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1. Cut Stone
Feed/Watering Trough,
rectangular
shape, 39 1/2” W by 15”D by 7” T, “V” shaped interior, appears to be
19th century American, old dirty color. Provenance: A NH collection.
Estimate $600-900
2. Brass
Sundial, S. Mason,
Dublin,
Ireland, round dial with Roman numerals from 4AM to 8PM, signed in
southern quadrant, “S. Mason, Dublin,” 5 3/4”, screwed onto a turned
round faux marble painted base, 8” diameter on bottom. Provenance: A
NH & Delaware collection.
Estimate $200-300
3. Model Of An
18th Century Pennsylvania Barn,
wooden pegged
post & bean construction, probably made in the 19th century as a
scale model, 44 W by 51” L by 33” T, missing a few pieces.
Provenance: A NH & Delaware collection.
Estimate $400-700
4. William
Aiken Walker,
1838-1921,
Charlestown, SC, oil on artist board of 2 African American cotton
pickers standing with a basket of cotton between them; signed lower
left, “W.A. Walker,” 6” x 12” framed, good untouched condition, part
of an artist board label & pencil notes on verso. Provenance: A
Walpole, NH collection.
Estimate $18,000-25,000
5. English
Mahogany Queen Ann Wing Chair,
arched
upholstered back with shaped wings & cone arm supports set on a
horseshoe shaped seat; front cabriole legs with acanthus leaf carved
knees terminating in slipper feet, repair to right rear leg, old
refinish, 18th/19th century, 45 1/2” T by 36 1/2” W (at arms) by 26”
D with 16 1/2” seat height. Provenance: A Peterborough, NH estate.
Estimate $1,000-1,500
6. Mount
Washington From Conway Valley,
oil on canvas
landscape painting, “View From Sunset Hill, North Conway,” 26” x
40”, appears to be in the original carved & gilded frame. Although
this view was made famous by John Kensett, this painting is probably
not by him, but does appear to be by someone of his stature.
Provenance: A Delaware collection.
Estimate $4,000-7,000
7. William
Jurian Kaula,
1871-1952,
Boston & New Ipswich, NH, oil on canvas of a landscape with hillside
& a rock wall, signed lower left, “William J. Kaula,” 11 1/4” by 15
1/4”, newer gilded frame, lined & cleaned. Provenance: A local NH
collection.
Estimate $3,000-4,000
8. Arthur
Clifton Goodwin,
1866-1941,
Boston, MA, pastel cityscape of what appears to be downtown Boston,
signed lower right, “AC Goodwin” & left, “Goodwin,” 15” by 20”,
matted & framed under glass, (not removed). Provenance: A NH
collection, John Stedman estate, Maine, purchased from the artist
(see tag on reverse).
Estimate $5,000-8,000
9. Edward Hill,
1843-1923, Littleton, NH, Hood River, OR, oil on artist board of
mountain scene with a horse drawn carriage in the foreground. Signed
lower right, “Edward Hill.” The painted board has a slightly visible
design on it’s surface under the painting, 8” by 11”, newly framed.
Provenance: An Arizona estate/ collection.
Estimate $1,500-3,000
10. Edward
Hill,
oil on board of
a stream with cows & trees, signed lower right, “Edward Hill,”
probably done at the same time as # 9, as it also has the same
impressed design in the board, 8” x 11”, newly framed. Provenance:
An Arizona estate/collection.
Estimate $1,500-2,500
11. Shirvan
Oriental Scatter Rug,
made in the
Shirvan district of The Caucuses, 19/20th century, using the Lesgi
star design (3), some wear & edge damages, 43 1/2” by 58”.
Provenance: A NH collection.
Estimate $500-700
12. Kazak
Oriental Scatter Rug,
3 diamond
medallions on a blue ground, made in what we refer to as the
“Russian Period,” circa 1920-35, in very good condition, as it was
hung for most of its life, 55” x 82”. Provenance: A NH collection.
Estimate $800-1,200
13. Pair Of
Sumac Saddlebags,
each bag face
with bands of geometric designs woven in the Sumac manner with Kilim
woven backs with Sumac bands, 22” W by 66” L; appears to be 19/20th
century Caucasian, good overall condition with some edge wrap
losses. Provenance: A NH & Delaware collection.
Estimate $300-500
14. Kilim
Scatter Oriental Rug,
flat woven
geometric design rug with 2 large diamonds, probably E. 20th c.,
Kurd Caucasian, 68” by 99”, some wear & holes. Provenance: A NH &
Delaware collection.
Estimate $250-450
15. Caucasian
Oriental Scatter Rug,
8 latch hook
medallions on a red ground surrounded by a multiple banded border,
probably the Shirvan district, E. 20th c., some overall wear, 44” W
by 88” L. Provenance: A NH & Delaware collection.
Estimate $400-700
16. Shaker Cast
Iron Stove,
see #203 in
Robert F.W. Meader’s Book, “Illustrated Guide To Shaker Furniture,”
for a similar example, but with 2 side iron rests & rear tong
holder, 33” L by 26 1/2” T by 14” W (at front), fire box cracked.
Provenance: A NH & Delaware collection.
Estimate $900-1,200
17. Two # 4
Shaker Ladder Back Rockers,
both in old
refinish, one with the old worsted lace seat, the other with a
splint seat, marked on the back of the top slat #4. Provenance: A NH
& Delaware collection.
Estimate $600-1,000
18. Green
Painted Shaker Wood Bin,
it has
dovetailed corners both front & back, unusual flat paneled upper
back section, poplar wood construction, mid 19th century, 46 1/2” W
by 20 1/2” D by 37 1/2” T; top board is refinished, interior has a
second coat of green paint. Provenance: A NH & Delaware collection.
Estimate $1,000-2,000
19. Shaker
Sorting Box,
dove tailed
case & drawers, 3 lipped sorting trays in the top over 2 drawers,
the back is open under the 2 shallow trays, old refinished
condition, red chalk name (?) inside behind drawers, 31 1/2” W by 8”
D by 6 5/8” T; screw holes in back board for hanging. Provenance: A
NH & Delaware collection.
Estimate $400-600
20. Shaker
Three Drawer Server,
rectangular top
with arched back splash over 2 side by side flush fitting drawers
over a wide drawer, open sides next to the lower drawer, all set on
4 tapered legs, old refinished pine, 32” W by 33” T by 19 3/4” deep,
appears to be mid 19th century. Provenance: A NH & Delaware
collection.
Estimate $800-1,200
21. Pair Of
Half Round Chinese Export Tables,
each with a
paneled top set on a pierced carved apron over 4 molded shaped legs
with pierced carving and a curved stretcher base. All Chinese
hardwood with top quality construction, 19/20th century, 32 1/2” W
by 17“ D by 33 1/2” T, some of the old surface. Provenance: A NH
collection.
Estimate $1,200-1,800
22. Chinese
Ancient Bronze Bell,
cast in an oval
shape with handle (top missing), decorated with a raised relief of 2
sayings, 4 groups of 9 prickets & floral designs, 13 1/2” T by 8
1/2” W at base, clapper missing with an old surface. Provenance: A
NH collection.
Estimate $500-900
23. Chinese
Rose Canton Vase,
round lipped
rim with interior & exterior decoration over a bulbous shaped body
decorated with 2 bands of an interior scene with people, set on a
flaring base, 10” D. top by 15 1/2” T; good quality & condition,
with gold accents, 19th c. Export. Provenance: A NH
collection.
Estimate $800-1,200
24. Chinese
Blue & White Flower Holder,
a rare form
with central tall bulbous neck set on shaped base with 5 stem
openings, all set on 6 round feet at the base; bird & bush
decoration, 10” T by 8 1/2” W at the middle, 18/19th century
Chinese, some edge glaze chipping. Provenance: A NH & Delaware
collection.
Estimate $400-700
25. Chinese Dog
Form Water Dropper,
multi glazed
pottery recumbent dog with his head up & water spout, filling hole
in his back, 4” L by 3 1/8” T. Appears to be 18/19th century
Chinese, in good condition. Provenance: A NH & Delaware collection.
Estimate $200-300
26. Folk Art
Hooked Rug,
oval form
showing flowering trees with husband, wife & 2 children on a swing,
with a pony & dog, 22” T by 35” W. Appears to be mid 19th century
American, re-backed with some edge damage. Provenance: A NH &
Delaware collection.
Estimate $600-1,000
27. Continental
Needlework Sampler,
fine quality
linen sampler depicting birds, flowers, horse & buildings, signed,
“Pasqualina Santori,” in the center, 15” by 16 1/2”; shrink wrapped
for protection. Appears to be mid 19th century or earlier.
Provenance: A NH & Delaware collection.
Estimate $300-500
28. Three
Needlepoint Samplers:
A - Unfinished,
16” by 16 1/2”. B - Mary Elizabeth Lord age 10 years, 11 1/2” by 8”.
C - “O’Connell unjustly imprisoned May 30th, & released September
7th, 1844,” 23” by 8 1/4”, as is. All appear to be American, shrink
wrapped for protection. Provenance: A NH & Delaware collection.
Estimate $200-300
29. Two
Needlework Samplers:
A - Rachel A.
Evans, 16” by 9 1/2”, some staining some edge damage. B - The family
of Hattrass’ work, Nov. 3rd, 1823. Both probably Pennsylvania early
19th century. Provenance: A NH & Delaware collection.
Estimate $400-600
30. Eagle
Jacquard Coverlet,
central circle
surrounds a scene with 4 corner spread wing eagles in red, blue &
charcoal stripes on an ivory ground, 89” by 78”, with a fringe on 3
sides. Good overall condition, Pennsylvania 19th century, minor edge
staining. Provenance: A New Hampshire & Delaware collection.
Estimate $400-700
30A. 1803 Ann
Swift Sampler,
fold art
stitched linen sampler depicting a man & 3 woman, house, trees with
birds, flowers dogs etc., surrounded by a vine & fruit border,
framed under glass, 17 1/2” by 17”, some stains, hole & fading.
Provenance: A local New Hampshire collection.
Estimate $800-1200
31. Blue
Painted Turned Wooden Bowl,
robin’s egg
blue paint with a red & white paint decorated outer edge, 22 1/4” D
by 7 1/2” T, American, 19th century; no known cracks. Provenance: A
southern NH collection.
Estimate $800-1,200
32. 18th
Century Oval Top Splay Leg Tea Table,
light green
over white paint, 2 board maple top with horizontal cleat, molded
apron with maple turned splay legs, stretcher base set on ball feet,
New England, 30” W by 20 1/4” D by 24” T. Provenance: A southern NH
collection.
Estimate $1,500-2,500
33. Portrait Of
John Milton Earle,
1794-1874,
early 19th c. painting of him holding a newspaper. He was a
Worcester, MA newspaper publisher, abolitionist & later appointed by
Abraham Lincoln in 1861 as US Postmaster & Commissioner on Indian
Affairs, (he did the first Native American census in MA), unknown
artist, oil on canvas, lined, original veneered frame, 30” by 25”.
Provenance: A NH collection, purchased directly from a descendent of
the Earle family.
Estimate $600-1,000
34. Paint
Decorated Fireboard,
painted on pine
(4 boards) with vertical bracing, depicting a 4 color curved
fireplace opening on a brown ground, 30” by 36”, 19th c., possibly
Mahantongo Valley, PA or English; horizontal age split. Provenance:
A southern NH collection.
Estimate $500-900
35. Canted
Corner Hanging Shelf,
3 curved
shelves with scalloped fascia sides, wrought iron hoop at top for
hanging, 19th c. American, 38 3/4” T, 19 1/4” corner depth at the
bottom, remains of the old red/brown paint. Provenance: A southern
NH collection.
Estimate $400-700
36. Shaker
Tailoring Table,
rectangular 3
board top over a case with 3 drawers (offset) over 2, champhored
corner posts ending in turned legs, double paneled sides, 19th/20th
c.; yellow shellac finish, metal pulls appear original, we found no
exact reference for this table form, so the “Shaker” construction is
an attribution, 68 1/2” by 28 1/2” 32 1/2” (Incl. castors).
Provenance: A NH & Delaware collection.
Estimate $800-1,200
37. Pair Of
Shaker # 3 Chairs,
3 slat
ladder-back with worsted web seats, stencil label on rear leg, “Mt.
Lebanon No. 3,” gold on red, the other yellow, probably the original
surface & condition. Provenance: A NH and Delaware collection.
Estimate $400-700
38. Painted
Shaker Style Wall Box,
arched
backboard with hanging hole over 4 valanced sorting cubby holes,
rare mauve color, 19th c., pine & poplar woods, 16 1/8” T by 12 1/4”
W by 10 1/2” D. Provenance: A NH & Delaware collection.
