1. Galle Glass, 2 pieces, an 8” tall frosted blue & white vase, marked “Galle,” in raised blue, part of the original label on underside of base and a 4” tall bowl, green leaves on white and rose frost background, chip on base, marked, “Galle,” in raised green, 20^th century French. Provenance: A Wilton, NH estate.
Estimate $800-1,200

2. Chaim Gross, 1904-1991, New York, NY, 4 ¾” tall bronze marked on the base, “…Gross,” on one side & 4/7 on the other, titled, “Mother And Child.” Provenance: A Springfield, MA collection.
Estimate $2,000-3,000

3. Leonard Baskin, 1922-2000, New Jersey, bronze bust of a woman with a head covering, marked on the back, “LB, 1963, 1/10,” foundry mark on the bottom, 6” tall. Provenance: A Springfield, MA collection.
Estimate $1,000-2,000

4. Leonard Baskin, bronze head of a man, 4 ½” tall, marked on side, “Baskin ‘67.” Provenance: A Springfield, MA collection.
Estimate $1,000-2,000

5. Leonard Baskin, 4 ½” square bronze plaque of a face, signed lower right, “LB.” Provenance: A Springfield, MA collection.
Estimate $1,000-2,000

6. Leonard Baskin Block Print, signed lower right, “Baskin,” pencil titled lower left, “Death Among the Thistles,” together with Leonard Baskin’s boxed natural History, first edition. Provenance: A Springfield, MA collection.
Estimate $400-700

7. Emile Albert Gruppe, 1896-1978, New York, NY & Gloucester, MA, oil on canvas painting of Naples, Florida train station, signed lower right, “Emile Gruppe,” 24” x 30”, framed. Provenance: A Florida collection, purchased by the consignor’s mother directly from Gruppe.
Estimate $15,000-25,000

8. Emile Albert Gruppe, oil on canvas painting of a nude woman standing in the woods, signed lower right, “Emile A Gruppe,” 30” x 25 ¼”, framed. Provenance: A Florida collection, purchased by the consignor’s mother directly from Gruppe.
Estimate $8,000-12,000

9. Malcolm Humphries, 1894-1962, American, oil on canvas of a full figured nude woman standing among flowers, signed lower right, “Malcolm Humphries,” 40” x 31 ¾”, good original gold frame. Provenance: A Florida collection.
Estimate $800-1,200

10. Charles Frank Arcieri, 1885-1945, American, oil on canvas of a young woman with a red shawl, signed lower right, “Arcieri,” 26” x 20”, gold frame. Provenance: A Florida collection.
Estimate $2,000-3,000

11. Howard And Davis Banjo Clock, rosewood grain painted mahogany case with painted iron dial, signed, “Howard And Davis, Boston,” 50” tall, some dial repaint, possible restoration to the lower glass tablet. Appears to be working & complete. Provenance: A Concord, NH estate clock collection.
Estimate $10,000-15,000

12. New Haven Calendar 30 Day Wall Clock, carved oak case with old finish, 48 ½” tall, “New Haven, USA trade mark,” located in a circle at the top of the calendar dial. Provenance: A Wilton, NH estate.
Estimate $1,000-1,500

13. German Brass Shelf Clock, urn finial over a molded pierced case with figural & floral decoration set on front scrolled feet, 18 ¼” tall, time & strike movement appears to work, round signature mark on back of works, “Gustav Becker.” Provenance: A Wilton, NH estate.
Estimate $300-500

14. Sterling Silver Travel Clock, engraved silver case marked, “Sterling Black Starr And Frost,” 3” tall x 2½” wide, raised enamel dial marked “Black Starr And Frost, New York,” 8 days, with seconds dial, working condition with key. Provenance: A Florida collection.
Estimate $200-300

15. Connecticut Cherry 4 Drawer Chest, rare small size, 30” case width, molded edge shaped top over 4 graduated molded edge drawers, fluted canted corners with lamb tongues top & bottom, ogee bracket base, old finish and original post & rosette brasses, late 18^th  century. Provenance: A Keene, NH & Boston estate.
Estimate $20,000-30,000

16. Canton Deep Dish Platter On Stand, 19 ¾” x 16 cut corner platter, 2 ¼” deep, set in a custom made bamboo turned cross stretcher base, along with a 7 ¼” diameter soup dish, both 19^th century Chinese export. Provenance: A Florida collection.
Estimate $400-700  

17. New England Mahogany Hepplewhite Secretary, top section with 2 blind banded doors set on a base with fold over writing surface and 3 banded drawers set on 4 tapered legs. Appears to have the original oval brass, old varnished finish, NH or Maine, ca. 1790-1800,41” wide x 48 ½” tall x 20 ½” deep, along with a “Gardner,” coat of arms and an 1855 Gardener passport. Provenance: Gardner family, Maine; Florida collection.
Estimate $1,000-1,500

18. American School, oil on wood panel portrait of a gentleman holding his glasses, unsigned, 34” x 28”, unframed, ca. 1810. Appears to be on a poplar wood panel. Provenance: Herschel & Adler Galleries, New York.
Estimate $600-1,000

19. Primitive Portrait Of A Young Woman with dark curls 19^th century oil on canvas, unsigned, 24” x 19 ¾”, some paint loss, relined, period frame. Provenance: A Milford, NH estate.
Estimate $400-600

20. English Mahogany Pediment Top Linen Press, the top section has a removable pediment set on a 2 oval inlaid blind door case. The bottom section has 3 cock beaded drawers, set on an applied bracket base, 40 ½” lower case width x 86 ½” tall, 19th century. Provenance: A New Hampshire collection.
Estimate $1,200-1,600

21. Alexander Robertson James, 1890-1946, Dublin, NH, oil on canvas landscape, signed lower left, and illegibly dated, label on verso, “Woodstock Hills Vermont,” 26 ¼” x 32 ½”, museum stretcher, possibly lined & reframed. Provenance: A Dublin, NH collection.
Estimate $4,000-7,000

22. Alexander Robertson James, pastel on paper landscape over looking town of Dublin east towards Pack Monadnock, signed lower right, “A. James,” 17 ¼” x 23 ¼” sight, not examined out of the frame, matted under glass. Provenance: A Dublin, NH collection.
Estimate $1,500-2,500

23. Three Part Folding Screen, each section has 3 panels front & back, oil on canvas painted in Chinese manner, wooden frame in red paint with gold decoration, crackle, frame chips, 71” tall, 23 ½” wide each section, probably 19/20^th  century France. Provenance: A Florida collection.
Estimate $1,600-2,000

24. New Hampshire Pantry Cupboard, an unusual form with 2 opposing batten doors with a stepped grain storage area with lift lid and front batten door, 64 ¾” x 84 ½” x 23” depth of grain bin section, (which is made to be removed separately), over painted in 2 coats of white paint on all but the right side, the left side has a rolling pin towel holder, NH ca. 1840-70. Provenance: Taken from the kitchen of a New Ipswich, NH farm house.
Estimate $800-1,200

25. Federal Tiger Maple Candle Stand, heavily figured, an indented corner top above a turned shaft supported by 3 saber legs resting on balls, 28” tall, top 22” x 18 ¼”, 19^th  century, New England. Provenance: A Milford, NH collection.
Estimate $1,800-2,200

26. Blue Painted Blanket Crane, carved back board with hinged arm, 50” long, 18/19^th century. Provenance: A New Hampshire collection.
Estimate $200-400

26A. Three Hand Colored Botanical & Bird Prints, Mark Gatesby, 1679-1749, British, book plates #XVI, XXII, XXIV, plate size 11 ¾” X 8 ½”, framed & matted, not examined out of the frame. Provenance: A Cooperstown, NY painting collection.
Estimate $1,000-2,000

26B. Red Grain Painted Hanging Cupboard, remains of leather hinges, “T” head nails, 18” tall x 14” wide, 18/19^th century American. Provenance: A New Hampshire collection.
Estimate $200-400

26C. 4 pieces of tin lighting, a pair of 13.5” high tin candle sconces and 3 lanterns; one barrel shaped lantern with   intricate protective wire work over its mica panes (electrified) measuring 12.75” inches high; A round 1 lantern that measures 16.5” inches high candle lantern and a square 13.75” inches high lantern with glass panels and a replaced handle. All lanterns are 19^th C. American/European. Provenance: A Dublin NH . Collection.
Estimate $600-900

27. Sterling Silver Coffee/Tea Set, with Sheffield plated tray includes: hot water, coffee, tea pot, sugar, creamer and waste, marked “A2443, May 26, 1917,” hallmarked, initialed, “JSW,” on each piece. Provenance: A Peterborough, NH collection.
Estimate $1,000-1,500

28. Sterling Silver Center Piece, for flowers marked,”2912/46, patented 5/18-25-1909, 12 ½,” floral reticulated decoration, 22.975 troy oz. Provenance: A Keene, NH collection.
Estimate $300-500  

29. German Flatware Set, in original walnut box, marked, “Netter,” (Joseph Netter & Son, Jewellier, Baden-Baden), “Bruckmann & Sohne Heilbronn (1805-1973)” hallmarks. Two sets of the same pattern, in silver & gold washed, total of 108 pieces. Gold wash: – 21 dinner forks, 21 dinner spoons, 21 dinner knives & 18 dessert spoons. Silver – 12 dinner forks, 13 knives,10 large spoons, plus misc. serving items in gold wash & silver different patterns, late 19th C. Provenance: A Milford, NH estate.
Estimate $1,000-2,000

30. German Silver Flatware, marked, “Dreyfuss 800,” fish set (12 knives & 12 forks); set 6 unmarked dessert, (6 knives & 6 forks); misc. serving implements & a German wooden treasure box with misc. pieces, marked & unmarked. Provenance: A Virginia estate.
Estimate $400-700

31. English Coin Silver Lot: 1 marrow spoon, London hallmarked 1820, “William Eley & William Fearne,” makers mark, along with 3 coin silver stuffing spoon, marked, “George Smith V,” London makers mark, “Geo. Smith III & Wm. Fearne,” makers mark & unknown mark. Provenance: A Keene, NH collection.
Estimate $200-400

32. English Coin Silver Spoon Lot: 2 stuffing spoons, 1 marked, “Hestor Bateman,” & 5 soup spoons, 2 with “Hestor Bateman” makers mark. Provenance: a Keene, NH collection.
Estimate $450-750

33. Two Sterling Silver Items: A – Marked, “S. Kirk & Son, Inc.,” repousse dish, 7” diameter. B – Pitcher marked, “RD” inside to circles, “35H, Paul Revere Reproduction, ca. 1765, 2260/25,” 7 ½” tall. Provenance: A Keene, NH collection.
Estimate $300-400

34. Lot Ten Pieces Of English Silver, 2 tongs; 2 ornately decorated spoons, silver & gold wash; 5 demitasse spoons & 1 small soup spoon; all hallmarked. Provenance: A Keene, NH collection.
Estimate $150-250  

35. Rosewood Classical Sofa Table, banded drop leaf rounded corner top over a case with 2 side by side ripple molded drawers supported by a hexagonal shaft on platform base with 4 inlaid scrolled legs, with brass paw feet castors, 55 ½” with leaves extended x 25 ½” deep x 29” tall, 19^th century England. Provenance: A Lexington, MA collection.
Estimate $2,000-3000

36. James McNeil Whistler, 1834-1903, American, etching & dry point on paper of, “Annie Seated,” signed in the plate, “Whistler,” 5 ¼” x 3 ¾” framed & matted under glass. Provenance: A Cooperstown, NY painting collection.
Estimate $1,000-2,000

37. English Carved Oak Secretary, a glazed door top with the carved case & door stiles, set on an inlaid veneered fall front desk with William & Mary well interior, compass star on lid, over simulated long drawer above animal carved cupboard doors.
Estimate $2,500-3,500

38. William H. Thwaites, NA 1854-1871, New York, NY, London, White Mountain Artist, lot of 3 miniature watercolor on paper landscapes, unsigned in matching matted frames, 2 identified as Westmoreland, NH on mat & all 3 with, “W.H. Thwaites,” identification on mat, 3 ¼” x 5”, 4 ¼” x 6 ¾” & 5 ¾” x 4 ½” sight. Provenance: A Massachusetts collection.
Estimate $600-1,000

39. School Of Berthe Morisot, pastel painting of a young woman, (see portrait of Madame Pontillion, 1871, pastel, Musee’ du Louvre, Cabinet des Dessins, Paris), unfinished baby’s head on verso, 14 7/8” x 12” sight, framed & matted under glass. Provenance: A Massachusetts collection.
Estimate $2,000-3,000

40. Giovanni Battista Quadrone, 1844-1898, Italian, oil on panel of a tawdry scene, signed upper right, “G.B. Quadrone ’81,” 8’ x 13 ¾” some paint loss, bottom panel appears to have been cut to fit ornate gold gessoed frame. “National Association of Artist, Florence, Italy,” label on verso. Provenance: A Florida collection.
Estimate $3,000-5,000

41. Heriz Room Size Oriental Rug, central medallion on a cream ground, good overall condition, 10’ 3” x 15’ 4”, ca. 1930-40. Provenance: A New York collection.
Estimate $5,000-7,000

42. Heriz Scatter Oriental Rug, central medallion on a red ground, good overall condition, 56” x 71”, Persian, ca. 1940-50. Provenance: A Cape Cod collection.
Estimate $300-500  

43. Antique Serape Room Size Oriental Rug, central ivory flower medallion surrounded by navy blue set on a brick red field with ivory cut corners and a wide brick red border, overall wear with some edge losses, 11’ 8” x 16’ 9”, appears to have been made at the end of the 19^th century with a fine weave. Provenance: Boothbay Harbor, Maine, summer house.
Estimate $9,000-12,000

44. “Chichi,” Caucasian Scatter Rug, central ivory geometric design on a blue field with a wide multiple border, overall even wear with small end losses, 19/20^th century, 3’8” x 4’ 11”. Provenance: A New York collection.
Estimate $1,900-2,400

45. Baku Caucasian Scatter Rug, 8 large lozenges with geometric designs on a brown ground, 44” x 77”, early 20^th century, even wear. Provenance: A New York collection.
Estimate $2,000-3,000

46. Walnut Renaissance Revival Arm Chair, carved flaring crest with central female medallion upholstered back & seat, shaped arms ending in female bust supported by turned conical legs with brass castors. Attributed to John Jeliff, Newark, NJ, mid 19^th century American. Appears to have original finish. Provenance: A Florida collection.
Estimate $500-700

47. Eagle Crest Oval Mirror, and a brass French style candle lamp, mirror is 35¼” tall x 17½” wide, both 20^th century. Provenance: A New Hampshire collection.
Estimate $100-200

48. Federal Tip Top Table, round burl veneered & banded having a central round panel with floral inlay, set on a turned shaft supported by 3 scrolled legs, 19^th century Continental, patches to top, small missing edge veneer, 35” tall, 25” diameter. Provenance: A Florida collection.
Estimate $500-700

