimate $1,000-2,000

437. School Of Alexander Pope, (1849-1924) American, watercolor/gouache, “Woodcock Undercover,” 11” circle, oak frame, matted under glass. Provenance: A New Hampshire collection.
Estimate $700-1,000

438. Lot Of Two Decoys: A - Early to mid 20th century oversized elder drake decoy with glass eyes and old repainted surface, 22 1/4” long. B - Modern snow goose with tack eyes & an antiqued painted surface. Decoy measures 25 1/2” long. Provenance: A Massachusetts collection.
Estimate $400-600

439. Blue Bill Drake Decoy, early to mid 20th century with a high narrow forehead & wide pronounced cheeks, glass eyes and in original paint, 13 3/4” long. Provenance: A Massachusetts collection.
Estimate $300-400

440. Modern Shorebird Decoy, with an antiqued hand painted surface. Decoy mounted on a driftwood base, 10 1/4” long. Provenance: A Massachusetts collection.
Estimate $200-300

441. Antique Tekke Bokhara Scatter Rug, stacks of 18 lozenges on a red ground, good condition, some edge losses, 3’ 5” x 4’ 1/2”, early 20th century. Provenance: A Peterborough NH collection.
Estimate $200-300

442. Henry Perdew Black Duck Hen Decoy, smaller size with glass eyes, lead weight on base reads, “Henry Perdew,” neck repaired & paint touched up, 11” long. Provenance: A Massachusetts collection.
Estimate $300-400

443. Black Duck Hen Decoy, mid 20th century, newer repaint, 18” long. Provenance: A Massachusetts collection.
Estimate $100-200

444. Golden Eye Drake Decoy, early 20th century, in original paint, flat bottom and painted eyes, 12 1/2” long. Provenance: A Massachusetts collection.
Estimate $100-200

445. Federal Migratory Bird/Duck Stamps, framed & matted stamps, 1935-1974, in chronological order surrounding a lithograph, Redheads 26/385”, by Bob Hines, pencil signed, numbered & titled, 23 1/2” x 28 1/2” sight.
Estimate $500-1,000

446. Royal Worcester Quail, pair of Royal Worcester porcelain, “Bob White Quail,” modeled by Roland Van Ruyckevelt, (1928-?) Each Bob White has a few small breaks to its leafy decorations and one branch. Quails measure 9 1/4” at their highest, including burl wood veneered bases.
Estimate $200-500

446A. Bisque Geese, early 20th century pair of bisque Canadian Geese, probably Continental European. No markings, 8.5” at highest.
Estimate $300-400

447. Three Volumes Of Sporting Reference Books: A - Phillips, Bibliography Of American Sporting Books, 1930; B - Wegner’s Bibliography on Deer and Deer Hunting; C - Biscotti, A Bibliography Of American Sporting Books.
Estimate $100-200

448.Samuel Nelson Abbott, (1874-1953), Kingston, NY, oil on artist board painting/illustration of French soldiers in battle, one wounded. Signed lower left, “S.N. Abbott, Paris, 1897,” 28 1/2” x 22”, old frame with a liner. Provenance: A New Hampshire collection.
Estimate $800-1,200

449. Primitive Landscape And Door Yard Scene, oil on canvas, unsigned, 17” x 26”, varnish crackle & minor flaking, original gold fine gilt frame. Provenance: A New Hampshire collection.
Estimate $200-400

450. English Watercolor, of a man & a woman conversing on a stone bridge, signed lower center “PS,” possibly by Paul Sandby (1725-1809) matted & framed under glass, 5 1/2” x 9 1/4” sight, not examined out of the frame. Appears to be 18/19th century, English. Provenance: A Massachusetts collection.
Estimate $150-250

451. Winfield Scott Clime, (1881-1958) Old Lyme, CT, oil on canvas impressionistic landscape with a country road, signed on the stretcher, “W.S. Clime, Cragsmoor, NY,” also part of “National Arts Club,” exhibition label on the reverse of the stretcher as well, 16” x 20”, probably has the  original molded gold frame. Provenance: A New Hampshire collection.
Estimate $1,000-1,500

