Sporting Art

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Lot Number and Description	Images and Close-ups
302. Chet Reneson, B. 1934, Connecticut, watercolor on paper, “Upland Grouse Shooting,” signed lower right, “Reneson, ’98,” 17½” x 28” sight, framed & double matted under glass. Provenance: Important local sporting collection, purchased directly from the artist. Estimate $3,500-5,000
303. Chet Reneson, watercolor on paper, “Fly Fishing From a Canoe,” signed lower right, “Reneson,’99,” 17 3/4” x 28” sight, framed & double matted under glass. Provenance: Important local sporting collection, purchased directly from the artist. Estimate $3,500-5,000
304. Chet Reneson, watercolor on paper, “Maine Land Locked Salmon Fishing,” signed lower right, “Reneson,” 17 3/4” x 28”, framed & double matted under glass. Provenance: Important local sporting collection, purchased directly from the artist. Estimate $3,500-5,000
307. Frank Weston Benson, 1862-1951, Massachusetts, etching, “Winter Wild Fowling,” pencil signed in margin lower left, “Frank W Benson,” 1927, edition of 150, PAFF #265, 11 7/8” x 9 7/8” sight. Archival quality matted & framed under glass. Provenance: A New Hampshire collection. Estimate $10,000-12,000
308. Philip Brown Parsons, 1895-1977, American, pair of watercolor on paper hunting scenes of men hunting with their setters, 14” x 21” sight, framed & matted under glass, not examined out of the frame. Provenance: A New Hampshire Collection. Estimate $850-1,000
310. Charles “Chippy” Chase, 1908-1998, Brunswick, ME, Elmwood carving of 2 American Avocets among the reeds on an oval base, 17” wide x 20” tall, crack on 1 avocet. Comes with a custom made carrying case. Provenance: A Maine collection. Estimate $5,000-10,000
321. Terry Redlin, 20th century, American, large folio, limited edition colored lithograph titled, “Morning Solitude,” pencil signed in the lower right hand margin, “Terry Redlin,” numbered in pencil lower left margin “2,687/12,107”, 19½” x 32” sight, framed & matted under glass, includes certificate of authenticity. Provenance: A New Hampshire collection. Estimate $900-1,000
322. Dan Radovich, 20th century, New Mexico, pair of limited edition lithographs, each is pencil signed titled & numbered by the artist: A – “The Covey,” 220/500, 13 ½” x 11”. B – “The Departing,” 261/500, 13½” x 11¼”. Both framed & matted under glass with certificates of authenticity. Provenance: A New Hampshire collection. Estimate $100-200
323. D. Noel Smith, 20th century American, pair of limited edition lithographs, each is signed titled & numbered in pencil by the artist. A – “Death Lock,” 204/500, 11” x 11” sight. B - “Challenging,” 11/925, 12½” x 11½” sight. Both framed & matted under glass with certificates of authenticity. Provenance: A New Hampshire collection. Estimate $100-200
324. Two Limited Edition Color Prints, used for NH Migratory Waterfowl Stamps. Both are pencil signed by the artist, framed & matted under glass with their respective NH Waterfowl Stamps. A – 1983, “CE 230/250,” illegible signature. B – 1984, “265/5,507, Thompson Phillip Crowe, NA.” Provenance: A New Hampshire collection. Estimate $100-200
335. Terry Redlin, 20th century, American, open edition colored lithograph titled, “Prepared For The Season,” , 14” x 24” sight, framed & matted under glass. Provenance: A New Hampshire collection. Estimate $200-300
336. Rick Kelley, 20th century American, limited edition colored lithograph, signed & numbered in pencil, “397/750, Kelly,” 16” x 24”, framed & matted under glass. Provenance: A New Hampshire collection. Estimate $200-300
337. Terry Redlin, large folio, limited edition color lithograph, “Master Of The Valley,” pencil signed & numbered, “1274/1600, Terry Redlin,” 18 ½” x 32” sight, framed & matted under glass. Provenance: A New Hampshire collection. Estimate $900-1,200
362. Peter Corbin, 20^th century, American, very low edition numbered artist proof color print, “Easing Them Out,” numbered & signed in pencil, “artist proof 8/25, Peter Corbin,” 21” x 18” sight, framed & matted under glass. Provenance: A New Hampshire collection. Estimate $200-300
363. Terry Ridlin, 20^th century American, lot of 3 colored lithographs: A - “Silent Sunset,” scene of a small flock of Canadian geese, “Honkers.” B – “Best Friends,” scene of a hunter looking thru his binoculars with his dog by his side. C – “Hunter’s haven,” of a hunting cabin. All aprox. 10 ½” x 18 ¼” sight, framed & matted under glass. Provenance: A New Hampshire collection. Estimate $300-600
364. Stephen Lyman, 1957-1996, Idaho , large poster of a winter landscape, “A Walk In The Woods,” 35 ¾” x 25 ¾” sight, framed & matted under Plexiglas. Provenance: A New Hampshire collection. Estimate $200-300
365. Set Of Two Continental Hunting Prints, one of an interior scene & the other by the house entrance, matching wooden frames, 19 x 14 ½” sight, under glass, early 20^th century. Estimate $200-400
366. Samuel Frances Abbott, early 20^th century British, colored lithograph, “To The Society Of Goffers at Blackheath,” 20” x 14 ¼”. Framed & matted under glass, not taken out of the frame. Prov: A Cooperstown , NY collection. Estimate $200-400
378. Chromolithograph of a painting by ,”A.F. Tait, 1861,” depicting deer & quail, 9 ¾” x 13 ¾” sight, nicely framed & matted under glass. Provenance: A Washington state collection. Estimate $50-100
379. Frederick Sackrider Remington, 1961-1909, American, lithograph of a cowboy on a rearing horse, from a 1894 watercolor, signed lower left Frederick Remington, copyright 1894, “Harper Bros.,” 15 ¾” x 12 ¾” framed & matted under glass, some water damage. Prov: a Dublin , NH estate. Estimate $100-200
380. Terry Ridlin, 20^th century American print, “Together For The Season,” an open edition color print signed in pencil by the artist, “Terry Ridlin,”, 14” x 24” image size, on a foam core backing then shrink wrapped for display. Provenance: A New Hampshire collection. Estimate $100-200
387. R.E. Goodier, 20^th century American, lot of 4 prints, pencil signed and numbered by the artist, A – “Gentle Friends,” 454/500. B - “Ring Necked Pheasants,” 312/500.” C – “Bob White Quail,” 254/500. D – “Ring Necked Pheasants,” 311/500. All images measure 12” High x 16” wide. Provenance: A New Hampshire collection. Estimate $200-300
407. David Lanier, 20^th century, American, limited edition colored lithograph, “Plantation Pond Covey,” pencil signed & numbered by the artist, “David Lanier, 930/1000, 18” x 24” sight. Wonderfully matted & framed under glass. Provenance: A New Hampshire & New York collection. Estimate $400-500
409. F.M. Spiegel, 20^th century American, color print, “A New Hampshire Thrill, The Old Thrill,” 16 ¾” x 24 ¾” sight, framed behind glass. Provenance: A Weston, MA & Jaffrey , NH collection. Estimate $100-125