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This sale is from the collection of David Cheney who was the founder
of a NH Holocaust museum called “Crossing the Wire” which later was
downgraded to a travelling exhibition due to the crippling cost of
running the museum. A brief biography of David is listed below which
we encourage anyone with interest in this sale to read. Everything
in the sale came from his collection and is being sold without
reserve. Nothing will be passed or ‘bought in’. Some
historically unique items from the collection will be donated along
with a final monetary donation in David Cheney's name to the United
States Holocaust Memorial Museum in Washington, D.C.
Click Below on the "Enter the Sale" button to see the catalog and
items in the sale.
We (the auction house) would like to make it clear that the items
being sold in this sale are historic items. The first
collectors of WWII items generally were US and Allied forces taking
them in the context of “spoils of war”. In no way does this sale
glorify Nazi Germany. The auction house took efforts to list any
individuals and identifying information on documents and letters to
assist anyone who may have a personal interest in those items. In
the event the items sell and an individual finds a document of
interest after the sale we promise to contact the buyer requesting
their permission to be contacted by the interested party. We do
however protect the privacy of all of our buyers and therefore can
not guarantee the ability to provide that information. The
consignor/collector of these items believed strongly in documenting
the atrocities of the Holocaust and spent years researching and
creating displays for his museum which are a testimony for his
passion for the history and the tragedy.
For
more information about David's Museum and an article from the AP
from 1997 click here http://archive.southcoasttoday.com/daily/01-97/01-12-97/a03sr020.htm
and a reference to an interview he did with NH public radio
http://www.nhpr.org/node/330

DAVID
CHENEY
David D. Cheney (1943-2007) traced his interest in World War II to a high
school history course where he wrote a paper on Adolf Eichmann.
Cheney was not an exemplary student -- his passions tended more
toward drag racing than academics -- but what intrigued him was the
nervousness the subject of the Holocaust provoked in suburban
Massachusetts at that time. The detail he repeatedly cited years
later was that his history teacher sent a permission slip home to
all the parents in Cheney's class, in case any of them didn't want
their sons or daughters to hear the presentation.
What
began as a rebellious and mischievous act soon grew into an
obsession. The more he learned, the more amazed and angry Cheney
grew at the silence and nervousness he saw around him. He read book
after book, but he also began spending whatever spare money he had
on something other than car parts and Elvis records: He began
collecting artifacts.
Being a
person who preferred the hands-on and practical over the academic
and theoretical, Cheney appreciated the power of artifacts to evoke
reality. He could never fully explain his desire to keep expanding
his collection, but he frequently returned to one central idea:
these things are evidence. He often told his son, "If anybody ever
tells you the Holocaust never happened, tell them they're wrong.
I've got the proof."
Collecting these items in the 1960s and 1970s required skill,
knowledge, connections, and, more than anything else, luck. When he
opened his gun shop, New Hampshire Ordnance, in 1973, Cheney found
his access to sources for the artifacts grew. His advertisements
all included requests for militaria, and he frequently put pieces of
the collection he was willing to part with for sale in the shop.
Over the years, his reputation for encyclopedic knowledge and
honesty grew, and he built a large network of veterans and
collectors who were able to supply him with items.
By the
early 1980s, Cheney had grown dissatisfied with keeping his
collection hidden from public view. He built an annex to the gun
shop, The World War II Military Museum, and offered visitors the
chance to see a portion of the collection. As the gun business
flourished in the late 1980s, Cheney needed the museum space for the
shop again, but he hoped the need was temporary.
In
1994, Cheney and his son traveled to Europe for the 50th anniversary
commemoration of the Normandy invasions. They were some of the only
people on their tour who were not D-Day veterans. They visited most
of the landing sites and attended the official ceremonies on Omaha
Beach on June 6th (sitting closer to the stage than did a U.S.
Congressional delegation that included Robert Dole, Joe Biden, John
Kerry, and Patrick Leahy). It doesn't get more hands-on than
sitting amidst veterans fifty years to the day after they had first
arrived at that very place. Talking with them, hearing their
stories, explaining his own interest in the era, Cheney determined
to share his passion in a new and more profound way.
By the
mid-1990s, Cheney had grown weary of the gun business, and the trip
to Normandy helped him decide to act on his long-held desire to
build a proper museum for his collection. He refurbished the shop
entirely and created “Crossing the Wire: A Museum of the
Holocaust”. He spent months designing the exhibits, searching for
just the right lighting, choosing the sounds that would fall like
ghosts from speakers in the ceiling (the sounds of old radio
broadcasts, of speeches, of scratchy records). The effect was
breathtaking, and visitors repeatedly remarked at the overwhelming
power of all he had accomplished in a small space.
Rural New
Hampshire is hardly an ideal spot for a Holocaust museum, however,
and visitors were slow to a rrive.
Cheney was nervous about advertising the museum, afraid people would
misunderstand his purpose or consider him a neo-Nazi. As irrational
as he knew his fears to be, a part of him remained afraid his
presentation needed a permission slip. Despite having spent so much
of his income over the years amassing the collection, despite having
risked his financial security to build the museum, he was reluctant
to charge visitors even the five or six dollar entrance price --
indeed, he let anyone who showed particular interest in for free.
Crossing
the Wire stayed open for less than a year, as Cheney could not
afford to continue. (In fact, he would not live to pay off the
debts he accrued in creating the museum.) Even if he could not
sustain it, though, he had built his dream. He re-opened New
Hampshire Ordnance, returning to the business he knew best so he
could regain an income. He did not give up his desire to use his
collection for educational purposes, though. He developed a
portable version of the museum and brought it to schools throughout
New England.
David
Cheney spent a lifetime building his collection, and he would want
it to end up with people who can understand his passion and, indeed,
his obsession -- an obsession for evidence; an obsession to document
and delineate a tangible, terrible reality.
More than anything else, this collection stands as a testament to one man's
determination that, indeed, we must preserve the evidence from the
great crimes of the 20th century so that future centuries cannot
dismiss those crimes as myths or legends. We remember the past to
give hope to the future.
Some historically unique items from the collection will be donated
along with a final monetary donation in David Cheney's name to the
United States Holocaust Memorial Museum in Washington, D.C., his
favorite of all the many museums he visited, a museum that seemed to
him to reach his ideal of how the Holocaust should be remembered. |