452. New England Federal Candle stand, cut corner tip top with intricately inlaid edge over an urn shaped shaft set on 3 spider legs terminating in spade feet, old varnish finish over a red stain, small repair to tip block and some inlay, mahogany or birchwood, circa 1800. Provenance: A Massachusetts collection.
Estimate $2,000-3,000

453. Irene D Fowler, (1884-1967) Colorado, watercolor on paper landscape, a western mountain, signed lower left, 17 1/4” x 11 1/2”, framed, matted under glass. Provenance: A Massachusetts collection.
Estimate $200-400

454. Stanley Wingate Woodward, (1890-1970) Rockport, MA, oil on masonite, White Mountain Scene with snow, 19 1/2” x 28 1/2”, probably original frame. Provenance: A New Hampshire collection.
Estimate $1,000-1,500

455. Miniature Portrait, classical form in winged tiara, 2” diameter, 19th century Continental, brass frame, under glass. Provenance: A Southern collection.
Estimate $100-200

456. Cesare Ricciardi, (1892-1973), Italian American, oil on canvas, landscape of a European coastal scene, signed lower right, “C. Ricciardi,” 24” x 36”, framed. Provenance: A Southern collection.
Estimate $1,000-1,500

457. Chippendale Cherry Chest Of Drawers, rectangular top over 4 graduated drawers with original brasses, set on an ogee footed base, appears to have the original red wash, 36 1/2” wide x 18” deep x 37 3/4” tall, probably the Connecticut River Valley area, circa 1785-95, fine as found condition. Provenance: A Massachusetts collection.
Estimate $7,000-9,000

458. Hepplewhite Style Arm Chair, mahogany with light wood line and panel inlay, square back, saber legs, 20th century. Provenance: A Dublin, New Hampshire collection.
Estimate $200-300

459. A. Bennett, 19th century, English, oil on canvas of puti beside a pool, signed lower right, “Bennett ‘ 89,” and on the verso, “A. Bennett,” scratched on frame, 9” x 17” original frame. Provenance: A New Hampshire collection.
Estimate $500-700

460. Red Painted Blanket Chest, pine lift top with cotter pin hinges over a blanket box with a till, hidden drawer under the till with inscription, boot jack sides, 38 3/4” wide x 16” deep x 19 1/2” tall, very good surface, 18th century New England. Provenance: A Connecticut collection.
Estimate $300-500

460A. Chippendale Bow Front Chest, with writing slide, mahogany molded edge single board top over a rare beaded edge pull out writing slide over 4 graduated cock beaded drawers set on an applied bracket base with flaring feet, replaced brasses, old refinish, Massachusetts late 18th century, 40” case 24” deep x 35 1/4” tall. Provenance: a Massachusetts collection.
Estimate $3,000-4,000

461. Two Cork Bodied Decoys: A- A mallard with a carved head and glass eyes. Decoy measures 17 1/2” in length. B- A Canada goose with glass eyes and a carved head in a semi-lowered position. Goose measures 28” in length. Provenance: A Peterborough, NH collection.
Estimate $75-150

462. Pair of Decoys, hollow body green wing teal decoys with the hen in the sleeping position. Both decoys have glass eyes, pronounced cheeks, and lead weighted wooden keels impressed with a “G”. Hen has some flaking paint on her back and up front, drake as a few rub marks in the usual areas. Hen measures 10 1/2” in length and drake measures 12 3/4” in length. Provenance: A Peterborough, NH collection.
Estimate $250-350

463. Two Early 20th Century Decoys: A- A Dodge factory widgeon with tack eyes in original, mostly worn paint with neck damage. Decoy measures 13” in length. B- Golden eye drake decoy with tack eyes, damaged neck, and later repaint. Has a deeply carved “5” underneath its tail feathers. Decoy measures 12 3/4” in length. Provenance: A Peterborough, NH collection.
Estimate $100-200