Estimate $700-1,200
39. Shaker
Swing Handle Carrier,
4 finger oval
maple case, pine bottom with round brand, “Sabbath Day Lake
Shakers,” very good condition, with some water stains inside bottom,
11” oval by 8” T, 19/20th century. Provenance: A NH & Delaware
collection.
Estimate $300-500
40. Shaker
Style Hanging Cupboard,
arched back
board with hanging hole at the top, nailed pine construction with a
single flat door, old white over the original red paint, 19th
century. New England, 32” T 14 7/8” W 8 1/8” D. Provenance: A NH
collection.
Estimate $1,000-1,500
41.Tekke
Bokhara Prayer Rug,
central
medallion with multiple borders & crisscrossed center, fine quality
& good overall condition, appears to have some losses, 19/20th
Provenance: A NH & Delaware collection.
Estimate $400-600
42. Heriz Room
Size Oriental Rug,
fine quality
central medallion design on a salmon red open field with cut
corners, excellent condition, circa 1940-50, 92” by 130”.
Provenance: From a White Mountain collection; Hudson River, NY
collection.
Estimate $4,000-7,000
43. Kazak
Scatter Oriental Rug,
3 light red
medallions on a blue ground with an 8 point star border, 19/20th
century, some wear, 45 1/2” by 76 1/2” long. Provenance: A NH
collection.
Estimate $300-500
44. South West
Persian Oriental Rug,
red central
medallion on a blue floral field, some wear & edges rebound, circa
1930-40, 6’ 7” by 10’ 7”.Provenance: A White Mountain collection.
Estimate $1,500-2,500
45. Kazak
Oriental Runner,
multiple
lozenge field with a latch hook border, very good overall condition,
early 20th c., 5’ 3” W by 10’ 9” long. Provenance: A NY collection
part ll.
Estimate $3,000-4,000
45A. Kazak
Runner /Scatter Oriental Rug,
3 large
medallions on a blue ground with triple border, some light wear & a
small repair, ca. 1930-40, Caucasian, 58 1/2” x 9’ 1”. Provenance: A
NH collection.
Estimate $500-800
46. Louis
Vuitton Trunk,
rectangular
lift top trunk with leather and brass mounts, fitted interior with 2
over 1 trays, sewn label, “Louis Vuitton,” attached to the back of
the lid, some stains, scratches & wear, 36” W by 21” D x 23” T.
Provenance: A local NH collection.
Estimate $4,000-6,000
47. Louis
Vuitton Aux Etats-Unis Suitcase,
vintage
suitcase with interior tray having it’s straps embroidered, “Aux
Etats-Unis,” but missing the Louis Vuitton sewn label, 25 1/2” by 14
1/2” by 9 1/4”, old travel decals, initialed on top, ACG, some
scratches & imperfections. Provenance: A local NH collection.
Estimate $800-1,200
48. Pair Of
Continental Putti Form Candlesticks,
2 winged
figures holding a torch, (metal candle holder) wearing a shawl &
having an outstretched hand, set on a round base, old painted gesso,
some damage, worm holes, 18/19th c., 23” T by 10 1/2” D base.
Provenance: A Wilton, NH & Boston collection.
Estimate $1,000-1,500
49. Alfred
Walter Williams,
1824-1905,
British, oil on canvas landscape painting of double ox teams pulling
logs across a stream with a fisherman off to the side, signed lower
right, “A.W.W. 1844,” 26” by 39”, framed & lined with new stretcher.
Provenance: A Lexington, MA collection.
Estimate $1,200-1,800
50. Black
Chinese Export Trunk,
floral
decorated, leather over camphor wood, with brass nails & trim on the
top sides & front, “Ahning,” a known maker, oval label on interior
lining, 36” long x 18” deep x 16” tall, minor roughage, 19th century
Chinese. Provenance: A New Hampshire collection.
Estimate $900-1,200
51. Chinese
Export Punch Bowl,
the exterior
decorated with 2 wide panels of people visiting on a porch
overlooking a lake with 2 small panels of birds on a branch, 10 1/4”
D by 4 3/4” T; 18/19th century. Provenance: A NH collection.
Estimate $1,000-1,500
52. Green
Fitzhugh Fruit Basket And Tray,
oval
reticulated basket with matching under tray, 10 1/2” long on oval,
19th century Chinese export. Provenance: A NH collection.
Estimate $1,200-1,800
53. Chinese
Export Rose Medallion Partial Tea Set,
each piece with
the same bird/butterfly & floral panels with the gold accent &
includes photo copy of original receipt. A - Creamer, 4 3/4” T. B -
Covered sugar, 4 3/4” T. C - Six cups & 5 saucers, 3 3/4” D & 5 1/2”
D, 1 cup chipped. Provenance: A NH collection.
Estimate $600-1,000
54. Chinese
Export Rose Medallion Nest Of Three Oval Platters With Original
Receipt,
10 1/4”, 11
1/2” & 13 1/2” each on length, with the original import bill from
Hong Kong of September 1882, to Charles E. Hill of New York & the
shipping bill from Josiah H. Drummond in May, 1883. Provenance: A NH
collection.
Estimate $600-900
55. Chinese
Export Rose Medallion Compote And Four Soups,
raised compote,
9 1/4” D by 4” T, scalloped edges with 4 panels of bird/butterfly &
flowers surrounding a central floral medallion, the 4 soups with the
same design, 9 1/2” D, includes a photo copy of the original
receipts noted in lot 54 & dated 1882/83. Provenance: A NH
collection.
Estimate $600-900
56. Evelyn M.
Bicknell,
1857-1936, New
York, oil on artist board of Summertime landscape at the lake with
mountains in the background, signed lower right, “E. Bicknell,” 8”
by 10”, newer gilt frame. Provenance: A southern NH collection.
Estimate $400-700
57. Evelyn M.
Bicknell,
“Mt. Monadnock,
NH,” (appears to be view from Dublin Lake on the western shore),
titled on verso in pen, signed lower left, “E. Bicknell,” & in pen
on verso with her NY address, 7 3/4” by 11”, original gilded frame.
Provenance: A southern NH collection.
Estimate $500-900
57A. George
Loftus Noyes,
1864-1951,
Boston, MA, Francestown, NH, oil on wood panel of a church, 6” by 7
1/2”, framed. Provenance: A NH collection.
Estimate $900-1,200
58. Theodore
Victor Carl Valenkamph,
1868-1924,
Gloucester, MA, oil on canvas painting of hay stacks in the field,
signed lower right, “T.V.C. Valenkamph 1901,” 14” x 12”, newer
gilded frame.
Estimate $1,000-1,500
59. C. Myron
Clark,
1858-1923,
American, watercolor on paper of a snowcapped mountain & Fall in the
valley, signed lower left, “C. Myron Clark,” 13” by 17”, matted
framed under glass, not taken out of the frame, possible White
Mountain scene. Provenance: A southern NH collection.
Estimate $400-700
60. Hudson
River School Painting,
oil on board of
2 figures on a hill top looking off at the view of the valley,
unsigned, 9 1/4” by 7 1/4”, newly framed & conserved, as noted on
verso; appears to be 19th c. New England. Provenance: A southern NH
collection.
Estimate $600-1,000
61. Whaling Log
Of MS Corvo & Enterprise,
1840-41; the
handwritten daily record starting in Chile on Oct. 1840 and ending
in the Falkland Islands, May 17, 1841, recorded by, “J. Pendleton,”
Master & “F. (Green?), Master, some pages torn out, but in it’s
original sail cloth binding, also with a 20th c., protective paper
board folder. Each time a whale was killed, it was noted by a whale
drawing in the margin, some staining. Provenance: A NH & Delaware
collection.
Estimate $2,000-4,000
61A.
Ephemera—Schooner Shetucket Ca. 1790-96,
New London, CT:
A - Merchant service agreement. B - Various receipts for goods,
wages paid etc. C - Letter of authority to Captain E. Jeffrey. Some
staining, tears & imperfections. Provenance: A NH & Delaware
collection.
Estimate $200-400
62. Pair Of
Scrimshaw Decorated Whale Teeth,
one is
decorated with a wreath surrounding George Washington with an eagle
flying over head holding a branch. The other with a wreath
surrounding Benjamin Franklin with an eagle flying over head holding
a lightning bolt; 5 1/2” T each, attached to a later period oval
wooden base, American, 19th c. Provenance: A NH & Delaware
collection.
Estimate $5,000-9,000
63. Pair Of
Scrimshaw Decorated Whales Teeth,
one depicting a
woman standing holding a dagger, the other a woman dressed as an
angel with a sun & a garden urn, 4 3/4” T including an attached
whale bone base, 19th century, unknown origin. Provenance: A NH &
Delaware collection.
Estimate $1,000-1,500
64. Scrimshaw
Decorated Whale Bone Busk,
horizontal
drawing of an American fort connected by a drawbridge to a colonial
house with horse/riders, carriage etc., 12 3/4” long, 19th century
American. Provenance: A NH & Delaware collection.
Estimate $500-900
64A. Whale Bone
Pie Crimper,
the handle has
a small tooth at one end with faceted ebony & whale ivory center,
the other end has a carved ivory crimping wheel & 2 spurs (1
missing); 19th century American or English, 8 1/2” long, 1 glued
repair. Provenance: A NH & Delaware collection.
Estimate $500-900
65. Scrimshaw
Decorated Whale Bone Whistle,
decoration
shows rowboat with man harpooning a whale & 2 sailing ships, 2 1/2”
long including the finial, 19th c. American or English. Provenance:
A NH & Delaware collection.
Estimate $300-500
66. Whale Bone
Carved Accessories:
A – Two clothes
pins, cylindrical shaped, 7” long, 19/20th century B- A three tine
fork & shovel, both with stirrup handles, 11” long, 19th century.
Provenance: A NH & Delaware collection.
Estimate $400-600
67. Sailor’s
Pen & Ink Art Drawing,
on paper of
various sailing vessels seen on Feb. 15 & Feb. 23rd, unsigned but
done with someone with great skills, 6” by 13 1/2”, matted & framed
under glass (not removed), 19th c. American or English. Provenance:
A NH & Delaware collection.
Estimate $300-500
68. Two
Nautical Prints:
A - Aquatint,
“The Capture of The Gypsy Schooner, NY,” after the painting done by
W.J. Higgins, marine painter to His Majesty, engraved by Rosenberg,
captured April 30, 1812 by HM ships, Hermese and Belle Poule after a
3 day chase, 17 1/8” by 10 3/4” hand colored, framed under glass. B
- “Paul and Virginia” colored print of ship wrecked survivors
mourning the death of Virginia, matted & framed under glass, 12 1/2”
by 16”, trimmed. Provenance: A NH & Delaware collection, original
receipt on reverse from Godolphin Gallery, Dublin for “A.”
Estimate $400-600
69. Green
Scrimshaw Decorated Whale Bone Busk,
depicting
sailing ships on a river near a hillside town, history associated
with it indicates from upper NY state area, 13” long, 19th c., some
brown staining. Provenance: A NH collection.
Estimate $1,000-1,500
70. Colored
Engraving After Gellee Claude LeLorrain,
titled, “Soleil
Couchant Sur Mer,” sailing ships at a Holland port by La Chausse,
16” by 2” sight, matted & framed under glass, some staining.
Provenance: A NH collection.
Estimate $1,000-1,500
71. Hepplewhite
Card Table,
maple & pine
with swirled old red paint, a fold over rectangular bread board top
over a conforming case with a single long drawer with antique brass,
set on 4 tapered legs, 19th century, 29” tall, 32” case width.
Provenance: A southern NH collection.
Estimate $400-700
72. Arthur
Fitzwilliam Tait,
1819-1905, New
York, oil on canvas landscape with a stag, signed lower right on the
bias, “A.F.Tait, NY 89,” 21 1/4” by 24 7/8”, period gilded frame,
some in-painting in the sky. Provenance: A west coast collector.
Estimate $20,000-30,000
73. Paul John
George Fischer,
1786-1875,
German, lived & worked in England, watercolor on paper of Albert
Chandler & Anna Tuttle Hyde, signed LR corner, “Paul Fischer 1842,”
on Chandler painting; subjects’ names reverse painted in gold on
glass border; old Birdseye maple frames, 16 1/2” by 13 1/2” overall
(not taken out of the frame). Originally purchased in NH; history
associated with a NH family. Provenance: A Cooperstown NY
collection.