49. Jane Freeman, 1883-1963, Provincetown, MA, oil on canvas, ¾ length portrait of Consuelo Vanderbilt, signed upper right & dated 1931, 40 ½” x 32 ½”, probably the original gilded frame with paint loss along with a biography by Stuart. Provenance: A Florida collection.
Estimate $1,000-1,500

50. Pair Of Bronze & Tin Candle Sconces, double arm patinated black, crystal drops around bobeche, round oil painted floral decoration, framed by cast back, 13” w x 12 ½” t, 19^th century continental. Provenance: Dublin, NH collection.
Estimate $200-300

51. Pair Of French Style Arm Chairs, shield backs surrounded by wooden frames topped with carved crest, shaped arms with carved knuckles, cabriole legs with carved & cone feet, 20^th century, good beige upholstery. Provenance: A Florida collection.
Estimate $600-800

52. Set Of Six Framed Floral Rug Designs, matching gold newer frames, 17” x 21 ¼” overall size, matted under glass, 19/20^th century. Provenance: A Cooperstown, NY painting collection.
Estimate $200-400

53. Stickley Shoe Foot Table, oak, mid-shelf pinned through trestle base, rectangular square edge top, “L & SG Stickley Handcraft,” red form of cabinet makers clamp decal, 54” long, 29 ¾” wide, 28¾” tall. Provenance: A Massachusetts/ Jaffrey, NH estate.
Estimate $1,000-1,500

54. Pair Of Royal Doulton Vases, dark blue & yellow/green, floral decorated, 12 ¼” tall, circle mark, “Royal Doulton, England,” 20th century. Provenance: A Florida collection.
Estimate $400-600

55. Franz Joseph Kline, 1910-1962, PA/NY, ink on paper, signed in pencil lower center/right, “KLINE,” New York gallery label on verso with description, dated 1954, 7 1/3” x 9 ½ framed under glass, with mat cutout for label. Provenance: A New York collection.
Estimate $8,000-12,000

56. Anthony Thieme Attributed, oil on artist board painting of a WWI biplane in battle, unsigned, 9 ¼” x 12 ¼”, framed.  Provenance: A Florida collection, estate of A. Thieme’s sister, written on artist board label on verso in pen.
Estimate $200-400

57. Jane Allard-Berte’, 20th C., Springfield, MA, oil on canvas painting of Leonard Bernstein, well known composer, scratch signed lower left, “Allard-Berte’,” 10¼” x 10”, framed by the artist with her inventory tag on the reverse, “JTG 19962C, “Leonard” plaque on frame. Provenance: Springfield, MA collection, with note from artist to consignor on her calling card.
Estimate $500-1,000

58. Langdon Quin, 20th Century, American, oil on canvas landscape initialed “LQ” lower right, labeled on verso by Krausharr Galleries, NY, NY, “View Toward Gatti House,” 17½” x 29¼”, framed. Provenance: A Dublin, NH collection.
Estimate $400-600

59. 1970 Rolls Royce Bentley Saloon, odometer 83,336, #SBX9655, 4 door, black painted, 8 cylinders, has been in running condition, registration expired 8/31/08. Provenance: Weston, MA, and Jaffrey, NH, estate.
Estimate $5,000-8,000

60. 1972 Jaguar “E” Type Series 3, V12, odometer 08141, #UC1577764, tan, registration expired 8/31/08, have original operating, maintenance & service handbook & old maintenance receipts. Has been in running condition. Provenance: Weston, MA, & Jaffrey, NH, estate.
Estimate $4,000-6,000

61. 1966 Mercedes 300-4 Door Sedan, 8 cylinder, odometer 88,537, painted green, registration expired 8/31/08, has been in running condition. Provenance: Weston, MA & Jaffrey, NH, estate.
Estimate $3,000-5,000

62. 1970 Mercedes 300 SEL 4 Door Sedan, 8 cylinder, odometer 89,008, #10905612001648, painted charcoal gray, registration expired 8/31/08, has been in running condition. Provenance: Weston, MA, & Jaffrey, NH, estate.
Estimate $3,000-5,000

63. 1958 MG Magnette Saloon, 4 cylinder, odometer 83,593, #KAC132278, red painted, in need of restoration, not running, with original operation manual. Provenance: Weston, MA & Jaffrey, NH, estate.
Estimate $2,000-3,000

64. 1989 Saab 4-Door Sedan, model 900S-4 cylinder, odometer 136,999, #453AS46D6K3023065, painted gray, not sure if in running condition, sunroof problem. Provenance: Weston, MA, & Jaffrey, NH, estate.
Estimate $1,000-1,500

65. 1938 Ford Prefect, 4 door, odometer 379,353, a 1.17 liter engine, built by the Ford plant in Dangenham, Essex, England. Owner started to have it restored, but vehicle still needs a lot of work to finish, sold as is. Provenance: Weston, MA & Jaffrey, NH, estate.
Estimate $500-1,200

66. Chippendale Mahogany Blocked End Oxbow Chest, 4 graduated drawers set into a cock beaded case, a conforming molded edge top & conforming applied molded base set on 4 ogee feet, 32 ½” case width, 33 ¾” tall, 19 ½” deep, possibly original post & rosette brass, some drawer repairs. Provenance: A Keene, NH & Massachusetts estate.
Estimate $10,000-20,000

67. Painted Sheraton Wash Stand, white painted with green lines, back splash with scrolled sides and shelf, original top & mid shelves, delicate legs, 39” tall, 18” wide, 19^th century New England. Provenance: A New Hampshire collection.
Estimate $300-500

68. Jacquard Coverlet, red green & blue woven into a natural back ground, signed & dated twice in bottom corners, “Philip Krebs 1847,” 98” x 88”, cotton & wool. Exhibited 1988, “Hirschl & Adler Folk,” New York, “Warm & Wonderful, The Jacquard Coverlet,” p. 33. Provenance: Hirschl & Adler Galleries, NY.
Estimate $500-700

69. Withdrawn.

70. John J. Zang, 1859-?, California, oil on canvas painting of a winter scene with a soldier by a canon, “The Lone Sentry, 1863(?),” noted on stretcher, signed lower right, “JJ Zang,” 10” x 15”, ornate gold frame. Provenance: A Temple, NH collection.
Estimate $500-1,000

71. Tavern Table, pine top with bread board ends set on a case with single drawer supported by 4 maple legs connected by cherry “H” stretcher base, 40 ¼” wide , 27 ¼” wide, 28” tall, refinished, bread board ends that are possibly replaced, 18/19^th century New England. Provenance: A Dublin, NH collection.
Estimate $400-700

72. Pair Of Primitive Portraits, oil on canvas, probably husband & wife, unsigned with history 31” x 27” & 31” x 25 ¾”, repair, original frame, mid 1800’s. Provenance: A Cape Cod, MA collection, originally purchased from a family there.
Estimate 400-700

73. Edmund (Edward) C. Coates, 1816-1917, American, (Hudson River School), oil on canvas painting of Meredith, NH, unsigned on front, but with important canvas stamp on verso, “Prepared by Edward Dechaux, New York,” (ca.1830’s to 80’s). Also noted on back of frame & stretcher, “EC Coates,” in pencil, 26” x 40 ½”. Appears to have the original gilded frame. Provenance: A Massachusetts collection.
Estimate $12,000-15,000

74. Benjamin Champney, 1817-1907, Boston, MA, oil on canvas painting of White Mountain pasture with cows, chickens etc., a farm house nestled in the trees with probably Mount Washington in the distance, signed lower left, “B. Champney,” 22” x 36”, good period gilded frame. Provenance: A Massachusetts collection.
Estimate $12,000-15,000

75. Edward Hill, 1843-1923, Littleton, NH, Hood River, OR, oil on canvas landscape of mountain stream through the woods. Signed lower right, “Edward Hill 71,” 20” by 14”, lined, newer frame. Provenance: A Massachusetts collection.
Estimate $2,000-4,000

76. Albert Bierstadt, NA, 1830-1902, New York, NY, oil on canvas study for a larger painting depicting a mountain range with blue sky & clouds, signed lower left, “AB,” conjoined, 7 ½” x 12 ½”, 19th c. gilded frame. Provenance: A Massachusetts collection.
Estimate $6,000-8,000

77. Two Old Master Style Portraits, “The Artist,” oil on board, 8 ¾” x 6 ¾”; “The Cavalier,” 9¾” x 7¼” center repair, both unsigned with gold frames, 19/20th century. Provenance: A Florida collection.
Estimate $300-500  

78. Regency Mahogany Sofa Table, inlaid drop leaf top, medial stretcher set on a conforming case with 2 side by side carved front drawers, supported by an arched reeded base with brass paw foot castors, 64” open length, 25” deep, 26 ½” tall, 19^th century England. Provenance: A Boston, MA collection.
Estimate $1,000-1,500

79. Two Similar Carved Oak Arm Chairs, leather backs & seats fastened with brass studs, stretcher bases, 17/18^th century European. Provenance: A Jaffrey, NH & Massachusetts estate.
Estimate $200-400

80. F.G. Grust, 20th c. Dutch, oil on canvas of a kitchen scene, 2 women & children seated by a fire, 27” x 30 ½”, framed & matted. Provenance: a Temple, NH collection.
Estimate $800-1,200

81. J. Langerock, E 20th C., European watercolor/gouache painting of small North African village by an oasis, 11 1/2” by 18”, signed lower right “Langerock”. Framed under glass, appears to have the original ornate gesso frame. Provenance: A Cooperstown, NY painting collection.
Estimate $400-600

82. Lot of 3 Watercolors: Noel Dieudonne Finart, 1797-1852, watercolor/gouache on paper, signed lower right, “D. Finart,” of the Ottoman army encampment, 9” x 13 ½” sight, framed & matted under glass. Two Watercolors on Paper, illegibly signed lower right, titled lower left,” Tomb Of The Caliph’s,” & “Ravine Of Persepolis,” in matching frames, 17” x 11 ¼”. Provenance: A Cooperstown, NY painting collection.
Estimate $600-900

83. George Zion, set of 3 watercolors on paper of furniture, signed lower right, “Geo. Zion,” (signature covered by frame), photo on verso of each reveals placement of signature, Chair 13 ¾” x 10 ½” sight, settee 7 ¾ x 13” sight, ladies desk 10 ½” x 12 ¾” sight, matching frames & matted under glass. Provenance: A Cooperstown, NY painting collection.
Estimate $300-500

84. Lot Of Two Pieces Of Art: A. Henri Le Riche, 1867-1937, France, pencil etching on paper, of 3 women talking, 2 with canes, signed lower right in pencil, Henri Le Riche,” numbered 118, 8 ¾” x 12 ¼ ” sight. B – Hippolyte Flandrin Attributed, 1809-1864, charcoal on gray paper of Christ looking back, unsigned 11” x 5 ¼ ”. Aquemere, ?charcoal & colored pencil, impressionistic painting of 2 saints hugging, signed lower left "Aquemere, ’47,” in pencil lower right, “Poiriers: Eglise, Saint Hilaire,” 22 ¼” x 14 ½” sight. All framed & matted under glass. Provenance: A Cooperstown, NY painting collection. Estimate $300-600

85. Dergazine Room Size Oriental Rug, central medallion on a light red field, 8’ 7” x 11’ 3”, good overall condition, Persian, ca. 1935-50. Provenance: A New York collection.
Estimate $2,500-3,500

86. Seichor/Caucasian Scatter Rug, overall geometric design on a light blue field with unusual ivory border, overall wear and loss on one end, early 20^th century., 3’9” x 4’11”. Provenance: A New York collection.
Estimate $1,200-1,600

87. Antique Kazak Scatter Rug, overall geometric designs on an ivory field, even overall wear, 3’ 1” x 5’6”, Caucasus region, 19/20^th  c. Provenance: A New York collection.
Estimate $1,800-2,400

88. Kurd Kazak Oriental Scatter Rug, 5 inter-connected geometric medallions, on a red ground, early 20^th  century, 3’7” x 5’3”, good overall condition with some losses to one end, Caucuses area. Provenance: A New York collection.
Estimate $1,900-2,400

89. Shirvan Oriental Scatter Rug, 4 Lesghi stars on a navy field, 3’8” x 5’4”, overall low pile with some small losses at each end, E. 20^th  century., Caucasus area. Provenance: A New York collection.
Estimate $2,200-2,700

90. Sarouk Room Size Oriental Rug, overall floral designs on a red ground, good overall pile, 10’7” x 13’7”, ca. 1930-40, Persian area. Provenance: A New York collection.
Estimate $2,000-3,000

91. Blue Painted Step Back Cupboard, a crown molded 2 glazed door top set back over 2 horizontal drawers over 2 paneled doors supported by a shaped bracket base, 80” tall, 45 ¾” wide, 18” deep, 19^th century American. Provenance: A New York collection.
Estimate $3,200-4,000

92. Frank Henry Shapleigh, 1842-1906, New England, watercolor on paper seascape of sailboats, signed lower left, “F.H. Shapleigh,” initial “JC,” on one of the sails, 9½” x 13½” sight, framed & matted under glass. Provenance: A Maine collection.
Estimate $600-900  

93. Hepplewhite Coffin Shape Tip Top Candle Stand, birch & cherry, a turned shaft with incised rings, & 3 arched legs ending in spade feet, 28 ¾” tall, delicate form, 19^th century, New Hampshire. Provenance: A New York collection.
Estimate $600-900

94. Max Kuehne, 1880-1968, New York, NY, oil on wood panel, “Houses & Trees,” 6” x 8”framed under glass. Provenance: Hirschl & Adler Galleries, NY, from the artist’s estate.
Estimate $800-1,200

94A. Max Kuehne, pencil on paper, signed lower right & titled, “Toledo, January 1915,” 5¼” x 6¾”, not examined out of the frame, matted under glass. Provenance: Hirschl & Adler Galleries NY.
Estimate $100-200  

95. Sheraton Mahogany Drop Leaf Table, shaped corner over a 1 drawer case supported by 4 fluted turned legs ending in cone feet, 36” deep, 21” wide closed, 28 ¾” tall, probably 19^th century. Boston. Provenance: A Florida collection.
Estimate $500-800

96. William Unger etching of a painting done by William Merritt Chase, which appeared in, “American Art, Vol. 2, 1887.” Signed in the plate, “Wm M Chase, 1875,” 9” x 5”, matted & framed under glass. Provenance: A Cooperstown, NY painting collection.
Estimate $200-400

97. John Sloan, NA, 1871-1951, Hanover, NH, charcoal sketch of an old man playing the harp, signed in pencil lower center, “John Sloan 1963, To My friend (EE James?), 21” by 14”, framed under glass. Provenance: A Cooperstown NY painting collection.
Estimate $500-1,000