464. Lot of Two Decoys: A- A mid 20th Century folky merganser decoy with a replaced head and older repaint, probably NH made. Decoy measures 16 3/4” in length. B- A seagull confidence decoy with glass eyes and carved wing and beak details, late 20th Century. Seagull measures 13 1/2” in length. Provenance: A Peterborough, NH collection.
Estimate $200-300

465. Hollow Body Blue Bill Drake Decoy, with turned head and glass eyes made by either Ralph Reghi or Jim Kelson of Michigan. Decoy has a nicely detailed head in the sleeping position, a flat wood insert for the tail feathers, and the characteristic angled keel with a lead weight inserted at its tail. Early to mid 20th Century in an older repaint. Decoy measures 11 1/2” inches in length. Provenance: A Peterborough, NH collection.
Estimate $250-350

466. Balsa Wood Blue Bill Wild Fowler Decoy, with glass eyes and a working repaint. Paint loss at beak. Branded deeply on base “Guyette.” Decoy measures 15” in length. Provenance: A Peterborough, NH collection.
Estimate $100-200

466A. Mason Challenge Grade or Peterson Black Duck Decoy, with glass eyes, very nicely carved with good form. Head has lost much of its paint and neck is in need of repair. Chip out of tail and off of left side of beak. Late 19th Century. Decoy measures 15 1/2” in length. Provenance: A Peterborough, NH collection.
Estimate $200-300

467. Dagger Cane, blade marked, “Solingen,” silver crusader head finial, bamboo shaft, missing center ring, 19th century. Provenance: A New Hampshire collection.
Estimate $200-300

468. Contemporary Chinese Screen, 4 folding sections, raised floral decoration on a gold ground on 1 side with carved birds in tree decoration on the other, width (4) 16” x 72” tall. Provenance: A Connecticut collection.
Estimate $200-400

469. Chinese Export Punch Bowl, blue & orange Chrysanthemum decoration, 10 12” diameter, 18/19th century. Provenance: A New Hampshire Oriental collection.
Estimate $200-400

470. Japanese Imari Pitcher, floral decoration on red ground, garden panel on one side, writing on the other, 8” tall, 19th century. Provenance: A New Hampshire Oriental collection.
Estimate $100-200

471. Polychrome Bone Table Screen, heavily carved double sided with black, red & green accents, a circle set on a plinth above a rectangular footed base, 21” tall, 14” wide, missing gallery on base and piece of a foot, circa 1900 Chinese. Provenance: A New Hampshire collection.
Estimate $400-700

472. Two Chinese Carved Ivory Pieces: A - Puzzle ball on a figural stand in old box, early 20th century, 11” tall. B - Rooster fighting a snake with chick hidden behind, 6 3/4” long with a wooden stand. Provenance: A New Hampshire Oriental collection.
Estimate $400-700

473. Three Blanc De Chin Figures: A - 15” tall deity, 19/20^th century. B - 8” tall old man/scholar, 20th century. C - 13” tall woman riding a large bird, 19/20th century. Provenance: A New Hampshire Oriental collection.
Estimate $200-300

473A   Korean Pine Chest on Chest, top section with 2 wide drawers over a bottom section with 1 drawer on 3 drawers. Wrought iron corner braces & hardware, 37 1/2" wide x 16 1/2" deep x 40 1/2" tall, 18/19th century, old color, loss of escutcheon. Provenance: A New Hampshire collection.
Estimate $200-400

474. Hal Robinson, (1875-1933), American, oil on canvas landscape, “Woodland Stream,” signed lower right, “H. Robinson,” 30” x 24”, old frame, restored & relined. Provenance: A Southern collection.
Estimate $1000-2000

474A. Hudson River School Wedding Procession, oil on canvas painting of a bride with an armful of roses and her two bridesmaids. One bridesmaid appears to be Native American and is dressed in a Native American costume. Back of stretcher inscribed in pencil “By J. John and Louis F. Jones, 1887,” 34” high x 27” wide, unframed. Provenance: A New Hampshire estate.
Estimate $600-800.