Estimate $1,000-2,000
74. Mustard
Painted Firkin,
copper nailed
fingered laps, marked indistinctly, “—-Wilder, Hingham, MA,” on the
lid; 12 1/2” T by 12 1/4 D. (bottom), 19th century. Provenance: A
southern NH collection.
Estimate $300-500
75. Joseph
Mulliken,
1765-1802,
Concord, MA, Hepplewhite cherry tall case clock, eight day, time &
strike movement, the arched bonnet with pierced fret & brass ball &
spike finials above fluted columns with brass capitals and bases
centering on astragal glazed line inlaid door, painted iron dial
with floral decoration, signed, “J. Mulliken, Concord,” marked
behind the dial support plate, “Osborne’s Manufactory, Birmingham,”
waist with brass capped fluted quarter columns and on inlaid banded
door, set on a banded & oval inlaid base with ogee feet, 92”Tall.
Provenance: A Jaffrey NH estate.
Estimate $7,000-10,000
76. Shiraz
Oriental Rug,
salmon field
with geometric lozenges, 4’ 9” by 7’ 1”, 20th century.
Provenance: A NJ collection.
Estimate $1,200-1,600
77. Quash Quai
Oriental Scatter Rug,
red center
design, overall geometric design on dark blue field, 3’ 4 1/2” by
5’, 20th century. Provenance: A NH collection.
Estimate $200-300
77A. Quash Quai
Oriental Scatter Rug,
dark blue field
with 3 connected geometric designs, interspersed animals, 20th
century, 3’ 4 1/2” by 5’. Provenance: A NH collection.
Estimate $300-500
78. Hamadan
Oriental Scatter Rug,
Sarouk design,
central medallion, red & dark blue field, 6’ 2” by 3’ 5”, 20th
century. Provenance: A NH collection.
Estimate $300-500
78A. Hamadan
Oriental Scatter Rug,
Sarouk design,
central medallion, red field, 4’ 10” by 7’ 2”, 20th century.
Provenance: A NH collection.
Estimate $400-600
79. Hamadan
Oriental Scatter Rug,
overall
geometric design of opposing animals, dark blue field, aubrash,
minor wear, 4’ by 6’. Provenance: A NH collection.
Estimate $300-500
80. Mahal Room
Size Oriental Rug,
Sarouk style
central medallion on pink field & dark blue border, 8’ 11” by 12’,
circa 1940. Provenance: A White Mountain NH collection.
Estimate $2,000-3,000
81. English
Cast Silver Gilt Dish,
18th
century lotus form with raised relief of panels of flowers around
the scalloped rim, center with vine with flower ring around a raised
central flower, 9 3/4” D by 1 1/2” T, impressed hallmarks on bottom
rim, (R-G) Robert Garrard I date letter O, leopard’s head & king’s
head, good overall condition. Provenance: A NH collection.
Estimate $5,000-8,000
82. Tiffany &
Co. Sterling Silver Dresser Set,
comprised of 10
pieces, floral & vine decoration with center oval having “ABL,”
script initials, some comb tines missing, each piece clearly marked,
“Tiffany & Co. Makers, sterling,” some dents. Provenance: A NH
collection.
Estimate $700-1,200
83. Gorham
Sterling Silver Table Service:
12 dinner
forks, 11 salad forks (gold wash), 8 dessert forks, 8 seafood forks;
12 dinner knives, 12 butter knives; 12 consume spoons, 8 soup
spoons, 4 tablespoons, 18 teaspoons, 6 grapefruit spoons, 6 ice tea
spoons; carving knife & fork, and 7 misc. serving pieces, including
a Tiffany & Co. pierced spatula & knife sharpener; 125 total pieces,
initialed, “HM,” 20th century.
Provenance: A Jaffrey NH collection.
Estimate $1,000-1,500
84. Daniel
Garber,
1880-1958,
Lambertville, PA, oil on canvas landscape painting of Pennsylvania
farm lands, distant village & mountains, signed lower left, “Daniel
Garber,” white washed molded wood frame, appears to be original,
having a metal plaque at the bottom noting, “A gift of Lois
Whitney,” 30 1/4” by 24” wide, vertical restoration on upper right
due to water leak. Provenance: A Cooperstown NY collection.
Estimate $15,000-25,000
85. Gordon Hope
Grant,
1875-1962, New
York, NY, watercolor of a house with a picket fence on the
waterfront, signed lower right, “Gordon Grant,” 22” by 28”, framed &
matted under glass not taken out of the frame. Provenance: A
Cooperstown NY collection.
Estimate $800-1,200
86. Mahogany
Queen Ann Candle Stand,
round tip top
over a baluster turned shaft set on 3 cabriole legs ending in snake
feet, 18th century, MA or RI, 19 1/2” diameter top by 28
1/2” T, imperfections. Provenance: A western NH collection.
Estimate $600-1,000
87. Noah’s Ark
With Animals,
pine houseboat
with 6 people, 4 birds & 29 animals, 13” long by 5 1/2” T, 19/20th
century, Continental, edge of roof missing, some animal tails & ears
are missing. Provenance: A southern NH collection.
Estimate $400-600
88. NH
Chippendale Card Table,
rectangular 2
board fold over top set on a conforming case having a central lipped
drawer supported by 4 molded straight legs, 1 swing, cherry, good
old color, some staining, L.18th c. 34” by 16 1/2” D (top) by 29” T.
Provenance: A NH collection.
Estimate $1,000-1,500
89. Chippendale
Canted Glazed Door Cabinet,
mahogany
dovetailed case with double doors set on applied bracket base, pine
secondary wood, New England E. 18/19th century, interior has been
lined with fabric & 2 fluorescent lights mounted on the inside top &
sides, 25” T by 22 1/2” W by 15 1/2” D at base. Provenance: A NH
collection.
Estimate $1,000-1,500
90. Blind Door
Corner Cupboard,
1 piece
cupboard with a flat paneled door at the top & bottom, scrolled
apron & feet, New England circa 1840-50, 78 1/2” T by 26 1/2” corner
depth, old refinished condition.
Provenance: Pepperell MA collection.
Estimate $ 1,000-1,500
90A. Green
Whieldon Whistle/Pipe,
foliate stem,
dog head whistle & dolphin head eating a bird head bowl, 8 3/8”
long,17/18th century England, original box. Provenance: A
NH & Delaware collection.
Estimate $600-900
91. Ivory
Female Figure Holding A Child,
full seated
figure detailed incised primitive carving, 6 1/4” T, probably
tribal, cream highlights with darker patina, crackle all over, was
display mounted on a pin at one time. Provenance: A NH collection.
Estimate $800-1,200
92. Four Ivory
Whistles,
hand carved;
dog’s head; hunting scene; cylinder with carving & one with turned
spindle end, all 19th century. Provenance: A NH & Delaware
collection.
Estimate $400-600
93. Whale Ivory
Lot:
A - Two pair of
carved ivory dice, the larger pair with fish figures, the smaller
pair with carved figures & colors, 19th c. B - Small tooth, 4 1/8” T
with a man seated at a table scrimshaw decoration, 19/20th century.
C - A modern tiddly-wink case with colored disks. Provenance: A NH &
Delaware collection.
Estimate $400-700
94. Sailor Made
Sword,
carved & inlaid
handle with heart inlaid hilt set on a swordfish bill blade, 19th
century, probably American. Provenance: A NH & Delaware collection.
Estimate $200-300
94A. Scrimshaw
Decorated Whale’s Tooth,
depicting an
American 3 masted sailing ship, 4 3/4” long, 2 holes in back side
for mounting purposes, tooth appears old but coated with a modern
finish. Provenance: A NH collection.
Estimate $800-1,200
95.
Pair Of Ivory Salt & Pepper,
each in 2
parts, the bottom removes to fill, the top with holes, the side
relief carved depicting a house on stilts & 2 fir trees, 2 1/2” T,
probably walrus tusk ivory Eskimo carved. Provenance: A NH
collection.
Estimate $100-200
95A. Whale Bone
Seam Smoother,
4 1/4” T, 19th
century. Provenance: A NH collection, found in a Nantucket barn by
the consignor.
Estimate $125-150
96. Miniature
Watercolor On Ivory,
of a gentleman,
signed illegibly lower right & dated 1847, on verso — titled and
dated “Florence,1847,” 3 1/2” by 3”, framed. Provenance: A NH
collection.
Estimate $300-500
97. Miniature
Painting On Ivory,
of Dr. Cocks of
NYC, the only doctor to stay in NY during the black plague, see
verso for genealogy, 4 7/8” by 3 3/4” sight, matted & framed under
glass, early 19th century Provenance: A NH collection.
Estimate $500-900
98. Francois
Dumant,
1751-1831,
French, miniature watercolor on ivory/paper oval of a young woman
signed lower right “Dumont,” 4 1/2” by 3” sight, not examined out of
the walnut frame. Provenance: A NH collection.
Estimate $900-1200
99. James
Rouse,
d. 1810,
British, painting on porcelain, still life of flowers, signed lower
left, “Rouse,” on verso Louise Ines Doyle & her Leominster, MA
address, 5 1/4” by 7 5/8” sight, ornate frame, E. 19th
century. Provenance: A NH collection.
Estimate $2,500-3,500
100. Miniature
Portraits,
2 sided of a
man & woman, black watercolor on paper, 2 3/4” by 2” in a gold oval
frame, not examined out of the frame, 19th c. Provenance: A NH
collection.
Estimate $400-600
100A. Three
Miniature Portraits On Ivory,
watercolors, 2
women & a man, one woman described on verso & dated, framed 1
curled, 18/19th c. English. Provenance: A NH collection.
Estimate $300-500
100B. Oval
Black Watercolor On Paper
of a soldier on
horseback, “Old Print Shop, label on verso, 9 1/4” by 7 1/4” sight;
not examined out of the frame, under glass. Provenance: A NH
collection.
Estimate $300-500
101. Augustus
Saint-Gaudens,
1848-1907,
Cornish, NH, 1893 Columbia Exposition medal, 3” diameter, depicting
Christopher Columbus, original surface with some imperfections.
Provenance: A NH collection.
Estimate
$600-1,000
102. James
Earle Fraser,
1876-1953,
Cornish, NH, this previously unknown bas relief portrait, “Priscilla
1920,” as noted on front, is marked on the bottom, “Gorham Co.
Founders (OMAL). J.E. Fraser worked with Augustus Saint Gaudens at
Cornish, an earlier smaller relief of Priscilla is listed in,
Fraser’s Archives at Syracuse University, and she probably was a
daughter of one of his patrons, 15” by 10 1/2” with the original
wooden backing to hang or stand-up, surface losses. Provenance: A NH
collection.
Estimate $1,000-1,500
103. Mihalyfe
Hiller Fyula,
20th century,
Hungarian, bronze base relief of a Renaissance young woman in
profile, 8 5/8” by 5 7/8”, wooden backing 14” by 9 1/2”, pen signed
on back of backing, “Mihalyfe Hiller Fyula, frame 1927, 8 of 25,”
old surface & good condition. Provenance: A NH collection.
Estimate $200-400
104. Bronze
Casting Of A Rearing Horse,
19th c. casting
of a rearing horse being restrained by a young man, no visible
artist signature or foundry mark, 14 3/4” T by 13”W, old dirty
finish, no known repairs. Provenance: A NH collection.
Estimate $800-1,200
105. Thomas
Danforth, 1800-1813,
CT, 8” pewter
plate, marked twice on bottom along with 4 other English style hall
marks, wear & numerous knife marks on top surface & an uncommon
mark. Provenance: A northern NH collection.
Estimate $200-300
105A.
Continental Pewter Tankard,
tapered ringed
body with domed lid with an urn shaped finial, hall marked inside on
the bottom AB 1806, initialed in script on lid, “JJ,” dents & small
repair, 9 1/2” T (finial).
Provenance: A NH collection.
Estimate $200-300
105B. Thomas
Badger,
1789-1810,
Boston, lot of 2: A - 8 1/2” diameter pewter plate, some knife
marks. B- 8 1/8” diameter pewter bowl, some dents, knife marks &
wear. Provenance: A northern NH collection.
Estimate $300-600
106. Blue &
White Delft Covered Pot,
double side
handles, domed lid with a round knob, bird & flower decoration on
lid & both sides, 9” W (including handles), 5” T, marked on bottom
#18, glaze edge & handle chips, appears to be 18th c. Irish.
Provenance: A NH & Delaware collection.
Estimate $600-1,000
107. Two Delft
Pieces:
A - Deep dish
plate with blue & white floral decoration, marked on bottom #3,
Irish 18th c., edge chips & hairline, 9 1/8” diameter. B - 19/20th
c. wall pocket with blue & white decoration in the Chinese taste, 6
5/8” T. Provenance: A NH & Delaware collection.