98. Three Oriental Items, 2 pieces of celadon: ginger jar, covered, squat form, blue decoration with people, 9” tall & a blue decorated vase, 23” tall & an inlaid table top screen, 30” tall x 29” wide, with carved crest & base. Provenance: A Florida collection.
Estimate $300-600

99. Pair Of Ancestral Portraits, vividly colored gouache on paper, 48” x 20 ¼”, including frame, 19/20^th century Chinese. Provenance: A Florida collection.
Estimate $200-400

100. Lot Of Three Chinese Export Items: A – Pith painting depicting 2 domestic scenes of vendors, 5” x 6 ½”. B – Table top screen, marble panel with painted figures & characters, 10” tall. C – Cloisonné bowl, brass wire inset on black, 4” tall. All appear to be 19/20^th century. Provenance: A Hancock, NH estate.
Estimate $200-300

101. Miniature Lotus Flower Bowl, 2” tall & a tea box, paper decorated on all sides & top, 12” x 16 ½” x 11”, both 19^th century Chinese. Provenance: A Dublin, NH collection.
Estimate $100-200

102. Chinese Miscellaneous Lot: A – chased brass on leather purse with iron striker base used to hold a flint, 2 ¾” wide. B- Two carved ivory scholar figures, 1 ¾” tall. Provenance: A Florida collection.
Estimate $100-200

103. Chinese Reverse Painting On Glass, depicting a still life of vases with flowers, 18” x 14” including the frame, 19^th  century Chinese export. Provenance: A New Hampshire and Delaware collection.
Estimate $100-200

103A. Carved Chinese Wardrobe/Kitchen Cabinet, 4 pierced carved doors over a carved raised   panel base section set on 4 square legs, old red, gold & green surface, 50” wide x 23” D. x  72 ½” T. shelves & interior drawers, 19^th century. Prov: A NH Oriental collection.    
Estimate $800-1,200

104. Dr. John Robert Thornton, 1768-1833, British, hand colored etching, “The Dragon Arum,” “London Published Dec. 1801, Henderson Print, Ward Sculpt,” 18 ¾” x 13 ¾” plate size, not examined out of the frame, matted under glass. Provenance: A Cooperstown, NY painting collection.
Estimate $800-1,200

105. School Of Thomas C. Eakins, 1844-1916, PA, pencil drawing on paper of Walt Whitman (see plate 165 in American Master drawings & watercolors, A Thomas Eakins Oil Canvas, 1887-88), unsigned, 8 ¼” x 9”, framed & matted under glass. Provenance: A Massachusetts collection.
Estimate $800-1,200

106. Queen Ann Walnut Arm Chair, balloon seat, carved crest with central webbed shell with upside down mustache curlicue above a vase form splat, scrolled arms underneath out turned hand holds & curved supports attached to the seat rail, block & turned stretcher base, front cabriole legs ending in pad feet, old refinish, carving added to knees & feet & applied to splat, 18th century MA. Provenance: A Keene, NH & MA estate.
Estimate $10,000-15,000

107. Thomas Hill, 1829-1908, California/Massachusetts, oil on board landscape, “A New England Farm,” 12¼” x 18½”, signed lower right, “T Hill,” in red, framed. Provenance: A Peterborough, NH collection.
Estimate $6,000-9,000

108. Philadelphia Chippendale Style Mahogany Side Chair, with ball & claw feet & slip seat, probably Centennial period 41” tall. Provenance: A Florida collection.
Estimate $200-300  

109. Edward Seager, 1809-1886, Maryland, 3 pencil drawings, “View Of The Notch, White Mountains,” inscribed lower left, 10¼” x 14½”; “Tree,” 8 7/8” x 8 1/8”; “Waterfall,” signed lower left, “Seager 1848,” 8 ¼” x 10 ¼”. Provenance: Hirschl & Adler Galleries, NY from the artist’s estate.
Estimate $300-600  

110. Hepplewhite Mahogany Tambour Top Secretary, inlaid veneered central door flanked by sliding reeded doors, over a 3 drawer base, a shaped skirt flanked by French feet, 19/20^th century. Provenance: A New London, NH collection.
Estimate $300-500  

111. Harrison Bird Brown, 1831-1915, Portland, Maine, oil on canvas landscape,” Picnicking Beside The River, “New Hampshire Or Maine scene, signed lower left, “HBB,” 13” x 24”, old gold frame. Provenance: A Peterborough, NH collection.
Estimate: 6,500-8,500

112. John Joseph Enneking, 1841-1916, Massachusetts, oil on board, landscape, ”The Old Barn,” signed lower left, “Enneking,” 12¼” x 22”, gold frame with cloth liner. Provenance: A Peterborough, NH collection.
Estimate $7,000-10,000

113. William Jurian Kaula, 1871-1952, Boston, MA & New Ipswich, NH, oil on canvas landscape, signed lower right, “W.J. Kaula,” 11” x 15¾” sight, not examined out of newer frame. Provenance: A Vermont collection.
Estimate $2,000-3,000

113A. William Jurian Kaula, oil on canvas landscape, “Below Mt. Monadnock,” identified in pencil on verso, signed lower right, “W.J. Kaula,” 19¼” x 16½”, possibly original frame. Provenance: A southern, New Hampshire collection.
Estimate $2,000-3,000

114. Sheraton Mahogany Drop Leaf Table, a shaped corner top over a 1 drawer case supported by 4 rope turned legs, 36” deep, 28¾” tall, 10¾” leaves, 21” center, 19th century American. Provenance: A Boston, MA collection.
Estimate $200-400

115. Two Landscapes: A - White Mountain School, oil on canvas landscape of White Mountain lake scene with sailboats & hills in the background, a shoreline with trees, illegibly signed lower right, “..BB? 1877,” 6½” x 10½” sight, period frame. B – Arthur W. Oakman, B. 1910, Boston, mountain landscape, 10½” x 13¾”. Provenance: A Florida collection.
Estimate $300-500

116. Edward Loyal Field, 1856-1914, New York, NY, oil on canvas landscape, signed lower right, “Edward L. Field,” 12” x 10”, framed. Provenance: A Florida collection, from the artist’s estate, (see history on verso).
Estimate $200-500

117. Mahogany Chippendale Style Hunt Table, drop leaf with double swing legs on each side, 4 stationary center legs, 83” long, 53½” wide open, 20th century English. Provenance: A Milford, NH collection.
Estimate $500-700

118. Nevison Arthur Lorain, d.1908, British, oil on canvas genre painting of, ”The Card Players,” signed lower left, “N. Arthur Lorain,” 18” x 28”, original gold frame. Provenance: A Vermont collection.
Estimate $1,000-1,500  

118A. Green Painted Sea Chest, hard pine, canted dovetailed sides, becket handles. The interior has 2 tills missing fronts, the lid is paint decorated with a maritime scene of a central sailing ship flying an American flag, a light house, a steam ship & a sailboat, 35½” wide, minor in-painting to scene, flaking to canvas top cover, 19th century. Provenance: A Southern NH collection.
Estimate $1,800-2,400

119. Samuel Johnson Woolf, 1880-1948, New York, NY, charcoal drawing, highlighted with white chalk, signed at center, “S.J. Woolf,” inscribed lower right, “The Rt.. Rev. Henry Temple, Archbishop of York, Newsweek, 12-14-35,” typed & in pencil, estate stamp on verso, 25 5/8” x 19¾”, matted. Provenance: Hirschl & Adler Galleries, New York, from the artist’s estate.
Estimate $200-400

120. Samuel Johnson Woolf, 3 original lithographs: A –Portrait of a Rabbi, 22 5/8” x 17 ½”, estate stamp on back. B – Seated man, 22¾” x 18”. C – Portrait of Enrico Caruso, signed lower right in pencil, “S.J. Woolf,” inscribed lower left, “M-39,” all framed & matted. Provenance: Hirschl & Adler Galleries, New York, from the artist’s estate.
Estimate $600-1,000

121. William S. Schwarts, 1896-1977, Midwest, 3 original lithographs: A – “Distressed Face,” signed lower left in the stone,  inscribed in pencil by the artist lith #28, 18½” x 13¾”. B – “Figures with Sunset,” signed & dated lower left in the stone, inscribed in pencil by the artist #33, impression # 5, 9¼” x 12¾”. C – “Back of Nude,” signed in the stone lower right & in pencil lower left, lith. #45, 15½” x 7 15/16.” Provenance: Hirschl & Adler Galleries, NY, from the artist’s estate.
Estimate $400-700

122. Mahogany Serpentine Front Hepplewhite Style Card Table, with line inlay & panels, 36” wide, 20th century. Provenance: A Nashua, NH collection.
Estimate $200-400

123. Two Portraits: A - Oil on canvas of Dr. J. Adams, of Acton, MA, holding a thermometer, 31 1/8” x 25”, unsigned, unframed, crackle, several repairs. B – Oil on canvas of unknown gentleman, unsigned, 20” x 16”, framed. Provenance: A Massachusetts collection.
Estimate $400-700

124. Chippendale Mirror & Dove Tailed Hanging Shelf: Mirror, old glass, applied gilded eagle at top & cartouche at bottom, 29” tall. Shelf 19” tall including pierced lollipop, (broken), contains leather bound Rollins History books. Provenance: A Florida collection.
Estimate $200-400

125. Federal Brass Fireplace Fender, “D” shaped with a pierced top section set on 3 paw feet, 19th century American or English, 53” wide. Provenance: A Dublin, NH collection.
Estimate $200-300

125A. Pair Of Brass Andirons & Fender, left & right ball top andirons, log stops & cabriole legs ending in pad feet, 14½” tall. Fender pierced decorated. 37” wide, 19th century. Provenance: Boston, MA collection.
Estimate $200-400

126. Chippendale Tiger Maple Tall Chest, 6 drawers tall, a dovetailed molded top, heavily figured drawer fronts, applied bracket base, 36” case width, 48 ½” tall, 17 ½” case depth, replaced brass, 18^th century New England. Provenance: A Milford, NH collection.
Estimate $4,000-6,000

127. Gilded Eagle, carved wood, gessoed under gilding, 27”wide , 21” tall, 19^th century, probably Continental. Provenance: A Dublin, NH collection.
Estimate $2,000-3,000

128. Tiger Maple Tip Top Tea Table, a round figured top above an urn turned shaft supported by 3 cabriole legs ending in pad feet, 32” diameter, 26 ¾” tall, 18/19^th century New England. Provenance: A New Hampshire collection.
Estimate $800-1,200

129. Needlework, silk of a child in a red dress, full body, classical setting, 11 ½” x 9 ¼”, oval sight, matted under glass, not examined out of the frame, cracks to silk background, 19^th century England. Provenance: A Hopkinton, NH collection.
Estimate $300-500

130. Queen Ann Cherry Lowboy, a rectangular molded top over a conforming case with a single long drawer over 3 side by side drawers, supported by 4 cabriole legs ending in platformed pad feet, 23¾” case width, 28½” tall, 15½” deep, old varnish finish, 18^th century upper Connecticut River Valley. Provenance: A New Hampshire collection.
Estimate $6,000-9,000

131. Mahogany Queen Ann Pad Foot Candle Stand, a square top over a turned urn form shaft supported by 3 cabriole legs ending in pad feet, 17 ½” square top, 26 ¾” tall, probably 18^th century Connecticut. Provenance: A New Hampshire collection.
Estimate $800-1,200

132. Chip Carved Checkerboard & Brass Warming Pan, punch decorated bird on the cover, grain painted handle, 18^th century. Provenance: A New Hampshire collection.
Estimate $200-300

133. Ersari Afghan Oriental Rug, large lozenge design on a rust brown background, wear, 8’5” x 10’5”, 19/20^th century. Provenance: A New Hampshire collection.
Estimate $500-700

134. Antique Bijar Room Size Oriental Rug, double central medallion on an ivory field surrounded by blue, overall wear, 14’10” x 9’9”, 19/20^th century. Provenance: A Dublin, NH estate collection.
Estimate $7,000-10,000

135. Heriz Oriental Rug, a central medallion on a brick field, overall design, 7’ 8” x 10’6”, 20^th century, overall wear. Provenance: A White Mountain, New Hampshire collection.
Estimate $600-900

136. Heriz Oriental Rug, a central medallion and overall design on an ivory field, 12’3” x 8’7”, 20th century fading. Provenance: A White Mountain, New Hampshire collection.
Estimate $2,500-3,500

137. Shah Kurd, (Southern Persian), central medallion on a red field, overall design on a dark blue field, 6’6” x 10’5”, 20^th century. Provenance: A White Mountain, New Hampshire collection.
Estimate $900-1,200

138. Isfahan Room Size Oriental Rug, central medallion on rose field, ivory accent flowers, 12’2” x 9’3”, good overall condition, 20^th century. Provenance: A White Mountain, New Hampshire collection.
Estimate $1,000-1,500

139. French Brass Transit, circular dial with 2 folding sight arms, glass covered silvered dial with “fleur de leis” designated as north & raised outer dial calibrated, “0 to 90,” in quadrants, directional needle with locking devise, 4½” diameter, probably French, 18/19^th century, no tripod stand. Provenance: A Dublin, NH collection.
Estimate $600-900

140. Cut Crystal Gas Chandelier, 6 arms ending in cut bobeche topped with bulbous glass shades, embellished with crystal drops & rope swags, originally gas now electrified, 38” diameter & 31” tall, 19/20^th century, probably Irish, minor damage. Provenance: A Dublin, NH collection.
Estimate $7,000-10,000

141. Walnut Italian Cassone, molded edge lift top with strap hinges, front carved panel, flanked by applied female busts at the corners, all set on 4 carved feet, 66” wide x 22” tall, wrought iron carrying handles at either end, appears to be 17^th century or earlier Italian, some restoration. Provenance: A Dublin, NH collection.
Estimate $1,500-2,500

142. Thomas Eastland, London, England, Tall Clock, pagoda bonnet top with a glazed arched door, silvered dial signed, “Tho Eastland, London,” with brass spandrels, silent & strike brass 8 day movement, oak grain painted pine case with chinoiserie painted door panel and base front set on an applied molded base, 7’ 10” tall. Provenance: A New Hampshire collection.
Estimate $1,500-2,500

143. Sixteenth Century French Carved Oak Cupboard, a deep carved cornice dated 1579 at the center over a case with carved stiles & rails, paneled doors & drawers, supported by a stepped base molding supported by restored feet, paneled sides, 61½” wide, 66¼” tall, forged polished steel hinges etc Provenance: A Dublin, NH collection. Restored in France, then shipped to U.S.
Estimate $2,000-3,000

144. Wall Clock, painted iron dial, moon phase brass works, date dial missing, set on a scrolled back board & bonnet cover with glass front & side, reverse painted oval pendulum cover, 47” tall plus brass finials, 19th century Europe. Provenance: A Dublin, NH collection.
Estimate $900-1,200