475. Mahogany Sheraton Sideboard, rectangular top with 4 turrets over each reeded leg & applied columns, 3 cock beaded drawers over 4 cupboard drawers & 2 bottle drawers, inscribed in the back of the top drawer, “This sideboard first owned by Thomas Shepard Esq. on Round Hill, Northampton, Mass 1810,” he was a descendent of General Perth Pomeroy, 74” wide x 23” deep 41 1/2” tall, restored. Provenance: A Massachusetts collection.
Estimate $1,700-2,200

476. “Jefferson” Reverse Table Lamp, domed shade with landscape decoration marked, “Jefferson,” on the upper rim, 14 1/4” diameter, the gold & black toned white metal base is also marked “Jefferson” on the side bottom edge, 22” tall, appears to be in good condition. Provenance: A Northern NH collection.
Estimate $600-900

477. Lot Of Six Chinese Metal Pieces: A - Bronze sensor with foo dog finial cover on figural legs, 12” tall, 19/20th century. B – Brass domed cigar box with chased designs. D - Cloisonné flower bowl, 8 1/2” diameter x 5 3/4”, 20th century. E - Two vases, 8 1/4” tall, rose bowl 4 1/2” tall, cut black to brass, 20th century. Provenance: A New Hampshire Oriental collection.
Estimate $500-700

478. Lot Of Three Chinese Items: A - Small lacquer decorated valuables cupboard with interior drawers, early 20th century, 9 1/4” tall x 9 1/4” wide x 4 1/2” deep. B - Gourd form red lacquer decorated composition box with carved (bone?) insects applied to the outside, some losses, 19” long x 7” tall, 19/20th century. C - Stained hardwood book stand/box of drawers, carved panel lid folds up, (missing support) over a case of 2 over 2 drawers, 19/20^th century, 12 1/2” x 12 1/2” x 11”tall closed. Provenance: A New Hampshire Oriental collection.
Estimate $200-300

478A. Lot Of Five Miscellaneous Chinese Items: A - Set of 3 bells in a wood holder, 20th century, 24 1/2” tall. B - Table dressing mirror with lacquer decorated frame, 27 1/2” tall x 18” wide, 20th century. C - Nest of 5 black & red decorated domed chimes, 19th century, mounted on a 20th century lamp base. D – Covered oval bamboo basket, 20th century, 15 1/2” tall x 18” wide. E - Canted staved wooden butter churn w/brass bands, 18” diameter at base, 27” tall including dasher. Provenance: A New Hampshire Oriental collection.
Estimate $200-400

479. Charles Melville Dewey, NA AM, (1849-1937), American, oil on board, titled on the frame, “Haystacks,” signed lower left, “CH M. Dewey,” 11 1/2” x 15”, gold frame. Provenance: A Southern collection.
Estimate $500-700

480. Maple Queen Ann Tea Table, curly maple round tip top over an urn shaped shaft set on 3 snake feet, refinished circa 1800, small repair to top, 33” diameter, 28” tall. Provenance: A Peterborough, NH estate.
Estimate $200-300

481. Five Pieces Of Japanese Porcelain - Meiji Period: A - Arita, blue & white ruffled edge vase, 13” tall. B- Kutani, green & red pitcher, 10” tall, restored. C - Seto, pair of vases with red decoration, 1 as is, 14 3/4” tall. D - 20th century figural decorated vase. Provenance: A New Hampshire Oriental collector.
Estimate $300-500

482. Bronze Plaque, kitchen scene, “Women Preparing Game,” set in a fire gilt double handled pierced basket form, 5 1/2” wide including handles, 19th century, Continental. Provenance: A Jaffrey, NH collection.
Estimate $100-200

483. ”Rocky Seascape” , oil on artist board of the sea breaking on the rocky shore, unsigned, 6” x 11 1/2”, 20th century oak frame. Similar to Homer’s later Prout’s Neck work.  Provenance: A Massachusetts collection.
Estimate $1000-2000