Estimate $250-350
108. Dutch
Delft Blue & White Charger,
deep dish with
4 alternating panels of Oriental women & flowers on the rim &
central garden scene with 2 female figures, 13 1/4” diameter, rim
chips, 17/18th c. Provenance: A NH collection.
Estimate $1,000-1,500
109. Blue &
White Delft Plate,
central design
of Oriental interior with a man & a woman meeting, 10 1/4” diameter,
edge chips, 18th c. Dutch. Provenance: A NH collection.
Estimate $200-300
110. Early
Russian/Greek Icon,
oil on wooden
board painting of Madonna & child with angels overlooking the sick
people in need of help, 12” by 9 5/8”, appears to be 18th c. or
earlier, paint crackle, worm holes & corner loss. Provenance: A
Temple NH & Boston collector.
Estimate $500-900
111.
Russian/Greek Icon Dated 1906,
oil on wooden
board painting of Madonna, hammered silver halo, belt, cross, gloves
& scroll, 15 1/2” by 11 1/4”, inscription on reverse with date,
paint cracks with minor losses. Provenance: A Temple NH & Boston
collector.
Estimate $300-500
112. Native
American Crooked Knife,
red painted
chip carved handle, 19/20th century, east coast. Provenance: A Maine
collection.
Estimate $300-500
112A. Native
American Crooked Knife,
chip carved
handle, with central carved heart, dark old finish, 19/20th
century, east coast. Provenance: A Maine collection.
Estimate $300-500
112B. Native
American Crooked Knife,
carved American
eagle form handle, remains of white & yellow paint on head & beak,
19/20th century, east coast. Provenance: A Maine collection.
Estimate $300-500
112C. Native
American Crooked Knife,
elaborate chip
carved handle, remains of red & green paint, 19/20th century.
Provenance: A Maine collection.
Estimate $400-600
112D. Two
Native American Crooked Knives
with carved
wooden handles, 19/20th century, east coast.
Provenance: A Maine collection.
Estimate $200-300
113. James T.
Bowen,
1801-1856,
England, Philadelphia, PA, hand colored lithograph, folio size of, “Ne-o-mon-ne,”
an Ioway Chief; published by, “McKinney & Hall, History Of The
Indian Tribes Of North America,” see verso, 20” by 14” sight, framed
& matted under glass, not taken out of the frame. Provenance: A NH
collection.
Estimate $350-600
114. Native
American Pipe/Tomahawk,
wrought iron
pipe bowl & hatchet head surrounding a tapered oak handle capped
with inlaid pewter, decorated with brass tacks & bands of punching,
24 1/2” long by 8” wide head. Appears to 19th c. with old color.
Provenance: A Massachusetts collection.
Estimate $2,500-3,500
115. Isabell
Pena San Ildefonso,
1881-?, Pueblo
black pottery bowl, hand coiled black on black, 7 1/2” top opening,
scratch signed on bottom, “Isabell Pena, San Ildefonso,” her
grandmother was Cipriana Pena, who is the great grandmother of Maria
Martinez.
Provenance: A NH collection.
Estimate $1,500-2,500
115A.
Navajo Chief’s style blanket, woven in natural ivory, chocolate
brown, red purple/gray dyed wool in a modified third phase pattern.
Consisting of halved & full cross designs enclosing parallel bars
with broad linear panels with striped grounds, 69” x 55”, some
edge losses. Appears to be ca. 1900. Provenance: A
Hancock, NH collection.
Estimate $800-1,200
115B.
Navajo Scatter Rug, woven in natural ivory, chocolate brown,
gray & red dyed wool. Consisting of 6 crosses set on a rectangular
red center & latch hook border, wear & edge losses, 65” x 45”,
appears to be early 20th c. Provenance: A Hancock, NH
collection.
Estimate $400-700
116. Native
American Ceremonial Mask,
carved wood,
black face with large hook nose, red eyes & mouth, protruding
tongue, applied horse hair strips on head, 12 1/2” Tall, 7 1/2”
wide, missing horse hair plume & tin disks covering eyes, probably
Iroquois, 19/20th century. Provenance: A MA collection.
Estimate $1,500-2,500
116A. Cleo
Hartwig,
1911-?, New
York, NY, carved cubist limestone figure of a mother & child, carved
lower rear, “Hartwig 37,” old surface, 19” T by 10” by 9”.
Provenance: A western NH collection.
Estimate $1,000-1,200
117. Two Shaker
Slant Top Foot Stools,
one mahogany &
one ebony stain, both labeled, “Mt. Lebanon, NY,” 19/20th century.
Provenance: A NH collection.
Estimate $300-500
118. Two Shaker
Style Rocking Arm Chairs,
one Bentwood
with taped back & seat; the other with mushroom topped arms and
taped back & seat. Provenance: A NH and Delaware collection.
Estimate $300-500
119. Two Tin
Lighting Devices,
standing or
hanging divided compartment flanked by arms ending in candle
sockets; a wall bracket fitted to hold square tin kerosene lamp,
electrified, possibly Shaker. Provenance: A NH and Delaware
collection.
Estimate $500-700
120. Two Shaker
Rocking Chairs,
one 3 slat
ladder-back & the other taped back, both labeled, “Mt. Lebanon, NY,”
19th century. Provenance: A NH collection.
Estimate $400-800
121. Two Sets
Of Shaker Steps:
A - Step stool,
refinished poplar wood, 12 1/2” T, 16 3/8” W, (see page 220, John
Kasay, “Shaker Furniture,” for similar one), missing sliver on top
step. B- Smaller set in red over salmon, 9 1/4” T, 11 3/*” W, 19th
century. Provenance: A NH & Delaware collection.
Estimate $300-500
121A. Four
Drawer Tapered Leg Stand,
rectangular
pine top over 4 dovetailed drawers set on 4 tapered legs. Made in
the Shaker style, restored & refinished condition. Provenance: A NH
& Delaware collection.
Estimate $300-500
121B. Six
Shaker & Shaker Style Weaving Tools,
A swift with
table clamp; a bobbin rack; s low swift; a table clamp; a hanging
bobbin & wooden stair tread rods, all unfinished & 19th century.
Provenance: A NH & Delaware collection.
Estimate $300-500
121C. Ten
Shaker & Shaker Style Items,
a tin dust pan;
2 brushes; 4 blind lifters; a clothes hanger; a clothes pin & a pie
lifter, all 19th century. Provenance: A NH collection.
Estimate $300-400
121D. Double
Drying Rack,
“A” frame style
with screws holding slats, 48 1/2” W by 57” T, probably Shaker,
19/20th century. Provenance: A NH & Delaware collection.
Estimate $200-400
122. English
Blocked Front Partners Desk,
mahogany
Chippendale desk with carved canted corners, tooled leather top with
gadrooned edge over 3 wide drawers set on 2 stacks of drawers on one
side & cupboard doors on the other, all set on an applied bracket
base with leaf carved molding, 53” W by 35 1/2” D by 29 1/2”T, a
hard to find size, a removable conforming glass top is available to
the purchaser.
Provenance: A Lexington, MA collection.
Estimate $5,000-8,000
122A. Pastel Of
Continental Lady,
oil on canvas
signed lower right with initials “RAH (?)” inscribed on versa (lazy
day…room facing…?), 24” x 19 1/4”, pencil signed upper right “Peri
Nonneau Pixt 1760,” added later, Early 18th C., framed under glass.
Provenance: A Cooperstown, New York collection.
Estimate $800-1200
123. Stephen
Rimbault Shelf Clock,
1760-1781,
London, a mahogany Hepplewhite tall case style shelf clock with
brass 8 day spring driven movement, silver dial signed, “Stepn
Rimbault, London,” on the face & the back of the works. Comes with a
mahogany inlaid shelf of a later period, 27 1/2” by 7 3/4” W by 5”
D. Provenance: A Lexington, MA collection.
Estimate $3,000-5,000
124. English
Chippendale Pie Crust Top Tea Table,
circular one
board top supported by a birdcage resting on leaf carved baluster
form shaft set on 3 cabriole legs with leaf carved knees & ball &
claw feet, 34 1/2” D top by 27 1/2” T. Provenance: A Lexington, MA
collection.
Estimate $1,000-1,500
125. English
Needlework Picture,
finely sewn
picture depicting a mother & young boy feeding the pigs, cat &
village in the distance, painted silk faces & hands, 23 1/2” by 17”,
framed under glass with a reverse painted border, appears to be E.
19th c. Provenance: A NH collection.
Estimate $900-1,500
126. English
Classical Rosewood Sofa Table,
banded drop
leaf round corner top over a case with 2 side by side ripple molded
drawers supported by a hexagonal shaft & platform base with 4
scrolled inlaid legs with brass paw foot castors, 55 1/2” W (leaves
up) by 25 1/2” D by 29” T. Provenance: A Lexington, MA collection.
Estimate $3,000-4,000
127. Pair Of
Adjustable Lighting Devices,
round weighted
mahogany bases & shafts with cast brass double candle arms with
screw knobs for adjusting height, 27” T by 13” W (arms), English,
19/20th century. Provenance: A NH & Delaware collection.
Estimate $400-800
128. French
Walnut Bedroom Set,
consisting of 7
pieces. A - Three part armoire, central beveled mirror door with
carved crest, 99” T by 78” W. B - Pair of marble top bed side
tables, 22” W by 29 ½” T. C - Two single beds with carved crest
headboards, 59” T. D - Marble top dressing table with beveled glass
mirror, 39” W by 61” T. E – marble top chest with beveled glass
mirror, 51’ W by 86 1/2” T. Provenance: A Pepperell MA collection.
Estimate $2,000-3,000
129. Bamboo
Chinese Armchair,
lattice work
back and arm supports, plank seat with pierced apron, straight legs
with a stretcher base, appears to be 19th C., 37 ½” tall x 21 ½”
wide, old worn surface. Provenance: A NH and Delaware collection.
Estimate $150-250
130. Chinese
Textile Table Frontal,
silk
embroidered flowers on a woven 2 piece panel, some forbidden
stitching applied, silk needlework border & inner tape, 70” by 37”,
nicely set in a Plexiglas case for mounting, probably mid 19th
century. Provenance: A NH Asian collection.
Estimate $200-400
131. Pair Of
Brass Asian Pricket Form Candlesticks,
square
scalloped base supporting a pierced platform, prickets restored,
18th/19th C., 9” tall to bobeche. Provenance: A southern NH
collection.
Estimate $200-300
132. Pair Of
Chinese Bird Form Water Dishes,
3 color glazed
dishes, 3 ¾” tall, appear to be 19th c., with modern wooden stands.
Provenance: A NH and Delaware collection.
Estimate $200-300
133. Lot Of
Blue And White Chinese Porcelain,
Four small
vessels ranging in size from 1 ½” tall by 4 ½” along with a modern
blue and white tray and two modern wooden bases, all are 19th
c. or earlier. Provenance: A NH and Delaware collection.
Estimate $400-700
134. Canton
Shrimp Dish And Mandarin Bowl:
A) 10 1/2” long
blue and white dish, 19th C. export B) 8” diameter, 18th c. bowl
with people in the garden decoration. Provenance: A NH collection.
Estimate $400-600
135. Rose
Canton Deep Dish And Pair Of Bud Vases:
A) Bird and
butterfly decorated rimmed dish set on four feet, 11” diameter, 19th
c. Chinese. B) Pair of 6 5/8” tall vases with unusual gold/dark blue
decoration on one side and butterfly and dragon decoration on the
other, 19th c. or earlier, Chinese. Provenance: A NH collection.
Estimate $400-700
136. Hudson
River School Wedding Procession,
oil on canvas
painting of a bride with an armful of roses & her 2 bridesmaids. One
bridesmaid is dressed in Native American costume. Back of stretcher
inscribed in pencil, “By J. John and Louis F. Jones, 1887,” 34” high
by 27” wide, unframed. Provenance: A NH estate.
Estimate $600-900
137. Nien Style
Room Size Oriental Rug,
central
medallion on a red ground, 11’ 9” by 8’ 7”, good condition, ca.
1940-50. Provenance: A White Mountain collection.
Estimate $1,000-1,500
138. Tekke
Bokhara Oriental Matt,
rows of
lozenges on a brown field, early 20th century, 44” by 28 1/2”.
Provenance: A NH collection.
Estimate $500-800
139.
Baluchistan Scatter Rug,
a brown field,
geometric central design with birds, central repair, 4’ by 2’, 20th
century. Provenance: A NH collection.