144A. English Bible Box Dated 1725, rectangular oak box with strap hinge lift top, decorated on the front, BB 1725,” with iron dome top tacks, 26” x 15 ½” deep x 11” tall. old worn varnish finish. Provenance: A New Hampshire collection.
Estimate $600-900

145. Les Oiseaux Dans La Nature, E. Rambert & P. Robert, D.Lebet Editeur, Paris, volume of Chromolithographs of birds, printed 19/20^th century. Provenance: A Dublin, NH collection.
Estimate $800-1,200

146. Frederick Mortimer Lamb, 1861-1936, MA, watercolor study of “Two Pigs,” signed lower left, “F.M. Lamb,” 13¾” x 19¾” sight, matted & framed under glass, not examined out of the frame. Provenance: A Dublin, NH collection.
Estimate $800-1,200

147. Sheraton Mahogany Pembroke Table, rectangular top with elliptical drop leaves set on a conforming case, with a single drawer supported by fluted turned legs ending in elongated feet, 19^th century Salem, MA, probably Nehemiah Adams. Provenance: A Dublin, NH collection.
Estimate $1,500-2,500

148. Sulky & Driver Horse Weathervane, attributed to “Harris Manufacturers,” hollow copper body, cast zinc driver, old green patina, 33” long, vane has old repairs & splits, probably due to it falling at some point in time, late 19^th century. Provenance: A Southern Monadnock Region, NH collection.
Estimate $3,000-5,000

149.Carousel Horse, prancing white horse with yellow, green, red & orange tack, old if not original paint, attributed to “Denzel,” 53” nose to tail, early 20^th century. Provenance: An Amherst, NH collection, supposedly came from Coney Island, NY.
Estimate $2,000-3000

150. Horace Bundy Attributed, 1814-1883, American, New England, oil on linen primitive painting of an infant in white dress holding a rose bud, 22” x 18”, old gilded frame, as found condition. Provenance: A Southern Monadnock region collection.
Estimate $2,500-4,000

150A. Tiger Maple Stock Percussion Rifle, signed on the plate, “J. Bishop Warranted,” old refinished stock surface, 60 ½” long, 19th century American. Provenance: A New Hampshire collection.
Estimate $1,000-1,500

151. Native American Painted Hand Drum, with,” Water Spirits,” decoration of 2 otters & 2 snakes with bird heads, in green & brown, attributed to Plateau area, 22” diameter, minor tear on bottom left corner. Provenance: A Northwest Native American collection.
Estimate $2,000-3,000

151A. Hopi Gourd Rattle, painted white with black sun/star decoration, wooden handle, seed rattles, 6½” diameter x 11” long. Provenance: A Northwest Native American collection.
Estimate $300-400

152. Sioux Hide Child’s Dress, beaded shoulder plate & arm decoration in blue, green, red & black, fringe on sleeve & hem, 37¼”, repairs & a few tiny holes, ca. 1920. Provenance: A Northwest Native American collection.
Estimate $6,000-8,000

153. Native American Elk Antler Quirt, made from a single antler tine, drilled for wrist strap, pegged with 2 leather thongs, 32” long, 19^th century. Provenance: A Northwest Native American collection.
Estimate $800-1,200

153A. Native American Prairie Tribe Quirt, wooden carved face handle, drilled for wrist strap, braided leather thong, 34” long, 19/20th century. Provenance: A Northwest Native American collection.
Estimate $2,000-3,000

154. Sioux Quilled Teepee Bag, bead & horse hair decorated sides in blue, green & orange, quill wrap decorated front, 13 ½” long x 19” wide, provenance included. Collected from Sioux Indian “He Dog” on Sioux reservation, a few minor tears. Provenance: A Northwest Native American collection.
Estimate $3,000-6,000

154A. Iroquois Beaded Bag, small bead decoration on red fabric, flap top, 5½” long x 6¼” wide, ca. 1840. Provenance: A Northwest Native American collection.

Estimate $500-800

155. Pair Of Native American Quilled Moccasins, quill wrap decoration of a tree with leaves that look like feathers in orange & ivory, Upper Missouri, “Hidatsa or Mandan,” 19^th century. Provenance: A Northwest Native American collection.
Estimate $600-800

155A. Pair Of Beaded Cheyenne Moccasins, keyhole design with American Flags, in blue, red, white, 20^th century. Provenance: A Northwest Native American collection.
Estimate $500-800

156. Beaded Kiowa Apache Blanket Strip, sun pattern decoration in green & yellow on white field with long twisted hide tassels coming out of center, wedding basket border pattern in blue with yellow & green stripes, 61” long x 6¾” diameter at widest part, 20th century. Provenance: A Northwest Native American collection.
Estimate $2,000-3,000

157.  Joe Beeler, born 1931, Arizona,.  Polychrome crayon drawing of Native American young woman wearing necklaces.  19” by 13” sight, matted and not examined out of the frame. Provenance: A Hancock NH collection.
Estimate $400-700

158. Henry John Sumpkins, b.1906, American illustrator, watercolor on paper, “Wild Horses,” signed lower right, “Sumpkins, 1959,” 7½” x 9 3/8” sight, not examined out of the frame. Provenance: A Cooperstown, NY painting collection.
Estimate $400-600

159. Taos School Of Art, early 20th century, oil on artist board painting of a Native American riding a white horse, illegibly signed lower left, Chicago artist board label on verso, 13¾” x 17 5/8”, original frame. Provenance: A Massachusetts collection.
Estimate $600-900

160. Iron Pipe Tomahawk, wrought iron head, brass tack decoration on wooden handle, 20” long, small dent on bowl,  19/20th century Native American. Provenance: A Massachusetts collection.
Estimate $2,500-3,000

161. Copper Charger, inlaid with silver animals, green patina, hand hammered, 21¾” diameter, Mexico. Provenance: A Massachusetts collection.
Estimate $400-700

161A. Navajo Scatter Rug, multiple zigzag shaped diamonds on a tan ground with a black brown border, 42½” x 77½, early 20^th century. Provenance: A Massachusetts collection.
Estimate $600-1,000

161B. Navajo Rug, geometric central medallion with hooks set on a light gray field, early 20th century, 39” x 60”. Provenance: A Massachusetts collection.
Estimate $400-700  

162. Walnut Step Back Cupboard, 2 part, cornice molded 2 glazed door top section above a 2 drawer over 2 flat paneled door base set on a shaped bracket base, 47¼” wide, 86½” tall, probably 19^th century Pennsylvania. Provenance: A New Hampshire collection
Estimate $1,500-2,500

162A. Nantucket Wall Basket, a rare form, oval top & bottom with single side handle, 8” tall to top of handle by 8 ½” wide at top, 19/20^th century, Nantucket made. No visible repairs or losses. Provenance: A Massachusetts collection.
Estimate $1,000-1,500

162B. Vermont/New Hampshire Maple Tall Chest, fan carved central drawer flanked by 2 over 2 small drawers over 6 graduated lipped drawers, all supported by an applied bracket base. Appears to have the original post & rosette brasses, 38” case width x 60 ½” tall x 19 ¾”D. (at molding), old refinished condition, late 18^th century. Similar base to #42, from “The Best Country Affords, Vermont Furniture,” page 80. Prov: A NH/NY collection.
Estimate $5,000-7,000

163. Pair Of Cast Iron Garden Rabbits, with folded hands, 12 ¾” tall, 19/20^th century. Provenance: A New Hampshire collection.
Estimate $200-400

164. “Margolis” Mahogany Chippendale Tea Table, a piecrust top over a carved & turned bulbous shaft supported by 3 shell carved cabriole legs ending in snake feet, 24” diameter, 27” tall, 20^th century Connecticut, branded “Margolis” in cleat under top. Provenance: A New Hampshire collection.
Estimate $800-1,200

165. Tin Oven & Oak Bellows, curved back oven has a spit, carved bellows, both 19th century American. Provenance: A New Hampshire collection.
Estimate $100-200  

166. Sheraton Secretary, 2 part cherry case, crotched birch veneer front with mahogany banding, the upper section having 2 doors each, inlaid with columns opening to reveal a drawer & cubby interior, the base having a fold over writing surface above a long drawer above 2 horizontal drawers, flanked by divided bottle drawers, set on 4 turned legs ending in ball feet, 40” wide x 50: tall, minor veneer patches, ca.1810, North Shore, Portsmouth, NH. Provenance: A New Hampshire collection.
Estimate $4,000-7,000

167. Mahogany Tilt Top Tea Table, serpentine molded edge, a shaped top over an urn turned shaft supported by 3 cabriole legs with carved knees ending in ball claw feet, 19^th century, MA. Provenance: A New Hampshire collection.
Estimate $600-1,400

168. “Austin” Roll-APlane, cast iron toy steam roller, 7 ½” long, original gray paint on body and remains of old red paint on the roller wheels, no known repairs or breaks. Provenance: An Amherst, NH toy collection.
Estimate $1,000-2,000

169. “Keystone”Wheeled Steam Shovel, pressed steel with black & red paint finish, (some losses), which appears to be original, no decal of name, missing steering wheel, 25 ½” long (arm extended), ca. 1930. Provenance: An Amherst, NH toy collection.
Estimate $400-600

170. “Buddy L” Sand Elevator #230, pressed steel construction with remains of old paint, “Buddy L,” decal on top of cab, 18” tall, ca. 1930, no apparent repairs or replacements. Provenance: An Amherst, NH toy collection.
Estimate $700-1,000

171. “Buddy L” Overhead Crane, pressed steel construction, remains of original black paint, “Buddy L,” decal on top end girder & on a vertical support, 45” wide x 23” tall, replaced operating twine with no other apparent repairs or replacements, ca. 1930, a rare toy. Provenance: An Amherst, NH toy collection.
Estimate $1,000-2,000

172. “Buddy L” Steam Shovel, pressed steel construction with most of the original blue & orange paint, 4 hard rubber wheels, ca. 1940, 17 ½” long (arm down). Provenance: An Amherst, NH toy collection.
Estimate $200-300

173. “Buddy L” Open Bed Dump Truck, “All Year Toys”, pressed steel, original black painted body, red wheel rims & chassis (some losses), labeled under dash on passenger side, 24” long, ca. 1925-30. Provenance: An Amherst, NH toy collection.
Estimate $800-1,200

174. “Neff Moon” Interchangeable Automotive Toy, manufactured by, “Neff Moon, Sandusky, OH,” 7 pressed steel interchangeable car bodies, made to fit on the same chassis, 12” long, includes a moving van, emergency vehicle, etc., ca. 1923-30, some paint losses. Provenance: An Amherst, NH toy collection.
Estimate $800-1,200

175. Converse “City Hall Park” Toy Trolley, made by the ,”Morton E. Converse Co., Winchendon, MA,” painted tin, trackless floor, large open trolley pull toy, marked, ‘City Hall Park, #175,” 16 ½” long, 2 side destination board on sides that flip to change, seats reverse direction, late 1800’s, lightly played with condition. Provenance: An Amherst, NH toy collection.
Estimate $900-1,500

176. “Buddy L” 1929 Industrial Train Set, built by,” Moline Pressed Steel Co., East Moline, Ill,” (marked under each piece), includes 12 pieces. of track each 16½” long, #16 engine cab, switch engine, gondola, grain car, hopper car & 2 flat bed cars. Cars are red, cab is dark green & measures 6½” tall x 9½” long, finish is worn. Provenance: An Amherst, NH toy collection.
Estimate $1,000-2,000

176A. Pine Corner Cupboard, one part, upper open top with 3 “U” shaped shelves above a blind door base section, over painted, 76 ½” tall x 38” wide, a later door was added to enclose the open top, now removed, 18th century New England. Provenance: An Amherst, NH collection.
Estimate $600-900

177. Primitive Painting Of A Young Boy, oil on canvas of a child in a white dress sitting in an Empire settee holding a coral & silver rattle with a blue sash unsigned, 26” x 21”. Appears to have the original gold gilt frame, early 19th c., New England, 2 small repairs. Provenance: A Peterborough, NH estate.
Estimate $6,000-9,000

178. Mahogany Empire Sofa, rolled crest above an upholstered frame, flaring carved rolled arms supported by cornucopia carved front legs ending in 4 carved paw-feet, 90” long, 19th century American. Provenance: A New Hampshire collection.
Estimate $600-900

179. Mahogany Sheraton Work Table, rectangular top with 2 drop leaves over 3 fitted drawers and lower wooden bag slide, (originally covered with fabric), all supported by 4 spiral carved legs ending in brass castors, New England early 19th century, 28 ¼” tall x 17¾” deep x 18½” wide, leaves down, old finish. Provenance: A Dublin, NH estate collection.
Estimate $600-900

179A. New York Mahogany Pembroke Table, rectangular top with 2 clover edge drop leaves over a case with 1 end drawer set on 4 turned & reeded legs, early 19^th century, old refinished condition. Provenance: A New Hampshire & New York collection.
Estimate $800-1,200                       

180. Two Works Of Art: Robert Bakewell, 1790-1875, Connecticut, pencil drawing of,” Inwook at the convergence of the Hudson & Harlem Rivers,” signed lower right, “R. Bakewell, 1838,” 7½ ” x 10½” sight, framed & matted under glass, not examined out of the frame, with an unsigned watercolor landscape of a bridge, mountains & river, 6½” x 9½” sight, framed & matted under glass. Provenance: A Cooperstown, NY collection.
Estimate $400-600

180A. Two Works Of Art: Warren B. Davis, 1865-1928, Brooklyn, NY watercolor of seated young woman, signed & dated lower left, 14” x 10 13/4”, matted under glass, not examined out of the frame. A gouache of “The Guide,” illegibly signed lower right, 13” x 9 ¾”, framed under glass. Provenance: A Cooperstown, NY painting collection.
Estimate $300-600

181. Civil War Folk Art Frame, hand carved, old varnish finish, accompanied by a card, “Whittled out with jack-knife while in Columbia prison, SC, 1862, Barrett, presented by CH Heald,” 3 tiers, 2 with openings & one with 2 openings at the top. Provenance: A Southern NH collection.
Estimate $400-600

181A. Pair Of Brass Queen Ann Candlesticks, petal base with corresponding bobeche tops, push up candle ejectors, (1 rod missing), 8½” tall, 18/19^th century English. Provenance: A Massachusetts collection.
Estimate $1,000-1,500

181B. Set Of Four Federal Brass Candlesticks, round bobeche candle sockets, fluted tapered shafts set on a square base, 9½” tall, all with push up candle ejectors, early 19th century English. Provenance: A Massachusetts collection.
Estimate $700-1,000