483A  Arthur William Heintzelman, NA (1890-1965), New York, NY, etching of Charles Munch (conductor of the Boston Symphony Orchestra,) pencil signed lower right, "Arthur Wm Heintzelman," 14" tall x 11 1/8" wide, sight, matted & framed under glass. Along with the book, "American Etchers Vol VI after Wm Heintzelman, the crafted collection, Inc. NY , first printing 75 copies. Provenance;  A Massachusetts collection.
Estimate $200-400

483B   Woman In A yellow Hat painting, oil on artist board, signed lower left, …M?, appears to be Continental, 19/20th century, 10 1/2" x 7 1/4" unframed. Provenance: A Massachusetts collection.
Estimate $400-700

483C  North African Woman Portrait, oil on artist board painting, unsigned, 19" x 16 1/2", framed, appears to be Continental/ French, early 20th century. Provenance: A Massachusetts collection, label on verso indicates ex collection of Gilbert Hodge.
Estimate $400-700

484. Circa 1735 London Silver Deep Dish, a shaped molded edge, stag over a crown crest, marked on rim, hallmarked on the verso, “Joseph Sanders (London 1730),” 9 1/4” diameter. Provenance: A Dublin NH collection.
Estimate $500-700

485. Two Sets Of Dinner Knives, 12 Gorham Manufacturing Co., mother of pearl handles and 12 sterling handled, possibly Towle, 19th century. Provenance: A New Hampshire collection.
Estimate $200-300

486. Apostle Spoons, 12 hallmarked silver, 4” tall & a single 7” tall gold plate on silver, probably 18th century England. Provenance: A New Hampshire collection.
Estimate $200-300

487. Sterling Flatware; 12 Whiting “Hyperion” pattern teaspoons; 12 Towle “Canterbury” pattern lunch forks; 10 Towle teaspoons & 7 misc. pickle forks & butter knives, 41 pieces, 20th century. Provenance: A New Hampshire collection.
Estimate $400-600

488. Four Silver Plated Telescoping Candlesticks, each marked “Morton’s Pat,” 5 1/2” - 9” tall, 1 missing bobeche, 19th century. Provenance: A New Hampshire collection.
Estimate $100-200

489. Three Pieces Of Silver Plate; an oval handled tray, with reticulated edge & wooden bottom, 27” long; a footed salver; a pair of candlesticks, one missing bobeche, 19/20th century. Provenance: A New Hampshire collection.
Estimate $200-300

489A. Six American Coin Silver Spoons: 2 table, “Bradberry & A Cutler, Boston;” 3 teaspoons, 1 marked “AC,” and a “Daniel Low” sugar shell, 19th century. Provenance: A New Hampshire collection.
Estimate $100-200

489B. Louis Pierre Verwee, 1807- 1877, Belgium, oil on canvas painting of a courtyard scene, signed lower left, “L. Verwee '74,” 38 1/2” tall x 28 1/2”, old wide molded frame, lined with some repairs. Provenance: A New Hampshire and New Jersey collection.
Estimate $1,500-2,500

490. Three Watercolor On Silk, Floral Still Lifes, with butterflies, deterioration to silk background, 7” x 9” sight, framed & matted, 19th century, Chinese. Provenance: A New Hampshire collection.
Estimate $300-400

491. Octagonal Cast Iron And Bronze Handled Teapot with scenes on each panel, a signed polished bronze lid, probably 18^th century, Chinese. Provenance: Fanny Hillsmith estate, Jaffrey, NH.
Estimate $100-200

491A. Lot Of Three Early Oriental Items: A - Chinese Foo Chow carved wooden ancestral table, 19/20th century, 12 1/4” tall, disassembles to show name, date of birth & death. B - Covered pot, 3 1/4” tall, possibly Korean. C – Covered green/yellow glazed pot, damage appears to be 17th century or earlier Chinese, 5 1/2” tall. Provenance: A New Hampshire Oriental collection.
Estimate $400-700