Estimate $300-500
139A. Shiraz
Kilim Scatter Rug,
overall
geometric design on a rose colored field, 8’ by 5’, early 20th
century. Provenance: A NY collection.
Estimate $1,200-1,500
140. Shiraz
Kilim Scatter Rug,
polychrome
geometric design on a blue field, 4’ 6” by 10’ 3”, 20th century.
Provenance: A NY collection.
Estimate $1,000-1,500
141. Kilim
Scatter Rug,
polychrome
geometric design on a beige field, 8’ 6” by 4’ 1”, some fading, 20th
c. Provenance: A NY collection.
Estimate $1,500-1,800
142. Two Kilim
Scatter Rugs,
a tan field
with blue accents, 3’ 2” by 8’ 2 1/2”; The other an overall design
with a central diamond on a red field & damage to border, 4’ 1” by
6’ 4”, 19/20th century Provenance: A southern NH collection.
Estimate $200-400
143. John White
Allen Scott,
1815-1907,
Cambridge, MA, oil on canvas landscape with mountains in back ground
(possibly Mt Chocorua), signed lower left, “WA Scott 1860,” 30” by
50”, thin frame, 2 repairs. Provenance: A southern NH collection.
Estimate $1,500-2,500
144. Daniel
Charles Grose,
1865-1890, New
England, oil on canvas landscape of a lake cove with rocks in the
foreground and village and mountains in back ground, signed lower
left “ D.C. Grose,” 36” by 26”, relined, gold frame of the period.
Provenance: A southern NH collection.
Estimate $1,000-$1,500
145. Ellen
Krause Rorup,
1905-1990,
Denmark, oil on canvas abstract scene from interior of a restaurant,
signed lower left, “Krause,” also signed on verso, “Ellen Krause,
1965,” 25 1/2” by 32”, original frame. Provenance: A southern NH
collection.
Estimate $300-500
146. Frederick
H. McDuff,
1931- , oil on
canvas painting of 2 ladies and a child in a field of flowers,
signed lower right, “McDuff,” 30” by 36 1/2”, framed with a “Wally
Finlay” label on the reverse. Provenance: A NH collection, Wally
Finlay Gallery.
Estimate $2,000-3,000
147. Samuel W.
Griggs,
1827-1898,
Boston, MA, oil on canvas of Lake Winnipesaukee, NH with boats &
people, signed lower left, “S.W. Griggs 76” and “Winnipesaukee,” in
black on the stretcher; appears to have the original gilded frame,
20” by 30”, lined. Provenance: A NH collection.
Estimate $10,000-15,000
148. Edward
Hill,
1843-1923,
Littleton, NH, Hood River, OR, oil on canvas landscape of mountain
stream through the woods. Signed lower right, “Edward Hill 71,” 20”
by 14”, lined, newer frame.
Provenance: A MA collection.
Estimate $4,000-6,000
149. Chinese
Porcelain Covered Box,
dark blue bird
form decoration on light blue background, 5 1/2” diameter, possibly
Ming. Provenance: A NH collection.
Estimate $400-600
150. Pair Of
Chinese Planters,
fitted wooden
stands, coffin shaped with cut corners, dark green borders, bird in
tree panels, 8 1/2” long, glaze chips, 18/19th century. Provenance:
A NH collection.
Estimate $1,500-2,500
151. Blue &
White Chinese Jar,
with
chrysanthemum design, barrel shaped, 12 3/4” tall, 19/20th century.
Provenance: A NH collection.
Estimate $600-800
152. Chinese
Barrel Form Jar,
overall dark
green design on white ground with blue & yellow dogs and rust
flowers, 6 1/4” tall, probably 17/18th century. Provenance: A NH
collection.
Estimate $600-900
153. Reclining
Buddha,
carved wood
gilded with glitter bordered robe, 19/20th c., south east Asia, 27”
long.
Provenance: A MA estate.
Estimate
$200-400
154. Six
Chinese Export Porcelain Plates,
pair of 8” B/W
Fitzhugh; three 6” Canton plates & a 6” Green Fitzhugh, 19th
century. Provenance: A NH collection.
Estimate $200-300
155. Celtic
Gold And Silver Censor,
ten sided
faceted body with gold applied leaf design with central flower
(pinned on), removable pierced lid and round base (which can be
removed), one face has an applied Papal and Celtic emblem in place
of the central flower, 6 3/4” wide by 4” tall, appears to be 19th
century or earlier. Provenance: A NH collection.
Estimate $10,000-15,000
156. 18th
Century Colored Engraving After Jacob Lindenberg,
a frontispiece
to a history of the old and new testaments by Tomanine de Hooghe
(Dutch), Circa 1707, 12” by 7 1/2” sight, matted and framed under
glass. Provenance: A NH collection.
Estimate $300-500
157. “Paul Et
Virginie,”
set of 6
colored aqua tints. Full plates, engraved by “Descourtis,” (after
Schall), 16” by 18” sight, matted & framed under glass, some foxing
& 1 water stain. Provenance: A NH collection.
Estimate $4,000-6,000
158. Thomas
Hart Benton,
1889-1975,
Kansas City, MO, lithograph titled, “White Calf,” signed in the
plate & pencil signed lower right, “Benton,” 10 1/2” by 13 1/2”
sight, matted & framed under glass. Provenance: A Cooperstown NY
collection.
Estimate $800-1,200
159. John
Sloan,
NA, 1871-1951,
Hanover, NH, charcoal sketch of an old man playing the harp, signed
in pencil lower center, “John Sloan 1963, To My friend (EE James?),
21” by 14”, framed under glass. Provenance: A Cooperstown NY
collection.
Estimate $1,500-2,500
160. Howard
Pyle,
NA, 1853-1911,
New York, NY, etching by W.H.W Bicknell, after the painting done by
Howard Pyle for the “Bibliophile Society,” signed in pencil “Howard
Pyle,” and “WHW Bicknell,” along with 3 books: A - The Bibliophile
Year Book. B – The Odes And Epodes Of Horace Part I (etching signed
“Howard Pyle.” C - Howard Pyle - A Record Of His Illustrations &
Writings, 372/500, signed, “Howard Pyle.” Provenance: A NH
collection.
Estimate $400-700
161. Mirabad
Scatter Rug,
central
medallion on a red field, 4’ 10” by 6’ 11”, 20th century.
Provenance: A NH collection.
Estimate $300-500
161A. Antique
Kazak Prayer Rug,
3 part central
geometric design on a brick field, 3’ 6” by 4’, some wear & edge
loss, 19/20th c. Provenance: A NH collection.
Estimate $1,000-1,500
162. Hamadan
Scatter Rug,
Botech design
on a navy field, yellow & orange borders, 3’ 5” W by 6’ 7” L, edge
wear, 20th c. Provenance: A NH collection.
Estimate $200-400
163. Bokhara
Scatter Rug,
overall
lozenges on a camel field, 4’ by 5’ 3” long, 20th c. Provenance: A
New York collection.
Estimate $900-1,200
164. Gouash Gai
Scatter Rug,
3 central
diamonds on a purple field, geometric design, 5’ by 7’ 3”, wear,
20th c. Provenance: A NH collection.
Estimate $400-600
165. Afshar Bag
Face,
polychrome
geometric design on a red field, 3’ 7 ½” long by 2’ 10” wide, 20th
c. Provenance: A NH Collection.
Estimate $200-300
166. Kazak
Scatter Rug,
pastel diamonds
on a camel field, 2’ 11” by 5’ 7”, 20th century. Provenance: A New
York collection.
Estimate $300-500
167. Hamadan
Scatter Rug,
geometric forms
on black field, red fields on borders, 3’4” by 5’, 20th c.
Provenance: A NH collection.
Estimate $200-300
167A. Shirvan
Oriental Scatter Rug,
geometric
prayer design on a black field, red and tan border, tear, worn, 3’
1” wide by 5’ 1” long, 19th /20th c. Provenance: A Dublin, NH
collection.
Estimate $200-400
168. Hugh
Bolton Jones,
NA, 1848-1927
New York, NY, oil on canvas of cows & sheep in a field & stream with
a home in the distance, signed lower right, “H.B. Jones New York,”
19 1/4” by 30”, cleaned & relined, new stretcher & molded frame.
Provenance: A West Coast collection.
Estimate $4,000-7,000
169. Daniel
Santry,
1858-1922,
White Mountain artist (Franconia), oil on canvas landscape of a
country/farm scene with a child by a fence, signed lower left “1890
Daniel Santry”, 18” by 24”, period gilded frame with plate marked
with artists name. Provenance: A southern NH collection.
Estimate $2,500-4,000
170. Thomas
Hewes Hinckley,
1813-1896,
Milton, MA/CA, oil on canvas of cows in a stream with ducks, signed
lower right “T.H. Hinckley”, 14 1/2 by 21”, period ornate gold
frame.
Provenance: A MA collection.
Estimate
$7,000-12,000
171. Joseph
Lindon Smith,
1863-1950,
Dublin, NH., oil on canvas of “Ponte di Castelvecchio, Verona,
Italy”, signed lower left “Joseph Lindon Smith”-described on verso,
15 3/4” by 23”, period frame. Provenance: A MA collection.
Estimate $1,500-2,500.
172. Anthony
Thieme,
1888-1954,
Rockport, MA, oil on artist board painting of Gloucester Harbor with
fishing boat, estate stamp on reverse “ Anthony Thieme, Boston,
Mass”, “Devoe Academy Board” label also on reverse, 12” by 16”, gold
frame liner, small areas of paint chips/losses.
Provenance: A MA collection.
Estimate $1,000-1,500
173. David
Davidovich Cherson Burliuk,
1882-1967,
Russian/New York, oil on artist board impressionistic painting with
hillside, trees, signed lower left, “Burliuk, Mexico 1930”,
unframed, 20” by 23 3/4, upper left corner loss. Provenance: A
Cooperstown, NY collection.
Estimate $1,000-2,000
174.
Continental Style Still Life Painting,
oil on canvas
painting of a garden scene with distant views of a mountain,
unsigned, 36 1/2” by 34”, appears to have the original gold frame,
American, Late 19th/ Early 20th c., small tear and restoration.
Provenance: A Cooperstown, NY collection.
Estimate $500-900
175. J.
Langerock,
E 20th C.,
European watercolor/gouache painting of small North African village
by an oasis, 11 1/2” by 18”, signed lower right “langerock”. Appears
to have the original ornate gesso frame, under glass. Provenance: A
Cooperstown, NY collection.
Estimate $1,000-1,500
176. D. Ghyk(?),
20th
C. unknown Artist, oil on canvas artist board painting of Middle
Eastern/Mediterranean scene with a village/boats, signed lower left
“D.Ghyk?”, 16” by 24”, modern frame. Provenance: A Cooperstown, NY
collection.
Estimate $200-400
177. Italian
Old Master School Still Life,
oil on canvas
painting of a basket of flowers spilling on a table with a draped
background, 24 1/4” by 35 3/4”, set in a late 19th C. gold frame.
Appears to be 17th/18thC. Provenance: A Cooperstown, NY collection.
Estimate $2,000-3,000
178.
Continental Old Master School Portrait,
oil on canvas
painting of a woman in profile with an olive branch headdress. 16
1/2” by 13 1/2 “, unsigned, unframed. Provenance: A Cooperstown, NY
collection.
Estimate $400-700
179. Fred
Money,
1882-1956,
French, oil on wooden panel of people walking in the park, signed
lower left “Fred Money”, noted on reverse “Fred Money Automne Au
Parc Monceau, Paris”, 14 by 10 3/4”, set in a period gilded frame
(chips). Provenance: A Cooperstown, NY collection.
Estimate $800-1,200
180. Regency
Mahogany Plant Stand,
circular open
basin with molded brass rim and copper liner set on a leaf carved
and reeded shaft supported by an inlaid platform base with four
castored ball feet, 40 1/2” tall by 25” width of top. Provenance: A
Cooperstown, NY collection.
Estimate $500-1,000
181. Alfred
Dunhill Mahogany Humidor,
double sided
fold over top, one side with a lined drawer and the other with a
fold down side revealing a stepped interior, all supported by four
tapered legs, white plaque attached inside “Alfred Dunhill”, E 20th
c. English, 39 1/2 tall by 20” depth by 21” with, old crackle and
scratched surface.
Provenance: A MA collection.
Estimate
$400-700
182. Gilded
Over Mantle Mirror,
in the empire
style with applied half columns dividing the mirror into 3 parts,
23” tall by 60” wide, American or English, late 19th c. Provenance:
A Jaffrey NH Estate.