181C. Yellow Pine Corner Cupboard, original built in, (architectural) with back boards added later by,” Sotheby’s  Restoration,” see label on verso, open top with inlaid shell over 2 shaped shelves flanked by reeded & fluted pilasters over 2 raised panel doors, possibly eastern shore Maryland or Virginia see Chrysler Museum book “Raised-Panel Furniture 1739-1830”, 18/19^th century. Prov: A NH/NY collection.
Estimate $2,500-3,000 

182. Stoneware Butter Churn #4, blue floral decoration, incised circle, illegibly marked with NY maker, 19th century. Provenance: An Amherst, NH collection.
Estimate $200-400

183. Stoneware Crock & Jug, a 2 gallon Julius Norton, Bennington, VT, jug with blue floral decoration & a Reddinger & Caire, Poughkeepsie, NY #3 crock, bird decorated, salt damage, 19th century. Provenance: An Amherst, NH collection.
Estimate $200-400

184. Two Stoneware Jugs, 3 gallon blue feather decoration, incised, “New York, Stoneware Co., Fort Edward, NY,” and a one gallon “Fort Edward, NY, Norton Ottoman,” blue feather decorated. Provenance: An Amherst, NH collection.
Estimate $200-400

185. Kashmir Room Size Oriental Rug, an overall design with interspersed pieces of pottery on a beige field, 20th Century, 12’  8” X 9’ 8”. Provenance: A NH White Mountain collection.
Estimate $700-900

186. Shahr Kurd Scatter Rug, South West Persian, 3 central red diamonds bordered by latch hooks on a dark blue field, multiple geometric borders, 7’7” x 5’½”, 20th century. Provenance: A New Hampshire collection.
Estimate $400-700

187. Kashmir Room Size Oriental Rug, a center medallion and overall design on a fuchsia field, 12’6” x 9’9”, 20th century. Provenance: A New Hampshire White Mountain collection.
Estimate $700-900

187A. Karaja Runner, 3 red medallions on a blue field, Caucuses region, 20th century, 58½” x 109”. Provenance: A Massachusetts collection.
Estimate $600-900

188. Mahogany Hepplewhite Beau Brummell, a fold open top over a cabinet door, over an open shelf supported by 4 square tapering legs ending in brass cup castors, 21” square, 36” tall, 19th century English. Provenance: A New Hampshire collection.
Estimate $300-500

189. Mahogany Chinese Chippendale Style Console Table, a rectangular top over a carved conforming case, supported by 4 carved square chamfered Marlborough legs, 30” wide x 65 ½” long, 32” tall. Provenance: A New Hampshire collection.
Estimate $700-900

190. Continental Mirror, gold paint over gesso & carved wood, mirrored side panels, 45” tall, chips, 20th century,  Continental. Provenance: A Boston, MA collection.
Estimate $200-400

190A. Set of 6 Georgian Mahogany Dining Chairs, set of 5 side chairs with a similar arm chair. A foliate carved crest over a pierced splat over slip seats (old needlework upholstery), over 4 molded edge straight legs, old refinished condition, 18/19^th century, English, 37 ½” T x 20” D x 23” Wide (armchair). Provenance: A New Hampshire & New York collection.
Estimate $1,200

191. Mahogany Octagonal Tip Top Table, a molded edge line inlaid tip top supported by a carved stop fluted column & 3 cabriole legs with carved legs & pad feet, 30” diameter, 28” tall, probably 18th century England. Provenance: A New Hampshire collection.
Estimate $700-900

192. Mahogany Camel Back Sofa, stretcher base carved in Chinese manner, red Damask upholstery, minor wear, 75” wide. Provenance: A Florida collection.
Estimate $300-500

193. Cardeilhac French Flatware, 212 pieces, marked “Cardeilhac,” (Place Vendome, Paris), some pieces marked, ”Christofle,” which merged with Cardeilhac in the 1950’s, hallmarked & makers marks, .950 silver, monogrammed ,”LB,” 20th century. Exact count of each style of flatware is available online. Along with small collection of other flatware pieces from the same maker (5 dinner forks, 4 table spoons, 2 coin spoons) and other misc serving pieces. Provenance: A Peterborough, NH collection.
Estimate $7,000-9,000

193A. French Brass & Crystal Chandelier, a brass curlicue form frame, 3 candle arms interspersed with 3 crystal reflectors, crystal & pear shaped amethyst drops, crystal drops ending in floral embellishments, 19th century French. Provenance: A Florida collection.
Estimate $800-1,200

194. Abstract Painting, oil on canvas, signed lower right, (possibly Campuzzano), 36” square, stretcher frame from Glendale, NY, 20th century, with a narrow silver colored frame. Provenance: A Dublin, NH collection.
Estimate $700-900

195. Mahogany Double Pedestal Dining Table, with 2 leaves, inlaid & banded top, reeded saber legs ending in square brass toe castors, 108” extended length, 46” wide, 29 ½” tall, 20th century. Provenance: A New Hampshire collection.
Estimate $900-1,200

195A. John Cuthbert Hare, 1908-1978, Cape Cod, MA, watercolor painting of fishing boats tied up at the dock, signed lower right, “John hare,”, 14 ½” x 17”, matted & framed under glass, not taken out of the frame. Provenance: A Massachusetts collection.
Estimate $800-1,200

195B. Set of 8 Hepplewhite Style Dining Chairs, (6 side, 2 arm), arched crest over a pierced splat with over upholstered seats set on tapered front legs ending in spade feet, mahogany, 19/20^th century American/English, 38” T x 20” D x 24” W (arm chair). Provenance: A New Hampshire & New York collection.
Estimate $1,500-2,000

196. Print Of New York, after “J.W. Hill,” painting, 28 ½” x 50”, framed under glass. Provenance: Weston, MA & Jaffrey, NH, estate.
Estimate $100-200

197. Needlework Flocked Beaded Picture, of a cockatoo & flowers on a beaded background, 17” x 20 ½” sight, under glass, not examined out of the frame. Provenance: An Amherst, NH collection.
Estimate $300-500

198. Queen Ann Style Wing Chair, maple stretcher base, with carved shell knees, chintz upholstery, 45 ½” tall. Provenance: A Nashua, NH collection.
Estimate $200-300

199. Pair of Chippendale Style Ribbon Back Chairs, mahogany over upholstered saddle seats, 37” tall. Provenance: A Nashua, NH collection.
Estimate $200-300

199A. Pair Of Sheffield Candelabras, 3 sections, molded shell form candle base inset a twisted arm candle sockets with a central flower molded finial, 19 ¾” T x 17” W, 19^th century English. Provenance: A New Hampshire & New York collection.
Estimate $800-1,200

199B. Pair Of Sheffield Candelabras, 2 parts, rounded corner rectangular base candlestick with a   twisted arm 3 candle socket top with central insert, 191 /2” tall x 19 ¼” wide, English early    19^th century. Provenance: A New Hampshire & New York collection.
Estimate $800-1,200 

199C. et Of  4 Gorham Silver Plated Candlesticks, 11” tall, petal bases with bobeche. marked on the bottom ,”Gorham, Electro Plate 0200,” engraved on top part of base with, “Stag N,” coat of arms. Provenance: A New Hampshire & New York collection.
Estimate $550-750                                                                       

199D. Sheffield Silver Oval Tray On Stand, oval molded edge tray with chased band of floral designs & central oval with initials under a crown, 30” x 22 ¾” oval set into a custom made mahogany lipped stretcher based stand, 18 ½” overall height. Provenance: A New Hampshire & New York collection.
Estimate $800-1,200   

199E. Pair of Sheffield Candlesticks & 3 Coin Silver Stuffing Spoons (not matching), hallmarked on the underside of the bowls, appear to be 18^th century, candlesticks have oval weighted bases & bobeche 8 ½” tall. Provenance: A New Hampshire & New York collection.
Estimate $200-300                                                           

199F. Eleven “S. Kirk & Son,” silver demitasse spoons, 6.48 troy oz., repousse decoration on top surface, 4 ½” long. Prov: A New Hampshire & New York collection.
Estimate $125-175. 

200. Chippendale Centennial Wing Chair, shaped wings set on a ball & claw front feet. Provenance: A New Hampshire collection.
Estimate $200-400

201. Set of Six Thumb Back Arrow Back Windsor Side Chairs, old refinish, 17½” seat height, 19th century, New England. Provenance: A New Hampshire collection.
Estimate $300-500

202. Painted Blanket Box and One Drawer Stand, box is line and red blotch painted, 43” wide; stand has turned legs, 21½” tall & is refinished, 19th century, New England.
Estimate $200-400

203. Hepplewhite Curly Maple One Drawer Stand and Shaped Top Candle Stand, 1 drawer stand, 29” tall and has a cracked top; 28” tall candle stand with old restored top, 18th century New England. Provenance: A Massachusetts collection.
Estimate $200-400

204. Country Queen Ann Style Arm Chair, Spanish feet, black paint, 43” tall, 20th century. Provenance: A New Hampshire collection.
Estimate $400-600

205. Set of Eight Currier and Ives Prints, all small folio size: “Single,” “The Marriage,” “The Declaration,” “The Lovers Quarrel,” “The Bride and Bridegroom,” “Mothers Joy,” “Married,” “Father’s Pride,” all framed under glass. Provenance: A Dublin, NH estate.
Estimate $400-600

206. R. P. Bye Folk Art, of 2 watercolor/Pencil & Fabric drawings of a man & a woman, Pennsylvania style figures, 7¼” x 5” sight, framed & matted under glass. Provenance: A Washington State collection.
Estimate $100-200

207. Rag Rug Runner & Woolen Blanket, hand woven, the runner in pastel shades, blanket in orange & ivory, 19/20^th century. Provenance: A Southern collection.
Estimate $100-200

208. Three Pieces Of Painted Country Furniture: Red 6 shelf hanging shelf, 39” tall; a gray child’s seat & step stool; a green cut out end bench, all 19th century American. Provenance: A Southern collection.
Estimate $300-500

209. Two Brass Fire Fenders: one pierced paw front, 36” wide & a square architectural form, 48” wide, 19th century. Provenance: A Boston, Massachusetts collection.
Estimate $200-300

210. Queen Ann Style Side Chair, stretcher base, ball & claw foot. Provenance: A Nashua, NH collection.
Estimate 200-300

211. Mahogany Queen Ann Style Wing Chair, green Damask upholstery. Provenance: A Nashua, NH collection.
Estimate $200-300

212. “Washington & His Generals,” engraving, 23 ½” x 34 ½” sight, old gold frame, matted under glass, 19th century. Provenance: Weston, MA & Jaffrey, NH, estate.
Estimate $100-200

213. Large Folio Print Of Boston Harbor, plate size 28 ¼” x 41 ¼”, 1969 re-strike of 1857 Mottram engraving, framed under glass. Provenance: Weston, MA & Jaffrey, NH, estate.
Estimate $100-200

214. Mahogany Dumbwaiter, 2 tier, rat feet, 35” tall, 20th century. Provenance: A Nashua, NH collection.
Estimate $200-300

215. A Shield Back Mahogany Arm Chair, painted & paint decorated, cabriole legs ending in cone feet, 19/20th century Europe. Provenance: A Dublin, NH collection.
Estimate $100-200

216. Moses Soyer, 1899-1974, Russian, New York, limited edition print of 2 women in a studio, signed in pencil lower right, “M Soyer,” & numbered 24/100, 16” x 18 5/8” sight, framed & matted under glass. With a Dutch engraving of a country town scene, signed lower right with initials, “JJDB, 1774,” 10” x 14” sight, framed & matted under glass. Provenance: A Cooperstown, NY, painting collection.
Estimate $200-400

217. Lot Of Five French Adult Comic Paintings, watercolor/gouache/pencil on paper, each signed lower left, ‘Schoem ’45, Paris” with captions, 11 ½” x 9” sight, all framed & matted under glass. Provenance: A Cooperstown, NY painting collection.
Estimate $350-450

218. Three Drawings & A Pastel: A – Oscar F Blumner, 1867- 1938, MA, “View At Watsessing, Bloomfield, NJ, Dec. 15th, 1930,” 5” x 4”, framed under glass. B – “View At Huntington, Long Island, NY,” 5 3/8” x 7”, signed lower left with monogram, “OFB,” dated April 28th, 1910. C- William Hunt Diederich, 1884-1953, NY, NY, “Horse Fountain sketch #3,”5½” x 4”, framed under glass. Provenance: Hirschl & Adler Galleries, NY.
Estimate $200-400

219. Sewing Table, oak & oak veneers, a fold over felt lined swivel top, above 2 drawers, one divided, over a turned leg trestle William & Mary style base, 20th century, German. Provenance: A Milford, NH collection.
Estimate $100-200

220. Arthur Wesley Dow, 1857-1922, New York, NY, “Gay Head”, circa 1895, woodcut, 6½” x 5”, framed under glass. Provenance: Hirschl & Adler Galleries, NY, from the artist’s estate.
Estimate $200-300

221. John Wesley Cotton, 1868-1931, California, watercolor on paper of Venice scene, signed lower left, “John Cotton, Venice,” 11½” x 14”, sight, framed & matted under glass. Provenance: A Florida collection.
Estimate $200-300

222. Oil On Board Of “An Arch,” indistinctly signed lower right, 8 ¾” x 6 ½”, framed. Provenance: A Florida collection.
Estimate $100-200

223. Group Of Two Sketch Books Of Charles Hoffbauer, 1875- 1957, Boston & a sketch book cover signed on inside cover, F. Luis Mora, 1874-1940, New York, & a study of hands on the back cover. Provenance: Hirschl & Adler galleries, NY from the artist’s estate.
Estimate $100-200

224. Two Drawings Of Men: Sepia Of Nude, 21½” x 11¼” sight, framed under glass. Charcoal/Crayon of a scholar, 6” x 10” framed, matted under glass, not examined out of the frames. Provenance: A Cooperstown, NY painting collection.
Estimate $200-400

225. Continental School Landscape, oil on canvas, “Villa Beside Lake,” 27¼” x 35¼”, flaking & paint loss, small tear. Provenance: A Temple, NH collection.
Estimate $100-200

 225A. Julian Oliver Davidson, 1853-1894, New York, NY, watercolor & gouache painting, of sailing ships at sea, signed lower left, “J.O. Davidson ’81,” 10½” x 8½ sight, framed under glass. Provenance: An Amherst, NH estate.
Estimate $600-1,000

226. Schoelm Watercolor On Paper, of Continental house, possibly St. Valerie, Normandy, signed lower left & dated, ’52, 13½” x 18”, framed & matted under glass, not examined out of the frame. Provenance: A Cooperstown, NY painting collection.
Estimate $100-200

227. Three Framed Works Of Art. A – Bezanere, 19th century Europe, watercolor, “after The Battle,” signed lower left, 13 ½” x 9”. B – Sisley, watercolor of a town, signed lower left, 8½” x 12”, 19/20th century Europe. C – Franz Von Stuck, 1863-1928, “The Dance Of Four Winds,” colored lithograph, 11¼” x 12 1/8” signed. All are framed & matted under glass, not examined out of the frames. Provenance: A Cooperstown, NY painting collection.
Estimate $300-500