491B. Five Boxes Of Contemporary Ink Stones, all virtually unused (2 broken) set in fabric, covered boxes with bone clasps. Provenance: A New Hampshire Oriental collection.
Estimate $250-400

491C. Lot Of Six Oriental Items: A - Two contemporary snuff bottles, each 2 1/2” tall. B - Pair of carved soapstone bookends, 6 1/2” tall. C - Four handle bamboo drying basket, 21” wide. D - Pierce carved jadeite flower form, 1 1/2” tall. E - Decorated paper & bamboo umbrella. Provenance: A Connecticut collection.
Estimate $250-450

491D. Reclining Burmese Bronze Buddha, figure laying on it’s right side with the arm supporting the head, green mottled surface, some restoration, 17” long, appears to be 18/19th century or earlier, surface probably was added later. Provenance: A New Hampshire collection.
Estimate $400-600

492. Pewter Coffee Pot, with a hinged lid, round mark on the bottom, “Bordman & Co. New York,” circa 1825, dent, partly polished. Provenance: A New Hampshire collection.
Estimate $300-500

493. Two Pieces Of Wrought Iron: a toaster with double arches with trees at center, pad feet, 17” long with lollypop handle; a heart shaped trivet with curled feet, 5 3/4” long, 18/19th century. Provenance: A New Hampshire collection.

Estimate $300-500

494. Six Cordial Glasses: a 6” tall, clear with hand-blown applied bell form rolled edge base & an etched bowl with unicorn in a cartouche with saying & a hollow air form stem; 2 with rolled edge bases & 3 others with damage; an air twist w/base chips; one with bubble knop, reapplied bowl; and an etched cut Irish form w/base chips. Provenance: A Dublin NH collection.
Estimate $800-1,200

495. Eight Pieces Of Early Clear Glass; 2 3/4” tall quilted salt; pair of 3 3/4” etched, paneled flip glasses & 5 cordials in various sizes & patterns, 18/19th century American & Continental. Provenance: A Dublin, NH collection.
Estimate $700-900

495A. “Pittsburg” Form Pitcher, paneled with applied handle, 7 1/4” tall, 19th century. Provenance: A Dublin, NH collection.
Estimate $100-200

496. Eight Pieces Of Irish Cut Crystal, 5 water glasses, 5 3/4” tall & 3 open salts, 3” tall, 19/20th century. Provenance: A Dublin New Hampshire collection.
Estimate $200-400

496A. Three Pieces Of Continental Glass, 8” “Lalique,” bowl in swirl design, rim chip; 2 1/4” tall blue mille fiori cup over white case glass with clear cartouches with a man’ s picture & a 9 3/4” footed vase with black paneled scenes, 19/20th century. Provenance: A Dublin New Hampshire collection.
Estimate $200-300

497. Thirty-six Pieces Of Glassware: gold swag decorated; 8 red wines, 2 claret, 11 tumblers; 12 gold on red juice glasses; 3 gold decorated sherries; all 19/20th century Continental. Provenance: A Dublin NH collection.
Estimate $300-500

498. Eleven Pieces Of New England Pattern Glass: 5 clear toy pieces including four 2 1/4” bowls, a 3” bowl marked, “S Clarke Fairy, Pyramid;” 2 clear, 3 3/4” cup plates & 4 damaged pieces; a light blue slag glass paddlewheel boat, “Lafayette,” “Sandwich,” open salt, chips; a 6 1/2” dark blue Lacy plate, hairline & chip; 5” thistle pattern clear plate, chip; a clear pedestal salt w/chip base, 19/20th century. Provenance: A Dublin NH collection.
Estimate $300-500

499. Four Pieces Of Early Hand-blown Glass, a clear cup with a blue rim & applied handle, broken pontil, 3 1/8” tall, a 3 3/4” tall cobalt blue pitcher, white rim, applied handle, broken pontil; a 4 1/8” tall hurricane with yellow rim & broken pontil; a 4 3/4” tall amethyst pitcher with applied handle (cracked) & broken pontil. Provenance: A Dublin, NH collection.
Estimate $400-600