Estimate $300-500
183. German
Silver Tabernacle Holy Bread Box,
encased with
semi-precious stones, decorated with several stations of the cross
scenes, 19th C., 6 3/4” T by 6 3/4” L by 4” W, hall marks on bottom.
Provenance: A NH collection.
Estimate $2,000-3,000
184. 1791
English Adam and Eve Sampler,
Royal Lion at
the bottom, dated “1791” above “Mary Anne Breeze her Work”, Gabriel,
a Swan, a Cornucopia and other overall designs in petti-point on
linen, 22 1/2” by 16 1/2” sight, not examined out of the walnut
frame, under glass. Provenance: A NH collection.
Estimate $1,000-2000
184A.
Eagle crested Girandole mirror. Black spread wing eagle crest
set on a round convex mirror with multiple ball decorated gilt
frame flanked by applied gilded leaves along with similar leaves at
the base, 33” tall x 21” wide, E 19th C. English, made
for the American market. Provenance: A Vermont collection.
Estimate $3,000 – 4,500.
185. Paint
Decorated Cast Iron Shelf Clock,
leaf and fruit
decorated case surrounding a dial with a pendulum window at the
bottom, 20” tall, English, 19th c. Provenance: A Lexington, Mass
collection.
Estimate $300-500
185A. Pair of
Regency Style Mahogany Armchairs,
scrolled back
and arms with caned back rest and over upholstered slip seats,
English E. 20th c., 33” tall by 22” Width.
Provenance: A Lexington, MA collection.
Estimate
$500-800
186. Large Deco
Rattan Porch Set,
7 pieces: A –
Settee & 2 arm chairs & 1 footstool. B - Coffee table with 4 corner
planters. C - Rectangular side table & 2 arm lamp. Most cushions as
is, some wrapping loss. Provenance: A Western NH collection.
Estimate $500-1,000
187. Carved
Amber Tribal Artifact,
bust of a
tribesman with cut facial decoration, approximately 10” T by 8 1/4”
W, sitting on an attached wooden base, 19th c. or
earlier. Provenance: A NH collection.
Estimate $2,000-3,000
188. John F.
Kennedy Official Autographed Photograph by Fabian Bachrach to Mayor
General Alden K. Sibley,
his military
advisor, 11” by 14”. Provenance: A NH collection.
Estimate $650-850
189. Vincent
Glinsky,
1895-1975,
Russian/American, sandstone nude sculpture, scratch signed “V.
Glinsky,” 9” W by 7”T, 20th c. Provenance: A NH collection.
Estimate $250-350
189A. White
Marble Bust,
female figure,
5” tall sight, not examined out of walnut shadow box frame, probably
Victorian. Provenance: A NH collection.
Estimate $200-400
189B. Repousse
Compote,
marked
“Sterling...?,” attributed to “Steif,” 7 1/2” T by 8 1/2” D, 20th c.
Provenance: A NH collection.
Estimate $800-1,200
189C. Six
Carved Miniature Bone Tools,
probably
Masonic, 19th c., not examined out of the shadow box
frame, Rhode Island history on verso, 7” by 8”. Provenance: A NH
collection.
Estimate $400-600
189D. Bronze Of
Man Pulling A Covered Cart,
opens as a
match box, cartouche on lid, 6” long by 4 1/2” tall, probably 20th
c. Provenance: A NH collection.
Estimate $200-300
190. Three
Miniature Indian Domestic Scenes on Ivory,
framed as one,
3” by 2 1/2” sight, not examined out of the frame, under glass, 20th
c. India. Provenance: A NH & Portuguese collection.
Estimate $900-1,200
190A.
G.
Darcy Set of Silk Screened Prints,
14
remain of the original 60, printed by “A. Calavas,” letter of
inscription reads, "Or et couleurs, Recueil de 60 dessins par G.
Darcy dans le gout nouveau al’usages des fabricants d’étoffes,
décorateurs brodeurs et dessinateurs d’ornements en vente a la
Librairie Des Arts Decoratifs, 68 Rue Lafayette, Paris,” 19th c.
Provenance: A NH collection.
Estimate
$900-1,200
191. Red Paint
Decorated Tin Tray,
oval with
handles in the rim, gold grape and leaf decoration, 19th century.
Provenance: A southern NH collection.
Estimate $150-250
192. Bronze
Double Argon Lamp,
floral finial
above reservoir, electrified, with shades, 19th century. Provenance:
A NH/Delaware collection.
Estimate $300-500
193. Large Deco
Rattan Porch Set,
8 pieces: A -
Six piece sectional sofa & matching armchair & corner table. B -
Carved Oriental style side table. C - Three wheel Teacart (rare).
Provenance: A Western NH collection.
Estimate $500 - 1,000
194. William C.
Halsey,
1820-?,
Alabama/New York, primitive oil on canvas of American Revolution
Headquarters at Newburgh on the Hudson, signed lower left, “WC
Halsey, 1855,” original walnut frame, as found condition with one
hole, 22 1/2” by 30”. Old newspaper article attached to verso from
the Daily Advertiser, Sept. 1824, regarding General Lafayette’s stay
there. Provenance: A Hancock, NH collection.
Estimate $1,000-1,500
195. William C.
Halsey Self Portrait,
oil on canvas,
noted on verso, “The property of William R. Halsey, to be given to
him after my decease W.C. Halsey, 1868,” 24” by 20”, original ripple
molded gilt frame. (See lot 194 for example of his work).
Provenance: A Hancock, NH collection.
Estimate $400-600
196. Samuel
Lancaster Gerry,
1813-1891,
Roxbury, MA, oil on canvas painting of “Catherine Atkins Gerry
Blanchard, 1814-1887, (Gerry’s niece),” see family lineage attached,
unsigned, 30 1/2” by 25”, mounted on Masonite; appears to have the
original gilded frame.
Provenance: A MA collection.
Estimate $1,000-1,500
197. Emily H.
McGary Selinger,
1848-1927,
Boston, MA, watercolor painting of Crawford Notch, NH in the Fall,
signed lower right, “Emily Selinger, Crawford, Notch,” 15” by 22”,
framed & matted under glass. Provenance: A northern NH collection.
Estimate $600-1,000
198. “Cherry
Valley Female Academy,”
pencil drawing
of the front of the building, unsigned, reprint of the early
newspaper indicates it opened in ‘ 1796; drawing appears to be 19th
c., 10” by 17”, framed under glass, discolored. Provenance: A
Cooperstown, NY collection.
Estimate $1,000-1,500
199. Robert Jr.
Bakewell,
1790-1875, CT,
pencil drawing of, “Inwook,” at the convergence of the “Harlem” &
“Hudson Rivers,” NY, signed lower right, “R. Bakewell, 1838,” 7 1/2”
by 10 3/4”, matted & framed under glass. Provenance: A Cooperstown,
NY collection.
Estimate $1500-2000
200. Deco
Rattan Porch Set,
7 pieces: A -
Settee & 2 matching armchairs. B - Two round corner side tables, &
foot stool. C - A boomerang shaped bench/table. Provenance: A
Western NH collection.
Estimate $400-600
201. Primitive
Portrait Of A Gentleman,
oil on canvas,
a tasseled drape backdrop, 26” by 22”, repair left center, unsigned,
unframed, mid-19th c., American. Provenance: A NH collection.
Estimate $400-600
201A. Eight
Bunches Of Stone Grapes,
blue, black,
yellow & white. Provenance: A Temple, NH & Boston collection.
Estimate $200-300
202. Pond
Model,
mounted on
wooden base, brass fittings, 32 1/2” stern to bow, 19/20th c.
Provenance: A NH & Delaware collection.
Estimate $300-500
203. Western
Landscape Of A Railroad Station,
oil on canvas,
with train, Native Americans, Cowboys & a stage coach, unsigned, 19”
by 48”, canvas is loose, framed, L. 19th c. Provenance: A MA
collection.
Estimate $800-1,200
204.
Hepplewhite Red Painted Server,
pine & poplar
wood, 2 drawers over 2 doors, wooden knobs, brass drawer
escutcheons, set on a cutout shaped base, 44 1/4” W by 44 3/4”T, ca.
1810, New York or Pennsylvania. Provenance: A Peterborough, NH
collection.
"Estimate $2,000-3000
205. Oval
Double Handled Wooden Carrier,
straight nailed
lap joints, old finish, 25” long, 19th c., American. Provenance: A
NH collection.
Estimate $300-500
206. Hooked
Runner,
predominantly
beige & light blue geometric design, repairs & loss, 34 1/2” wide by
8’ 4” long19/20th c. Provenance: A southern NH collection.
Estimate $300-500
207. Queen Ann
Mahogany Tea Table,
round tip top
over an urn form shaft supported by 3 cabriole legs ending in snake
feet with pads, 32” diameter by 28 1/2” tall, 18/19th c., New
England.
Provenance: A Jaffrey, NH collection.
Estimate $200-400
208. Two Door
Cupboard,
white paint
over red, iron “H” hinges, adjustable interior shelves, cut out base
in front, 36 1/2” W by 75 1/2” tall, “T” head nails, probably 18th
c., American. Provenance: A NH collection.
Estimate $300-500
209. Two Pairs
Of Iron Andirons,
hand wrought;
20” tall ring tops with feet & 18” tall goose neck with pad feet,
both 18th c., American. Provenance: A Peterborough, NH collection.
Estimate $200-300
210. Three
American Paintings,
round oil on
canvas decorative paintings, mounted on board, depicting letters
“US,” eagle & flag emblem, 30” diameter, new frames, crackle.
Provenance: A Cooperstown, NY collection.
Estimate $500-1,000
211. Gordon
Dean Smith,
20th c.
American, oil on canvas of “Crail, A Scottish Fishing Port,” signed
lower right, “Gordon Dean Smith,” artist label on reverse, 24” by
26”, period gessoed frame.
Provenance: A MA collection.
Estimate
$800-1,200
212. Pair Of
Italian Oval Paintings,
classical
stairway with people greeting each other, and a man serenading a
woman on her door steps, unsigned, 45” T by 31 1/2” W, new frame.,
lined & restored, 18/19th c. Provenance: A Cooperstown NY
collection.
Estimate $4,000-6,000
213. Paint
Decorated French Bedroom Set,
serpentine
chest of 3 drawers, (marble top as is), 50” wide, indented front
dressing table with shaped mirror (marble top as is) 51” wide, pair
of single beds, veneer issues, 19/20th c. Provenance: A Pepperell,
MA collection.
Estimate $300-500
214. Attributed
George Cochran Lambdin,
NA, 1830-1896,
Philadelphia, PA, oil on metal panel of a still life of roses, no
visible signature, 29 1/2” by 14”, period gilded frame.
Provenance: A MA collection.
Estimate $800-1,200
214A. Cloud
Band Kazak Oriental Scatter Rug,
4 medallions
with 8 bands in each on a brick red ground, 10’10” by 5’ 2”, 19/20th
c., Caucasian, some wear. Provenance: A NY collection.
Estimate $3,000-4,000
215. Salvador
Dali,
1904-1989,
Spain, colored etching of “Europa & The Bull,” signed lower right &
numbered 128/1000. Certificate of authenticity on back from “Robert
Sills Gallery,” and bill of sale, 14” by 14 3/4” sight, museum
mounted & framed. Provenance: A NH collection.
Estimate $1,000-1,500
215A. Hamadan
Room Size Oriental Rug,
central
medallion surrounded by smaller floral designs set on light red/rose
cut corner field, good condition, 8’ 7” x 11’ 4” circa 1930-1940.
Provenance: A New York collection.
Estimate $2,500-3,500
215B. Viktor
Bohm,
20th c. German,
watercolor/Gouache on paper, winter landscape with 2 horses pulling
a sleigh, signed lower right, “Bohm…..1936,” titled on verso in
pencil, “West….Winter,” Munchen, Germany, Artist Board label, 9” by
12 3/4” sight, framed & matted under glass, stains on matt.
Provenance: A NH collection.
Estimate $400-600
215C. After
Thomas Gainsborough,
varnished
watercolor, done as a copy of his oil painting which had been sold
to Joshua Reynolds and now at Castle Howard, England, (see the Tates
2002-3, show catalog #59 page 140); 11” by 13 3/4”, 19th c. or
earlier.
Provenance: A MA collection, Galerie Appenzell, Essex, England.
Estimate $1,000-1,500
215D.
Francisque Rebour,
20th c.
European, limited edition print of Polo player on his horse, #300,
signed in the plate and in pencil lower right, “Francisque Rebour,”
20” by 26”, framed under glass. Provenance: A NH collection.