228. Primitive Oil On Board, of a woman warming herself by a fireplace, signed lower right, “REX, 1906,” possibly German, 15 ¼” x 12 3/8”, original frame with losses. Provenance: A Massachusetts, collection.
Estimate $200-400

229. Albert Urban, 1909-1959, German/American,” Leda,” colored screen print, 13¼” x 10”, framed under glass, signed lower left in print & dated ’45. Provenance: Hirschl & Adler Galleries NY, from the artist’s estate.
Estimate $100-200

230. Edmund Quincy, 1903-1997, Boston, 4 framed original pencil drawings; “Seated Figure,” 11” x 8½”; “Boston House,” 6” x 8½”; “Full Length Man,” 11” x 8½”, “Lion,” 8 5/8” x 11”, all signed on verso with estate stamp, “Estate Of Edmund Quincy, 1903-1997,” under glass. Provenance: Hirschl & Adler Galleries NY, from the artist’s estate.
Estimate $200-400

231. “The Meeting Of Her Majesty’s Stagg On Ascott Heath,” printed by, “Hodgson & Graves Jan. 1, 1839,” colored engraving after F. Grant, 23” x 33¼”, framed under glass, possibly 20th century, strike. Provenance: A Cooperstown, NY painting collection.
Estimate $100-200

231A   “Hard On His Track,” Colored Print after EAS Douglas 1909, published in 1909 by Moss & Fores, London , 15” x 32” sight, matted & framed under glass. Provenance: A New Hampshire collection.
Estimate $100-200                

232. Mark Kostabi, b.1960, American, pencil signed, “Kostabi, 1989,” lower right, & ‘D.S.P. 6/6, lower left, 4½” x 3 3/8” image size, framed under glass. Provenance: A New Hampshire collection.
Estimate $200-300

233. Irene Hodes Newman, 1939-1962, New York, 2 watercolors on paper, “Seated nude,” signed lower left, “Newman,” 19” x 13”. “Veterans’ Day parade,” watercolor/pencil, 19” x 13”, unsigned. Provenance: Hirschl & Adler Galleries NY, from the artist’s estate.
Estimate $200-400

234. Genre Engraving, “Enraged Musician” from original Hogarth Plates, 1835-1837, England, 14 ½” x 16 ¾” sight. Provenance: A Florida collection.
Estimate $200-400

235. Jose Maria Jardines, B1862, Spanish oil on wood panel landscape, “Harvest” as noted on the verso, signed lower right “Jardines”, 10 ½ x 13 ¾”, unframed. Provenance: A Cooperstown, NY collection.
Estimate: $500-700.

235A. Country Landscape, oil on board of a barn on a hill, illegibly signed lower right, “R—igh?,” 12 ½” x 15 ¾”, old period frame. Provenance: A Massachusetts collection.
Estimate $200-400

236. Four Pieces of Pewter, a, ”Sellow & Co., Cincinnati, 8” tall & 4 indistinctly marked, 8 ¼” plates, 19th century. Provenance: A Massachusetts collection.
Estimate $300-400

236A. Blue Willow Pattern Covered Vegetables, set of 3 square shaped, graduated sizes, 19/20th century, West Ridgeway, England, minor chip to one lid. Provenance: A New Hampshire collection.
Estimate $200-400

237. Four Pieces of Staffordshire, two 4” dogs with red markings; pitcher with ship transfer, 3 ½” tall; copper luster pitcher, rose decorated, 4 ¼” tall, 19th century English. Provenance: A Dublin, NH collection.
Estimate $100-200

237A. Pair Of Staffordshire Spaniels, copper luster decoration on white, 12 ¾” tall, 19^th century England , glaze cracks. Provenance: A New Hampshire & New York collection.
Estimate $300-500 

238. Five Pitchers: 2 soft-paste, 3 ½” cabbage leaf form, 5” leaf pattern with small flowers, minor rim chip, and graduated cottage form, 5 ¼”, 4 ¼ “, and 3 ½”, light green background with dark green decoration. Provenance: A Dublin, NH collection.
Estimate: $200-400.

238A. Strapped Liquor Keg, oak staved keg with 12 fitted straps, initialed, “D” at one end, 18/19th century American, old color. Provenance: A Massachusetts collection.
Estimate $200-300

238B. Pair Of Owl Andirons with glass eyes, foundry mark on inside reads, “R.S. & W. Co.”, 15” tall. 

239. Paris Porcelain Tea Cup And Saucer, ochre, red & gilt borders, floral decoration, 19th century France. Provenance: Hirschl & Adler Galleries NY.
Estimate $100-200

239A. Three Amber Glass Candlesticks, cut, diamond pattern bowl, shaft & base, 13” tall 19/20th century Europe. Provenance: A Dublin, NH collection.
Estimate $100-200

240. Meissen Bowl, Blue Onion Pattern, shaped edge, crossed sword mark on bottom, 11 ½” x 11 ¾” square,19th century German, Provenance: A Florida collection.
Estimate $200-400

241. Terra Cotta Glazed Cat, white with blue eyes, ornamental, 22” tall, Continental 20th century. Provenance: A Florida collection.
Estimate $100-200

242. Eight Pieces Of Ceramics: An oval shaped Sampson, tea caddy, floral decoration & crest; a Parian cream pitcher; a, “Herand,” shoe; 3 pieces. of Paris porcelain marked, “E Bourgeous,” & 2 pieces of Faience, a luster piece marked, JO-E-B, (all intersecting), 19/20th century. Provenance: A Florida collection.
Estimate $200-400

243. Three Miniature Boxes: Carved amber with woman in silver inset in lid 3” long; a simple pewter box with hinged back, 2 ¼” long & a 2 ½” diameter silver box inset with mother of pearl & tortoise shell, 19th century Europe. Provenance: A Florida collection.
Estimate $300-500

244. Six Pieces Of Metal: Sheffield candle snuffer & tray; a miniature silver guitar with relief decoration; a gold filled watch fob mounted on mesh; “Cross” silver traveling cups, and a silver plated woman’s head, 8 ¾” x 8 ¼”, 19/20th century. Provenance: A Florida collection.
Estimate $200-300

245. Brass Monteith Form Planter, 12” long, raised decoration, liner, 19th century Continental. Estimate $100-200

246. Two Flutes & Piccolo, a silver plated marked ”Bonneville, Paris, #5334” flute, a Rosewood flute & a piccolo (illegibly marked), 20th century. Provenance: A New Hampshire collection.
Estimate $300-500

247. Lacy Sandwich Glass, 19 pieces up to 6” diameter, bowls, plates, 3 cordials & miniatures, an opalescent . bowl & plate, an amethyst bowl; various patterns: Princess Feather, Peacock Eye, Roman Rosette, nectarine, Plume etc., 19th century Massachusetts. Provenance: Hirschl & Adler Galleries, NY.
Estimate $200-400

248. Four Pieces Lacy Sandwich Glass; “Peacock Eye,” 8” plate, 7½” bowl, a round open salt, minor chips, 19th century Massachusetts. Provenance: Hirschl & Adler Galleries, NY.
Estimate $200-300

249. Two Pieces Lacy Sandwich Glass, 6 ¼” clear, “Pioneer,” pattern bowl & a 9½” clear bowl with star on bottom, minor roughage, 19th century, MA. Provenance: Hirschl & Adler Galleries, NY.
Estimate $100-200

250. Collection Of Six Glass Hats, a ceramic hat & 2 glass boots, various colors, 20th century. Provenance: A . Dublin, NH collection.
Estimate $300-400

251. Collection Of Six Glass Hats, “Daisy & Button,” pattern, clear, aqua, canary Vaseline, 5 are 2½” tall, 1 is 1½” tall, early 20^th century. Provenance: A Dublin, NH collection.
Estimate $200-300

252. Collection Of Seven Glass Hats, 5 hand blown, a clear quilted, a peach blow with edge chip, a milk glass & a white acid, 20^th century. Provenance: A Dublin, NH collection.
Estimate $100-200

253. Seth Thomas Rosewood Mantle Clock, a tin face with painted Roman numerals, eglomise panel with putti & shield, labeled on interior, 15½” tall, 19th century New England. Provenance: An old Hancock, NH family.
Estimate $200-400

254. Mahogany Tea Box, line inlaid edges & key hole, opens to reveal 2 covered cubbies and a replaced glass, 12” long, 19th century English. Provenance: A Massachusetts collection.
Estimate $300-500

255. Dovetailed Box, with ivory fittings, 8½” long, 19th century. Provenance: A Florida collection.
Estimate $100-200

256. Nantucket Style Covered Basket, bone mounts, leather hinges, mahogany base & center of top, rock form bone finial, branded on bottom with basket & back to back “C’s,” 11½” diameter, 9” body height, 20th century. Provenance: A Florida collection.
Estimate $200-400

257. Kate Greenaway Attributed, 1846-1904, British maple book cover with colored drawings of babies holding hands & vine embellishments, 19th century. Provenance: A Florida collection.
Estimate $200-400

258. Kate Greenaway Attributed, oil on canvas landscape with a nude child & his play things in a pond, 14½” x 50”, wear to canvas edges, tear upper left, probably 19th century. Provenance: A Southern NH collection.
Estimate $200-300

259. Painting Of Two Nymphs, beside a pond, 3½” x 5” sight, matted & framed under glass, not examined out of the frame. Provenance: A Florida collection.
Estimate $200-400

260. Two Oval Paintings Of Continental Women, in a double ivory frame, each oval is 3½” long x 2¾” wide, 20th century Europe. Provenance: A Florida collection.
Estimate $200-400

261. Oil on Board Still Life Of Flowers in a Sevres Vase, 24” x 18¼”, oval form, unframed, probably 19th century. Provenance: A New York state collection.
Estimate $200-400

 -----------------------------------------------------------------------------------------------------------------

Sporting Session 2 ~ To begin at 2:30pm

301. Burton L. Spiller’s Parker VH Grade 20ga. Shotgun: Burton Spiller wrote Grouse Feathers in 1934 and followed it with More Grouse Feathers in 1938. Both of these important upland sporting classics were published by the famous Derrydale Press. To this day, Burton L. Spiller is referred to as the “poet laureate of the ruffed grouse.” This VH grade Parker 20 ga. shotgun was gifted to the famous outdoor writer H.G. “Tap” Tapply’s son, William G. Tapply, when he was a boy. Like his father, Bill Tapply, a contributing editor for Field & Stream, is also an accomplished sporting writer. Tapply’s story, “Burt’s Gun,” is a narrative of the heartwarming tale of the gift of the gun. “Burt’s Gun” has been published several times and is included in The Orvis Anthology: The C. F. Orvis Outdoor Writing Awards (1984 by Riverwood Press). Accompanying this Parker is a letter of authenticity written and signed by William G. Tapply certifying that this shotgun belonged to Burton L. Spiller and was handed down to Tapply. Included along with the gun and the letter is a signed copy of The Orvis Anthology containing the story “Burt’s Gun,” as well as the “Leg-O-Mutton” leather gun case that Mr. Spiller included with his gift to Tapply. Provenance: From the collection of William G. Tapply, sporting author & contributing editor to Field & Stream magazine.
Estimate $5,000-8,000

302. Chet Reneson, B. 1934, Connecticut, watercolor on paper, “Upland Grouse Shooting,” signed lower right, “Reneson, ’98,” 17½” x 28” sight, framed & double matted under glass. Provenance: Important local sporting collection, purchased directly from the artist.
Estimate $3,500-5,000

303. Chet Reneson, watercolor on paper, “Fly Fishing From a Canoe,” signed lower right, “Reneson,’99,” 17 3/4” x 28” sight, framed & double matted under glass. Provenance: Important local sporting collection, purchased directly from the artist.
Estimate $3,500-5,000

304. Chet Reneson, watercolor on paper, “Maine Land Locked Salmon Fishing,” signed lower right, “Reneson,” 17 3/4” x 28”, framed & double matted under glass. Provenance: Important local sporting collection, purchased directly from the artist.
Estimate $3,500-5,000

305. Decoys: Lot of 5 vintage decoys, all paint decorated and in good to rough condition. Two decoys have had their heads broken off & remain unrepaired with neck damage. Sold along with several hand decorated decoy heads. Provenance: A New Hampshire collection.
Estimate $150-200  

306. Decoys: Lot of 4 cork decoys, made by Al “Mr. Decoy,” McCormick, of Westbury, Long Island, NY; A pair of mallard hens & blue bill hen & drake. All in just used once condition. Provenance: A New Hampshire collection.
Estimate $160-200

307. Frank Weston Benson, 1862-1951, Massachusetts, etching, “Winter Wild Fowling,” pencil signed in margin lower left, “Frank W Benson,” 1927, edition of 150, PAFF #265, 11 7/8” x 9 7/8” sight. Archival quality matted & framed under glass. Provenance: A New Hampshire collection.
Estimate $10,000-12,000

308. Philip Brown Parsons, 1895-1977, American, pair of watercolor on paper hunting scenes of men hunting with their setters, 14” x 21” sight, framed & matted under glass, not examined out of the frame. Provenance: A New Hampshire Collection.
Estimate $850-1,000

309. Taxidermy – Blue Wildebeest Trophy Mount, horns measure 26” at their widest & mount extends 29.5” from the wall. Provenance: A New Hampshire collection.
Estimate $300-400

310. Charles “Chippy” Chase, 1908-1998, Brunswick, ME, Elmwood carving of 2 American Avocets among the reeds on an oval base, 17” wide x 20” tall, crack on 1 avocet. Comes with a custom made carrying case. Provenance: A Maine collection.
Estimate $5,000-10,000

311. Taxidermy – American Pronghorn Antelope Trophy, 12 ½” long antlers & mount extends 19” from the wall. Provenance: A New Hampshire collection.
Estimate $100-200

312. Taxidermy – Mountain Reedbuck Trophy, 6 1/2”” long horns, mount measures 27 ½” high. Provenance: A New Hampshire collection.
Estimate $200-300

313. Taxidermy – Black Springbuck Trophy, mount measures 28” high with its 10” long horns. Provenance: A New Hampshire collection.
Estimate $200-300

314. Taxidermy – Warthog Trophy Mount, tusks measure 11” long & mount extends 22” from the wall. Provenance: A New Hampshire collection.
Estimate $500-600

315. Taxidermy – 10 Point Whitetail Buck Mount, antlers measure 19” at their widest & mount measures 41” high. Provenance: A New Hampshire collection.
Estimate $300-400

316. Firearm -Winchester Model 1885, high wall, thin side, single shot rifle, 27” long round barrel chambered for .22 long rifle. Barrel has been tapped in 5 places for a scope rail. Provenance: From the collection of William G. Tapply, sporting author & contributing editor to Field & Stream magazine.
Estimate $1,200-1,500