500. Noah’s Ark, painted pine boat, with 68 paint decorated pairs of various animals, missing roof, damage to some animals, 19/20^th century. Provenance: A New Hampshire collection.
Estimate $800-1,200

501. “London Roads” Quilt, cotton pieces, dark blue background with red border, 68” x 82”, 19th century. Provenance: A Midwest collection.
Estimate $200-300

502. “Snake In The Grass” Quilt, pieced, yellow on cream background border, 68” x 83”, washed, 20th century. Provenance: A Midwest collection.
Estimate $200-300

503. “Octagonal Tile” Quilt, pieced, 65” x 71”, washed, 20th century. Provenance: A Midwest collection.
Estimate $100-200

504. “Wedding Ring” Quilt, 72” x 82”, good condition, 19th century. Provenance: A Midwest collection.
Estimate $200-300

505. “Log Cabin” Quilt, signature, dated 1907, 67” x 80”, washed. Provenance: A Midwest collection.
Estimate $200-300

506. Quilt, pieced, mostly blue, washed, crude stitching, 76” x 60”, 20th century.
Estimate $100-200

507. “Sunshine Shadow” Quilt, pink border, 76” x 84”, unused, circa 1940. Provenance: A Midwest collection.
Estimate $200-300

508. “Daffodil Applique” Quilt, 78” x 104”, circa 1940.  Provenance: A Midwest collection.
Estimate $100-200

509. Two Quilt Tops, 1 diamond pattern, 20th century. Provenance; A Midwest collection.
Estimate $100-200

510. New England Queen Ann Highboy, restored bonnet 4 drawer top with fan carved center drawer, triple arched base with 2 carved fans set on 4 cabriole legs, maple with pine secondary wood, 80 1/2” tall (top finial) x 37 1/4” lower case width x 21 1/2” D, restored, period Queen Ann brasses were added at a later date. Provenance: A Massachusetts collection.
Estimate $3,000-5,000

511. Frederick A. MacNeal, 20th century American, watercolor of a harbor scene, signed lower left, 14 1/4” x 10 1/4”, framed & matted. Provenance: A Massachusetts collection.
Estimate $100-200

512. Green Painted Blanket Box, lift top exposing a till with a drawer underneath, wrought iron side tilt handles, dovetailed case, molded applied base, 36” wide x 16” deep x 18 1/2” tall, original condition with small stains on top, early 19th century New England. Provenance: A Connecticut collection.
Estimate $200-300

513. Oval Lapped Fingered Box And Two Splint Baskets, box in old brown paint 3 1/2” oval. Each basket 9” oval, 19th century American. Provenance: A Connecticut collection, Eli Terry Clock Co.
Estimate $400-600

514. A Hale Johnson, 20th century American, oil on wood panel, winter scene,“ Study Of Two Rocks,” 11 3/4” x 22”, framed. Provenance: A Keene NH collection.
Estimate $2,000-3,000

515. Gene Szafran, (1941-?), Detroit, MI, oil on canvas painting of impressionistic figure, signed right side, “Szafran 61,” 27” x 22”, thin wooden frame, titled on rear stretcher, “White Skirt #352.” Provenance: A Massachusetts collection.
Estimate $150-250

516. Thomas B. Craig, NA, (1849-1924) Woodland, NY, watercolor of a village landscape, 14” x 21 3/4”, sight, matted, not examined out of the frame. Provenance: A New Hampshire collection.
Estimate $200-400

517. Ross Barbera, New York, Contemporary artist, airbrush oil on canvas painting of a stream, signed on rear stretcher, 48” x 70.”
Estimate $1,500-2,500

517A Jay Gresham cartoon, last in a series “the seven ages of Man,” based on Shakespeare’s “As you like It”. Pastel & charcoal on paper of a green man in a cave. Provenance: William D. Eppes, this was created for Cole Porter,  the composer, 1893-1964, on his birthday celebration, June 9, 1944.
Estimate $400-700