Estimate $200-300
215E. Hugh
William Grecian Williams,
1773-1829,
England, watercolor, “Figures on a path above a Classical
landscape,” “Hugh William Williams,” as noted on verso, 9 1/2” by 13
1/2”, framed under glass. Provenance: A NH collection.
Estimate $500-1,000
215F. Warren B.
Davis,
1865-1928,
Brooklyn, NY, watercolor painting of a young girl, “He loves me, he
loves me not,” signed lower left, “Warren B. Davis 05”. 14” by 11’,
matted & framed under glass. Provenance: A Cooperstown, NY
collection.
Estimate: $600-1,200
215G. Thomas
Martin,
19th c.
Providence, RI, pencil drawing of 2 boys, “Darius Phelps and Silas
Talcott Atherton by Thomas Martin, Providence, RI 1853,” as signed
on back of drawing. Provenance: A Cooperstown NY collection.
Estimate: $250-400
215H.
Otto Mueller lithograph, (1874-1930) German, titled “Ein
Sitzondesone Ein Knieendes Madchen under Blattern”, C. 1920, printed
on reverse “Otto Mueller, Badende, Originall, Thographic”. 9 ½” x
12”, unframed. Provenance: A Massachusetts collection.
Estimate $300 – 500
216. Paris
Porcelain Helmut Form Pitcher,
scroll handle,
gold banding and floral decoration in dark green, gold and pink;
19th c., France. Provenance: A NH collection.
Estimate $200-300
217. Paris
Porcelain Covered Tureen,
oval handled
form, salmon band with gold decoration, 14 1/2” long, 19th c.,
France. Provenance: A NH collection.
Estimate $150-250
218. Set of
Three Blue Willow Pattern Covered Vegetables,
graduated
sizes, minor chip to one lid; West Ridgeway, England. Provenance: A
NH collection.
Estimate $300-500
219. Angel With
A Horn Porcelain Figurine,
polychrome
drape on a gilt pedestal, probably repaired finger, 11” tall, 19th
c., Derby, English. Provenance: A NH collection.
Estimate: $600-800
220. Pair Of
Bisquitware Decanters,
raised foliate
decoration with central painted flowers, marked on the bottom,
“Ridgeway & Co., 19/20th c. Provenance: A NH collection.
Estimate: $300-500
220A.
Dickensware Weller Jardinière,
#213, footed
with dogwood decoration, 9” T, marked on the bottom. Provenance: A
NH collection.
Estimate $400-600
220B. Whieldon
Bulb Brick,
blue, pinwheel
design, 4 3/4” wide, chips to painted top, 17th c. Europe.
Provenance: A southern NH collection.
Estimate $100-200
220C. Covered
Bennington Form Cigar Canister,
oval with acorn
finial & applied handles, 10” T, 10 1/2” W. Provenance: A NH &
Delaware collection.
Estimate $400-600
220D. Two
Bennington Form Pitchers,
one paneled
sides with face under spout, dripping glaze, 8” tall; the other with
George Washington panels, chips, 8” tall, 19th c. Provenance: A NH &
Delaware collection.
Estimate $300-500
220E. Two
Bennington Style Molds,
one double
handled swirled body, the other with a center post & chip, 19th c.
Provenance: A NH collection.
Estimate $100-200
220F. Porcelain
Vase,
Japanese
manner, drilled, indistinctly marked on bottom, 22” tall, 19/20th
c., Europe. Provenance: A NH collection.
Estimate $200-300
221. Porcelain
Group, children playing,
“Ring Around
The Rosy,” mark on top, probably Albert Volkestecher, 1900-1936,
German, blue monogram & title, “Delato,” on base, 10” diameter, 9
1/2” T, finger & leaf damage. Provenance: A NH collection.
Estimate $600-800
221A. Covered
Soft Paste Sugar,
decorated with
blue flowers, green leaves, yellow buds, repaired base, 18/19th c.
Provenance: A NH collection.
Estimate $300-500
222.
Staffordshire Watch Hutch & Creamware Vase,
hutch 2 doves
above 3 maidens in a row, glaze flakes, 11” T, 3 part, 19th C.
England. Creamware fence form, some cracks, 7” long by 3” T, 18th c.
Provenance: A NH & Delaware collection.
Estimate $200-300
223. Art
Nouveau Cranberry Glass Vase,
probably
designed by Harry James Powell, 1853-1922, president & main designer
of “White Friars Glass Ltd., London,” documented in back on history
of White Friars Glass. Provenance: A NH collection.
Estimate $200-400
224. Blue Fluid
Lamp,
acid finish
font on brass base, resting on marble pedestal, “Boston & Sandwich
Glass Co.” 12” T, 19th C. Provenance: A NH collection.
Estimate $400-600
225. Pigeon
Blood Fluid Lamp,
red font
coupled in brass to a clam broth base, “Boston & Sandwich Glass
Co.,” 12 1/2” T. 19th c. Provenance: A NH collection.
Estimate $200-400
226. Clear
Glass Font,
copper wheel
cut leaf form decoration, above a brass shaft set on a double marble
base, 19”T including shade (probably original), 19th c. Provenance:
A NH collection.
Estimate $800-1,200
227. Pair Of
Fluid Lamps,
frosted fonts
set on stepped octagonal bases, 9 1/2” T, probably “Boston &
Sandwich Glass Co., some minor base chips, 19th C. Provenance: A NH
collection.
Estimate $200-400
227A.
Hand-blown Covered Bottle,
green, probably
Keene Glass, 5 1/2” T, 19th c. chip on finial. Provenance: A NH
collection.
Estimate $300-500
228. Hand Blown
18th Century Bottle,
painted with a
naval scene, 14 1/2” T, possibly Dutch. Provenance: A NH collection.
Estimate
$600-900
229. Four
Pieces Of Etched Clear Glass,
hand blown; 3
bottles, one with pewter cross for stopper & a vase, 18/19th c.
American/German. Provenance: A NH collection.
Estimate $300-500
230. Glass
Bell,
hand blown
green glass “Klosh,” 14” T, possibly 18/19th c. Provenance: A NH &
Delaware collection.
Estimate $200-300
230A. Lot
of Blown Glass; A. Three “Remember Me” decorated off white mugs,
approx. 4” tall. B. Pair of 10 ¼” tall off white vases with gold
floral decoration, chips to one edge. Provenance: A New Hampshire &
Delaware collection.
Estimate $150 – 250.
231. Wally
Ames,
20th century,
Vermont, oil on artist board painting of a flowering garden, signed
on reverse, “Wally Ames,” 8” by 10” framed. Provenance: A southern
NH collection.
Estimate $300-500
232. Emma
Scaife,
19th c. New
Hampshire, primitive oil on mahogany panel of a family picnic on a
hillside, “Birch Trees Of New Hampshire, Emma Scaife,” painted on
the verso, 10” by 16”, unframed. Provenance: A Cooperstown, NY
collection.
Estimate $300-400
233. W. Benson,
20th
century, American, oil on canvas painting of sheep grazing by a
pond, signed lower right, “W. Benson,” lined, 20” by 30”, original
gold molded frame. Provenance: A Pepperell, MA collection.
Estimate $500-1,000
234. Jose Maria
Jardines,
1862-?,
Spanish, oil on panel painting of, “Harvest,” scene as noted on
reverse, signed lower right, “Jardines,” 10 1/2” by 13 3/4,
unframed. Provenance: A Cooperstown, NY collection.
Estimate $1,000-1,500
235. P.
Virgilio,
20th century,
Italian, oil on panel painting of, “Piazza del Dazio alle
Botteghelle, Sarne. Dante Virgilio, Padua,” noted on verso, signed
lower right, “P. Virgilio, 1947,” 13” by 10 1/2”, framed.
Provenance: A Cooperstown, NY collection.
Estimate $200-300
236. Frederick
Trapp Fiiris,
1865-1909, New
Bedford, MA, charcoal on paper, full figure nude of a young woman,
stamped, “TF,” lower right, estate stamp on verso, 23 3/4” by 13
1/2” sight, framed & matted under glass. Provenance: A NH
collection.
Estimate $150-300
237. “John”
Nude Sketch,
graphite on
paper sketch of a nude woman, signed lower left, “John,” Museum Of
Modern Art label #216/125 on verso, 19” by 13”; Framed under glass.
Provenance: A Cooperstown, NY collection.
Estimate $150-250
238. Samuel
Nelson Abbott,
1874-1953,
Kingston, NY, oil on artist board painting/illustration of French
soldiers in battle, one wounded. Signed lower left, “S.N. Abbott,
Paris, 1897,” 28 1/2” x 22”, old frame with a liner. Provenance: A
NH collection.
Estimate $400-700
239. Martha
Elizabeth Moore,
1913-1982,
Bayonne, NJ, oil on canvas of the artist, George Faddis,” signed
lower left, “Martha Moore” titled on wooden frame in pencil, “The
Artist George Faddis,”, 40” by 30”, framed. Provenance: A NH
collection.
Estimate $150-300
240. Chinese
Export Armorial Punch Bowl,
blue & white
floral wreaths, 9” diameter, 18/19th c. Provenance: A New Hampshire
collection.
Estimate $300-500
241. Rose
Medallion Punch Bowl,
cabbage leaf &
butterfly pattern, 9” diameter, 19th c. Chinese. Provenance: A NH
collection.
Estimate $300-500
242. Chinese
Covered Jar,
blue & white,
Phoenix bird pattern, 19” T, probably 19th c. Provenance: A NH
collection.
Estimate $800-1,200
243. Chinese
Jar,
biscuit colored
background glaze on similar colored clay, two-tone decorated with a
stylized running horse & cloud designs, applied flaring rim to a
bulbous body, 7 1/2” T, probably Ming, 1368-1644. Provenance: A NH
collection.
Estimate $2,500-3,500
244. Six Part
Chinese Black Lacquer Screen,
side one paint
decorated with bamboo & birds; side two two-tone gilding of gouge
carved birds & designs, 84”T by 96” W (each panel 16”), brass feet,
20th c. Provenance: A MA collection.
Estimate $800-1,200
245. Chinese
Jade Nephrite Bowl,
single handle
scratch carved, 2 carp circling bowl bottom, 5 3/4” D, 19/20th c.
Provenance: A NH collection.
Estimate $600-800
246. Chinese
Export Floral Still Life,
gouache on
glass, 15 1/2” by 11 1/4”, not examined out of the frame, under
glass, 19/20th c. Provenance: A NH collection.
Estimate $100-200
247. Chinese
Black Lacquer ware Tea Set,
applied gilded
panels & gold wash, including cups, saucers, 2 trays, teapot, coffee
pot, sugar barrel, spoons, creamer & waste; vase with chipped rim,
minor splits, 27 pieces, 20th c. Provenance: A Temple, NH & Boston
collection.
Estimate $400-600
248. Pair Of
Chinese Ancestral Portraits,
gouache on
paper seated full length figures of a man & a woman, 31 1/4” by 16
1/4” sight, under glass, not examined out of the carved light wood
frames, 20th c. Provenance: A NH collection.
Estimate $300-500
248A. Lot Of
Three Early Oriental Items:
A - Chinese Foo
Chow carved wooden ancestral table, 19/20th century, 12 1/4” tall,
disassembles to show name, date of birth & death. B - Covered pot, 3
1/4” tall, possibly Korean. C - Covered green/yellow glazed pot,
damage appears to be 17th century or earlier Chinese, 5
1/2” tall. Provenance: A NH Oriental collection.
Estimate $400-700
248B. Three
Chinese Scrolls,
A - Horses
before a mountain, 45 1/2” by 13 3/4”, ivory ends & wooden box. B -
Trees, 42 1/2” by 15 1/2”, ivory ends & wooden box. C- House at the
base of mountains, 48 3/4’ BY 16”, ivory ends, no box; 19/20th c.
Provenance: A NH collection.
Estimate $300-500
248C. Two
Chinese Scrolls,
one landscape,
17 1/2” by 20”, ivory ends in a wooden box & of a monk, 12 3/4” by
44”, 19/20th c. Provenance: A NH collection.
Estimate $200-300
249. “The Great
Fire At Boston” & “The Great Fire At St. John, N.B.,”
Currier & Ives
Prints, 2 small folio prints, 11 3/4” by 15 1/2” & 11 1/4” by 14
3/4”, both framed under glass, some discoloring on both. Provenance:
A NH collection.
Estimate $400-600
250. “American
Fruit Piece,”
large folio
Currier & Ives print, 24 1/2” by 32”, framed under glass, 2 tears &
some discoloring. Provenance: A NH collection.
Estimate $700-1,200
251. “View Of
The Park Fountain & City Hall, NY,”
N. Currier
small folio, 13 3/8” by 16 3/4”, some darkening. Provenance: A NH
collection.