317. Firearm - Winchester Model 64 Deluxe, lever action rifle serial #1343187 (made between 1943-1948), 24” barrel chambered for 30 W.C.F. Provenance: From the collection of William G. Tapply, sporting author & contributing editor to Field & Stream  magazine.
Estimate $1,200-1,500

318. Firearm - Winchester Model 12, 12 ga. standard grade shotgun, serial #644383, (1931), has a 30” proof-steel barrel. Provenance: A New Hampshire collection.
Estimate $200-300

318A. American Eagle Inlaid Gun Box, mahogany lift top box with oval inlaid lid depicting a spread wing eagle with a flowing banner in its beak and a staff clutched in its talons, 38 ¼” x 7 ½” x 3” deep, a custom fitted interior for a take down fire arm. Provenance: A NH/NY collection.           
Estimate $300-450   

319. Traps – Lot of Two Wrought Iron Bear Traps: A – Hand wrought bear trap, jaws measure 12” wide, trap measures 41” in overall length. B – “Hudson Bay-Canada-Animal Trap Co., 1879,” impressed on release plate. Trap is missing one spring arm. Jaws measure 13” wide. Provenance: A New Hampshire collection.
Estimate $150-200

320. Traps – “Herter’s No. 6, Kodiak Bear Trap,” jaws measure 15 1/2:” across, overall length is 44”, ca 1855-60. Provenance: A New Hampshire collection.
Estimate $400-500

321. Terry Redlin, 20th century, American, large folio, limited edition colored lithograph titled, “Morning Solitude,” pencil signed in the lower right hand margin, “Terry Redlin,” numbered in pencil lower left margin “2,687/12,107”, 19½” x 32” sight, framed & matted under glass, includes certificate of authenticity. Provenance: A New Hampshire collection.
Estimate $900-1,000

322. Dan Radovich, 20th century, New Mexico, pair of limited edition lithographs, each is pencil signed titled & numbered by the artist: A – “The Covey,” 220/500, 13 ½” x 11”. B – “The Departing,” 261/500, 13½” x 11¼”. Both framed & matted under glass with certificates of authenticity. Provenance: A New Hampshire collection.
Estimate $100-200

323. D. Noel Smith, 20th century American, pair of limited edition lithographs, each is signed titled & numbered in pencil by the artist. A – “Death Lock,” 204/500, 11” x 11” sight. B - “Challenging,” 11/925, 12½” x 11½” sight. Both framed & matted under glass with certificates of authenticity. Provenance: A New Hampshire collection.
Estimate $100-200

324. Two Limited Edition Color Prints, used for NH Migratory Waterfowl Stamps. Both are pencil signed by the artist, framed & matted under glass with their respective NH Waterfowl Stamps. A – 1983, “CE 230/250,” illegible signature. B – 1984, “265/5,507, Thompson Phillip Crowe, NA.” Provenance: A New Hampshire collection.
Estimate $100-200

325. Taxidermy – Red Hartebeest Trophy Mount, 44” high including its 18” long horns. Provenance: A New Hampshire collection.
Estimate $300-500

326. Taxidermy – Kudu Trophy Mount, 66” high including its 39” long horns. Provenance: A Fitzwilliam, NH collection.
Estimate $500-700

327. Taxidermy – Canadian Gray Fox, full body mount with its winter kill, 32” overall length, 16 ½” high. Provenance: A New Hampshire collection.
Estimate $200-300

328. Taxidermy – Large Impala Trophy Mount, 39” high including its 24” long horns. Provenance: A Weston, MA & Jaffrey, NH estate.
Estimate $250-350

329. Taxidermy –White Tail Deer, 6 point buck & doe mounted beside each other, buck is 30” high with an 11 ½” spread between his antlers, back board measures 47” wide. Provenance: A New Hampshire collection.
Estimate $300-400

330. Firearm – “Remington, US Model of 1917,” serial #31496, 25” barrel chambered for .30-.06, arsenal marked on barrel, receiver & bolt, Stock has been sporterized & hand checkered at the wrist & fore grip. Provenance: A New Hampshire collection.
Estimate $200-300

331. Firearm – “The Marlin Firearms Co. Model 336-S.C.,” serial #K6987, lever action carbine with a 20” barrel chambered in .30 -.30 cal. Receiver has been tapped for a Rail & a Bushnell 1.5 x - 4x “Banner” scope has been mounted, circa 1950s. Provenance: A Fitzwilliam, NH collection.
Estimate $200-300  

332. Firearm – Iver-Johnson, Skeet-er,” made by the Iver Johnson Arms & Cycle Works, Fitchburg, Mass, USA,” serial #4515, this 16 ga., 26” double barrel shotgun has a 26” barrel and finely checkered, highly figured walnut stocks. This was Iver Johnson’s finest model of shotgun & was retired in 1946, comes with its own, “Leg- O-Mutton,” leather case. Provenance: A Fitzwilliam, NH collection.
Estimate $1,100-1,600

333. Firearm – Ansley H. Fox Early “A” Grade Double Barrel, 16 ga. shotgun, serial #300058, 28” barrels & the early first period type of engraving, used from about 1913 until the early 1920’s. Has a crack in the stock at the forward part of the wrist & comes with it’s own, “Leg- 0-Mutton” leather case. Provenance: A Fitzwilliam, NH collection.
Estimate $500-600

334. Firearm – Early Remington Arms Union Metallic Cartridge Co., Model 14, pump action rifle, serial # C1585, with a 22” barrel chambered for 30 REM. Made from 1912 to 1936. Provenance: A Fitzwilliam, NH collection.
Estimate $200-300

335. Terry Redlin, 20th century, American, open edition colored lithograph titled, “Prepared For The Season,” , 14” x 24” sight, framed & matted under glass. Provenance: A New Hampshire collection.
Estimate $200-300

336. Rick Kelley, 20th century American, limited edition colored lithograph, signed & numbered in pencil, “397/750, Kelly,” 16” x 24”, framed & matted under glass. Provenance: A New Hampshire collection.
Estimate $200-300

337. Terry Redlin, large folio, limited edition color lithograph, “Master Of The Valley,” pencil signed & numbered, “1274/1600, Terry Redlin,” 18 ½” x 32” sight, framed & matted under glass. Provenance: A New Hampshire collection.
Estimate $900-1,200

338. Decoys – Lot Of 3 large Wooden Canada Goose Field Decoys, 2 have been repainted & 1 has some dry rot damage, 42” long x 20” high. Provenance: A New Hampshire collection.
Estimate $200-300

339. Decoys – Vintage Hand Painted Masonite Canada Goose decoy on a stick, flat decoy measures 28.5” long. Provenance: A New Hampshire collection.
Estimate $75-175

340. Tractor – 1950 Farmall “Cub” Tractor, fully restored & in good running condition, sold with its sickle bar attachment. Provenance: Weston, MA & Jaffrey, NH, estate.
Estimate $3,000-4,000

341. Tractor – 1940’s Cletrac (Cleveland Tractor), Model HG 42, (42” track width), fully restored & in good running condition. Sold with its original “Cletrac” maintenance instruction book. Provenance: Weston, MA & Jaffrey, NH, estate.
Estimate $3,000-4,000

342. Motorcycle – 1996 “Rokon,” 2 wheel drive motorcycle/ATV. Runs well, but has a leak in the front differential case & odometer is broken. Provenance: Weston, MA & Jaffrey, NH, estate.
Estimate $1,000-1,500

342A. Mini-Bike – 1970’s Honda, 50cc, has transmission issues. Provenance: Weston, MA & Jaffrey, NH, estate.
Estimate $100-200

342B. Motorcycle – 1970 (?) Honda, 80 cc motorcycle, does not run. Provenance: Weston, MA & Jaffrey, NH, estate.
Estimate $100-200

343. Taxidermy – Kalahari Spring Buck Full Body Mount, standing at attention, displayed on a base to resemble the Kalahari, landscape, 47” long including 11½” long horns, 47” high. (includes 4½” base). Provenance: A. New Hampshire collection.
Estimate $700-1,000

344. Taxidermy – Wonderful Full Body Lioness Trophy Mount, with full body warthog mount beneath her paw, placed on a carved foam board base (small crack) that resembles her natural surroundings in Africa. Lioness weighed 498 pounds when taken, 74” long x 50 ½” tall (including 5” base). Provenance: A New Hampshire collection.
Estimate $3,000-$4,000

345. Taxidermy – Black Wildebeest Trophy Mount, 36” long including 10” horns. Provenance: A New Hampshire collection.
Estimate $400-500

346. Taxidermy – Woodland Caribou Trophy Mount, 48” long including 24” horns, 36” wide. Provenance: A New Hampshire collection.
Estimate $300-400

347. Taxidermy – Fallow Deer Trophy Mount, 43” long including 16” long horns. Provenance: A New Hampshire collection.
Estimate $150-250

348. Decoys – Lot of 4 Vintage Hand Painted Spreads of Ducks, 4 tin ducks on each spread, 48” long x 10 ¾”. (highest duck). Provenance: A New Hampshire collection.
Estimate $100-200

349. Decoys – Lot of 2 Vintage Hand Painted Spreads of Ducks, 4 tin ducks on each spread, 48” long x 6 ¼” high. Provenance: A New Hampshire collection.
Estimate $75-150

350. Decoys – Pair Of “Fowl Foolers,” modern, hand painted & air brushed canvas, wood &. plastic. Provenance: A New Hampshire collection.
Estimate $50-100

351. Pair Of Elephant’s Heads, carved from exotic wood, 20th century imports, 43” x 35” wide. Provenance: A New Hampshire collection.
Estimate $900-1,200

352. Firearm - Iver-Johnson, Arms & Cycle Works, Fitchburg, Mass, USA,” Safety Automatic double action revolver, serial #H96837, .38 cal. with a 3.25 barrel & figured walnut grips (possibly replaced), made from 1893-1950. Provenance: Weston, MA & Jaffrey, NH, estate.
Estimate $100-150

353. Firearm – Iver-Johnson, “Champion,” single barrel, 12 ga. shotgun with a 28” barrel & walnut butt stock & fore grip. Provenance: A Fitzwilliam, NH collection.
Estimate $75-100

354. Firearm-“Ithaca Gun Co.,” model 37R, 12 gauge pump action shotgun with a 24” barrel chambered for 2¾” shells, with a “poly choke.” Receiver is roll engraved with duck and upland game shooting scenes and fitted with high quality walnut butt stock with a checkered pistol grip. Serial #: 155971.
Estimate: $250-350

355. Pair of Japanese Demon Masks, chip carved exotic wood, decorative pitted surface, 20¼” by 8¾”, 20th century.
Estimate: $200-400

356. Taxidermy – Wart Hog Trophy Mount, 21¾” long.
Estimate: $400-500

357. Taxidermy – Bles Buck Trophy Mount, 36” long including 13½” horns.
Estimate: $200-300

358. Taxidermy – Black Buck Trophy Mount, 38” long including 18½” horns, rotating metal wall bracket.
Estimate: $200-300

359. Taxidermy – Common African Spring Buck Trophy Mount, 24” long including 11” horns.
Estimate: $150-250

360. Taxidermy – White African Spring Buck Trophy Mount, 25” long including 9”horns.
Estimate: $150-250

361. Taxidermy – White Bles Buck Trophy Mount, 33”long including 15” horns.
Estimate: $200-300        

362. Peter Corbin, 20^th century, American, very low edition numbered artist proof color print, “Easing Them Out,” numbered & signed in pencil, “artist proof 8/25, Peter Corbin,” 21” x 18” sight, framed & matted under glass. Provenance: A New Hampshire collection.
Estimate $200-300

363. Terry Ridlin, 20^th century American, lot of 3 colored lithographs: A - “Silent Sunset,”  scene of a small flock of Canadian geese, “Honkers.” B – “Best Friends,” scene of a hunter looking thru hisbinoculars with his dog by his side. C – “Hunter’s haven,” of a hunting cabin. All aprox. 10 ½” x 18 ¼” sight, framed & matted under glass. Provenance: A New Hampshire collection.
Estimate $300-600            

364.  Stephen Lyman, 1957-1996, Idaho , large poster of a winter landscape, “A Walk In The Woods,” 35 ¾” x 25 ¾” sight, framed & matted under Plexiglas. Provenance: A New Hampshire collection.
Estimate $200-300   

365. Set Of Two Continental Hunting Prints, one of an interior scene & the other by the house entrance, matching wooden frames, 19 x 14 ½” sight, under glass, early 20^th century.
Estimate $200-400 

366. Samuel Frances Abbott, early 20^th century British, colored lithograph, “To The Society Of Goffers at Blackheath,” 20” x 14 ¼”. Framed & matted under glass, not taken out of the frame. Prov: A Cooperstown , NY collection.
Estimate $200-400           

367. Carved Figural Lion Hanging Piece, Gothic style, originally part of an undetermined piece of  furniture, 14 ½” x 3” wide. Provenance: A New Hampshire collection.
Estimate $75-100                                   

368. Taxidermy - Texas Gray Fox, trophy mount, on a 1 ¼” wooden base, 16” high x 18” wide. Provenance: A New Hampshire collection.
Estimate $200-300                                                                 

369. Taxidermy - White Tail Buck, trophy mount, 33” including the 11” horns. Provenance: A NewHampshire collection.
Estimate $100-200         

370. Taxidermy – African Eland Shoulder Mount & Horns, (ready to be mounted), animal weighed 2,00 lbs, horns measure 24”. Provenance: A New Hampshire collection.
Estimate $200-300           

371. Flambeau – “Redi-Doe”, full body deer decoy, complete in box, new. Provenance: A New Hampshire collection.
Estimate $75-100                       

372. Makenzie, Deer Full Body Bow Hunters Target, complete in box, new. Provenance: A New Hampshire collection.
Estimate $75-100           

373. Taxidermy – Blue Wildebeest Cape , untanned. Provenance: A New Hampshire collection.  
Estimate $100-150          

374. Taxidermy – White Blesbuck Back Hide, untanned. Provenance: A New Hampshire collection.      
Estimate $50-75           

375. Taxidermy – Blesbuck Cape & Horns, horns measure 16”. Provenance: A New Hampshire collection.
Estimate $100-150           

376. Taxidermy – Steenbok Full Mount Cape & Horns, hide not tanned, horns measure 4 ½”long. Provenance: A New Hampshire collection.
Estimate $100-150           

377. Taxidermy – Gems Buck Cape & Horns, hide is not tanned, horns measure 33 ½”. Provenance: A New Hampshire collection.
Estimate $175-200           

378. Chromolithograph of a painting by ,”A.F. Tait, 1861,” depicting deer & quail, 9 ¾” x 13 ¾” sight, nicely framed & matted under glass. Provenance: A Washington state collection.
Estimate $50-100  