518. Albert Blaetter, B. 1878, American, oil on canvas seascape, signed lower right, “A Blaetter,” 24” x 36”, framed. Provenance; A Peterborough NH collection.
Estimate $600-1,200

519. TE Pencke, B. 1929, French, oil on canvas of a lake scene, 12” x 16”, wide gold frame. Provenance: A New Ipswich NH collection.
Estimate $700-900

520. Delft Charger, dark blue on a light blue background, central musical scene, 25” diameter, signed, “Moreau D. Teniere,” hairline, 19/20th century Continental. Provenance: A New Hampshire collection.
Estimate $250-350

521. Sydney Lee, (1866-1949) English, woodblock print, “Isak Walton’s Fishing Lodge,” 15 1/4” x 8 3/4”, pencil signed lower right, unframed. Provenance: A New Hampshire collection.
Estimate $100-150

522. Jane E. Goldman, B.1951, American/NH, watercolor titled, “MB Cleaning Cherries I,” titled & signed on the verso, 22 1/2” x 30 1/4”, matted & framed under Plexiglas, not examined out of the frame. Provenance: A New Hampshire collection.
Estimate 300-600

523. Arthur Wesley Dow, (1857-1922) American, “Colored Print, Lilly,” from “Ipswich Prints, Series F, 1901,” initialed lower left, “AWD,” framed under glass, 5 1/2” x 4 1/8” image size. Provenance: Hirschl & Adler Gallery, from the artist’s estate.
Estimate $250-350

523A. Arthur Wesley Dow, “Village Rooks,” color relief, “Ipswich prints series K #1,” 4 1/4” x 5 1/2” image size, framed under glass. Provenance: Hirschl & Adler Gallery, from artist’s estate.
Estimate $200-300

523B. Albert Urban, (1909-1959), German/American, 2 screen prints: A - “Dance,” 12946, 11 3/4” x 7 1/4” estate stamp, “B. Leda, 45,” 13 1/4” x 10”, framed under glass. Provenance: Hirschl & Adler Gallery from the artist’s estate.
Estimate $100-200

524. N Hart, NA, 19th century, oil on canvas still life, “Grapes and Peaches,” 6 1/2” x 10”, signed lower right, oak frame. Provenance: A New Hampshire collection.
Estimate $300-500

524A. Watercolor On Silk, birds & floral bushes, 9 1/2” x 11” sight, framed & matted under glass, 20th century Chinese. Provenance: A Milford, NH collection.
Estimate $100-200

525. Joseph Jeswald, (1927- ), Massachusetts, oil on canvas painting of an unusual musical instrument, signed lower right, “Jeswald,” 40” x 24”, thin wooden frame. Provenance: An Amherst, NH estate.
Estimate $200-300

526. Joseph Jeswald, oil on canvas titled, “Birds,” and “(19) 57,” on “Gallery G,” label, on verso titled, “7 Gulls,” , signed lower right, “Jeswald 57,” 36” x 28”, thinly framed. Provenance: An Amherst, NH collection.
Estimate $200-300

527. “Back Alley” Modernist Painting, oil on canvas non objective painting done in 1969, signed lower right "SR Marie Messina", 20” x 24”, slight water damage on lower edge. Provenance: A Massachusetts collection.
Estimate $100-250

528. Continental School, oil on canvas impressionistic portrait of a peasant woman, signed upper right, “RB…?,” remains of an exhibition label & 2 gallery stamps labels, 37” x 29,” original frame. Provenance” A Winchester, MA collection.
Estimate $300-500

529. George Kenneth Hartwell, (1891-1949), lithograph 7/30, “And Far Into The Night,” titled lower right, signed,” Kenneth Hartwell,” IMP 1932 lower left, 11 1/4” x 15 1/2” unframed. Provenance: A Southern collection.
Estimate $200-400

Audubon Octavio Folio Prints Lots 530 to 550