Estimate $200-300
252. “The
Source Of the Hudson” & “The Tree Of Death/The Sinner,”
Currier & Ives
prints, staining on tree of life, 10 1/2” by 14” & 13 3/4” by 9
1/2”. Provenance: A NH collection.
Estimate $200-300
253. “A
Surprise Party” & “Bound To Smash,”
2 Currier &
Ives small folio prints, 11 3/4” by 15 3/4” & 11 3/4” by 15 1/4”,
Surprise Party has a tear & discoloration. Provenance: A NH
collection.
Estimate $200-350
254. Kent
Hagerman,
20th c.
American, etching titled, “Wharf side Chicago,” signed in the plate
& pencil signed & titled on the bottom, 12 1/4” by 10”, sight,
framed & matted under glass. Provenance: A NH collection.
Estimate $200-300
255. J Gould &
HC Richter Bird Prints, Birds Of Australia:
A - Soft
Plumaged Petrel, “Procellaria Mollis,” 14 3/4” by 22”. B - Flashy
Footed Petrel, “Puffnus Caneipes, 14 1/2” by 22”. C – Blue Petrel,
“Procellaria Coerulea,” 15” by 21 7/7”. D - Cape petral, “Dation
Capensis,” 14 5/8” by 21 7/7”, each with their descriptive pages.
Provenance: A NH collection.
Estimate
$700-800
256. Four
Rolling Decorating Tools,
illegibly
marked, probably 19th c. Provenance: A NH & Delaware collection.
Estimate $100-200
257. Oil On
Panel Portrait Of A Quaker,
older lady
marked on verso, “Quaker Lady of Emlen Descent” also, “Norris 60?B,”
unsigned, 14” by 11 1/2”, period gilded frame with losses, 18th c.
Provenance: A MA collection.
Estimate $400-700
258. Cherry One
Drawer Stand,
drop leaves,
Bennington drawer pull, slender turned tapering legs, 16” case
width, 28 3/4” T. Provenance: A NH collection.
Estimate $200-400
259.
Sheraton/Empire Deck Top Chest,
4 large
drawers, in a bow front case supported turret top turned legs ending
in castors, a conforming 2 drawer deck with back splash, 19th c.,
New England. Provenance: A NH collection.
Estimate $300-500
260. Dark Green
Painted Pine Stool,
cut apron &
boot jack ends, diminutive 13” w & a tape loom, 24” long, both 18th
c. American. Provenance: A NH collection.
Estimate $300-500
261.
Ladder-Back Child’s Chair & Mammy Doll,
the chair, old
finish chamfered slats, 23 1/2” T; the doll dressed in wool, silk &
velvet, damage to attire, 18 1/2”T, 19th c., American. Provenance: A
NH collection.
Estimate $200-400
262. Salmon
Painted Pine Cupboard,
small size 43”
T, 19” W by 13” D, one door, cutout base, square & “T”, head
construction, cut out base missing 1 piece side molding & hinge,
19th c., American. Provenance: A NH collection.
Estimate $400-700
263. Two Pieces
Of Wrought Iron:
A toaster with
double arches with trees at center, pad feet, 17” long with lollypop
handle; a heart shaped trivet with curled feet, 5 3/4” long, 18/19th
century. Provenance: A NH collection.
Estimate $300-500
264. C. Myron
Clark,
1858-1923,
American, oil on canvas seascape of 2 boats under sail, signed lower
right, “C. Myron Clark,” 12” by 16”, framed. Provenance: A NH
collection.
Estimate $800-1,200
265. Charles F.
Schwedt,
1836-1900,
Chicago, IL, pair of oil on canvas portraits of “Sara & Judge Aaron
Gillette, 1874,” designated on brass plaque affixed to old
refinished frames., 29” by 26”. Provenance: A NH collection.
Estimate $400-600
266. Two Wooden
Boxes,
a dovetailed
mahogany ballot box, 8 1/2” long & a cherry foot warmer with iron
bail handle, 19th c. Provenance: A NH & Delaware collection.
Estimate $200-300
267. Torchiere,
a
steel basket mounted on a fluted wooden pole, 6’2” T, nautical for
boat prow or a castle hallway; E. 20th c. Provenance: A NH
collection.
Estimate $100-200
268. Pine
Liquor Box,
divided
interior, including 4 hand blown gin bottles, probably 18th c.
Europe. Provenance: A NH & Delaware collection.
Estimate $300-400
269. Primitive
Watercolor Portrait,
“Mrs. and Celin
Wilson,” mother & daughter, 5 3/4” by 3 1/2”. Provenance: A MA
collection.
Estimate $300-500
270. W. Larkins,
19th
c., British, pair of watercolor portraits, three quarter length,
both signed right edge & dated 185..?, a seal lower right on man, 11
1/4” by 8 1/4” sight, not examined out of the Birdseye maple frame,
under glass. Provenance: A NH collection.
Estimate $1,000-1,500
271. Maple
Treen Spoon,
scratch carved
with a Civil War soldier smoking a pipe above the name “Harrison,” 6
1/2” long, 1840-60, American. Provenance: A NH collection.
Estimate $300-400
272. Black
Painted Rocking Youth Arm Chair,
remains of
yellow striping & shadow of stenciling, 18th c., worn finish.
Provenance: A NH collection.
Estimate $100-200
273. Green
Painted Louver,
2 inset slotted panels, mortise & tenon frame, 19th c. Provenance: A
NH collection.
Estimate $200-300
274.
Brass Warming Pan,
an etched top
connected to splotch decorated wooden handle, 18/19th c. Provenance:
A NH collection.
Estimate $100-200
275. Three Slat
Ladder-back Arm Chair,
turned posts,
finials, arms & stretcher, red second paint, 18/19th c., American,
16” seat height. Provenance: A NH collection.
Estimate $200-300.
276. Powder
Horn,
turned & carved
wooden fittings at either end, scratch carved eagle & Revolutionary
soldier, possibly centennial. Provenance: A NH collection.
Estimate $300-500
277. Two Hooked
Scatter Rugs:
A - Floral, 38
1/2” by 22”. B - Central moose head, 37” by 27 1/2”, both restored &
19th c. Provenance: A NH collection.
Estimate $300-500
278. 1778 Print
Of Benjamin Franklin,
Paris, France,
11 1/2” by 7 1/2” sight, under glass, not examined out of the frame.
Provenance: A NH & Delaware collection.
Estimate $100-200
278A. JS
Taft & Co., Keene , NH stoneware crock, blue floral decoration 2
gal. crock, some staining and chips, 11 ½” tall, L. 19th
C. Provenance: A Hancock, NH collection.
Estimate $100 – 200.
279. Two
English Maps Devonshire & Hantshire,
both are made
in 2 parts with hand colored outlines for rivers & ocean along with
the family crests associated with each province, sight 15” by 20”,
matted & framed under glass. Provenance: A NH collection.
Estimate $300-500
280. Two Maps,
North/South America & Morocco.
A - French, “L’Amerique,”
map, 19 1/2” by 25 1/4”, glued down on paper board, stains. B - Two
part map of Western North Africa & Gibraltar, edge losses & creases;
appears to be 18th c., or earlier, 21” by 23 1/2”, shrink wrapped.
Provenance: A NH collection.
Estimate $300-700
281. Three
European Maps:
A - “Territorii
Vimensis,” 19 1/2” by 23”, matted & framed under glass. B - “Avenio
Vulgo Avjgno,” 19 3/4” by 24 1/2”, framed under glass. C - “Map Of
Hungary,” 21 3/8” by 24 3/4”, edge losses. All are 2 part maps, some
staining. Provenance: A NH collection.
Estimate $300-500
282. Map Of
Chile,
a part map with
hand colored accents, 13” by 15 1/2”, matted & framed, stains & 1
corner torn. Provenance: A Cooperstown, NY collection.
Estimate $100-200
283. Roy C.
Gamble,
1887-1972,
Michigan, oil on canvas portrait of an old woman, signed lower
right, “R inside G, 50,” 24” by 20”, nicely framed under glass.
Provenance: A NH collection.
Estimate $400-600
284.
Illustration For Vermont Life Magazine,
watercolor &
gouache painting, “Fleeing From The Broken Dam,” signed lower right,
“HMG,” 15” by 12 1/2”, matted & framed under glass. Provenance: A NH
collection.
Estimate $200-300
285. John Held,
Jr.,
1889-1958,
Westport, CT, illustrator of the jazz age, 4 part cartoon, signed
upper right corner, “J. Held,” 7 1/2” by 20”, framed under glass.
Provenance: A NH & Delaware collection.
Estimate $400-600
286. Gregorio
Prestopino,
1907-1984,
Roosevelt, NJ, crayon drawing of oboist Mark Schackman, letter
attached to rear notes this & is signed by his wife, Elizabeth
Prestopino, in 1986. Provenance: A NH & Delaware collection.
Estimate $400-700
287. Honore
Daumier,
1808-1879,
French, limited edition print (500), signed in the plate, “hD,” &
pencil signed lower right, “AH Daumie,” 12 1/4” by 9 1/4” sight,
matted & framed under glass. Provenance: A Rindge, NH collection.
Estimate $600-900
287A .
Pencil Drawing Of Three People. Drawing on paper of three facial
images, 2 men and a young woman, unsigned, 10 ½” x 10 1/8”, matted
but unframed, possibly German, 19th C., some corner pin
holes. Provenance: A Massachusetts collection.
Estimate $150 – 250.
288. Charles
Joseph Hullmandel,
1789-1850,
British, “English Cutter Entering Harbor,” pencil & gouache drawing
on paper attached to a pencil outlined paperboard border, signed
lower left, in the border, “C. Hullmandel,” 10 1/2” by 13 7/8”
(including border), unframed. Provenance: A NH collection.
Estimate $150-250
289. Charles H
Burns,
b1932-?,
American, Water color and pen painting of “Trapeze”, “For my friend
Joe de Rosa” signed “Chas Burns 62” as written around the painting
edge, 13” by 11 3/4”, matted and framed under glass. Provenance: A
NH Collection
Estimate 400-700
289A. Charles H
Burns,
Black water
color and pen painting titled “Death Masquerades as a sandpiper,
Fort Meyers Beach”, signed “Chas Burns 1961” around the edge of the
painting, 23 3/4” by 16”, framed under glass. Provenance A NH
Collection.
Estimate 300-500
290. Renato
Longanesi,
(b1931),
Italian, oil on canvas painting of Man of War on attack, 24” by 36”,
framed, signed lower right “R Longanesi”. Provenance: A NH
collection.
Estimate 400-700
291. M Hasa,
20th
C Europe, gouache painting on artist board of a country road with
sheds/houses, signed lower right “M Hasa @”, 10 1/2” by 14”, framed.
Provenance: A NH collection.
Estimate $100-200
292. Thomas
Barron,
20thC American,
crayon drawing of the descent of Jesus Christ from the cross, signed
lower right in pencil “Thomas Barron”, 17” by 19 1/2”, framed under
glass. Provenance: A Mass collection.
Estimate $200-300
292A. Two
English Courtroom prints: A. ‘Interior of the Ancient Chapel of
St. Mary Magdalene, Guildhall”. B. “Guildhall – Examination of
Bankrupt before his creditors”. Both are matted and framed under
glass to match, 15” x 16 ½” overall. Provenance: A Rindge, New
Hampshire collection.
Estimate $100 – 200.
293. Florida
Highwayman Art lot,
20 miniatures
oil on panel, depicting tropical scenes, several signed “Addison”
sizes from 4 1/2” by 11” to 4 7/8” Xby2 7/8” molded frames are a
part of the board, losses, 2othC. Provenance: A Walpole, NH
collector.
Estimate $200-300
294. Florida
Highwayman Art,
lot 18
miniatures oil on panel, depicting mountain & lake scenes, several
signed “Addison” sizes from 6” by 10” to 4” by 7” molded frames are
a part of the board, losses, 20thC. Provenance: A Walpole, NH
collector.
Estimate $200-300
295. Florida
Highwayman Art lot,
19 oil on
panel, depicting tropical landscapes, sizes from 17” by 13” to 12”
by 9”, molded frames as a part of the board, losses, 20thC,
Provenance: A Walpole, NH collector.
Estimate $200-300
296. Florida
Highwayman Art lot,
11 oil on
panel, depicting tropical landscapes, sizes from 13 1/4” by 10 3/4”
to 10” by 8”, molded frames as a part of the board, losses, 20thC,
Provenance: A Walpole, NH collector.
Estimate $200-300 |