379. Frederick Sackrider Remington, 1961-1909, American, lithograph of a cowboy on a rearing horse, from a 1894 watercolor, signed lower left Frederick Remington, copyright 1894, “Harper Bros.,” 15 ¾” x 12 ¾” framed & matted under glass, some water damage. Prov: a Dublin , NH estate.
Estimate $100-200             

380. Terry Ridlin, 20^th century American print, “Together For The Season,” an open edition color   print signed in pencil by the artist, “Terry Ridlin,”, 14” x 24” image size, on a foam core backing then shrink wrapped for display. Provenance: A New Hampshire collection.
Estimate $100-200            

381. Taxidermy – White Tail Buck, 3 point trophy mount, 24” long including the 6 ½” long horns. Provenance: A New Hampshire collection.
Estimate $75-100

382. Firearm – “POS Pride Of Spain ,” Double Barrel 12Ga. Shotgun with double triggers and 29.75” barrels. Imported by “Sloans, S.G. Co., New York , NY , serial #80448. Provenance: Weston, MA & Jaffrey , NH , estate.          
Estimate $200-300           

383. Firearm – “Universal Double Wing,” 2105 12Ga. 26” double barrel, double trigger shotgun with 26” barrels. Imported by “Universal Corp. Hialea, FL, serial #50792. Provenance: Weston, MA & Jaffrey , NH , estate.      
Estimate $200-300           

384. Firearm – “Rohm GMBH Sontheim/BR .22lr caliber chrome plated revolver with a blued barrel & cylinder, 2.25” barrel, made in germany serial #582862. Provenance: Weston, MA & Jaffrey , NH , estate.
Estimate $50-100           

385. Firearm – Japanese Arisaka Rifle with bayonet & chrysanthemum cartouche intact on receiver. Provenance: Weston, MA & Jaffrey , NH , estate.
Estimate $150-250

386. Firearm – “O.F. Mossberg & Sons, Inc.” model, “M42B, .22 S-L-LR,” 22 ½” barrel with a full walnut stock with cheek rest, target sights & mounted with a vintage scope. Provenance: Weston, MA & Jaffrey , NH , estate.
Estimate $200-300

387. R.E. Goodier, 20^th century American, lot of 4 prints, pencil signed and numbered by the artist, A – “Gentle Friends,” 454/500. B - “Ring Necked Pheasants,” 312/500.” C – “Bob White Quail,” 254/500. D – “Ring Necked Pheasants,” 311/500. All images measure 12” High x 16” wide. Provenance: A New Hampshire collection.
Estimate $200-300

388. Taxidermy – King Salmon Trophy Mount, 38” long. Provenance: A southern New Hampshire collection.
Estimate $75-100                    

389. Modern Open Top Gun Cabinet in a faux old red paint, 70 ¾” high x 48” wide x 19” deep. Provenance: A southern New Hampshire collection.
Estimate $150-200      

390. Vintage Ammunition – 8 x 25 round “Monark Shot shells,” in 20Ga. by “Federal Cartridge Corp., Minneapolis , USA . Provenance: A New Hampshire collection. Estimate $80-100

391. Vintage Ammunition – Two 50 round boxes of 9mm ammo. A – Remington, “Kleanbore.” B – Winchester , “Full Patch.” Provenance: A Southern collection.  Estimate $20-30     

392. Vintage Ammunition – Three boxes of .32 “Smith & Wesson,” rounds. A – “Peter’s Rustless.” B - Winchester .32, “Center Fire Cartridges.” C – “The Union Metallic Cartridge Co., Central Fire Cartridges.” Provenance: A Southern collection.           
Estimate $20-30    

393. Vintage Ammunition – 1 x 50 round box of “.25 -20 Winchester Full Patch, Centre Fire, Smokeless Cartridges for Winchester Repeating arms Model 92.” Box appears to be full, but carton is damaged & wrapped in masking tape. Prov: A Southern collection.
Estimate $30-40            

394. Vintage Ammunition – Full box of 20, “Peters Rustless 45-70 Government, 405 Grain Soft Point Bullet,” cartridges. Provenance: A Southern collection. 
Estimate $30-40  

395. Vintage Ammunition – 3 x 25 round cartons of 20 Ga. ,“Winchester Super Speed, Shotgun Shells, Super Seal Crimp.” Provenance: A Southern collection.
Estimate $10-20   

396. Vintage Ammunition – 3 boxes of shotgun shells. A – 25 round carton of 2 ¾ “ 2 Ga. ,”Peter’s           high velocity Rustless.” B – 24 round carton of 2 ¾” 16 Ga. ,”Western Xpert Super Target Load,”    & C – 25 round carton of 2 ¾” 16 Ga. , “Peter’s Victor Field Loads.” Provenance: A Southern collection.
Estimate $30-40         

397. Vintage Ammunition – Lot of 4 cartons. A – 50 round carton of “Remington 38 S & W.” B – 50       round carton of “Winchester 32 Automatic.” C – 20 round carton of, ”Remington Powr-Lokt, 22/250.” D – 20 round carton of, “Olin Super X 30-30 Winchester.” Provenance: A Southern collection.
Estimate $30-40        

397A. Vintage Ammunition – Box lot of loose 16Ga. & 12Ga. paper shot shells & several empty vintage      ammo. Cartons including, “Peter Rustless 12 Ga.” & “Monark Shot Shells.” Provenance: A Southern collection.
Estimate $10-20                                                           

398. Ammunition – 3 boxes of 30-30 ammo. Provenance: A southern New Hampshire collection.
Estimate $10-20                          

399. Ammunition – Box lot of 8 cartons of 16 Ga. shotgun shells & 1 box of 12 Ga. shot shells.Provenance: A southern New Hampshire collection.
Estimate $40-50                       

400. Misc. Sporting Related – A box lot including a vintage shotgun cleaning kit and a vintage trap thrower. Provenance: A Southern New Hampshire collection.
Estimate $15-25    

401. Taxidermy – Kudu Trophy Mount, Kudu is 58” high, horns 46” long. Provenance: A New Hampshire collection.
Estimate $400-500                                   

402. Fishing – Lot of Vintage Fishing Lures, many in their  in their original boxes, including: ”Heddon,” “Helin Tackle Co.,” & more. Provenance: A southern New Hampshire collection.
Estimate $50-75                                               

403. Fishing – Bamboo Rd, “Montague Flash,” split bamboo rod, 8’5”, 3 section medium trout rod, with 2 tips, like new in it’s original tube. Provenance: A Weston, MA & Jaffrey , NH collection.
Estimate $100-150                       

404. Fishing – Bamboo Rod, 7’5”, “Bob Smith Special,” bamboo trout rod in slip case. Provenance: A Weston, MA & Jaffrey , NH collection
Estimate $75-100       

405. Fishing – Lot of 4 Bamboo Rods in various conditions. Provenance: A Weston, MA & Jaffrey , NH collection.
Estimate $50-100                                   

406. Fishing – Lot of 2 small wicker Fishing Creels & a wooden crate marked, “Deposit $3.00.” Provenance: A Southern NH collection.
Estimate $10-20        

407. David Lanier, 20^th century, American, limited edition colored lithograph, “Plantation Pond       Covey,” pencil signed & numbered by the artist, “David Lanier, 930/1000, 18” x 24” sight. Wonderfully matted & framed under glass. Provenance: A New Hampshire & New York collection.
Estimate $400-500

408. Working Decoys – Lot of 6 Bluebill Hens & Drake decoys (4 drake & 2 hens), made by the well known decoy maker Al,”Mr. Decoy,” McCormick,” of Long Island , NY . Provenance: A New Hampshire collection.
Estimate $300-400                                  

409. F.M. Spiegel, 20^th century American, color print, “A New Hampshire Thrill, The Old Thrill,” 16 ¾” x 24 ¾” sight, framed behind glass. Provenance: A Weston, MA & Jaffrey , NH collection.
Estimate $100-125                                   

410. Snow Shoes – Pair of early 20^th century hand made snow shoes with a gut weave platform. Provenance: A Weston, MA & Jaffrey , NH collection.
Estimate $50-100

411. Sleigh Robe, early 20^th century New Hampshire Red Fox Sleigh Riders Blanket/Robe. Fully hand stitched, double felt backing with hand cut scalloped edge design. Fur is in superb condition, 52” x 59”.
Estimate $150-250

412. Sleigh Robe – early 20^th century, New Hampshire , black bear skin sleigh robe/blanket. Hand stretched black bear fur on a double layered felt over cotton cloth backing with a decorative hand cut saw tooth edge, 55” x 70”. Provenance: A New Hampshire collection.
Estimate $100-200 

413. Books & Ephemera – Box lot of hunting, fishing & sporting related books, magazines & newspapers.
Estimate $30-60           

414. Decoy – 20^th century carved wood decoy in distressed paint, 18” long.
Est. $50-75

415. Firearm – “US Springfield 1873, trap door rifle, US model 1878, serial #375828”. Rifle stock has been sporterized; barrel measures 31” long. Provenance: A Weston, MA & Jaffrey , NH collection.
Estimate $300-400                   

416. Firearm - .410 Ga. double barrel shotgun, serial #5564, with double triggers made by, “Jing An,” of china. Barrels are 20” in length & stocks are made of walnut. Provenance: A Weston, MA & Jaffrey , NH collection.
Estimate $125-175  

417. Firearm – “Stevens, Savage Arms Corporation,” model 940 in 12 Ga. with a 2 ¾” chamber & a 24” barrel mounted with a walnut stock. Provenance: A Weston, MA & Jaffrey , NH collection.
Estimate $100-150    

418. Decoy – Hollow body Mallard Drake with glass eyes, newer repaint, broken at neck & re-glued, 15” long.
Estimate $150-250  

419. Remington Advertising – “Whatever You Shoot, Be Sure It’s Remington,” lithographed tin advertising sign for Remington “Express” and “Shur Shot”, shotgun ammunition, 22” high x 18” wide. Provenance: A Massachusetts collector.
Estimate $100-150  

420. Vintage Ammunition Crates – Lot of 3 ; “Western Export,” smokeless shot shells, “Remington “Shur Shot,” 16 Ga. shot shells and “Peter’s Victor,” 12 Ga. shot shells. Provenance: A New Hampshire collection.
Estimate $120-160  

421. Vintage Ammunition Crates – Lot of 5, “Remington Shur-Shot,” 12 Ga. , “Remington Express,” 20 Ga. , 2-“Remington Cartridge with Kleanbore,” 30-06 “Springfield and a “Winchester Small Arms Ammunition,” metallic cartridges, 7mm Mauser. Provenance: A New Hampshire collection.         
Estimate $120-170   

422. Taxidermy – Deer Leg Table Lamp, lamp base measures 11 ½” high. Provenance: A New Hampshire collection.
Estimate $40-60    

423. Taxidermy – Deer Hoof Coat Rack, with an oval mirror, 39” wide. Provenance: A New Hampshire collection.
Estimate $40-60   

424. Antler Art Mirror – Antler framed mirror, 27” high. Provenance: A New Hampshire collection.          
Estimate $40-75         

425. Taxidermy – Trophy  7 pt. White Tail Buck Mount, antlers have a 16” spread. Provenance: A New Hampshire collection.
Estimate $120-160     

426. Table Lamps – Pair of carved & hand painted quail table lamps, each 7” high. Provenance: A Washington state collection.
Estimate $100-175     

427. Working Decoys – Lot of 6 Bluebill Drake Decoys by the well know decoy maker Al, ”Mr. Decoy,” McCormick of Long Island, New York. Provenance: A New Hampshire collection.
Estimate $300-400       

428. Working Decoys – Lot Of 5 Mallard Hen Decoys by the well know decoy maker Al, ”Mr. Decoy,” McCormick of Long Island, New York. Provenance: A New Hampshire collection.     
Estimate $275-375      

429. Firearm - Black Powder – Lot of 2 Black Powder Handguns; a .54 cal. side lock pistol & a copy of a Colt Navy revolver, both made in Italy . Provenance: A Weston, MA & Jaffrey , NH collection.
Estimate $300-400              

430. Firearm - Black Powder Revolver with a brass receiver, made in Italy . Provenance: A Weston, MA & Jaffrey , NH collection.        
Estimate $300-400                  

431. Firearm – “Neumann  Bros. Machine made, “double barrel, double trigger, pin fire black powder shotgun. Barrel reads, “Belgium Laminated Steel,” 27 ¼” long, serial #7476 on the barrel & #8880 on the receiver. Provenance: A Weston, MA & Jaffrey , NH collection.
Estimate $200-300       

432 . Decoys – Lot of 6 mallard Hen decoys by the well know decoy maker Al, ”Mr. Decoy,” McCormick of Long Island, New York. Provenance: A New Hampshire collection.
Estimate $350-400.     

433. Taxidermy – Ring Neck Pheasant Trophy Mount, mounted on bark for hanging, 31” long.
Estimate $25-45                      

434. Taxidermy – Ring Neck Pheasant Trophy Mount of male & hen, mounted on driftwood, 49” long.            
Estimate $25-50            

435. Taxidermy – Canadian Goose Trophy Mount, mounted on driftwood in flight position, 45” wing span.
Estimate $25-50

436. Taxidermy – Lot of Moose Horns.
Estimate $50-75   

437. Taxidermy – Lot of misc. Horns.        
Estimate $50-75  

438. Taxidermy – Lot of 4 Mounted Horns on wooden plaques.
Estimate $75-125.   

439. Taxidermy – Box lot of misc. Horns. 
Estimate $75-125         

440. Decoys – Lot of 4 modern, unused canvas back “Fowl Fooler,” decoys.
Estimate$100-125

441. Decoys – Box lot of 8 modern, unused canvas back “Fowl Fooler,” decoys.
Estimate $125-175

442. Decoys – Lot of 4 modern, unused canvas back “Fowl Fooler,” decoys.
Estimate $100-150

443. Traps – Lot of 4 steel jaw traps, 2 are “V” Victor, all approximately 18 ¼” long.

444. Traps – Box lot of 6 steel jaw traps, all approximately 10” long.
Estimate $75-150   

445. Traps – Box lot of 12 steel jaw traps, 2 “V” Victor, all approximately 6 ½” long.

446. Traps – Box lot of misc. steel jaw traps, including 2 “Triumph Kangaroo #2 Jump Traps.         
Estimate $120-140          

447. Traps – Box lot of 4 steel jaw traps, 1 “V” victor, approximately 11 ½” long.
Estimate $40-60

448. Fishing – Misc. fishing lot includes 3 spinning rods, “Shimano” with matching reel, “Apollo,” “Shakespeare,” “Ugly Stik,” & 1 “Pflueger’” fly rod, 2 other reels, 3 nets etc.
Estimate $20-30           

449. Wooden 5 position Gun Rack, 42” high x 22 ¼” wide.
Estimate $20-40